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Artykuły w czasopismach na temat "Exposition universelle (1900 : Paris, France). Russia"
Tressol, Nathanaëlle. "The Reception of Russian Arts and Crafts in French Art Journals". Experiment 25, nr 1 (30.09.2019): 346–62. http://dx.doi.org/10.1163/2211730x-12341347.
Pełny tekst źródłaSilverman, Willa Z. "“The Most Passionate of All”". Journal of Japonisme 3, nr 1 (4.12.2018): 1–51. http://dx.doi.org/10.1163/24054992-00031p01.
Pełny tekst źródłaLovings-Gomez, Lauren. "The Lost Narrative of Natalia Shabelsky’s Collection of Russian Textiles". Textile Society of America Symposium Proceedings, 2021. http://dx.doi.org/10.32873/unl.dc.tsasp.0117.
Pełny tekst źródłaRozprawy doktorskie na temat "Exposition universelle (1900 : Paris, France). Russia"
Martin-Neute, Emilie. "L’année 1900. La peinture contemporaine au travers des expositions parisiennes". Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040203.
Pełny tekst źródłaThe year 1900 marks the theoretical end of the 19th century, the last years of which still too often translate in people’s mind to irreversibly opposing Academism and Avant-garde. While the first one is sometimes synonymous of artistic sclerosis and ageing painters, the latter is still considered nowadays as a victim of the Fine Arts official system, finding its salvation only in parallel networks operated by galleries and art dealers. The study of painting exhibitions which took place in Paris during the year 1900 tends to go back on this presupposition. The shows are put together by different structures such as the Universal Exposition, the Salon of the Société des Artistes français or independent art dealers, yet a thorough analysis of their organization and content brings to light the various footbridges that exist between the official and the mercantile spheres at the turn of the century. It is thus by confronting the entirety of the Parisian painting exhibitions in the year 1900 that this thesis offers to render the complexity of the Parisian artistic world of the time, the multiple faces taken on by the pictorial French school, and above all the permeability between Academism, modernity and Avant-garde
Cartier, Alice. "Mythe et réalités olympiques : les Jeux de 1900". Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040165.
Pełny tekst źródłaCoubertin wished to organize the first games of the modern era in Paris in 1900, within the framework of, or in connection with, the World Fair. But from January 1894, Alfred Picard, the World Fair General Commissioner, rejected his proposal, rather choosing to organize physical exercises and sport competitions, thus depriving Coubertin of the supports who would have allowed him to organize Olympic Games. Therefore the only solution left for the IOC President was to keep up appearances, in order to ensure the survival of the rising Olympic movement. He made it so well that the myth of the 1900 Olympic Games still goes on, a myth preserved by the IOC itself. The purpose of this thesis is to separate fact from fiction about the so-called 1900 “Olympic Games” which n fact never occurred
Cartier, Alice. "Mythe et réalités olympiques : les Jeux de 1900". Electronic Thesis or Diss., Paris 4, 2010. http://www.theses.fr/2010PA040165.
Pełny tekst źródłaCoubertin wished to organize the first games of the modern era in Paris in 1900, within the framework of, or in connection with, the World Fair. But from January 1894, Alfred Picard, the World Fair General Commissioner, rejected his proposal, rather choosing to organize physical exercises and sport competitions, thus depriving Coubertin of the supports who would have allowed him to organize Olympic Games. Therefore the only solution left for the IOC President was to keep up appearances, in order to ensure the survival of the rising Olympic movement. He made it so well that the myth of the 1900 Olympic Games still goes on, a myth preserved by the IOC itself. The purpose of this thesis is to separate fact from fiction about the so-called 1900 “Olympic Games” which n fact never occurred
RIDEAU, Véronique. "Les écrivains français et les expositions universelles de 1878, 1899 et 1900". Doctoral thesis, 1999. http://hdl.handle.net/1814/5959.
Pełny tekst źródłaExamining Board: Prof. Heinz-Gerhard Haupt, Université de Bielefeld ; Prof. Pascal Ory, Université de Versailles-Saint Quentin en Yveslines ; Prof. Luisa Passerini, Institut Universitaire Européen, Florence ; Prof. Lucia Strappini, Université de Sienne
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Książki na temat "Exposition universelle (1900 : Paris, France). Russia"
Jean-Christophe, Mabire, i Paris (France). Mairie du VIe Arrondissement., red. L' Exposition universelle de 1900. Paris, France: Harmattan, 2000.
Znajdź pełny tekst źródłaGuerreiro, António. Paris 1900. Lisboa: Expo 98, 1995.
Znajdź pełny tekst źródłaRodríguez, María Guadalupe. Jesus F. Contreras en las exposiciones universales de París, 1889-1900. Aguascalientes, Ags: Universidad Autónoma de Aguascalientes, 2016.
Znajdź pełny tekst źródłaBibliothèque nationale de France. Département de la musique. Wystawa Powszechna w Paryżu 1900: Autografy kompozytorów polskich = Exposition universelle de Paris 1900 : autographes des compositeurs polonaise = Exposition universelle in Paris 1900 : autographs of Polish composers. Warszawa: Instytut im. Adama Mickiewicza, 2016.
Znajdź pełny tekst źródłaExposition, universelle internationale de 1900 (Paris France). Guide-commode indicateur de l'Exposition universelle de 1900. Paris: L. Joly, 1986.
Znajdź pełny tekst źródłaZakī, Aḥmad. L̕univers à Paris, 1900: Un lettré égyptien à l'Exposition universelle de 1900. Paris, France: Norma Éditions, 2015.
Znajdź pełny tekst źródłaPietrucha, Fischer Diane, Docherty Linda Jones i Montclair Art Museum, red. Paris 1900: The "American school" at the Universal Exposition. New Brunswick, N.J: Rutgers University Press, 1999.
Znajdź pełny tekst źródłaCanada. Canadian Commission to the Paris Universal Exposition of 1900. Regulations and general classification of exhibits. Ottawa: Govt. Print. Bureau, 2003.
Znajdź pełny tekst źródłaFisher, Sydney, i William D. Scott. Official catalogue of the Canadian section. [Ottawa?: s.n., 1993.
Znajdź pełny tekst źródłaVlad, Laurențiu. Imagini ale identității naționale: România și expozițiile universale de la Paris, 1867-1937. Iași: Institutul European, 2007.
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