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Książki na temat „Fashion Group”

Autor: Grafiati

Data publikacji: 26 lipca 2024

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1

National Institute for Occupational Safety and Health., ed. Fairchild Fashion & Merchandising Group New York, New York. U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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2

Sylvain, David C. Fairchild Fashion & Merchandising Group New York, New York. U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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3

Sylvain, David C. Fairchild Fashion & Merchandising Group New York, New York. U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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4

Sylvain, David C. Fairchild Fashion & Merchandising Group New York, New York. U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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5

Sylvain, David C. Fairchild Fashion & Merchandising Group New York, New York. U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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6

Passion is a fashion: The real story of The Clash. Da Capo Press, 2004.

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7

Gilbert, Pat. Passion is a fashion: The real story of the Clash. Aurum, 2004.

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8

Gradén, Lizette, and Magdalena Petersson McIntyre. Modets metamorfoser: Den klädda kroppens identiteter och förvandlingar. Carlssons, 2009.

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9

Aragoni, Guiseppe. The Gucci group: How global strategies can apply to the fashion world. LCP, 2001.

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10

Fashion, culture, and identity. University of Chicago Press, 1994.

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11

Fred, Davis. Fashion, culture, and identity. University of Chicago Press, 1992.

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12

Keeping up appearances: Fashion and class between the wars. Sutton, 2006.

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13

Horwood, Catherine. Keeping up appearances: Fashion and class between the wars. Sutton, 2005.

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14

Moncada, Valentina, and Johnny Moncada. Johnny Moncada, Gastone Novelli, Achille Perilli: Made in Italy, una visione modernista : fotografia, moda, arte, design, Roma 1956-1965. SilvanaEditoriale, 2014.

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15

The man from Zara: The story of the genius behind the Inditex Group. LID, 2012.

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16

Jestratijević, Iva. Studija mode: Znaci i značenja odevne prakse. Orion Art, 2011.

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17

Bracewell, Michael. Re-make, re-model: Art, pop, fashion and the making of Roxy Music, 1953-1972. Faber and faber, 2007.

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18

Artsrunik, Nicholas, ed. Kate Moss: Sex, Drugs and a Rock Chick. Artnik, 2009.

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19

Rabinowitz, Paula. Exchanging clothes: Habits of being 2. University of Minnesota Press, 2012.

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20

Zakharova, M. S. Zara (Inditex Group): It's core competencies and analysis of potential methods of entry into the UK high street fashion retail market. Oxford Brookes University, 1998.

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21

Speed, Chicks on. It's a project. Booth-Clibborn, 2004.

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22

Division, San Francisco (Calif ). Office of the Controller City Services Auditor. Board of Supervisors: Political activity audit : Tigresse Fashion, LLC. Office of the Controller, 2006.

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23

Schulz, Susanne. The Function of fashion and style in the formation of self-help and group identity in youth subcultures with particular reference to the teddy boys. University of Manchester, Department of Sociology, 1998.

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24

Division, San Francisco (Calif ). Office of the Controller City Services Auditor. Board of Supervisors: Political activity audit : The Allen Group, LLC. Office of the Controller, 2006.

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25

Ternovaya, Lyudmila. Vestimentary code of international communication. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1206679.

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The monograph reveals the features of vestimental, i.e. related to clothing, a person's choice that determines the nature of his communication with other people. These actions may be dictated by a person's national, social, professional, gender, or other group affiliation. At the same time, clothing that has its own fashion language can help decipher the most intricate social and political symbols and thus clarify complex situations in international relations. Many meanings of power and subordination, war and peace, labor and celebration are transmitted through clothing. Times change, and with them not only mores change, but also the understanding of the purpose of fashion. Today, it is able to Express environmental values and implement charitable projects. It is intended for specialists in the history of international relations, geopolitics, sociology, and cultural studies. It will also be of interest to a wide range of readers.

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26

Division, San Francisco (Calif ). Office of the Controller City Services Auditor. Board of Supervisors: Triage Consulting Group did not use City funds for political purposes. Office of the Controller, 2007.

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27

Shades Of Fortune: ''The New York Times #1 Bestselling Author''. 9th ed. Jove Publications: The Berkley Publishing Group, by arrngmt w/Little, Brown and Company, Inc., 1992.

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28

Birmingham, Stephen. Shades of fortune. Headline, 1989.

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29

Birmingham, Stephen. Shades of fortune: A novel. G.K. Hall, 1990.

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30

Shades of fortune: A novel. Little, Brown, 1989.

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31

Cabrall, Mary Lynn. Nudie the Rodeo Tailor: The Life and Times of the Original Rhinestone Cowboy. Gibbs Smith, 2004.

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32

Hedayat Munroe, Nazanin. Sufi Lovers, Safavid Silks and Early Modern Identity. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721738.

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This book examines a group of sixteenth- and seventeenth-century figural silks depicting legendary lovers from the Khamsa (Quintet) of epic Persian poetry. Codified by Nizami Ganjavi in the twelfth century, the Khamsa gained popularity in the Persian-speaking realm through illustrated manuscripts produced for the elite, creating a template for illustrating climactic scenes in the love stories of “Layla and Majnun” and “Khusrau and Shirin” that appear on early modern silks. Attributed to Safavid Iran, the publication proposes that dress fashioned from these silks represented Sufi ideals based on the characters. Migration of weavers between Safavid and Mughal courts resulted in producing goods for a sophisticated and educated elite, demonstrating shared cultural values and potential reattribution. Through an examination of primary source materials, literary analysis of the original text, and close iconographical study of figural designs, the study presents original cross-disciplinary arguments about patronage, provenance, and the socio-cultural significance of wearing these silks.

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33

Gilbert, Pat. Passion Is a Fashion. Aurum Press Ltd, 2004.

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34

Gilbert, Pat. Passion Is a Fashion. Quarto Publishing Group UK, 2009.

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35

Gilbert, Pat. Passion Is a Fashion. Aurum Press Ltd, 2005.

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36

Gilbert, Pat. Passion Is a Fashion: The Real Story of the Clash. Quarto Publishing Group UK, 2011.

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37

Gilbert, Pat. Passion Is A Fashion: The Real Story of The Clash. Da Capo Press, 2005.

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38

Gilbert, Pat. Passion Is a Fashion: The Real Story of the Clash. Quarto Publishing Group UK, 2011.

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39

Horwood, Catherine. Keeping up Appearances: Fashion and Class Between the Wars. History Press Limited, The, 2011.

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40

Horwood, Catherine. Keeping up Appearances: Fashion and Class Between the Wars. History Press Limited, The, 2011.

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41

RE-MAKE, RE-MODEL: ART, POP, FASHION AND THE MAKING OF ROXY MUSIC, 1953-1972. FABER AND FABER, 2007.

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42

Totems en trends: Over zin van identificatiesymbolen. Gooi en Sticht, 1988.

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43

LZD. Fashion Sketchbook Figure Templates: This Fashion Book Contains a Group of Beautiful Women That Will Provide Hours of Stress Relief Through Creative Expressions. Independently Published, 2021.

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44

O'Shea, Covadonga. Man from Zara: The Story of the Genius Behind the Inditex Group. LID Publishing, 2020.

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45

James, Pearson. Elves Group the Fashion Designer Elf Christmas Notebook Notes / 130 Pages / Large 8. 5''x11''. Independently Published, 2021.

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46

Alford, Holly Price. Who’s Who In Fashion. 7th ed. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9781501373466.

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The 7th Edition of Who’s Who in Fashion captures the energy, drama, excitement, and diversity of the luminaries working in the world of fashion. This lushly illustrated book features profiles of fashion legends as well as newcomers who make up the rich tapestry of the fashion industry, spanning designers, photographers, costume designers, writers/editors, illustrators, companies, accessory designers, makeup/cosmetic specialists, and fashion conglomerates. This new edition includes over 400 profiles, 90 of which are new, and 820 images, making this a must-have reference for fashion students, historians, costume curators, and fashion enthusiasts alike. New Profiles Virgil Abloh, Haider Ackermann, Adidas, Adnym, AEFFE, Mike Amiri, Imran Amed, Jonathan Anderson, Paul Andrew, Rosie Assoulin, Kevyn Aucoin, Brendon Babenzien (Noah), BCBGMAXAZRIA, Ritu Beri, Christopher Bevans (DYNE), Blair Breitenstein, Bobbi Brown, Sarah Burton, Giuliano Calza, Ruth Carter, Maria Grazia Chiuri, Moon Choi, Clo 3D, Condé Nast, Peter Copping, Carly Cushnie, Drew Elliot, Edward Enninful, Erdem, Fenty, Ronnie Fieg (Kith), Nicola Formichetti, Furla, Alexander Fury, Mansur Gavriel, H&M, Han Chong (Self-Portrait), Tinker Hatfield, Aurora James, Bouchra Jarrar, Kerby Jean-Raymond (Pyer Moss), James Jebbia (Supreme), Claire Keller, Kering, Laura Kim (Monse), Nick Knight, Loewe, Jerry Lorenzo (Fear of God), LVMH, Brandon Maxwell, Laura Mercier, Alessandro Michelle, MISBHV, Bibhu Mohapatra, Samira Nasr, Irene Neuwirth, Nigo (BAPE), Nike, Noon by Noor, Opening Ceremony, OTB Group, Guo Pei, Heron Preston, Public School, PVH Corp., Richemont, Patrick Robinson, Martine Rose, Olivier Rousteing, Miles Socha, Franca Sozzani, Stüssy, Superdry, Zang Toi, Uniqlo, The Vampire’s Wife, Iris van Herpen, VF Corporation, Rhuigi Villaseñor (Rhude), Junya Watanabe, Wooyoungmi, Y/Project, Lynn Yaeger, ZARA, Ermenegildo Zegna

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47

Simon, Gleeson. Part VI Bank Group Supervision, 26 Cross-Border Supervision of Bank Groups. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198793410.003.0026.

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This chapter discusses the cross-border supervision of banks. A currently popular method is ‘colleges’ of supervisors. The basic idea is that in order to regulate an international bank you convene a meeting of all of the regulators who regulate different parts of that bank (in jurisdictions which have different regulators for different financial activities there may be several regulators present from one jurisdiction), and discuss in a concerted fashion the progress and performance of the bank as a whole. However, the main problem with this approach is the conflicting views stemming from the different priorities of different regulators, driven generally by national considerations. The EU has adopted a lead supervisor approach in which a single supervisor is appointed as responsible for overseeing the affairs of any group which straddles more than one member state. Since the EU architecture does not, by and large, give national supervisors any actual powers outside their home jurisdictions, the role of EU lead supervisor is broadly confined to consolidated supervision.

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48

Paris refashioned, 1957-1968. 2017.

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49

Wright, Anthony. Roblox: Create a Famous Clan, Fashion Group, Cafe or Following! Also Contains a Bonus Roblox Guide Guide! Independently Published, 2018.

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50

Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing. University Of Chicago Press, 2000.

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