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Artykuły w czasopismach na temat "Experimental theatre"
Firestein, Stuart. "Experimental theatre". Nature 443, nr 7114 (październik 2006): 913–14. http://dx.doi.org/10.1038/443913a.
Pełny tekst źródłaKauffmann, Stanley. "Broadway and the Necessity for ‘Bad Theatre’". New Theatre Quarterly 1, nr 4 (listopad 1985): 359–63. http://dx.doi.org/10.1017/s0266464x00001779.
Pełny tekst źródłaJesenko, Primož. "Balbina’s “theatre in the round”". Maska 31, nr 181 (1.12.2016): 160–65. http://dx.doi.org/10.1386/maska.31.181-182.160_7.
Pełny tekst źródłaSierz, Aleks. "Experimental Theatre in Cario". New Theatre Quarterly 12, nr 45 (luty 1996): 86–87. http://dx.doi.org/10.1017/s0266464x00009672.
Pełny tekst źródłaShepard, Sam. "Experimental Theatre Then and Now". PAJ: A Journal of Performance and Art 40, nr 1 (styczeń 2018): 3–4. http://dx.doi.org/10.1162/pajj_a_00388.
Pełny tekst źródłaRoche, Anthony. "Experimental Irish theatre: after Yeats". Irish Studies Review 21, nr 2 (maj 2013): 247–49. http://dx.doi.org/10.1080/09670882.2013.777618.
Pełny tekst źródłaLacey, Stephen, i Andrew Davies. "Other Theatres: The Development of Alternative and Experimental Theatre in Britain". Yearbook of English Studies 20 (1990): 360. http://dx.doi.org/10.2307/3507640.
Pełny tekst źródłaCornish, Roger, i Andrew Davies. "Other Theatres: The Development of Alternative and Experimental Theatre in Britain". Theatre Journal 40, nr 4 (grudzień 1988): 576. http://dx.doi.org/10.2307/3207914.
Pełny tekst źródłaStadtler, Florian. "National representations, national theatres: Aubrey Menen and the experimental theatre company". Studies in Theatre and Performance 38, nr 1 (22.03.2017): 23–35. http://dx.doi.org/10.1080/14682761.2017.1303282.
Pełny tekst źródłaDouxami, Christine. "Brazilian Black Theatre: A Political Theatre Against Racism". TDR/The Drama Review 63, nr 1 (marzec 2019): 32–51. http://dx.doi.org/10.1162/dram_a_00815.
Pełny tekst źródłaRozprawy doktorskie na temat "Experimental theatre"
Mikkola-Parnanen, Marja. "Experimental theatre in Old Town, Alexandria, Virginia". Thesis, Virginia Polytechnic Institute and State University, 1995. http://hdl.handle.net/10919/53403.
Pełny tekst źródłaMaster of Architecture
Cook, Patricia Margaret Anne de Gruchy Carleton University Dissertation Canadian Studies. "National cultures and popular theatre; four collective companies in Quebec and Newfoundland". Ottawa, 1986.
Znajdź pełny tekst źródłaThompson, Juli A. "Ariane Mnouchkine and the Theatre du Soleil /". Thesis, Connect to this title online; UW restricted, 1986. http://hdl.handle.net/1773/10228.
Pełny tekst źródłaParsons, Rosemary Frances. "Group devised theatre a theoretical and practical examination of devising processes /". Master's thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/71211.
Pełny tekst źródłaBibliography: leaves 241-251.
Introduction -- Re-devising theatre: towards a genealogy of devising practice -- Pre-devising: group formation, development and games -- Devising theatre: This is not an exit -- Conclusion.
This non-traditional thesis explores the practical and theoretical processes of group-devised theatre. The research informing this thesis is derived from two interrelated components - a practical project in group devising, and a theoretical study of alternative theatre, devising methodologies, and performance theory. -- Chapter One defines "devising" before tracing its origins through the development of experimental practices from the historical avant-garde to the present day. These practices include radical disruptions to discursive language and structure, increased multimedia, reconsiderations of the performer's function and the use of improvisation. This genealogy is argued to be a "literature of practice" capable of informing contemporary devising projects, as well as helping to establish the position of devising within contemporary performance theory. -- Chapter Two examines how creative collaborators begin to form and function as a devising group, a period I theoretically term "pre-devising". By examining the experiences of my group, gaps in devising literature concerning group formation and composition are identified, complemented by an investigation into the role of theatre games in building ensemble. -- Chapter Three draws upon the genealogy of devising, devising literature and performance theory to interrogate the process of devising our production, This Is Not An Exit. The theoretical and practical problems of our methods are explored. These methods include organising the group as an artistic democracy, developing naturalistic characters, and establishing a "postmodern aesthetic". By analysing our experiences, this chapter attempts to illustrate the complex tangle of influences informing contemporary performance practitioners, and highlight areas ripe for future critical research.
Mode of access: World Wide Web.
251 leaves
Ribeiro, Cristina Sanches. "The Living Theatre e a criação coletiva : intersecções no teatro brasileiro". Universidade do Estado de Santa Catarina, 2016. http://tede.udesc.br/handle/handle/2591.
Pełny tekst źródłaMade available in DSpace on 2018-03-19T19:36:46Z (GMT). No. of bitstreams: 1 CRISTINA SANCHES RIBEIRO.pdf: 1576413 bytes, checksum: 2458aaf5b53d0e457d5665f4cdc30b20 (MD5) Previous issue date: 2016-09-09
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis aims to investigate the collective creation development in the North American theater following the trajectory of the group Living Theatre, and consider its intersections with some Brazilian theater groups after meeting up with the collective Teatro Oficina in the 70‟s in Brazil. This dissertation intents to consider the historical context, the artistic influences and the various theoretical aspects that led the Living Theatre to seek a new form of theater, more connected to everyday life and social concerns. The depletion of traditional artistic expression forms gathered with the artists sight on the political and social scope ended up creating a new way of producing artistically. The study evaluates the literature on the trajectory of the Living Theatre since its foundation, its most striking plays until their coming to Brazil by the invitation of the Brazilian group. Investigates through literature of the founders Judith Malina, Julian Beck and other bibliographies, the procedures that were gradually developed in this period and thrived to the process of collective creation. The research is guided through the analysis of the Living plays: The Connection, The Brig, Frankenstein, Paradise Now and the Legacy of Cain and Teatro Oficina play, Gracias Señor. The study identified the features and criteria of the Living Theatre course for the development of the collective creation process, serving as inspiration for many contemporary theater groups, especially in America and Europe.
Este trabalho tem por objetivo investigar o desenvolvimento da criação coletiva no teatro norteamericano a partir do início da trajetória do grupo teatral Living Theatre, e considerar suas intersecções em certos grupos do teatro brasileiro a partir da vinda do grupo ao país e do encontro com o coletivo Teatro Oficina na década de 1970. Este estudo busca considerar o contexto histórico, as influências artísticas e as diversas vertentes teóricas que levaram o Living Theatre a buscar uma nova forma de fazer teatro, mais conectado com a vida cotidiana e com preocupações sociais. O esgotamento das formas tradicionais de expressão artística e o interesse a aspectos sociais e políticos pelos artistas acabou criando uma nova forma de produzir artisticamente. O trabalho avalia a bibliografia sobre a trajetória do Living Theatre, desde sua fundação, suas montagens mais marcantes até a vinda ao Brasil, a convite do grupo brasileiro. Investiga através de relatos dos fundadores Judith Malina e Julian Beck e outras bibliografias, os procedimentos que foram desenvolvidos paulatinamente neste período e progrediram para o processo da criação coletiva. A pesquisa se dá através da análise dos espetáculos do Living: The Connection, The Brig, Frankstein, Paradise Now e o Legado de Caim e do espetáculo do Teatro Oficina, Gracias Señor. O estudo identificou critérios e recursos da trajetória do Living Theatre para o desenvolvimento do processo de criação coletiva, servindo de inspiração para muitos grupos no teatro contemporâneo, principalmente na América e Europa.
Hoppe, Meredith A. "Breaking tradition reaching for the avant-garde in theatre for young audiences /". Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002968.
Pełny tekst źródłaKarafistan, Rachel. "Shamanic dimensions within theatre practice today : an experimental and theoretical investigation". Thesis, University of Brighton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366633.
Pełny tekst źródłaTheodoridou, Danae. "Short (research) stories : drama and dramaturgy in experimental theatre and dance practices". Thesis, Roehampton University, 2013. http://hdl.handle.net/10142/283932.
Pełny tekst źródłaEntell, Bettina S. "Post-Tian'anmen: a new era in Chinese theatre experimentation during the 1990s at Beijing's China National Experimental Theatre/CNET". Thesis, University of Hawaii at Manoa, 2002. http://hdl.handle.net/10125/3016.
Pełny tekst źródłaThesis (Ph. D.)--University of Hawaii at Manoa, 2002.
Mode of access: World Wide Web.
Includes bibliographical references (leaves 396-479).
Electronic reproduction.
Also available by subscription via World Wide Web
xxi, 479 leaves, bound col. ill. 29 cm
Hamilton, Margaret School of Media Film & Theatre UNSW. "From the 'New Wave' to the 'Unnameable': post-dramatic theatre & Australia in the 1980s & 1990s". Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/24266.
Pełny tekst źródłaKsiążki na temat "Experimental theatre"
Walsh, Ian R. Experimental Irish Theatre. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368.
Pełny tekst źródłaShank, Theodore. American alternative theatre. New York: St. Martin's Press, 1988.
Znajdź pełny tekst źródłaWalsh, Ian R. Experimental Irish theatre: After W.B. Yeats. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.
Znajdź pełny tekst źródłaExperimental Irish theatre: After W.B. Yeats. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.
Znajdź pełny tekst źródłaKirby, Michael. A formalist theatre. Philadelphia: University of Pennsylvania Press, 1987.
Znajdź pełny tekst źródłaKirby, Michael. A formalist theatre. Philadelphia: University of Pennsylvania Press, 1987.
Znajdź pełny tekst źródłaKirby, Michael. A formalist theatre. Philadelphia: University of Pennsylvania Press, 1987.
Znajdź pełny tekst źródłaInnes, C. D. Avant Garde Theatre. London: Taylor & Francis Inc, 2004.
Znajdź pełny tekst źródłaKirby, Michael. A formalist theatre. Philadelphia: University of Pennsylvania Press, 1987.
Znajdź pełny tekst źródłaQueer theatre. New York: Methuen, 1986.
Znajdź pełny tekst źródłaCzęści książek na temat "Experimental theatre"
Shepherd, Simon. "Experimental Theatre". W The English Theatrical Avant-Garde 1900-1925, 1–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003033295-1.
Pełny tekst źródłaWolff, Tamsen. "Experimental Breeding Ground". W Mendel's Theatre, 113–40. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230621275_4.
Pełny tekst źródłaWalsh, Ian R. "Experimental Contexts". W Experimental Irish Theatre, 10–36. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_2.
Pełny tekst źródłaCameron, Alasdair. "Experimental Theatre in Scotland". W Contemporary British Theatre, 123–38. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-25091-2_9.
Pełny tekst źródłaCameron, Alasdair. "Experimental Theatre in Scotland". W Contemporary British Theatre, 123–38. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23078-5_9.
Pełny tekst źródłaWalsh, Ian R. "Introduction". W Experimental Irish Theatre, 1–9. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_1.
Pełny tekst źródłaWalsh, Ian R. "Experiments in Representation". W Experimental Irish Theatre, 37–73. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_3.
Pełny tekst źródłaWalsh, Ian R. "Experiments in Gender". W Experimental Irish Theatre, 74–94. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_4.
Pełny tekst źródłaWalsh, Ian R. "Experiments in Verse". W Experimental Irish Theatre, 95–122. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_5.
Pełny tekst źródłaWalsh, Ian R. "Experiments in Theatre: Maurice Meldon". W Experimental Irish Theatre, 123–63. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368_6.
Pełny tekst źródłaStreszczenia konferencji na temat "Experimental theatre"
van Dijk, Betsy, Rieks op den Akker, Anton Nijholt i Job Zwiers. "Navigation assistance in Virtual Worlds". W 2001 Informing Science Conference. Informing Science Institute, 2001. http://dx.doi.org/10.28945/2364.
Pełny tekst źródłaKhalil, Essam E., i Ahmed ElDegwy. "Simulation of Thermal Management in a Surgical Operating Theatre and Its Experimental Verification". W AIAA Propulsion and Energy 2019 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2019. http://dx.doi.org/10.2514/6.2019-4224.
Pełny tekst źródłaZlotowski, Jakub, Timo Bleeker, Christoph Bartneck i Ryan Reynolds. "I Sing the Body Electric An experimental theatre play with robots [video abstract]". W 2013 8th ACM/IEEE International Conference on Human-Robot Interaction (HRI). IEEE, 2013. http://dx.doi.org/10.1109/hri.2013.6483630.
Pełny tekst źródłaKhalil, Essam. "Experimental Investigation of Flow Regimes in An Operating Theatre of 1200-Beds Teaching Hospital". W 46th AIAA/ASME/SAE/ASEE Joint Propulsion Conference & Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2010. http://dx.doi.org/10.2514/6.2010-6933.
Pełny tekst źródłaShekriladze, Irakli G., Giorgi I. Gigineishvili, Jondo G. Rusishvili i David I. Shekriladze. "Investigation of Duration-Dependent Multifactoring During Boiling on Down-Facing Heating Surface". W 2010 14th International Heat Transfer Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ihtc14-23386.
Pełny tekst źródłaDrossinou-Korea, Maria. "Targeted, individually structured special education and training intervention programs and pedagogical applications in museum". W 7th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2021. http://dx.doi.org/10.32591/coas.e-conf.07.11107d.
Pełny tekst źródłaBanno, Mariasole, Andrea Albertini, Ileana Bodini, Sandro Trento i Valerio Villa. "Theatre teaches". W Fourth International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.8098.
Pełny tekst źródłaWilliams, Douglas L., Ian C. Kegel, Marian Ursu, Pablo Cesar, Jack Jansen, Erik Geelhoed, Andras Horti, Michael Frantzis i Bill Scott. "A Distributed Theatre Experiment with Shakespeare". W MM '15: ACM Multimedia Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2733373.2806272.
Pełny tekst źródłaSingh, Ravinder Pal, i Pulak Mohan Pandey. "Comparison of Conventional and Ultrasonic Drilling on Cutting Force in Porcine and Human Femur". W ASME 2020 15th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/msec2020-8401.
Pełny tekst źródłaPape, Dave, Sarah Bay-Cheng, Josephine Anstey i Dave Mauzy. "WoyUbu: Experiments with video-gaming in live theatre". W 2015 IEEE Games Entertainment Media Conference (GEM). IEEE, 2015. http://dx.doi.org/10.1109/gem.2015.7377241.
Pełny tekst źródłaRaporty organizacyjne na temat "Experimental theatre"
McIntyre, Phillip, Susan Kerrigan i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.
Pełny tekst źródłaAIR FORCE INST OF TECH WRIGHT-PATTERSONAFB OH. Concept Experimentation Program. Out of Theater High Frequency Radio Relay Concept Experiment. Fort Belvoir, VA: Defense Technical Information Center, luty 2001. http://dx.doi.org/10.21236/ada395069.
Pełny tekst źródłaFolker, Jr, i Robert D. Intelligence Analysis in Theater Joint Intelligence Centers: An Experiment in Applying Structured Methods. Fort Belvoir, VA: Defense Technical Information Center, styczeń 2000. http://dx.doi.org/10.21236/ada476578.
Pełny tekst źródła