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Artykuły w czasopismach na temat "Exodus"

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Boehm, Bruce J. "Wanderers in the Promised Land: A Study of the Exodus Motif in the Book of Mormon and Holy Bible". Journal of Book of Mormon Studies (1992-2007) 3, nr 1 (1.04.1994): 187–203. http://dx.doi.org/10.2307/44758661.

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Abstract Lehi’s exodus to the promised land is only the first of a series of exoduses occurring throughout the Book of Mormon. Indeed, Lehi’s exodus becomes mere precedent for later flights into the wilderness by Nephi, Mosiah, Alma, Limhi, and the Anti-Nephi-Lehites. For the Nephites, continuing exodus is not merely historical fact. Understanding the biblical exodus as a type and shadow, the Nephites come to see their wandering as a metaphor of their spiritual condition. Thus, even centuries after Lehi’s arrival in the promised land, Nephite prophets recognize their status as "wanderers in a strange land" (Alma 13:23). As Abraham, Isaac, and Jacob, the Nephites looked beyond their temporal land of promise "for a city which hath foundations, whose builder and maker is God" (Hebrews 11:10).
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Emerton, J. A., i W. Johnstone. "Exodus". Vetus Testamentum 41, nr 2 (kwiecień 1991): 249. http://dx.doi.org/10.2307/1518909.

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Emerton, J. A., i N. M. Sarna. "Exodus". Vetus Testamentum 42, nr 1 (styczeń 1992): 142. http://dx.doi.org/10.2307/1519151.

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Emerton, J. A., i J. I. Durham. "Exodus". Vetus Testamentum 40, nr 1 (styczeń 1990): 126. http://dx.doi.org/10.2307/1519276.

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Fujin, Xing. "Exodus". Chinese Education 21, nr 2 (lipiec 1988): 57–62. http://dx.doi.org/10.2753/ced1061-1932210257.

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Hart, Geoffrey. "Exodus". After Dinner Conversation 2, nr 11 (2021): 37–51. http://dx.doi.org/10.5840/adc2021211102.

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What makes a "religious" holiday? Does the combination of ritual, culture, and family custom all merge together to create "religion?" Does it even matter if the historical basis for religious stories are false? In this work of philosophical short story fiction, the spaceship computer AI wakes up a family in deep space hibernation to give them time to prepare for, and celebrate, Passover. There are many situations unique to being in space that must be overcome; determining the right time period when taking into consideration time dilation, not to mention missing ingredients for traditional foods. Also, they are short two people of the requisite ten and ask the computer AI to "convert" and serve the role of two additional Jewish people. Awkwardly, the computer reminds them that some of their traditional stories are not supported by archeological evidence. This all begs important questions about the complicated weaving of history, faith, culture, and family custom in religious ceremony.
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Little, Judy. "Exodus". Anglican Theological Review 101, nr 1 (grudzień 2019): 138–39. http://dx.doi.org/10.1177/000332861910100115.

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Lowinsky, Naomi Ruth. "Exodus". Psychological Perspectives 55, nr 3 (lipiec 2012): 377. http://dx.doi.org/10.1080/00332925.2012.703055.

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Sweeney, Chad. "Exodus". Colorado Review 36, nr 3 (2009): 114–20. http://dx.doi.org/10.1353/col.2009.0067.

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Wood, Robin. "Exodus". Film International 3, nr 6 (listopad 2005): 29–35. http://dx.doi.org/10.1386/fiin.3.6.29.

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Rozprawy doktorskie na temat "Exodus"

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Drumm, Jill Marie. "MAPS OF EXODUS". FIU Digital Commons, 2006. http://digitalcommons.fiu.edu/etd/3088.

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MAPS OF EXODUS is a poetry collection thematically unified through recurring images of wings, flight, maps, and emotional or geographic dislocation. These images emerge as interpretations of various psychological and physical mediums of escape, often signifying aspects of the archetypal journey. Influenced by Louise Glück's Wild Iris and Emily Dickinson's collected works, the poems often utilize language compressed to maximize emotional and thematic impact in spare lyrical poems. At other times the poems expand in language and form to Barbara Hamby's bountiful proportions and Theodore Roethke's vegetative abundance. The collection interweaves poems that explore the breakdown of family structures, the grieving process through recurrent pregnancy loss, domestic confusion, and a failed marriage. The latter sections shift toward poems that communicate redemption and consolation through travel, the natural world, and new relationships. Each section is interwoven with garden, greenhouse, and nature imagery to emphasize the ongoing search for renewal and regeneration.
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Haugen, Philip S. "The consummation of the Exodus a study of the Exodus motif in the Revelation /". Portland, OR : Theological Research Exchange Network (TREN), 2005. http://www.tren.com.

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Hayden, John. "Jethro's prediction, Exodus 18:23". Theological Research Exchange Network (TREN), 1985. http://www.tren.com.

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Stargel, Linda. "The construction of exodus identity in the texts of ancient Israel : a social identity approach". Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/the-construction-of-exodus-identity-in-the-texts-of-ancient-israel-a-social-identity-approach(0efe2390-b7f5-477e-9a49-ad00a18fa8f4).html.

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In response to the scarcity of biblical scholarship analysing the function of the Hebrew Bible’s exodus stories as persuasive communication, this dissertation investigates how these mnemonically dense stories were capable of creating and maintaining a long-term collective identity for ancient Israel. A narrative approach is selected in keeping with this intent, and the primary exodus story (Exod 1:1–15:21) and the 18 retold exodus stories found in the Hebrew Bible are identified as the focus of research. Since the tools used for analysing the narratives of non-fictional peoples need not be limited to those used for analysing literary fiction, a methodological tool—based on the principles of the social identity approach (SIA)—is developed and outlined to assist in exposing identity construction at a rhetorical level. Using the SIA heuristic tool, rhetorical formulations of identity—cognitive, evaluative, emotional, behavioural and temporal—like those occurring in face-to-face relationships, are identified in the exodus stories. These formulations make certain identity claims upon their hearers. A shared experience of oppression and deliverance is represented as the significant feature defining group membership in Israel. The literary portrayal of nine of the eighteen retold exodus stories in a setting just after the death of the adult exodus generation, asserts the importance of the appropriation of the story by a purportedly new generation. Likewise, exodus narratives with a literary setting in every major socio-cultural transition in Israel’s larger story portray Israel’s rehearsal of and participation in exodus as central and essential to her ongoing collective identity. Possible social identities offered to Israel include the temporal expansion of this ingroup based on the retelling and reappropriation of exodus and the “othering” of Israel based on non-compliance. Pre-exodus narratives are noted to have been shaped so as to include the patriarchs in “the people whom God brought out of Egypt.” Plurivocal retold exodus stories also reflects the recasting of narratives to fit identities so that, anachronistically, post-exodus members may also be included in “the people whom God brought out of Egypt.” This points to the revision and reuse of exodus narratives rather than to their unilinear development. Apart from any speculation on the historical motives of their producers, the identity-forming potential of exodus narratives characterized by the well-established, recognizable language of social identity is identified. The newly developed heuristic tool used in this analysis is its most significant contribution. It makes visible the nascent social identity language and concepts implicitly noted by prior scholarship, places them within the larger validating theoretical framework of the SIA and systematically identifies the specific persuasive elements and integrating qualities of exodus narratives.
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Neilly, Stephen W. W. "Our great escape the exodus motif in Luke /". Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Harron, Rory Joseph. "Exodus : towards a non-identity art". Thesis, Glasgow School of Art, 2013. http://radar.gsa.ac.uk/4734/.

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Contemporary western societies are in a state of flux approaching crisis; elected governments appear dictated to by private interests while employment appears increasingly precarious. Crippling poverty is rife across the world while a global war over resources is perpetuated under the guise of freedom. The potential of art, the art world and the artist within this matrix may appear an entirely indulgent debate. However, humanity associates the field with some of its greatest achievements. Considering this, it must have some agency to affect consciousness and social change. I did not hold this outlook at the outset of the research. It was instigated from a perspective that saw the loci of art as limited in their agency to effect social and political change. Considering this, it set itself the task of discovering a potent artist exit from the dominant model of art and its underlying hierarchies of values and societal functions. The research is a practical and conceptual search for an alternative model of art. Taking inspiration from Paolo Virno’s political strategy of exodus (Virno, 2004: 70), the research addresses and quantifies the artist exit from art, the art world and authorship. It deploys a multimethodology which consists of a theoretical/ investigative enquiry, reflexive experimental art production, participant-observation and auto-ethnographic writing. The written thesis develops a historical, cultural and geographic inquiry through a phenomenological and discursive approach. The art production includes personal, ambiguous work alongside experimental, site-specific interventions and collaborations with a series of artist-activist and activist groups. Like the nation state and the museum, our conception of the artist is ‘an ideological product’ of the Enlightenment (Foucault, 1984: 119). Karl Marx foresaw art as an activity that everyone did in the Communist society (Marx, 1978: 160) and Joseph Beuys argued that every human being is an artist (Beuys, 1992: 902). Seeking to develop upon such thought, the thesis argues for the artist exit from conventional authorship and simultaneous affirmation of an egalitarian mode of art production and distribution. The double movement is critical to avoid slipping into a nihilist vacuum. Following the logic of the Salon des Refusés that heralded the emergence of the avant-garde in the 19th century, the thesis should manifest in exhibitions wherein anyone can exhibit. In so doing, it seeks to problematize the hierarchy within art and the alienation and identity divisions between artists and non-artists. Though theorised, the thesis remains dormant knowledge. The motives for this thesis is to incrementally further the egalitarian drive through fostering the agency of the many in art discourse, practice and research. Inspired by Adorno’s negative dialectics, this would strive to be a non-identity art. Adorno’s non-identity thought rejects strong self–identification alongside a commitment to egalitarianism. As it demands ‘thinking against itself’ (Adorno, 1973: 365), the proposed thesis is not fixed or dogmatic; indeed it will be negated at the close. Ultimately, the theorisation of a non-identity art is more so a polemical and tentative hypothesis to engender a reconsideration of the authorship and ownership of the field of art. The application of negation, non-identity and the negative dialectical method in art research is the original contribution to knowledge. Considering this, the method of the study is as important as its content.
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Kürle, Stefan. "The appeal of Exodus : the characters God, Moses and Israel in the rhetoric of the book of Exodus". Thesis, University of Gloucestershire, 2005. http://eprints.glos.ac.uk/3145/.

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The present thesis offers a reading of the book of Exodus as a literary artifact. This is accomplished through the investigation of its main literary characters Yhwh, Moses and Israel. The text is understood to be part of a communicative situation between author and reader. This hermeneutical claim and the nature of Exodus itself entail certain consequences with regard to the method of enquiry. The method applied is a modified form of rhetorical criticism, which is understood to provide an interpretive perspective on the text. The particular focus is on the functional aspects of the text which direct the reading process and thus guide the reader. Given the difficulties in determining the circumstances of the origin of Exodus and the paucity of secured knowledge about early Israelite history, the `implied reader' is introduced as a key-term. It is assumed that this implied reader informed the inventio and dispositio of the book. Because of the book's central themes - identity and relationship -a careful investigation of the characters is a worthy avenue to pursue. Three characters have been chosen on account of their continuous involvement in the plot. The introduction of each character into the plot receives special attention. The developing portrayal of each character is closely linked to its paradigmatic qualities and to its influence on the reader. First, the portrait of God is discussed, especially in relation to the contributions of the narrative, poetic and legal parts of Exodus. The very important but often neglected legal characterisation of Yhwh in Exodus is a topic of special interest. Although the legal collections say much about their recipients, they also reveal deep insights into the law-giver's nature and concerns. Yhwh is identified as the king who justly claims obedience and service. A further focus is the possibility of the relationship between Israel and their king, Yhwh. Second, with regard to Moses there is a significant difference between his first appearance in Exod 2-5 and his later development. This remarkable tension in the Mosaic portrayal reveals interesting insights into the implied reader's preconceptions. Here we trace closely the argumentative strategy of the author in his attempts to convince this reader. Furthermore, it is necessary to discuss the paradigmatic qualities of the character Moses. Third, reader-identification is at the heart of the construction of Israel. Here the historical gulf between the Israel of the narrative and the one of the implied reader is bridged. The complexity of Israel is a central aspect of Exodus' rhetoric, urging its readers to comply with the ideal which the author sought to communicate in his book. The results of this study provide insights into the specific poetics of Exodus and its management of the reading process. Because of the proposed unity of form and content, it is possible to specify the message of the entire book by taking into account its intriguing mixture of different genres. An abstraction from modern reading-conventions in the encounter of ancient Hebrew texts is shown, and the possibility of reading the text on its own terms is explored.
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Lomuscio, Joseph. "The Exodus date archaeologically and historically examined". Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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Lane, Nathan Cinclair Bellinger W. H. "Exodus 34 6-7: a canonical analysis /". Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5070.

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Juknytė, Ernesta. "Modern religious consciousness in Lithuanian exodus poetry". Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100426_163046-20195.

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Książki na temat "Exodus"

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Bowden, Charles. Exodus =: Exodo. Austin: University of Texas Press, 2008.

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Bertagna, Julie. Exodus. New York: Walker, 2008.

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Newsome, James D. Exodus. Louisville, Ky: Geneva Press, 1998.

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Durham, John I. Exodus. Waco, TX: Word Books, 1987.

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Durham, John Isaac. Exodus. Waco, Texas: Word Books, 1987.

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Wendland, E. H. Exodus. Wyd. 2. Milwaukee, Wis: Northwestern Pub. House, 2000.

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Lintzenich, Robert. Exodus. Nashville, Tenn: Broadman & Holman Publishers, 1998.

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Harold, Bloom, red. Exodus. New York: Chelsea House Publishers, 1987.

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Verhagen, Piet (P.A.M.), 1947-, red. Exodus. Amsterdam: Mynx, 2009.

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Wildsmith, Brian. Exodus. Grand Rapids, Mich: Eerdmans Books for Young Readers, 1998.

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Części książek na temat "Exodus"

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Balas, Egon. "Exodus". W Der Wille zur Freiheit, 375–91. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-23921-2_16.

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Reid, Constance. "Exodus". W Hilbert, 198–205. New York, NY: Springer New York, 1996. http://dx.doi.org/10.1007/978-1-4612-0739-9_23.

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del Rosario, Ingeborg. "Exodus". W Encyclopedia of Psychology and Religion, 855–56. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_223.

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Kane, Tim. "Exodus". W Bleeding Talent, 85–107. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1007/978-1-137-51129-4_5.

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Rosario, Ingeborg. "Exodus". W Encyclopedia of Psychology and Religion, 642–44. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_223.

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Pettis, Jeffrey B., Jo Nash, Benjamin Beit-Hallahmi, Ruth Williams, David A. Leeming, Robert S. Ellwood, Jeffrey B. Pettis i in. "Exodus". W Encyclopedia of Psychology and Religion, 310–12. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_223.

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Sonnert, Gerhard, i Gerald Holton. "Exodus". W What Happened to the Children Who Fled Nazi Persecution, 13–29. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601796_2.

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Helfritzsch, Paul. "Exodus". W Edition Moderne Postmoderne, 7–8. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839461433-001.

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Williams, Gwyn A. "Exodus". W The Search for Beulah Land, 163–73. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003292876-8.

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Johnson, Charles S., i John Stanfield. "Exodus". W Bitter Canaan, 11–25. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429336157-3.

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Streszczenia konferencji na temat "Exodus"

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Lehmann, Alexander. "Exodus". W ACM SIGGRAPH ASIA 2010 Computer Animation Festival. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1900264.1900317.

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Rieser, Martin. "EXODUS". W C&C '13: Creativity and Cognition 2013. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2466627.2481233.

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Nelson, Tim, Andrew D. Ferguson, Da Yu, Rodrigo Fonseca i Shriram Krishnamurthi. "Exodus". W SOSR 2015: ACM SIGCOMM Symposium on SDN Research. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2774993.2774997.

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Whittington, Jana. "Exertions of Exodus". W ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1178988.

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Graefe, Goetz, i David J. DeWitt. "The EXODUS optimizer generator". W the 1987 ACM SIGMOD international conference. New York, New York, USA: ACM Press, 1987. http://dx.doi.org/10.1145/38713.38734.

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Prazak, Martin, Mungo Pay, Damien Maupu, Davide Vercelli i Ian Masters. "Data-driven background crowds in Exodus". W SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2775280.2792553.

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Franklin, Michael J., Michael J. Zwilling, C. K. Tan, Michael J. Carey i David J. DeWitt. "Crash recovery in client-server EXODUS". W the 1992 ACM SIGMOD international conference. New York, New York, USA: ACM Press, 1992. http://dx.doi.org/10.1145/130283.130312.

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Hussain, Samira Musherrof, i Md Shamsul Hoque. "Climate Exodus: The Migration Catastrophe of Bangladesh". W 2020 IEEE Region 10 Symposium (TENSYMP). IEEE, 2020. http://dx.doi.org/10.1109/tensymp50017.2020.9231036.

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Richardson, Joel E., i Michael J. Carey. "Programming constructs for database system implementation in EXODUS". W the 1987 ACM SIGMOD international conference. New York, New York, USA: ACM Press, 1987. http://dx.doi.org/10.1145/38713.38738.

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Carey, Michael J., i David J. DeWitt. "A data model and query language for EXODUS". W the 1988 ACM SIGMOD international conference. New York, New York, USA: ACM Press, 1988. http://dx.doi.org/10.1145/50202.50252.

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Raporty organizacyjne na temat "Exodus"

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Schoof, L. A., i V. R. Yarberry. EXODUS II: A finite element data model. Office of Scientific and Technical Information (OSTI), wrzesień 1994. http://dx.doi.org/10.2172/10102115.

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Shemon, E., i C. Attaway. User Manual for EXODUS II Mesh Converter. Office of Scientific and Technical Information (OSTI), grudzień 2014. http://dx.doi.org/10.2172/1165335.

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Thompson, David C., Jeffrey N. Jortner i Philippe Pierre Pebay. An Exodus II specification for handling gauss points. Office of Scientific and Technical Information (OSTI), listopad 2007. http://dx.doi.org/10.2172/926808.

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Baudin, Thomas, i Robert Stelter. The rural exodus and the rise of Europe. Rostock: Max Planck Institute for Demographic Research, styczeń 2019. http://dx.doi.org/10.4054/mpidr-wp-2019-005.

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Mills-Curran, W. C., A. P. Gilkey i D. P. Flanagan. EXODUS: A finite element file format for pre- and postprocessing. Office of Scientific and Technical Information (OSTI), wrzesień 1988. http://dx.doi.org/10.2172/6902151.

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Elacqua, Gregory, Nicolas Figueroa, Andrés Fontaine, Juan Francisco Margitic i Carolina Méndez. COVID-19 Exodus: Parent preferences for public schools in Peru. Inter-American Development Bank, sierpień 2023. http://dx.doi.org/10.18235/0005095.

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In 2020 in Peru, the Ministry of Education (MINEDU), in response to the COVID-19 pandemic, organized a centralized assignment mechanism that allowed thousands of students at multiple levels of education to move from the private sector to the public sector due to an unprecedented rise in demand. Exploiting the randomness in the assignment of students to their new schools, we causally estimate which public school characteristics families that had decided to study in the private sector before COVID-19 value the most and how preferences for school attributes change after parents experience public schools. We find that families care about the distance to the assigned school and the relative academic and peer quality with respect to their school of origin. Parents weigh features such as distance to school and peer demographics differently when deciding whether or not to remain at the assigned school. These findings provide insights into how governments can strengthen the supply of public schooling.
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Elacqua, Gregory, Nicolas Figueroa, Andrés Fontaine, Juan Francisco Margitic i Carolina Méndez. Exodus to Public School: Parent Preferences for Public Schools in Peru. Inter-American Development Bank, grudzień 2023. http://dx.doi.org/10.18235/0005497.

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Due to an unprecedented rise in demand, in 2020 the Peruvian Ministry of Education implemented a centralized assignment mechanism that allowed thousands of students at various levels of education to move from the private to the public sector. In this paper, we empirically explore the determinants of accepting a public school assignment and, subsequently, remaining in the public system. Specifically, we exploit the randomness in the assignment of students to new public schools to causally estimate the influence of distance on the decision to accept a public school placement, and we explore its role in the decision to remain there. We also provide insights into various determinants of parental preferences. Our findings reveal that families care about distance from home to the assigned public school as well as the relative academic and peer quality with respect to their school of origin. Parents weigh these factors differently based on their familiarity with them. Consequently, experiencing a new school environment can alter the significance of specific attributes when it comes time to decide whether to stay at the assigned school. These findings offer valuable insights into how governments can strengthen the supply of public schooling.
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Moffat, H. K. dgtoexo2: A Distorted Grid Output File to Exodus II Finite Element Database Conversion Utility. Office of Scientific and Technical Information (OSTI), grudzień 1998. http://dx.doi.org/10.2172/3191.

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Otero-Cortés, Andrea, Ana María Tribín-Uribe i Tatiana Mojica-Urueña. The Heterogeneous Labor Market Effects of the Venezuelan Exodus on Female Workers: Evidence from Colombia. Banco de la República, lipiec 2022. http://dx.doi.org/10.32468/dtseru.311.

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We study the labor market effects of the Venezuelan migration shock on female labor market outcomes in Colombia using a Bartik-instrument approach.For our identification strategy we leverage regional variation from pull factors and time variation from push factors. Our findings show that in the labor market, female immigrants can act as substitutes or complements for native-born women depending on native women’s education level; immigrant workers are substitutes in the labor market for native-born low-educated women as they compete for similar jobs. Hence, the low-educated native women’s labor force participation decreases. At the same time, time spent doing unpaid care increases for low-educated native women, possibly further preventing the job search for this group. On the other hand, we find an increase in labor force participation of 1.6 p.p. for highly educated women with minors at home and a 1 p.p. higher likelihood of becoming entrepreneurs due to the migratory shock, which supports the complementary-skill hypothesis. Finally, we don’t find evidence that the migratory shock induced households to outsource more home-production as a means for high-educated women to spend more time at paid work.
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Sjaardema, G. D. NUMBERS: A collection of utilities for pre- and postprocessing two- and three-dimensional EXODUS finite element models. Office of Scientific and Technical Information (OSTI), marzec 1989. http://dx.doi.org/10.2172/6274525.

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