Rozprawy doktorskie na temat „Exhibitions”
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Fernández, López Olga. "Dissenting exhibitions by artists (1968-1998) : reframing Marxist exhibition legacy". Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/1346/.
Pełny tekst źródłaPalmer, Daniel. "Exhibiting practice : retrospective survey exhibitions of conceptual art, 1989-2000". Thesis, Kingston University, 2007. http://eprints.kingston.ac.uk/20221/.
Pełny tekst źródłaEvans, Caitlin Irene. "EXHIBITING VOICES THE PRESENCE OF NATIVE AMERICAN VOICES IN MUSEUM EXHIBITIONS". Thesis, The University of Arizona, 2009. http://hdl.handle.net/10150/192336.
Pełny tekst źródłaTaxén, Gustav. "Towards Living Exhibitions". Licentiate thesis, KTH, Numerical Analysis and Computer Science, NADA, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-1616.
Pełny tekst źródłaThis thesis introduces the concept of living exhibitions:continuously evolving museum exhibitions that are cooperativelydeveloped and evaluated by teams of museum professionals andvisitor representatives. The author argues that the livingexhibition design process should draw its inspiration frommultiple resources, including current research on museumlearning, interaction principles and technology. As acase-in-point, the thesis provides a description of how suchresults have inspired the design of The Well of Inventions, apublic installation at the Museum of Science and Technology inStockholm. Furthermore, the thesis describes how an evaluationmethodology from cooperative design was adopted andsuccessfully applied within the museum domain. The ultimate aimof the work is to increase the opportunities for communicationbetween museum professionals and their audiences.
Sommer, Michelle Farias. "Teoria (provisória) das exposições de arte contemporânea". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/151285.
Pełny tekst źródłaSituated within the realm of exhibition studies, this thesis focuses specifically on those curatorial and artistic proposals which question the topos of contemporary art exhibitions. The research was carried out between 2012 and 2016, visiting exhibitions in different geographical locations: Porto Alegre, Curitiba, São Paulo, Rio de Janeiro, Berlin, Venice and London. The research methodology was built on the experience at these exhibitions, through which the thesis’ case studies have been configured. What are the limits of the Western canons, which reinforce particular trends and generate orthodoxies within exhibition studies? Between the ‘out there’ and the ‘in here’, whether there resides the dichotomy, here lies hybridity, as an experimental matrix for the making of exhibitions in Brazil. It is in this context, here-and-now, that the thesis develops the concept of “counter-exhibition”, redefining the exhibition space through direct experimentation in the investigation, production, presentation and documentation of curatorial and artistic proposals in their public dimension. The thesis also takes into account the context of mega-exhibitions, and specifically biennials, discussing the supposed crisis of the model by mapping its recurring patterns, as a possible strategy to challenge the hegemony of the current international format, and reinvent it. Among exhibitions, mega-exhibitions and counter-exhibitions, the thesis explores attempts to bring the subject of the exhibition experience to the fore, in this way directing the debate towards what or on who the exhibitions are addressing, exhibition approaches, as well as on the associations between artworks and publics that they (seek to) produce. In essence: either within cultural institutions – the exhibition topos recognised as the place of art –, or other exhibition topos – that is, anywhere –, contemporary exhibitions are being constantly redefined.
Lee, Stephanie Maria. ""The Will to Create" Exhibition Photographic Documentation of, and Narrative on the Body of Work in Sculpture, Painting and Mandala". Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/LeeSM2008.pdf.
Pełny tekst źródłaHsieh, Ching-yueh. "Exhibiting minority culture : an exploration of exhibitions of indigenous culture in museums of Taiwan". Thesis, University of Leicester, 2016. http://hdl.handle.net/2381/38217.
Pełny tekst źródłaAltınkaya, Nilufer Seçkin Yavuz. "Mobile Display Design/". [s.l.]: [s.n.], 2004. http://library.iyte.edu.tr/tezler/master/endustriurunleritasarimi/T000506.pdf.
Pełny tekst źródłaChristophe, Alice. "Exhibiting connections, connecting exhibitions : constructing trans-Pacific relationships through museum displays in Oceania (2006-2016)". Thesis, University of East Anglia, 2016. https://ueaeprints.uea.ac.uk/63757/.
Pełny tekst źródłaFernsebner, Susan R. "Material modernities : China's participation in World's Fairs and expositions, 1876-1955 /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3059908.
Pełny tekst źródłaFuller, Michele. "Reviewing medium: paint as flesh". Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008590.
Pełny tekst źródłaSmith, Daniel Charles Patrick. "City revealed : the process and politics of exhibition development : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in Museum Studies at Massey University, Palmerston North, New Zealand". Massey University. School of Maori Studies, 2003. http://hdl.handle.net/10179/253.
Pełny tekst źródłaLu, Su-Huei, i Ling-Fang Wei. "Displays and exhibitions in university libraries". School of Communication & Information, Nanyang Technological University, 2006. http://hdl.handle.net/10150/105687.
Pełny tekst źródłaRose, Julie K. "The World's Columbian Exposition idea, experience, aftermath". [Charlottesville, Va. : University of Virginia], 1996. http://xroads.virginia.edu/%7EMA96/WCE/title.html.
Pełny tekst źródłaMcCormack, Bernadette. "Blockbustering Australian style: Evolution of the blockbuster exhibition in Australian museums". Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/200164/1/Bernadette_McCormack_Thesis.pdf.
Pełny tekst źródłaPage, Patrick J. "Submission to shelter". Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1137666.
Pełny tekst źródłaDepartment of Art
Karbe, Ariane. "Learning from Hollywood? : narrating exhibitions with suspense". Thesis, University of Leicester, 2018. http://hdl.handle.net/2381/42752.
Pełny tekst źródłaFrança, Anna Sofia Meyer. "Trajectory of collections and museography of the brazilian industrial exhibitions: from national to international exhibitions in the XIX century". Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/30685.
Pełny tekst źródłaWinston, Susan. "Great Exhibitions : representing the world at the Great Exhibition, the Crystal Palace at Sydenham and early British films shows". Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309960.
Pełny tekst źródłaHatcher, Lynn A. "Exhibition in the curriculum preparing students to complete the artistic cycle /". Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/art_design_theses/49/.
Pełny tekst źródłaTitle from title page (Digital Archive@GSU, viewed July 13, 2010) Melanie Davenport, committee chair; Kevin Hsieh, Melody Milbrandt, committee members. Includes bibliographical references (p. 45-46).
Fiser, Margaret L. "Marketing strategies of selected small county fairs in northern Wisconsin". Online version, 1998. http://www.uwstout.edu/lib/thesis/1998/1998fiserm.pdf.
Pełny tekst źródłaHall, Sebastian. "Creating Strong Cross Media Concepts for Museum Exhibitions". Thesis, Umeå universitet, Institutionen för informatik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-73243.
Pełny tekst źródłaNguyen, Tuan. "Queering Australian Museums: Management, Collections, Exhibitions, and Connections". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/18169.
Pełny tekst źródłaForstrom, Melissa. "Interpretation and visitors in two Islamic art exhibitions". Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q3610/interpretation-and-visitors-in-two-islamic-art-exhibitions.
Pełny tekst źródła이윤영 i Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.
Pełny tekst źródłapublished_or_final_version
Fine Arts
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Master of Philosophy
Zhang, Linzhi. "Contemporary art and the exhibitionary system : China as a case study". Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289428.
Pełny tekst źródłaKidd, Verity. "Perfection? - Recreating the human : an exhibition of works by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman". University of Western Australia. School of Architecture, Landscape and Visual Arts, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0036.
Pełny tekst źródłaPiehl, Jona. "Reframing exhibition graphic design : an exploration of the multiple roles of graphic design and its impact on storytelling in museum exhibitions". Thesis, University of the Arts London, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720018.
Pełny tekst źródłaWelbourne, J. "Design theory and exhibition practice in Britain, 1924-1938 : The articulation and representation of modernist design theory between the Empire Exhibitions". Thesis, University of Essex, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375731.
Pełny tekst źródłaLi, Vivian Yan. "Art negotiations : Chinese international art exhibitions in the 1930s". Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209143379.
Pełny tekst źródłaTabibi, Baharak. "Exhibitions As The Medium Of Architectural Reproduction "". Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606077/index.pdf.
Pełny tekst źródłaQureshi, Sadiah. "Living curiosities : human ethnological exhibitions in London, 1800-1855". Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435706.
Pełny tekst źródłaZefran, Gani Vered. "Sculpture since 1945 in the Documenta Exhibitions 1955-1992". Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388573.
Pełny tekst źródłaAsquith, Wendy. "Haiti and art : curating the nation for international exhibitions". Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2027099/.
Pełny tekst źródłaLin, Chungju. "Special exhibitions and national museums in Taiwan : an investigation". Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/33293.
Pełny tekst źródłaKamata, Mayumi. "Chinese art exhibitions in Japan, ca 1900 to 1931". Connect to resource, 2001. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1233600845.
Pełny tekst źródłaBhagat, Dipti. "The poetics of belonging : exhibitions and the performance of white South African identity, 1886-1936". Thesis, Royal Holloway, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271826.
Pełny tekst źródłaBorchardt-Hume, Achim. "The history of the Esposizione Quadriennale d'Arte Nazionale 1927-1943 : sixteen years of aesthetic pluralism under Facist patronage". Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248636.
Pełny tekst źródłaNestor, Jared N. "Unethical practices in exhibiting animals as observed by West Virginia extension agents and high school agriculture teachers". Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1833.
Pełny tekst źródłaTitle from document title page. Document formatted into pages; contains vi, 46 p. Vita. Includes abstract. Includes bibliographical references (p. 29-30).
Cook, Shashi Chailey. ""Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" /". Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.
Pełny tekst źródłaWatson, David Rowan Scott. "Precious Little: Traces of Australian Place and Belonging". University of Sydney, 2005. http://hdl.handle.net/2123/1098.
Pełny tekst źródłaThe Dissertation is a meditation on our relationship with this continent and its layered physical and psychological ‘landscapes’. It explores ways in which artists and writers have depicted our ‘thin’ but evolving presence here in the South, and references my own photographic work. The paper weaves together personal tales with fiction writing and cultural, settler and indigenous history. It identifies a uniquely Australian sense of 21st-century disquiet and argues for some modest aesthetic and social antidotes. It discusses in some detail the suppression of focus in photography, and suggests that the technique evokes not only memory, but a recognition of absence, which invites active participation (as the viewer attempts to ‘place’ and complete the picture). In seeking out special essences of place the paper considers the suburban poetics of painter Clarice Beckett, the rigorous focus-free oeuvre of photographer Uta Barth, and the hybrid vistas of artist/gardener Peter Hutchinson and painter Dale Frank. Interwoven are the insights of contemporary authors Gerald Murnane, W G Sebald and Paul Carter. A speculative chapter about the fluidity of landscape, the interconnectedness of land and sea, and Australia’s ‘deep’ geology fuses indigenous spirituality, oceanic imaginings of Australia, the sinuous bush-scapes of Patrick White, and the poetics of surfing. Full immersion is recommended.
Watson, David Rowan Scott. "Precious Little: Traces of Australian Place and Belonging". Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/1098.
Pełny tekst źródłaEdwards, Anthony David. "International exhibitions, British economic decline and the technical education issue 1851-1910". Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366662.
Pełny tekst źródłaLittler, Jo. "Capital displays : exhibitions and consumer culture in twentieth-century England". Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368277.
Pełny tekst źródłaGregory, B. E. "The spectacle plays and exhibitions of Imre Kiralfy, 1887-1914". Thesis, University of Manchester, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233417.
Pełny tekst źródłaAllen, Jasmine. "Stained glassworlds : stained glass at the International Exhibitions 1851-1900". Thesis, University of York, 2013. http://etheses.whiterose.ac.uk/3991/.
Pełny tekst źródłaNolting, Jacqueline Michele. "Mitigating zoonotic disease transmission among youth participating in agricultural exhibitions". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523853465813264.
Pełny tekst źródła邱亭瑜. "Exhibiting Reproductions? Case Studies of “The Divine Michelangelo” and “Master of Light:Vermeer” Exhibitions". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/d2t9x7.
Pełny tekst źródła輔仁大學
博物館學研究所碩士班
106
With the development of technology, museums gradually include reproductions in exhibitions while this practice has caused criticisms and debates. My thesis aims to discuss the museum’s roles when showcasing reproduction works in exhibitions. "The Divine Michelangelo" hosted by the National Museum of History in Taipei in 2013 and "Master of Light: Vermeer" hosted by the National Chiang Kai-Shek Memorial Hall in Taipei in 2014, both of which included quite a few reproductions, are employed as my case studies. Based on these two cases, I address two research questions: 1. How does the museum exhibit reproductions in different time and space? 2. How do visitors respond to the museum’s showcasing reproductions in exhibitions? My research firstly reviewed how and why reproductions were used in exhibitions in the West. Second, my research compares the two said exhibitions by conducting semi-structured interviews with one curator and four visitors, as well as resourcing secondary materials. My research shows that, first of all, the museum exhibits reproductions because it is difficult to obtain the original work. Second, the museum exhibits reproduction for educational purposes. Visitors can better experience the time and space of the original work reconstructed by the museum through reproduction works. Third, visitors consider that the museum holds reproduction exhibitions as positive and helps visitors better understand artists. However, visitors still have the desire to see the original work because of its authenticity. Hence, the museum needs to consider the visitor’s expectations for both seeing the original work and the reproduction. Finally, using reproduction in exhibitions has gradually become accepted in museums in Taiwan. This research also shows that the criticism of the museum’s hosting reproduction exhibition is partly due to unclear information. The study suggests that the museum needs to provide the complete information for visitors on whether reproductions are included in exhibitions. This research further recommends that the museum provide different and rich exhibitions by incorporating reproductions appropriately for visitors to enrich their imagination.
"Exhibition as a marketing tool for China trade". Chinese University of Hong Kong, 1985. http://library.cuhk.edu.hk/record=b5886332.
Pełny tekst źródłaKnutson, Karen Leslie. "Hanging Emily : exhibition strategies and Emily Carr". Thesis, 1999. http://hdl.handle.net/2429/10784.
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