Gotowa bibliografia na temat „Exhibitions”
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Artykuły w czasopismach na temat "Exhibitions"
Lovett, Bob. "ASE exhibitions: Manufacturers' exhibition". Physics Education 22, nr 3 (1.05.1987): 149–50. http://dx.doi.org/10.1088/0031-9120/22/3/421.
Pełny tekst źródłaLowe, Trevor, i Ken Dobson. "ASE exhibitions: Publishers' exhibition". Physics Education 22, nr 3 (1.05.1987): 151–53. http://dx.doi.org/10.1088/0031-9120/22/3/422.
Pełny tekst źródłaBodey, Derek. "ASE exhibitions: Special exhibition". Physics Education 22, nr 3 (1.05.1987): 153–54. http://dx.doi.org/10.1088/0031-9120/22/3/423.
Pełny tekst źródłaAarbakke, Thea. "Musealiserte relasjoner mellom liv og litteratur på Olav H. Hauge-senteret". Nordisk Museologi 28, nr 1 (27.05.2020): 75. http://dx.doi.org/10.5617/nm.7970.
Pełny tekst źródłaMaistrovskaya, Mariya T. "EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"". RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, nr 2 (2020): 138–50. http://dx.doi.org/10.28995/2073-6401-2020-2-138-150.
Pełny tekst źródłaMartin, Daniel, i Brad Hokanson. "Informal Learning". International Journal of Designs for Learning 13, nr 2 (5.12.2022): 100–108. http://dx.doi.org/10.14434/ijdl.v13i2.33876.
Pełny tekst źródłaHolovnia, O. M. "Exhibitions and Fairs as an Integration Tool for Implementing the Interests of Agricultural Enterprises". PROBLEMS OF ECONOMY 1, nr 51 (2022): 20–25. http://dx.doi.org/10.32983/2222-0712-2022-1-20-25.
Pełny tekst źródłaBoluža, Anda. "RESEARCHERS, CURATORS AND DESIGNERS: THE EXHIBITIONS AS THE SPACE FOR COLLABORATIONS". Culture Crossroads 22 (13.09.2023): 149–60. http://dx.doi.org/10.55877/cc.vol22.444.
Pełny tekst źródłaPark, Yu Mi, i Choon Sung Shin. "Study On Online Platform For Personal Exhibition In Metaverse Emvironment". Korean Institute of Smart Media 11, nr 6 (31.07.2022): 37–50. http://dx.doi.org/10.30693/smj.2022.11.6.37.
Pełny tekst źródłaLissimia, Finta, i Lutfi Prayogi. "Perspective of Virtual Exhibition during the COVID-19 pandemic". International Journal of Built Environment and Scientific Research 6, nr 1 (10.06.2022): 45. http://dx.doi.org/10.24853/ijbesr.6.1.45-54.
Pełny tekst źródłaRozprawy doktorskie na temat "Exhibitions"
Fernández, López Olga. "Dissenting exhibitions by artists (1968-1998) : reframing Marxist exhibition legacy". Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/1346/.
Pełny tekst źródłaPalmer, Daniel. "Exhibiting practice : retrospective survey exhibitions of conceptual art, 1989-2000". Thesis, Kingston University, 2007. http://eprints.kingston.ac.uk/20221/.
Pełny tekst źródłaEvans, Caitlin Irene. "EXHIBITING VOICES THE PRESENCE OF NATIVE AMERICAN VOICES IN MUSEUM EXHIBITIONS". Thesis, The University of Arizona, 2009. http://hdl.handle.net/10150/192336.
Pełny tekst źródłaTaxén, Gustav. "Towards Living Exhibitions". Licentiate thesis, KTH, Numerical Analysis and Computer Science, NADA, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-1616.
Pełny tekst źródłaThis thesis introduces the concept of living exhibitions:continuously evolving museum exhibitions that are cooperativelydeveloped and evaluated by teams of museum professionals andvisitor representatives. The author argues that the livingexhibition design process should draw its inspiration frommultiple resources, including current research on museumlearning, interaction principles and technology. As acase-in-point, the thesis provides a description of how suchresults have inspired the design of The Well of Inventions, apublic installation at the Museum of Science and Technology inStockholm. Furthermore, the thesis describes how an evaluationmethodology from cooperative design was adopted andsuccessfully applied within the museum domain. The ultimate aimof the work is to increase the opportunities for communicationbetween museum professionals and their audiences.
Sommer, Michelle Farias. "Teoria (provisória) das exposições de arte contemporânea". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/151285.
Pełny tekst źródłaSituated within the realm of exhibition studies, this thesis focuses specifically on those curatorial and artistic proposals which question the topos of contemporary art exhibitions. The research was carried out between 2012 and 2016, visiting exhibitions in different geographical locations: Porto Alegre, Curitiba, São Paulo, Rio de Janeiro, Berlin, Venice and London. The research methodology was built on the experience at these exhibitions, through which the thesis’ case studies have been configured. What are the limits of the Western canons, which reinforce particular trends and generate orthodoxies within exhibition studies? Between the ‘out there’ and the ‘in here’, whether there resides the dichotomy, here lies hybridity, as an experimental matrix for the making of exhibitions in Brazil. It is in this context, here-and-now, that the thesis develops the concept of “counter-exhibition”, redefining the exhibition space through direct experimentation in the investigation, production, presentation and documentation of curatorial and artistic proposals in their public dimension. The thesis also takes into account the context of mega-exhibitions, and specifically biennials, discussing the supposed crisis of the model by mapping its recurring patterns, as a possible strategy to challenge the hegemony of the current international format, and reinvent it. Among exhibitions, mega-exhibitions and counter-exhibitions, the thesis explores attempts to bring the subject of the exhibition experience to the fore, in this way directing the debate towards what or on who the exhibitions are addressing, exhibition approaches, as well as on the associations between artworks and publics that they (seek to) produce. In essence: either within cultural institutions – the exhibition topos recognised as the place of art –, or other exhibition topos – that is, anywhere –, contemporary exhibitions are being constantly redefined.
Lee, Stephanie Maria. ""The Will to Create" Exhibition Photographic Documentation of, and Narrative on the Body of Work in Sculpture, Painting and Mandala". Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/LeeSM2008.pdf.
Pełny tekst źródłaHsieh, Ching-yueh. "Exhibiting minority culture : an exploration of exhibitions of indigenous culture in museums of Taiwan". Thesis, University of Leicester, 2016. http://hdl.handle.net/2381/38217.
Pełny tekst źródłaAltınkaya, Nilufer Seçkin Yavuz. "Mobile Display Design/". [s.l.]: [s.n.], 2004. http://library.iyte.edu.tr/tezler/master/endustriurunleritasarimi/T000506.pdf.
Pełny tekst źródłaChristophe, Alice. "Exhibiting connections, connecting exhibitions : constructing trans-Pacific relationships through museum displays in Oceania (2006-2016)". Thesis, University of East Anglia, 2016. https://ueaeprints.uea.ac.uk/63757/.
Pełny tekst źródłaFernsebner, Susan R. "Material modernities : China's participation in World's Fairs and expositions, 1876-1955 /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3059908.
Pełny tekst źródłaKsiążki na temat "Exhibitions"
Jenny, Baxter, i Key Note Publications, red. Exhibitions & conferences. Wyd. 7. Hampton: Key Note, 2004.
Znajdź pełny tekst źródłaKirsten, Johnson, i Key Note Ltd, red. Exhibitions & conferences. Wyd. 4. Hampton: Key Note Ltd, 1997.
Znajdź pełny tekst źródłaDominic, Fenn, i Key Note Publications, red. Exhibitions & conferences. Wyd. 5. Hampton: Key Note, 1998.
Znajdź pełny tekst źródłaDesigning exhibitions. New York: Whitney Library of Design, 1989.
Znajdź pełny tekst źródłaVelarde, Giles. Designing exhibitions. London: Design Council, 1988.
Znajdź pełny tekst źródłaGallery, Harewood House Terrace. 1994 exhibitions. Harewood: Harewood Terrace Gallery, 1994.
Znajdź pełny tekst źródłaInstitutet, Svenska. Exhibitions 1985. Stockholm: Swedish Institute, 1985.
Znajdź pełny tekst źródłaZoe, Ratcliff, i Key Note Ltd, red. Exhibitions & conferences. Wyd. 3. Hampton: Key Note Ltd, 1996.
Znajdź pełny tekst źródłaEmma, Wiggin, i Key Note Publications, red. Exhibitions & conferences. Wyd. 6. Hampton: Key Note, 2002.
Znajdź pełny tekst źródłaAubitz, Shawn. Developing archival exhibitions. [Charlottesville, Va.]: Mid-Atlantic Regional Archives Conference, 1990.
Znajdź pełny tekst źródłaCzęści książek na temat "Exhibitions"
Codell, Julie F. "International Exhibitions". W A Companion to British Art, 220–40. Oxford: Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118313756.ch10.
Pełny tekst źródłaLange, Volker. "Industrial Exhibitions". W Meeting Madness, 66–69. Heidelberg: Steinkopff, 2003. http://dx.doi.org/10.1007/978-3-642-57350-7_13.
Pełny tekst źródłaAchiam, Marianne. "Immersive Exhibitions". W Encyclopedia of Science Education, 1–3. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-6165-0_346-4.
Pełny tekst źródłaSonvilla-Weiss, Stefan. "Installations Exhibitions". W Synthesis and Nullification Works 1991–2011, 149–98. Vienna: Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-1029-4_4.
Pełny tekst źródłaAchiam, Marianne. "Immersive Exhibitions". W Encyclopedia of Science Education, 485–87. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-007-2150-0_346.
Pełny tekst źródłaCole, Lori. "Paper Exhibitions". W Historic Avant-Garde Work on Paper, 91–106. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003413356-9.
Pełny tekst źródłaTanga, Martina. "Extramural Exhibitions". W Arte Ambientale, Urban Space, and Participatory Art, 24–62. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies: Routledge, 2019. http://dx.doi.org/10.4324/9781351187954-2.
Pełny tekst źródłaEvans, Nigel. "Reed Exhibitions". W Strategic Management for Tourism, Hospitality and Events, 710–25. Third Edition. | New York: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9780429437601-27.
Pełny tekst źródłaBianchi, Pamela. "(Public) Exteriors". W The Origins of the Exhibition Space (1450-1750). Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728676_ch04.
Pełny tekst źródła"Exhibitions". W The Anatomy of a Museum, 167–82. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119237051.ch12.
Pełny tekst źródłaStreszczenia konferencji na temat "Exhibitions"
"Exhibitions". W 2016 IEEE NetSoft Conference and Workshops (NetSoft). IEEE, 2016. http://dx.doi.org/10.1109/netsoft.2016.7502399.
Pełny tekst źródłaSobolevskaya, Irina Nikolaevna, i Alexander Nikolaevich Sotnikov. "Virtual exhibition as a model of an element of the Common Digital Space of Scientific Knowledge". W 25th Scientific Conference “Scientific Services & Internet – 2023”. Keldysh Institute of Applied Mathematics, 2023. http://dx.doi.org/10.20948/abrau-2023-19.
Pełny tekst źródłaAydoğan, Derya. "Art Exhibitions During the Pandemic". W COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.005.
Pełny tekst źródła"Commercial exhibitions". W 2007 International Topical Meeting on Microwave Photonics. IEEE, 2007. http://dx.doi.org/10.1109/mwp.2007.4378116.
Pełny tekst źródłaMihaylov, Pelo. "TOURIST RESOURCES FOR BUSINESS TOURISM IN SOFIA AND PLOVDIV". W TOURISM AND CONNECTIVITY 2020. University publishing house "Science and Economics", University of Economics - Varna, 2020. http://dx.doi.org/10.36997/tc2020.172.
Pełny tekst źródłaMaye, Laura A., Fiona E. McDermott, Luigina Ciolfi i Gabriela Avram. "Interactive exhibitions design". W NordiCHI '14: The 8th Nordic Conference on Human-Computer Interaction. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2639189.2639259.
Pełny tekst źródłaMacaulay, Catriona, i Hyun Yeul Lee. "Session details: Exhibitions". W DIS04: Designing Interactive Systems 2004. New York, NY, USA: ACM, 2004. http://dx.doi.org/10.1145/3244259.
Pełny tekst źródłaIrrgang, Daniel. "Thought Exhibition. On critical zones, cosmograms, and the impossible outside". W 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-66-full-irrgang-thought-exhibition.
Pełny tekst źródłaKalenov, Nikolay Evgenevich, Irina Nikolaevna Sobolevskaya i Alexander Nikolaevich Sotnikov. "Using of educational technologies in a common digital space of scientific knowledge". W 23rd Scientific Conference “Scientific Services & Internet – 2021”. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/abrau-2021-9.
Pełny tekst źródłaChun Wai, Wilson Yeung, i Estefanía Salas Llopis. "THE SPACE BETWEEN US". W INNODOCT 2020. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.
Pełny tekst źródłaRaporty organizacyjne na temat "Exhibitions"
Moreno Mejía, Luis Alberto, i Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, luty 2012. http://dx.doi.org/10.18235/0006209.
Pełny tekst źródłaSequeira, Dora María, Ileana Alvarado V. i Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, sierpień 2007. http://dx.doi.org/10.18235/0006438.
Pełny tekst źródłaVena, Anne. Cultural Center Annual Report 2012. Inter-American Development Bank, marzec 2013. http://dx.doi.org/10.18235/0006015.
Pełny tekst źródłaMorais, Carla, António Coelho, Alexandre Jacinto i Marta Varzim, red. The I SEA Project: Digital Publications. Faculdade de Ciências da Universidade do Porto, październik 2020. http://dx.doi.org/10.24840/2020/978-989-746-279-5.
Pełny tekst źródłaBooth, W. H., i S. Caesar. Greenhouse Earth: A Traveling Exhibition. Office of Scientific and Technical Information (OSTI), wrzesień 1992. http://dx.doi.org/10.2172/6914254.
Pełny tekst źródłaHenderson, D., i M. Peshkin. The E = mc{sup 2} exhibition. Office of Scientific and Technical Information (OSTI), sierpień 1995. http://dx.doi.org/10.2172/166510.
Pełny tekst źródłaLindo-Ocampo, Gloria Inés, i Hilda Clarena Buitrago-García. English for Business Course. Thematic Unit: Business Events. Ediciones Universidad Cooperativa de Colombia, wrzesień 2022. http://dx.doi.org/10.16925/gcnc.24.
Pełny tekst źródłaKerrigan, Susan, Phillip McIntyre i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.
Pełny tekst źródłaYang, Eunyoung, i Martha Burpitt. Artistry in Design-Visual Connection: an Interdisciplinary Student Exhibition. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-775.
Pełny tekst źródłaButyrina, Maria, i Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.
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