Gotowe bibliografie tematyczne / Fabric in fine art

Gotowa bibliografia na temat „Fabric in fine art”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "Fabric in fine art"

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Jackson, Anne. "Contemporary Textiles: The Fabric of Fine Art, Nadine K. Monem (ed.)". TEXTILE 11, nr 1 (marzec 2013): 102–5. http://dx.doi.org/10.2752/175183513x13588738655052.

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Graßmann, Carsten, Evelyn Lempa, Maike Rabe, Andreas Kitzig, Edwin Naroska i Benno Neukirch. "Electroluminescent Textile for Therapeutic Applications". Advances in Science and Technology 100 (październik 2016): 73–78. http://dx.doi.org/10.4028/www.scientific.net/ast.100.73.

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Alternating-current (AC) electroluminescent (EL) devices on fabrics with high brightness are presented. The EL-devices were fabricated via knife coating; inorganic luminous pigments are based on zinc sulfide. Effects of parameters influencing the brightness were investigated. These parameters are the AC-voltage, AC-frequency, AC-waveform, layer composition of the luminous capacitor and the fabric. Introducing a flexible reflecting dielectric layer enhances the light yield on fine woven fabrics with green luminous pigment. This can be achieved with small concentrations of reflective white pigments such as titanium dioxide, maintaining the flexibility and bendability of the textile substrate. The produced luminous textiles are investigated as a possible replacement for light boxes used in the therapy of seasonal affective disorder (SAD). A high luminous emittance and a high portion of short and energy rich wavelengths are necessary for the treatment. Contrarily to state-of-the-art light boxes a higher acceptance of light therapy is expected, because a luminous textile can be integrated easily and unremarkably into the living environment.
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Boileau, Marie-Claude, i James Whitley. "Patterns of Production and Consumption of Coarse to Semi-Fine Pottery at Early Iron Age Knossos". Annual of the British School at Athens 105 (listopad 2010): 225–68. http://dx.doi.org/10.1017/s006824540000040x.

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This paper presents the results of a large-scale petrological study of Early Iron Age (twelfth-seventh centuries bc) coarse wares from north-central Crete. 210 samples were taken for analysis from six locations at Knossos, representing distinct funerary, domestic, and ritual contexts. The pottery selected represents coarse to semi-fine fabrics and a variety of vessel types and sizes. The bulk (188) of the samples can be divided into seven fabric groups, with 22 loners or pairs. Four of the seven fabric groups exhibit a mineralogy that is consistent with local geology. The functional ceramic range is clearly reflected in the methods of clay preparation: coarse wares, cooking pot wares and fine wares have distinct clay paste technology. Three of the fabric groups, however, appear to be non-local, twelve samples coming from elsewhere in Crete, and twenty-three from elsewhere in the Aegean. Fabric groups 4 and 7 seem to represent a rather specialized local taste for exotic (possibly Cycladic) wares, used primarily for cooking. Overall the picture is one of considerable continuity in patterns of production and consumption from the Bronze Age. The introduction of the red micaceous wares (especially fabric 4) however coincides with a number of other signs of greater external contact in Knossos during the latter part of the ninth century BC. These innovations appear to be related, even if debate continues as to their significance.To άρθρο Παρουσιάςει τα αποτελέσματα μιας μεγάλης κλίμακας πετρολογικής μελέτης της χονσροεισούς κεραμεικής της Πρώιμης Eποχής του Σισήρου (12ος- 7ος αι. π.X.) από την βόρεια κεντρική Kρήτη. 210 σείγματα πάρθηκαν για ανάλυση από έξι θέσεις στην Kνωσό, οι οποίες αντιπροσωπεύουν σιακριτά ταφικά, οικιακά και τελετουργικά σύνολα. H επιλεγμένη κεραμεική αντιπροσωπεύει χονσροεισή και μεσαίας ποιότητας αγγεία ποικίλων σχημάτων και σιαστάσεων. O κύριος όγκος (188) των σειγμάτων μπορεί να σιαιρεθεί σε επτά ομάσες σύστασης πηλού, με 22 σείγματα να αποτελούν μονασικές περιπτώςεις ή ςεύγη. Tέσσερις από τις επτά ομάσες εμφανίςουν ορυκτολογία ςύμφωνη με την τοπική γεωλογία. H ποικιλία της χρηστικής κεραμεικής αντανακλάται καθαρά στις μεθόσους προετοιμαςίας του πηλού: χονσροεισή αγγεία, μαγειρικά αγγεία και λεπτότεχνα αγγεία σείχνουν σιακριτή τεχνολογία πρόςμειξης πηλού. Tρεις από τις ομάσες ςύστασης πηλού παρ' όλα αυτά φαίνεται να μην είναι εγχώριες – σώσεκα σείγματα προέρχονται από άλλες περιοχές της Kρήτης, και 23 από άλλες περιοχές του Aιγαίου. Oι ομάσες 4 και 7 φαίνεται να αντιπροςωπεύουν μια ισιαίτερα εξεισικευμενη τοπική προτίμηση για εξωτικά (ενσεχομένως Kυκλασικά) αγγεία, τα οποία χρησιμοποιούνταν κυρίως για μαγειρική. Γενικά έχουμε μια εικόνα σημαντικής συνοχής και συνέχειας στις μαρφές παραγωγής και κατανάλωσης από την Eποχή του Xαλκού στην Eποχή του Σισήρου. H εμφάνιση και εισαγωγή αγγείων κοκκινωπού πηλού με μαρμαρυγία (εισικά η ομάσα 4) (συμπίπτει με έναν αριθμό άλλων στοιχείων που σείχνουν εκτενέστερες εξωτερικές επαφές της Kνωσού κατά τα τελευταία χρόνια του 9ου αιώνα π.X. Aυτές οικαινοτομίες φαίνεται να συσχετίςονται, αν και η συςήτηση αναφορικά με τη σημασία τους συνεχίςεται.
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Dhivya, M., i M. Renuka Devi. "Detection of Structural Defects in Fabric Parts Using a Novel Edge Detection Method". Computer Journal 62, nr 7 (1.12.2018): 1036–43. http://dx.doi.org/10.1093/comjnl/bxy121.

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Abstract A fabric fault detection scheme is implemented in this work using frame harmonizing-based approach. Many recent research works deliver the fabric defect detection techniques. But in the textiles industry, the fast process of fabric cutting and sewing, lots of auxiliary imperfections have emerged. Particularly these defects cannot be identified easily by experts as well as an automated system. In our system, a novel frame extraction technique is used to find the defects in the fabric production pipeline. The input fabric image frame is pre-processed by transformation and filtering techniques. In this work,a novel multi-directional and multi-scale outline extraction method is proposed to extract the edge map. Contour-based features are extracted and classified by K-nearest neighbor classifier. The experimentation with real-time dataset produced the outstanding performance results when compared with state of the art methods.
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M, Dhivya, i Suganthi D. "An Inventive Method to Fabric Part Structural Defect Detection Using Frame Harmonizing". International Journal of Computer Communication and Informatics 4, nr 2 (30.12.2022): 26–40. http://dx.doi.org/10.34256/ijcci2223.

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Using a frame harmonizing based approach, this paper examines paper defects. In the textiles industry, the quick cutting and sewing of fabric has resulted in a lot of small mistakes, making this task extremely difficult. Especially these deformities won't be quickly recognized by specialists as well as programming. A novel frame harmonizing method is used in our system to find flaws in the fabric production process. Transformation and filtering techniques are used for the inputted fabric image frame. The conventional outline extraction method Berkeley edge detector is used to extract the edge map. Contour-based features are extracted and classified by K-Nearest Neighbour (KNN) classifier. The experimentation with real-time data set produced the outstanding performance results when compared with state of the art methods.
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Chen, Ming. "Fractional-Order Adaptive P -Laplace Equation-Based Art Image Edge Detection". Advances in Mathematical Physics 2021 (31.08.2021): 1–10. http://dx.doi.org/10.1155/2021/2337712.

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In recent years, with the rapid development of image processing research, the study of nonstandard images has gradually become a research hotspot, for example, fabric images, remote sensing images, and gear images. Some of the remote sensing images have a complex background and low illumination compared with standard images and are easy to be mixed with noise during acquisition; some of the fabric images have rich texture information, which adds difficulty to the related processing, and are also easy to be mixed with noise during acquisition. In this paper, we propose a fractional-order adaptive P -Laplace equation image edge detection algorithm for the problem of image edge detection in which the edge and texture information of the image is lost. The algorithm can apply for the order adaptively to filter the noise according to the noise distribution of the image, and the adaptive diffusion factor is determined by both the fractional-order curvature and fractional-order gradient of the iso-illumination line and combined with the iterative approach to realize the fine-tuning of the noisy image. The experimental results demonstrate that the algorithm can remove the noise while preserving the texture and details of the image. A fractional-order partial differential equation image edge detection model with a fractional-order fidelity term is proposed for Gaussian noise. The model incorporates a fractional-order fidelity term because this fidelity term smoothes out the rougher parts of the image while preserving the texture in the original image in greater detail and eliminating the step effect produced by other models such as the Perona-Malik (PM) and Rudin-Osher-Fatemi (ROF) models. By comparing with other algorithms, the image edge detection effect is measured with the help of evaluation metrics such as peak signal-to-noise ratio and structural similarity, and the optimal value is selected iteratively so that the image with the best edge detection result is retained. A convolutional mask image edge detection model based on adaptive fractional-order calculus is proposed for the scattered noise in medical images. The adaption is mainly reflected in the model algorithm by constructing an exponential parameter relation that is closely related to the image, which can dynamically adjust the parameter values, thus making the model algorithm more practical. The model achieves the scattering noise removal in four steps.
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Wang, Yang. "Research on Flexible Capacitive Sensors for Smart Textiles". Journal of Physics: Conference Series 2181, nr 1 (1.01.2022): 012038. http://dx.doi.org/10.1088/1742-6596/2181/1/012038.

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Abstract Smart textiles are a new era of smart textiles that not only have traditional textile functions, but also have information collection, feedback, and multiple intelligent interaction functions with users. As a manifestation of the combination of art and technology in the textile field, smart textiles are of great significance to traditional textiles, clothing, home textiles, and wearable devices. From the perspectives of the background, technology, and development prospects of smart textiles, this article systematically analyses the application technology of smart textiles in practice. Starting from the current state of smart textile research, the article explains the promotion of new material technology to the research of smart textiles. Focus on the technical improvement of capacitive sensing equipment based on flexible fabrics, and find a sensing fabric structure with lower hysteresis, fast response time, good repeatability and stability through design experiments.
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Ismail, Hassan Ahmed. "Public Art Development". Academic Research Community publication 1, nr 1 (18.09.2017): 7. http://dx.doi.org/10.21625/archive.v1i1.139.

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Please allow me to express my interest in participating in the event; the agenda and objective are of high significance for discussing the maturity and development of a sustainable "cultural and creative infrastructure" powered by cultural policies and practices. Involvement and lobbying for such topics is essential for the cultural and creative dynamics where creative cities attract creative people.While navigating through a search engine and typing a name of a city, the first images to appear visualize the built environment of the city. For instance when you type Cairo into Google, you will be mainly looking at the Pyramids and built environment around the Nile in addition to the Old City of Cairo. If you type in New York you will find images of skyscrapers positioned around the natural landscape of the city, and so on and so forth.Thus tourism depends a lot on the built environment and the touristic standard is subject to the built environment, type and quality of tenants attracting the general public and of course the natural landscape.Arts and architecture play an important role among the built environment having both tangible and intangible economic impacts resulting from touristic attractions as well as other means; Cairo was once described as the most beautiful city in the world with the rich urban fabric and prosperity of the arts and architecture.In a country like Egypt where segmentation between the different social levels is becoming a real threat for future generations, it is crucial to work with all stakeholders including the authorities, civil society and the general public with objectives that would aim to serve all interests and gain a positive public opinion.
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Van Zuijlen, Mitchell J. P., Hubert Lin, Kavita Bala, Sylvia C. Pont i Maarten W. A. Wijntjes. "Materials In Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision". PLOS ONE 16, nr 8 (26.08.2021): e0255109. http://dx.doi.org/10.1371/journal.pone.0255109.

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In this paper, we capture and explore the painterly depictions of materials to enable the study of depiction and perception of materials through the artists’ eye. We annotated a dataset of 19k paintings with 200k+ bounding boxes from which polygon segments were automatically extracted. Each bounding box was assigned a coarse material label (e.g., fabric) and half was also assigned a fine-grained label (e.g., velvety, silky). The dataset in its entirety is available for browsing and downloading at materialsinpaintings.tudelft.nl. We demonstrate the cross-disciplinary utility of our dataset by presenting novel findings across human perception, art history and, computer vision. Our experiments include a demonstration of how painters create convincing depictions using a stylized approach. We further provide an analysis of the spatial and probabilistic distributions of materials depicted in paintings, in which we for example show that strong patterns exists for material presence and location. Furthermore, we demonstrate how paintings could be used to build more robust computer vision classifiers by learning a more perceptually relevant feature representation. Additionally, we demonstrate that training classifiers on paintings could be used to uncover hidden perceptual cues by visualizing the features used by the classifiers. We conclude that our dataset of painterly material depictions is a rich source for gaining insights into the depiction and perception of materials across multiple disciplines and hope that the release of this dataset will drive multidisciplinary research.
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Shkolna, Olga, Olga Sosik i Alla Buigasheva. "Stylistics of Ukrainian Fine Art, Architecture and Design in the Second Half XIX – Early XXI Centuries’ Period". Demiurge: Ideas, Technologies, Perspectives of Design 4, nr 2 (13.12.2021): 291–98. http://dx.doi.org/10.31866/2617-7951.4.2.2021.246856.

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The aim is to explore the key concepts of stylistics of Ukrainian fine arts, architecture and various types of design of the second half of the XIX – early XXI centuries in the relationship of individual fields of knowledge. Research methods – hermeneutic, axiological, historical-genetic, historical-chronological, comparative, culturological, formal-stylistic, art analysis. The selected tools allow you to compare the stylistic features of different types of design (industrial, graphic, clothing, environment), fine arts and architecture. A novelty is an overview of evolutionary processes in terms of styles in painting, graphics, architecture, various types of design activities (in particular, environmental design, industrial, graphic, clothing). The points of intersection of the conceptual and categorical sphere of the indicated branches of creativity are outlined, both common and different tendencies concerning the identification of stylistic features are observed. Conclusions. The differences of separate branches of knowledge of artistic creativity and common features of some types of design-designing, -construction, -modeling, art technologies bordering on graphic art and painting (graphic design, partly industrial design), architecture (environmental design and partly industrial design) are traced. Since the era of modernism, art deco, avant-garde, constructivism, functionalism, Stalin’s empire, which affected all forms of artistic activity, in the late twentieth – early twenty-first century established the classic, minimalism, high-tech, fusion, low-tech, shabby chic, provence, glamour, some oriental stylizations in the interior associated with architecture. Instead, clothing design, in addition to the classics, over the past few decades has creatively adapted the sports-classic style, manga, country, western, boho, military, glamour and etc. over the past few decades. If the shapes of the silhouettes of the cut look at the general tendencies of industrial design, the drawings of fabrics partially appeal to the visions of graphic design, which are related to the tendencies of fine arts – tendencies of modernism, avant-garde, postmodernism. Namely, they tend to functionalism, constructivism, boychukism, art deco, socialist realism, Stalinist empire, Ukrainian soviet empire, neo-functionalism, neo-primitivism, neo-folk style, polystylism, glamour.
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Rozprawy doktorskie na temat "Fabric in fine art"

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Mackenzie, Jewel, i n/a. "The Fabric of Art: Investigating the Relationships of Power Between Fabric & Fine Art Through Frank Stella's 'Black Paintings' (1958-1960)". Griffith University. Queensland College of Art, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060802.144424.

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There are two inter-related parts to the hypothesis explored in this research. The first is that it is significant to employ fabric as a medium in a fine art context, and the second aspect argues that female artists who choose fabric as their medium should be recognised as 'artists' rather than as crafts practitioners. I propose that in choosing fabric as a medium and sewing as my method of making art, I am working within the framework of contemporary fine art practice. In his essay 'To Cut is to Think' Germano Celant succinctly described the 'cut' made by artists who choose cutting as their process: The cut of the scissor is like the click of a camera or the whirr of a movie camera, like a stroke of the pencil or paintbrush: all these acts decisively isolate a form or representation, marking a surface that generates a reality. The cut puts an end to the traditional representation of the image, dissolving it and then restoring it as a testimony to the artist's vision and understanding. In this light, the cut confers meaning, and its use unites artists, photographers, designers and tailors, who cut their visions from the magma of their materials, whether these be colour or bronze, fabric or film, metal or wool, wood or canvas (1996, p. 31). My own use of the cut, as the bespoke tailor, reinterpreted fabric as paint and utilized pinstriped fabric as a visual metaphor for relationships of power, pink satin as a symbol of the female inclusion and Frank Stella's Black Paintings as a tool to position my work. Therefore, I would claim that I am working towards a conceptual repositioning of fabric as a medium in fine art.
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Mackenzie, Jewel. "The Fabric of Art: Investigating the Relationships of Power Between Fabric & Fine Art Through Frank Stella's 'Black Paintings' (1958-1960)". Thesis, Griffith University, 2005. http://hdl.handle.net/10072/365967.

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There are two inter-related parts to the hypothesis explored in this research. The first is that it is significant to employ fabric as a medium in a fine art context, and the second aspect argues that female artists who choose fabric as their medium should be recognised as 'artists' rather than as crafts practitioners. I propose that in choosing fabric as a medium and sewing as my method of making art, I am working within the framework of contemporary fine art practice. In his essay 'To Cut is to Think' Germano Celant succinctly described the 'cut' made by artists who choose cutting as their process: The cut of the scissor is like the click of a camera or the whirr of a movie camera, like a stroke of the pencil or paintbrush: all these acts decisively isolate a form or representation, marking a surface that generates a reality. The cut puts an end to the traditional representation of the image, dissolving it and then restoring it as a testimony to the artist's vision and understanding. In this light, the cut confers meaning, and its use unites artists, photographers, designers and tailors, who cut their visions from the magma of their materials, whether these be colour or bronze, fabric or film, metal or wool, wood or canvas (1996, p. 31). My own use of the cut, as the bespoke tailor, reinterpreted fabric as paint and utilized pinstriped fabric as a visual metaphor for relationships of power, pink satin as a symbol of the female inclusion and Frank Stella's Black Paintings as a tool to position my work. Therefore, I would claim that I am working towards a conceptual repositioning of fabric as a medium in fine art.
Thesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
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Howell, Amy Beth. "Line, Space and Plane". Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1259177315.

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Simmons, Kathryn Elizabeth. "Textiles in Rural Bolivia: Where Does the Art of Traditional Textile Making Fit Into Today's World?" University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1418306303.

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Palomino, Angelica Maria. "Fabric formation and control in fine-grained materials". Diss., Available online, Georgia Institute of Technology, 2004:, 2003. http://etd.gatech.edu/theses/available/etd-06072004-131309/unrestricted/palomino%5Fangelica%5Fm%5F200405%5Fphd.pdf.

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Thesis (Ph. D.)--School of Civil and Environmental Engineering, Georgia Institute of Technology, 2004. Directed by J. Carlos Santamarina.
Vita. Includes bibliographical references (leaves 183-192).
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Leung, Yin-ling Carol. "Academy of fine arts". Hong Kong : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25944873.

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Strain, Megan A. "Fabric sculpture and the Manitoba art curriculum". Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31122.

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The purpose of this studio based thesis is to discover what potential fabrics could offer as a sculptural medium and to examine whether fabric sculpture could be incorporated into the Manitoba Secondary School Art Curriculum. As an Art teacher, I am aware of the demands that the current art curriculum dictates, and the problems and concerns that art teachers face in trying to adhere to its standards. By reviewing the historical development of Manitoba art curricula and highlighting the major developments that have occurred, one can put the current guide into perspective. Contemplating the role that fabrics have played as historical and cultural artifacts gives us a better sense of how fabrics have been developed to meet the specific requirements that we as human beings have demanded of them. The sculptures that were produced for this study attempt to address the principal objectives of the current art curriculum and explore ideas and topics that reflect personal interests. I have endeavoured to create sculptures that not only stand as pieces of art, but which will also serve as examples to show art teachers how different fabrics and techniques can be used in senior high art classrooms. To support my thesis that fabric sculpture should be included in our art programmes, I have provided short reviews on sculptors who have worked with fabrics. Wherever possible I have tried to indicate how my students have reacted to this work, and where information concerning these artists may be obtained. I have included a sample unit that already exists in the current curriculum and discuss how fabric sculpture could be introduced though this unit. The recommendations that conclude this report suggest ways to encourage the teaching of sculpture and the introduction of fabric sculpture into the Manitoba Secondary School Art Curriculum.
Education, Faculty of
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Cosovic, Daniela. "FABRIC ARCHITECTURE: BODY IN MOTION". Master's thesis, Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002606.

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King, Abigail Graham. "Community Art as an Interdisciplinary Challenge to Fine Art". Miami University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1123084206.

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Findlay, Judith. "Fine art as performance : a definition of the discipline (a study of the fine art world in the art school)". Thesis, University of Strathclyde, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366768.

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Książki na temat "Fabric in fine art"

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1947-, Blum Dilys, red. The fine art of textiles: The collections of the Philadelphia Museum of Art. Philadelphia, Pa: The Museum, 1997.

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Holland-Beickert, Dana. Four centuries of fine embroidered fabrics: Selections from the Brooks collection. [Memphis]: Memphis Brooks Museum of Art, 1997.

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Jill, Tilden, red. Asian art. London: Hali Publications, 1995.

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Museum of Fine Arts, Boston. To weave for the sun: Ancient Andean textiles in the Museum of Fine Arts, Boston. New York, NY: Thames and Hudson, 1994.

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Rebecca, Stone-Miller, red. To weave for the sun: Ancient Andean textiles in the Museum of Fine Arts, Boston. Boston, MA: Museum of Fine Arts, Boston, 1992.

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1958-, Stone Rebecca, red. To weave for the sun: Ancient Andean textiles in the Museum of Fine Arts, Boston. London: Thames and Hudson, 1992.

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Weston, Wendy. First Nations: Fine weavers : Burlington Art Centre, April 20-June 22, 1997, Woodland Cultural Centre, August 3-31, 1997. [Burlington, Ont.]: Burlington Art Centre, 1997.

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ill, Fairclough Chris, red. Fabric art. New York: F. Watts, 1990.

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Stein, Susan. Fabric Art Projects. Minneapolis: Creative Publishing international, 2009.

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Lenor, Larsen Jack, i American Federation of the Arts., red. The art fabric: Mainstream. Tokyo: Kodansha International, 1986.

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Części książek na temat "Fabric in fine art"

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McCloskey, Mary A. "Fine Art". W Kant’s Aesthetic, 105–13. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08796-9_11.

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Culver, Ron, Julia Koerner i Joseph Sarafian. "Fabric Forms: The Robotic Positioning of Fabric Formwork". W Robotic Fabrication in Architecture, Art and Design 2016, 106–21. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26378-6_8.

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McAndrew, Clare, i Rachel Campbell. "Art Risk". W Fine Art and High Finance, 87–116. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch4.

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Gyorgy, Suzanne, i Clare McAndrew. "Art Banking". W Fine Art and High Finance, 117–33. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch5.

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Eckstein, Jeremy, i Randall Willette. "Art Funds". W Fine Art and High Finance, 135–59. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch6.

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Kräussl, Roman. "Art Price Indices". W Fine Art and High Finance, 63–86. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch3.

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Rush, Laurie W. "Looting of Antiquities: Tearing the Fabric of Civil Society". W Art Crime, 132–42. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-40757-3_11.

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Mateus-Berr, Ruth. "Art and Design as Social Fabric". W Arts, Research, Innovation and Society, 229–68. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09909-5_14.

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Haworth, John. "Creativity in Digital Fine Art". W Contributions To Phenomenology, 281–96. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9379-7_17.

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Rubenstein, Betty Rogers. "The Fine Art of Remembrance". W Remembering for the Future, 2723–32. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1007/978-1-349-66019-3_194.

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Streszczenia konferencji na temat "Fabric in fine art"

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Dippolito, Mario, Youqi Wang, Ying Ma, Chian-Fong Yen, James Q. Zheng i Virginia Halls. "Real Scale Simulation of Ballistic Tests for Multi-Layer Fabric Body Armors". W ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-39538.

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The bottle-neck issues to resolve for numerical simulation of real scale ballistic tests of fabric body armors are computer capacity limitation and prohibitive computational cost. It is not realistic to use micro-level computer simulations for an open end design process. Most numerical simulations are only applicable for small scale parametric analyses, which could facilitate apprehension of fabric failure mechanisms during ballistic impact, but not applicable for the design process. In this paper, a sub-yarn model, the digital element approach, is applied to simulate real scale ballistic tests for soft body armors. In this approach, a yarn is discretized into multiple digital fibers and each fiber is discretized into many digital elements. In order to improve efficiency, two hybrid element mesh concepts are investigated: area based hybrid mesh and yarn based hybrid mesh. The area based hybrid mesh procedure is similar to one utilized in the conventional finite element approach. A fine element mesh is adopted in the area near the impact center; a course element mesh in the area far away. However, numerical simulation results show that the stress wave travels along the principal yarns at the speed of sound immediately after ballistic impact. High yarn stress develops quickly from the impact center to a distance along the principal yarn. As such, the area based hybrid mesh approach fails to obtain improved computer efficiency without loss of accuracy. Because the high stress only develops within principal yarns after a ballistic impact, a yarn based hybrid element mesh procedure is adopted. In this procedure, only principal yarns and yarns near principal yarns are discretized into fine digital fibers; other yarns are discretized into coarse digital fibers. Because only a few principal yarns resist load in a typical ballistic impact, the yarn based hybrid technique could improve simulation efficiency up to 90–95% without sacrificing accuracy. A numerical tool is then developed to generate fabric with a yarn based hybrid mesh. Accuracy of the approach is analyzed. The hybrid mesh technique is applied to simulate real scale ballistic tests of ballistic armors made of 4 to 20 piles of 2-D plain woven fabrics. Numerical results are compared to real scale standard ballistic results.
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Li, Jiawen, Mingyi Chen, Li Li, Feng Liu, Yufei Gao, Jian Zhu, Jie Zhan i in. "Preparation and Characterization of Radioactive Aerosol Protective Nanofiber Membranes". W 2022 29th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/icone29-92665.

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Abstract Radioactive aerosols are highly hazardous aerosols containing radionuclides. Inhalation of radioactive aerosols can lead to serious internal exposure hazards to human body. If discharged without proper treatment, it will also harm the working environment and even the ecological environment. Therefore, radioactive aerosol protection is a significant part of environmental protection and personnel protection in the nuclear field. However, majority of existing protective fabrics for radioactive aerosol filtration always meet the trade-off among filtration capacity, mechanical properties and air permeability. In this study, nanofiber layers were prepared by electrospinning technology using TPU, PVDF, PVA polymer materials and electret materials SiO2 as spinning materials. Composite membranes, prepared by coating different nanofiber layers on the PET non-woven fabrics substrate, were investigated. The results show that the 12wt% TPU nanofiber membrane has a three-dimensional spatial hierarchical structure. Its ultra-fine fiber diameter with small pore size greatly enhances the PM capture ability (PM0.3 filtration efficiency 99.99%); and the beaded spatial structure is beneficial to reduce the air resistance to 299 Pa (flow rate 95 L/min). Meanwhile, TPU nanofiber membrane has high extensibility, and it is superior to PVDF and PVA composite membranes in mechanical properties after thermal compounding. Appropriate content of SiO2 can improve filtration performance. The study shed light on developing electrospun nanofiber for radioactive aerosol protection, which can be used in the purification of ambient air in nuclear facilities, or as a high-performance fabric for radioactive aerosol protective clothing.
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Teimoori, Khashayar, i Ali M. Sadegh. "Transient Heat Conduction and Thermal Coefficient of Ceramic Coated Fabrics". W ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-38882.

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Ceramic coated fabrics have been employed for heat resistant clothing such as fire-fighters gears, fire-proof insulators, and heating and cooling insulators. Thus, transient heat conduction and thermal properties of such fabrics are needed for the design of the clothing. The goal of this study is to measure the transient heat conduction and the coefficient of thermal expansion of ceramic coated fabrics with different woven morphologies. This has been accomplished through an experimental setup consists of a hotplate assembly, applying a uniform temperature, with the accuracy of +/− 1 °C in less than 500 msec, a ceramic coated fabric and an infra-red thermometer assembly. This set up has been validated by using a known material such as aluminum and copper for the coefficient of thermal expansion measurement. The hot plate temperature was varied between 30 to 400°C within 300 seconds. The transient heat conduction and the thermal coefficient of the woven ceramic coated fabrics were compared with ceramic nonwoven fabrics materials. Finally, upon comparing different samples and measuring the coefficients of thermal expansion, K’s, the level of delay in heat transfer with respect to time has been determined.
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Palomino, Angelica M., i J. C. Santamarina. "Fine-Grained Mixtures: Fabric Formation and Control". W GeoCongress 2008. Reston, VA: American Society of Civil Engineers, 2008. http://dx.doi.org/10.1061/40972(311)29.

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Huang, Yue. "A Discussion on the Relationship Between Fine Art Psychology and Fine Art Education From the Perspective of Modern Fine Art Education". W 2nd International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/emehss-18.2018.49.

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Paternoster, Nance, i Lyn Bishop. "Alternative digital fine art printmaking". W ACM SIGGRAPH 2013 Studio Talks. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2503673.2503692.

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Li, Mingyu, Jiajun Shi, Sachin Bhat i Csaba Andras Moritz. "Fine-grained 3D reconfigurable computing fabric with RRAM". W 2017 IEEE/ACM International Symposium on Nanoscale Architectures (NANOARCH). IEEE, 2017. http://dx.doi.org/10.1109/nanoarch.2017.8053721.

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Bishop, Lyn, i Nance Paternoster. "Inspirations in digital fine art printmaking". W ACM SIGGRAPH 2014 Studio. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2619195.2656321.

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Stove, A. G. "Radar considered as a fine art". W 2013 International Conference on Radar. IEEE, 2013. http://dx.doi.org/10.1109/radar.2013.6652046.

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Smolka, Bogdan, Rastislav Lukac, Konstantinos N. Plataniotis i Anastasios N. Venetsanopoulos. "Robust retrieval of fine art paintings". W Optical Metrology, redaktor Renzo Salimbeni. SPIE, 2003. http://dx.doi.org/10.1117/12.504101.

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Raporty organizacyjne na temat "Fabric in fine art"

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Miller, S., i D. Laudal. Fine particulate emissions: Flue gas conditioning for improved fine particle capture in fabric filters: (Task 3. 6). Office of Scientific and Technical Information (OSTI), styczeń 1990. http://dx.doi.org/10.2172/6841681.

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Strednansky, Susan E. Balancing the Trinity: The Fine Art of Conflict Termination. Fort Belvoir, VA: Defense Technical Information Center, czerwiec 1995. http://dx.doi.org/10.21236/ada387672.

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Wijesinghe, A., E. Kansa, B. Viani, R. Blake, J. Roberts i R. Huber. Permeability Enhancement in Fine-Grained Sediments by Chemically Induced Clay Fabric Shrinkage. Office of Scientific and Technical Information (OSTI), luty 2004. http://dx.doi.org/10.2172/15009801.

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Hofmann, Peter, Robert Marschallinger, Michael Unterwurzacher i Fritz Zobl. Designation of marble provenance: State-of-the-art rock fabric characterization in thin sections by object based image analysis. Cogeo@oeaw-giscience, wrzesień 2011. http://dx.doi.org/10.5242/iamg.2011.0284.

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Fuelberth, August S., Adam D. Smith i Sunny E. Adams. Fort McCoy, Wisconsin Building 550 maintenance plan. Engineer Research and Development Center (U.S.), listopad 2020. http://dx.doi.org/10.21079/11681/38659.

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Building 550 (former World War II fire station) is located on Fort McCoy, Wisconsin, and was recommended eligible for the National Register of Historic Places (NRHP) in 2018 (Smith and Adams 2018). The building is currently vacant. It is an intact example of an 800 Series World War II fire station with character-defining features of its period of significance from 1939 to 1946 on its exterior and interior. All buildings, especially historic ones, require regular planned maintenance and repair. The most notable cause of historic building element failure and/or decay is not the fact that the historic building is old, but rather it is caused by incorrect or inappropriate repair and/or basic neglect of the historic building fabric. This document is a maintenance manual compiled with as-is conditions of construction materials of Building 550. The Secretary of Interior Guidelines on rehabilitation and repair per material are discussed to provide the cultural resources manager at Fort McCoy a guide to maintain this historic building. This report satisfies Section 110 of the National Historic Preservation Act (NHPA) of 1966 as amended and will help the Fort McCoy Cultural Resources Management office to manage this historic building.
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Irminger, Bente. Økt interesse for kreativitet åpner for nye designerroller- men skaper også behov for rolleavklaringer. Universitetet i Bergen KMD, styczeń 2018. http://dx.doi.org/10.22501/kmd-ar.1090265.

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Irminger, Bente. A growing interest in creativity is opening up new roles for the designer- but also creating a need for clarification of these roles. Universitetet i Bergen KMD, styczeń 2018. http://dx.doi.org/10.22501/kmd-ar.1090256.

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Bente Irminger, ‘A growing interest in creativity is opening up new roles for the designer- but also creating a need for clarification of these roles‘, Faculty of Fine Art, Music and Design, University of Bergen
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Rysjedal, Fredrik. Frozen Moments in Motion. Universitetet i Bergen KMD, styczeń 2019. http://dx.doi.org/10.22501/kmd-ar.31524.

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What are the concepts of motion in digital comics? What types of motion can be used in comics and how does motion affect the presentation, the story and even the reader/viewer? This project is a part of the Norwegian Programme for Artistic Research, and it's executed at the Bergen Academy of Art and Design, today called Faculty of Fine Art, Music and Design at the University of Bergen.
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Qamhia, Issam, i Erol Tutumluer. Review of Improved Subgrade and Stabilized Subbases to Evaluate Performance of Concrete Pavements. Illinois Center for Transportation, maj 2021. http://dx.doi.org/10.36501/0197-9191/21-016.

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This report presents findings on the evaluation of foundation layers under concrete pavements in the state of Illinois. It also provides recommendations and scenarios where unbound granular layers can be safely used under concrete pavements as economical and well-performing subbase layers. The current practice and mechanistic design methods for constructing concrete pavements in Illinois was first evaluated, including historical studies that led to the current design procedures and policies. The performance of concrete pavements with unbound granular layers in Illinois were then evaluated, and several case studies of well-performing concrete pavements with granular subbases, high traffic levels, and low distress levels and severity were realized. Next, the practices of surrounding states were evaluated, and several Midwest states, i.e., Wisconsin, Minnesota, Iowa, and Michigan, were found to regularly use unbound granular layers under concrete pavements with no issues. A literature review on the most recent requirements and recommendations for designing granular subbases under concrete pavements was then presented. It is concluded that subbase layers under concrete pavements are mainly used to provide uniform support and prevent pumping. Based on the case study evaluations and literature, a stable, drainable, and durable daylighted granular subbase design is recommended for traffic factors up to 10.0. Stability is ensured by limiting the ratio of gravel-to-sand fractions in the aggregate mix between 1.3 and 1.9. Drainability requirements can be met by limiting the percentage of fines passing the No. 200 sieve (0.075 mm) to 4% and by checking the quality of drainage is at least fair based on the time required to drain 50% of the water. Lastly, a geotextile fabric is recommended for use below the granular subbase for separation to ensure drainability throughout design life.
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