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Artykuły w czasopismach na temat "Expressionist art"
Kramer, Andreas. "Sport in Expressionist Art". International Journal of the History of Sport 35, nr 17-18 (12.12.2018): 1692–709. http://dx.doi.org/10.1080/09523367.2019.1593144.
Pełny tekst źródłaBridgwater, Patrick. "Friedrichian Images in Expressionist Art". Oxford German Studies 31, nr 1 (styczeń 2002): 103–28. http://dx.doi.org/10.1179/ogs.2002.31.1.103.
Pełny tekst źródłaJenkins, Emily. "A bold expressionist Brand of art therapy". Lancet Oncology 18, nr 8 (sierpień 2017): 1007–8. http://dx.doi.org/10.1016/s1470-2045(17)30525-9.
Pełny tekst źródłaMaram, Thirupathi Reddy. "An Abstract Expressionist: A Study of Kurt Vonnegut’s Bluebeard". Shanlax International Journal of English 7, nr 3 (1.06.2019): 8–15. http://dx.doi.org/10.34293/english.v7i3.448.
Pełny tekst źródłaFurness, Raymond, i Neil H. Donahue. "Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer". Modern Language Review 92, nr 4 (październik 1997): 1019. http://dx.doi.org/10.2307/3734287.
Pełny tekst źródłaColeman, Floyd. "A Transformative Vision: The Expressionist Art of Sylvia Snowden". Callaloo 40, nr 5 (2017): 81–84. http://dx.doi.org/10.1353/cal.2017.0158.
Pełny tekst źródłaEvans, Tamara S., Wilhelm Worringer i Neil H. Donahue. "Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer". German Quarterly 70, nr 4 (1997): 406. http://dx.doi.org/10.2307/408079.
Pełny tekst źródłaHUBERT, R. R. "KOKOSCHKA, KANDINSKY AND THE ART OF THE EXPRESSIONIST BOOK". Forum for Modern Language Studies XXXII, nr 2 (1.04.1996): 165–81. http://dx.doi.org/10.1093/fmls/xxxii.2.165.
Pełny tekst źródłaLake, Susan. "The Challenge of Preserving Modern Art: A Technical Investigation of Paints Used in Selected Works by Willem de Kooning and Jackson Pollock". MRS Bulletin 26, nr 1 (styczeń 2001): 56–60. http://dx.doi.org/10.1557/mrs2001.20.
Pełny tekst źródłaDourley, John. "Jung, a mystical aesthetic, and abstract art". International Journal of Jungian Studies 7, nr 1 (2.01.2015): 4–18. http://dx.doi.org/10.1080/19409052.2014.924687.
Pełny tekst źródłaRozprawy doktorskie na temat "Expressionist art"
Short, Christopher. "Friedrich Nietzsche and German expressionist art". Thesis, University of Essex, 1995. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706295.
Pełny tekst źródłaJeppesen, Travis. "Towards a 21st century expressionist art criticism". Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1812/.
Pełny tekst źródłaThompson, Grant. "Limitlessness and the sublime illuminating notions : an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art & Design, 2008 /". Click here to access this resource online, 2008. http://hdl.handle.net/10292/442.
Pełny tekst źródłaKennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic". PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.
Pełny tekst źródłaBryan, Sarah M. "African Imagery and Blacks in German Expressionist Art from the Early Twentieth Century". Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1353179467.
Pełny tekst źródłaCarrasco, Clare. "The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c.1918-1923". Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862862/.
Pełny tekst źródłaBissa, Bi Nzue Astride. "Art et individuation : la rupture expressionniste". Dijon, 2008. http://www.theses.fr/2008DIJOL019.
Pełny tekst źródłaExpressionism, considered like one of the most esthetic advanced of the 20th century, is related to an artistic creation conception like the person building, individuation mode. And, taking the opposite of usuals definiton critarials, Nice and Shape, this singular esthetic born in a difficult particular context, represent a real catalyzer for the art of the bigginning of the 20th century and the whole comtemporain esthetic thinking. Sure enough, expressionism induct a whole transformation of the representative mode of art, the one of the human subject face and his relation with world, thus giving a new anthropolical dimension to art. So this indicate an approach of art which permit to set or resolve the question of an human ethic, imcompatible to the essentialists definitions. Thus, this esthetic appears like first a categorical reject of a social, cultural and politcal reality particulary difficult, but which seems at the same time build his temperament and determine his orientations. The appearance of primitivisme is as this respect emblematic. This primitivism which appears like an acceptation, like a recongnition, like an altirity almost radical, seeks of identity and senses, affecting expressionism and comtemporain art in their conception of art and life. Consequently, this special impulsion of previtivism represent one of the most manifestations of the esthetic revolution of the 20th Century but also, fact that expressionism the melting pot of an art conception and human out of stand out and rules
Cardoso, Renata Gomes. "A pintura de Anita Malfatti nos periodos iniciais de sua trajetoria : proposta de revisão a partir da analise de obras". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279121.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Este trabalho analisa algumas pinturas dos períodos iniciais da trajetória de Anita Malfatti. Para tal propósito, toma-se como base a análise formal, procurado adicionar a essa reflexão uma revisão das fontes sobre a artista e sobre a arte moderna internacional, das quais são levantadas algumas questões fundamentais, que marcaram o debate sobre a sua obra no início do século XX e as consecutivas abordagens sobre a artista ao longo da história da arte brasileira
Abstract: This work analyses some paintings of the early periods of Anita Malfatti¿s career. For this aim, it based on the formal analyses, but includes in this reflection a review of the sources about the artist and international modern art, detaching from it some relevant questions, that marked the debate about her work in the beginning of 20th century and the consecutive approaches of the artist throughout the history of Brazilian art
Mestrado
Historia da Arte
Mestre em História
Jorge, Janete Elenice. "A cidade expressionista de Roberto Arlt". Florianópolis, SC, 2009. http://repositorio.ufsc.br/xmlui/handle/123456789/92439.
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A proposta deste trabalho é observar como foi construída a Buenos Aires ficcional de Roberto Arlt no texto Los siete locos e Los lanzallamas, e através das características da cidade que emerge da narrativa, verificar de que maneira o texto arltiano dialoga com o expressionismo alemão. Serão capturados alguns traços característicos do expressionismo, em especial da pintura expressionista, para reconhecê-los na escritura arltiana. Acredito que o espaço nos romances de Arlt, relacionado à modernidade e à urbanização como fator negativo, também pode ser encontrado no expressionismo alemão numa releitura que coloca em diálogo as inquietações de alguns artistas alemães com as do escritor argentino.
Adamowicz, Emily. "Viennese Expressionism : from sickness to spirituality in the new aesthetic theory 1909-1913". Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99567.
Pełny tekst źródłaLe mouvement expressionniste viennois (1909-1913) recouvre des courantsparallèles dans les disciplines picturales et musicales. Les idées provenant des milieuxintellectuels du fin-de-siècle viennois ont inspiré le réveil de l'artiste moderne, depuis leUr-schrei jusqu'à la formulation d'une nouvelle théorie esthétique. Ce mémoire examinel'origine des valeurs esthétiques chères au mouvement expressionniste, ainsi que lestechniques utilisées pour exprimer ces valeurs dans les oeuvres d'Arnold Schoenberg,d'Egon Schiele, d'Oskar Kokoschka, et de Wassily Kandinsky. Les thèmes abordés sontdivisés en deux grandes catégories dont les fondements centraux émanent depréoccupations reliées, d'une part, à une compréhension croissante de l'inconscient et dela psychopathologie, et, d'autre part, aux aspects métaphysiques de l'art et de l'existencehumaine: la maladie et la spiritualité. Bien qu'il ne soit pas possible de comparerdirectement des oeuvres picturales et musicales, l'existence de principes et de thèmescommuns entraîne une confluence conceptuelle qui unifie ces disciplines dans laréalisation d'une vision artistique collective.
Książki na temat "Expressionist art"
Expressionist portraits. London: Thames and Hudson, 1987.
Znajdź pełny tekst źródłaFrank, Whitford. Expressionist portraits. New York: Abbeville Press, 1987.
Znajdź pełny tekst źródłaDavid, Frisby, i Los Angeles County Museum of Art., red. Expressionist utopias: Paradise, metropolis, architectural fantasy. Berkeley, CA: University of California Press, 2001.
Znajdź pełny tekst źródłaDavid, Frisby, i Los Angeles County Museum of Art., red. Expressionist utopias: Paradise, metropolis, architectural fantasy. Los Angeles, Calif: Los Angeles County Museum of Art, 1993.
Znajdź pełny tekst źródłaPearson, Alison. Alan Pearson: Expressionist portraits. Auckland [N.Z.]: Alexandra Stewart Press, 2010.
Znajdź pełny tekst źródłaRobert Gore Rifkind Center for German Expressionist Studies. German expressionist prints and drawings. Los Angeles, Calif: Los Angeles County Museum of Art, 1989.
Znajdź pełny tekst źródłaRobert Gore Rifkind Center for German Expressionist Studies. German expressionist prints and drawings. Los Angeles, Calif: Los Angeles County Museum of Art, 1989.
Znajdź pełny tekst źródłaMatilsky, Barbara C. The expressionist surface: Contemporary art in plaster. New York: Queens Museum, 1990.
Znajdź pełny tekst źródłaPeter, Thurmann, Soika Aya, Madesta Andrea, Kunsthalle zu Kiel, Kunstforum Ostdeutsche Galerie i Kunst-Museum Ahlen, red. Max Pechstein: Ein Expressionist aus Leidenschaft : Retrospektive. München: Hirmer, 2010.
Znajdź pełny tekst źródłaBijutsukan, Aichi-ken, i Niigata Kenritsu Kindai Bijutsukan, red. Hyōgen shugi chōkoku: Expressionist sculpture. [Nagoya-shi]: Aichi-ken Bijutsukan, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Expressionist art"
Gerharde-Upeniece, Ginta. "Expressionist Originality in Latvian Art". W The Routledge Companion to Expressionism in a Transnational Context, 158–72. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315200088-8.
Pełny tekst źródłaWilde, Lawrence. "The Cry of Humanity: Dylan’s Expressionist Period". W The Political Art of Bob Dylan, 79–104. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230522541_5.
Pełny tekst źródłaYang, Li. "The World of Psychological and Symbolic Complexity: The Expressionist Style". W The Formation of Chinese Art Cinema, 191–212. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97211-4_7.
Pełny tekst źródłaHautala-Hirvioja, Tuija. "Expressionism in Sámi Art". W The Routledge Companion to Expressionism in a Transnational Context, 243–56. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315200088-13.
Pełny tekst źródłaRamisch, Carlos. "State of the Art in MWE Processing". W Multiword Expressions Acquisition, 53–102. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09207-2_3.
Pełny tekst źródłaÓlafsdóttir, Margrét Elísabet. "Early Expressionism in Icelandic Art". W The Routledge Companion to Expressionism in a Transnational Context, 257–72. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315200088-14.
Pełny tekst źródłaNg, Ian Aik-Soon. "Constructing an Art-Life: Tourism and Street Art in Sarawak". W Contemporary Asian Artistic Expressions and Tourism, 59–101. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4335-7_4.
Pełny tekst źródłaDavid, Gill. "Expressionism or Impressionism? A Split Syzygy". W Art and Soul: Rudolf Steiner, Interdisciplinary Art and Education, 117–38. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17604-4_7.
Pełny tekst źródłaHsia, Chiamei. "Art Intervention in the Community Context: Community-Based Art Practice as an Inspiration for Creative Tourism". W Contemporary Asian Artistic Expressions and Tourism, 127–46. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4335-7_6.
Pełny tekst źródłaBogdanović, Ana. "On New Art and Its Manifestations". W The Routledge Companion to Expressionism in a Transnational Context, 426–41. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315200088-24.
Pełny tekst źródłaStreszczenia konferencji na temat "Expressionist art"
Meng, Jiaying, i Zhifan Wang. "An Analysis of Sherwood Anderson's Expressionist Art in Winesburg, Ohio". W 2016 2nd International Conference on Economics, Management Engineering and Education Technology (ICEMEET 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icemeet-16.2017.135.
Pełny tekst źródłaBerzowska, Joanna Maria. "Computational expressionism". W ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312562.
Pełny tekst źródłaSulejmanova, G. M., i E. A. A. Rudyak. "Social prerequisites for the emergence of expressionism in Germany". W Scientific trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-06-2020-03.
Pełny tekst źródłaPighin, Frederic. "Modeling and animation of realistic facial expressions". W ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281935.
Pełny tekst źródłaBerzowska, Joanna M., i Walter R. Bender. "Computational expressionism, or how the role of random () is changing in computer art". W Electronic Imaging '99, redaktorzy Bernice E. Rogowitz i Thrasyvoulos N. Pappas. SPIE, 1999. http://dx.doi.org/10.1117/12.348458.
Pełny tekst źródłaLe Ngo, Anh Cat, Sze-Teng Liong, John See i Raphael Chung-Wei Phan. "Are subtle expressions too sparse to recognize?" W 2015 IEEE International Conference on Digital Signal Processing (DSP). IEEE, 2015. http://dx.doi.org/10.1109/icdsp.2015.7252080.
Pełny tekst źródłaKöper, Maximilian, i Sabine Schulte im Walde. "Complex Verbs are Different: Exploring the Visual Modality in Multi-Modal Models to Predict Compositionality". W Proceedings of the 13th Workshop on Multiword Expressions (MWE 2017). Stroudsburg, PA, USA: Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/w17-1728.
Pełny tekst źródłaCap, Fabienne. "Show Me Your Variance and I Tell You Who You Are - Deriving Compound Compositionality from Word Alignments". W Proceedings of the 13th Workshop on Multiword Expressions (MWE 2017). Stroudsburg, PA, USA: Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/w17-1713.
Pełny tekst źródłaSucitra, I. Gede Arya, Retno Purwandari i Kadek Primayudi. "Paradigm of Abstract Expressionism Painting of Balinese Artists in Yogyakarta". W 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008557001770185.
Pełny tekst źródłaWang, Peipei, i Kathryn T. Stolee. "How well are regular expressions tested in the wild?" W ESEC/FSE '18: 26th ACM Joint European Software Engineering Conference and Symposium on the Foundations of Software Engineering. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3236024.3236072.
Pełny tekst źródłaRaporty organizacyjne na temat "Expressionist art"
Kennedy, Shane. Expressionist Art and Drama Before, During, and After the Weimar Republic. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.2505.
Pełny tekst źródłaKapp, J. A. Wide Range Stress Intensity Factor and Crack-Mouth-Opening Displacement Expressions Suitable for Short Crack Fracture Testing with Arc Bend-Chord Suppport Samples. Fort Belvoir, VA: Defense Technical Information Center, styczeń 1990. http://dx.doi.org/10.21236/ada218395.
Pełny tekst źródłaManhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse i Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), listopad 2020. http://dx.doi.org/10.19088/ids.2020.001.
Pełny tekst źródłaWilson, D., Vladimir Ostashev i Chris Pettit. Distribution of the two-point product of complex amplitudes in the fully saturated scattering regime. Engineer Research and Development Center (U.S.), listopad 2020. http://dx.doi.org/10.21079/11681/38701.
Pełny tekst źródłaMcDuffie, Magali, i Anne Poelina. Martuwarra Country: A historical perspective (1838-present). Martuwarra Fitzroy River Council; Nulungu Research Institute, The University of Notre Dame Australia., 2020. http://dx.doi.org/10.32613/nrp/2020.5.
Pełny tekst źródłaYatsymirska, Mariya. KEY IMPRESSIONS OF 2020 IN JOURNALISTIC TEXTS. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11107.
Pełny tekst źródłaYatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.
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