Gotowa bibliografia na temat „European theatre”
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Artykuły w czasopismach na temat "European theatre"
Mercer, Wendy S., i Elizabeth Woodrough. "Women in European Theatre". Modern Language Review 92, nr 4 (październik 1997): 985. http://dx.doi.org/10.2307/3734266.
Pełny tekst źródłaLeims, Thomas. "Japanese Theatre: European Performances and European Research". Maske und Kothurn 35, nr 2-3 (wrzesień 1989): 7–10. http://dx.doi.org/10.7767/muk.1989.35.23.7.
Pełny tekst źródłaThorbergsson, Magnus Thor. "Being European". Nordic Theatre Studies 25, nr 1 (15.11.2018): 22–33. http://dx.doi.org/10.7146/nts.v25i1.110895.
Pełny tekst źródłaThorbergsson, Magnus Thor. "Being European". Nordic Theatre Studies 25, nr 1 (15.11.2018): 22–33. http://dx.doi.org/10.7146/nts.v25i1.110895.
Pełny tekst źródłaBarzilai, Reut. "Being European: "Hamlet" on the Israeli Stage". Multicultural Shakespeare: Translation, Appropriation and Performance 21, nr 36 (30.06.2020): 27–53. http://dx.doi.org/10.18778/2083-8530.21.03.
Pełny tekst źródłaBarzilai, Reut. "Being European: "Hamlet" on the Israeli Stage". Multicultural Shakespeare: Translation, Appropriation and Performance 21, nr 36 (30.06.2020): 27–53. http://dx.doi.org/10.18778/2083-8530.21.03.
Pełny tekst źródłaStefanova, Kalina. "Eastern European theatre: theatre in search of a face". South African Theatre Journal 14, nr 1 (styczeń 2000): 174–84. http://dx.doi.org/10.1080/10137548.2000.9687707.
Pełny tekst źródłaBrett, Margaret, i Sue Vincent. "European developments in theatre nursing". Nursing Standard 7, nr 3 (7.10.1992): 53–54. http://dx.doi.org/10.7748/ns.7.3.53.s60.
Pełny tekst źródłaBalme, Christopher. "European Theatre and Performance Studies". Forum Modernes Theater 28, nr 2 (2013): 103–4. http://dx.doi.org/10.1353/fmt.2013.0013.
Pełny tekst źródłaDecheva, Violeta. "Theatre in the Digital World. The Experiment of Theater Treffen 2020". Sledva : Journal for University Culture, nr 41 (19.08.2020): 8–17. http://dx.doi.org/10.33919/sledva.20.41.2.
Pełny tekst źródłaRozprawy doktorskie na temat "European theatre"
Salazar-Sutil, Nicolas. "Theatres of the Surd : a study of mathematical influences in European avant-garde theatre". Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/4754/.
Pełny tekst źródłaBucciarelli, Melania. "Italian opera and European theatre, 1680-1720 : plots, performers, dramaturgies". Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/italian-opera-and-european-theatre-16801720--plots-performers-dramaturgies(c1235462-b549-497d-aff7-34b0658ea912).html.
Pełny tekst źródłaBrown, Mark. "Modern Scottish theatre : the creation of a tradition". Thesis, University of Dundee, 2017. https://discovery.dundee.ac.uk/en/studentTheses/c8c2bf08-f3ad-470a-933e-613725aefddf.
Pełny tekst źródłaMur, Maria-Christina [Verfasser]. "The Physiognomical Discourse and European Theatre : Theory, Performance, Dramatic Text / Maria-Christina Mur". Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1136247696/34.
Pełny tekst źródłaChamberlain, Franc. "Embodying the spirit : Nihilism and spiritual renovation in the European theatre (1890-1914)". Thesis, University of East Anglia, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317568.
Pełny tekst źródłaStreet, Anna. "Comedy of the Impossible : The Power of Play in Post-war European Theatre". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040179.
Pełny tekst źródłaBy tracing the development of theories of comedy within Western philosophy, this thesis claims that anti-comic prejudices prevented comedy from being recognized as a serious genre. Comedy’s inferior status for over two thousand years is shown to correspond to an ethical model that distinguishes the real from the Ideal and affirms a Neo-Platonic vision of existence. Through numerous examples taken from a particular phenomenon of post-war European theatre comprising five different playwrights, this thesis proposes three primary characteristics of comedy: the ontological instability of comic characters, comedy’s paradoxical relation to the world of appearances, and comedy’s willingness to accommodate the impossible. By throwing binaries into question and promoting a complete reversal of dominant value systems, comedy blurs the lines of distinction between the abstract and the concrete, the mechanical and the organic and, ultimately, between life and death. Demonstrating how this reversal is accomplished linguistically, metaphorically, or dramaturgically, this study concludes that comedy subverts the socio-symbolic order that relies upon the logic of possibility
Bocianowski, Cécile. "Les dramaturgies du grotesque en Europe au XXe siècle". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040066.
Pełny tekst źródłaThis thesis proposes a comparative reading of the use of grotesque in French, Polish, French-speaking Belgian, German-speaking Italian and Spanish theatre so as to determinate the specificities of the grotesque and its reception in different cultural areas. It focuses in the first part on the theory of the notion in arts, from decorative to dramatic art, from Renaissance to the twentieth century. Special attention is given to the grotesque dance, which has been thus far insufficiently studied, and to the discrepancies between western and eastern critical discourses. The comparative analysis of the grotesque is conducted along three axes: deformation, excessiveness and hybridity. It emphasises the function of marionette, pantomime and the inspiration of circus, carnival and cabaret. The last part of the thesis concentrates on the hypothesis of a grotesque dramatic genre in Europe in twentieth century. Once established the theoretical basis of the reflexion upon genre, and in view of contemporary dramatic production, the thesis closes with the determination of the place of the grotesque in the creation and in the criticism. By calling into question traditional periodisation of European twentieth theatre, this thesis aims at giving its place to the grotesque in contemporary dramatic criticism as the shaping of the misshapen
Fearon, Fiona Kavanagh. "The Selection, Production and Reception of European Plays at the National Theatre of Great Britain from 1963-1997". Thesis, University of Sheffield, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486716.
Pełny tekst źródłaHalfyard, Janet Katherine. "Only connect : European music theatre in the context of Wagner's Gesamtkunstwerk and the early twentieth-century avant-garde". Thesis, University of Birmingham, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397944.
Pełny tekst źródłaDawood, Rasha Ahmed Khairy Hafez. "Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama". Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/15359.
Pełny tekst źródłaKsiążki na temat "European theatre"
Contemporary European theatre directors. London: Routledge, 2010.
Znajdź pełny tekst źródłaEdited by Delgado, Maria M., i Dan Rebellato. Contemporary European Theatre Directors. Redaktorzy Maria M. Delgado i Dan Rebellato. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285.
Pełny tekst źródłaWien, Don Juan Archiv, red. Ottoman Empire and European theatre. Wien: Hollitzer, 2013.
Znajdź pełny tekst źródłaPrentki, Tim. The Fool in European Theatre. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230357501.
Pełny tekst źródłaTheatre. London: [Hodder and Stoughton], 2002.
Znajdź pełny tekst źródłaFischer-Lichte, Erika. History of European Drama and Theatre. London: Taylor & Francis Inc, 2004.
Znajdź pełny tekst źródłaFischer-Lichte, Erika. History of European Drama and Theatre. London: Taylor & Francis Group Plc, 2004.
Znajdź pełny tekst źródłaLee, Briant Hamor. European post-Baroque neoclassical theatre architecture. Lewiston: E. Mellen Press, 1996.
Znajdź pełny tekst źródłaFischer-Lichte, Erika. History of European drama and theatre. London: Routledge, 2001.
Znajdź pełny tekst źródłaFischer-Lichte, Erika. History of European drama and theatre. London: Routledge, 2002.
Znajdź pełny tekst źródłaCzęści książek na temat "European theatre"
Schumacher, Claude. "Arrabal’s Theatre of Liberation". W Twentieth-Century European Drama, 124–45. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_9.
Pełny tekst źródłaSingleton, Brian. "Ariane Mnouchkine". W Contemporary European Theatre Directors, 39–60. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-1.
Pełny tekst źródłaReinelt, Janelle. "Jan Lauwers". W Contemporary European Theatre Directors, 229–57. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-10.
Pełny tekst źródłaDelgado, Maria M., i Dan Rebellato. "Revised Introduction to The First Edition 1". W Contemporary European Theatre Directors, 1–28. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-101.
Pełny tekst źródłaRebellato, Dan, i Maria M. Delgado. "Introduction to the second edition". W Contemporary European Theatre Directors, 29–38. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-102.
Pełny tekst źródłaKnapper, Stephen. "Simon Mcburney". W Contemporary European Theatre Directors, 259–74. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-11.
Pełny tekst źródłaFlannery, Denis. "Ivo Van Hove". W Contemporary European Theatre Directors, 275–98. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-12.
Pełny tekst źródłaLedger, Adam J. "Deborah Warner". W Contemporary European Theatre Directors, 299–323. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-13.
Pełny tekst źródłaRead, Alan. "Romeo Castellucci". W Contemporary European Theatre Directors, 325–40. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-14.
Pełny tekst źródłaMiller, Judith G. "Kristian Frédric". W Contemporary European Theatre Directors, 341–54. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-15.
Pełny tekst źródłaStreszczenia konferencji na temat "European theatre"
Petrovic, Dominik, Luka Kicinbaci, Frano Petric i Zdenko Kovaaic. "Autonomous Robots as Actors in Robotics Theatre - Tribute to the Centenary of R.U.R." W 2019 European Conference on Mobile Robots (ECMR). IEEE, 2019. http://dx.doi.org/10.1109/ecmr.2019.8870908.
Pełny tekst źródłaApostolopoulos, G., G. Amolochitis, S. Stamataki, A. Giannopoulos i P. Kofakis. "Combined Geophysical Survey for the Detection of an Archaeological Theatre in Amphiareion of Oropos, Attica, Greece". W Near Surface Geoscience 2014 - 20th European Meeting of Environmental and Engineering Geophysics. Netherlands: EAGE Publications BV, 2014. http://dx.doi.org/10.3997/2214-4609.20141970.
Pełny tekst źródłaHassan, A., J. Parmar, E. Mulvaney i N. Bedforth. "ESRA19-0140 Outreach nerve block, a quality improvement project for providing out of theatre regional anaesthesia services". W Abstracts of the European Society of Regional Anesthesia, September 11–14, 2019. BMJ Publishing Group Ltd, 2019. http://dx.doi.org/10.1136/rapm-2019-esraabs2019.110.
Pełny tekst źródłaYARYMOVYCH, MICHAEL, i JAMES WRIGHT. "EUROPEAN THEATER MISSILE DEFENSE - ISSUES AND OPTIONS". W Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1995. http://dx.doi.org/10.2514/6.1995-4017.
Pełny tekst źródłaKennedy-Karpat, Colleen. "Adaptation studies in Europe". W 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.
Pełny tekst źródłaKennedy-Karpat, Colleen. "Adaptation studies in Europe". W 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.
Pełny tekst źródłaCailliez, Matthieu. "Europäische Rezeption der Berliner Hofoper und Hofkapelle von 1842 bis 1849". W Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.50.
Pełny tekst źródłaHoffmann, Anne. "A trainer's guideline to teaching soft skills using improvisation theater". W the 16th European Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2396716.2396720.
Pełny tekst źródłaNovello, Giuseppa, i Maurizio Marco Bocconcino. "Dal Theatrum Sabaudiae: disegni di fortificazioni nelle raffigurazioni celebrative di una dinastia". W FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11522.
Pełny tekst źródłaSenenga, Praise. "Researching the Business and Management of Theater in Africa: A Mixed Methods Approach". W 18th European Conference on Research Methodology for Business and Management Studies. Academic Conferences and Publishing Limited, 2019. http://dx.doi.org/10.34190/rm.19.118.
Pełny tekst źródłaRaporty organizacyjne na temat "European theatre"
Kelleher, C. M. Offensive versus defensive tradeoffs in the European theater. Office of Scientific and Technical Information (OSTI), kwiecień 1989. http://dx.doi.org/10.2172/6101007.
Pełny tekst źródłaZubov, Andrey, i Tatiana Novichkova. The East European and Balkan theaters in 1914). Redaktorzy Andrey Zubov, Nikolay Komedchikov i Aleksandr Khropov. Astrel, listopad 2009. http://dx.doi.org/10.15356/dm2016-01-14-8.
Pełny tekst źródłaZubov, Andrey, i Tatiana Novichkova. The East European and Balkan theaters in 1915. Redaktorzy Andrey Zubov, Nikolay Komedchikov i Aleksandr Khropov. Astrel, listopad 2009. http://dx.doi.org/10.15356/dm2016-01-19-1.
Pełny tekst źródłaZubov, Andrey, i Tatiana Novichkova. The East European and Balkan theaters in 1916. Redaktorzy Andrey Zubov, Nikolay Komedchikov i Aleksandr Khropov. Astrel, listopad 2009. http://dx.doi.org/10.15356/dm2016-01-19-2.
Pełny tekst źródłaSchmidt, Axel, i Frits Verschuur. The European Theater Missile Defense Program - A Field for International Cooperation. Fort Belvoir, VA: Defense Technical Information Center, kwiecień 1997. http://dx.doi.org/10.21236/ada397290.
Pełny tekst źródłaTerstegge, Stephen D. Ballistic Missile Defense in the European Theater: Political, Military and Technical Considerations. Fort Belvoir, VA: Defense Technical Information Center, kwiecień 2007. http://dx.doi.org/10.21236/ada468576.
Pełny tekst źródłaFrichtl, Paul J. Limitations of the Conventional Role of the B-1B in the European Theater. Fort Belvoir, VA: Defense Technical Information Center, maj 1989. http://dx.doi.org/10.21236/ada220571.
Pełny tekst źródłaPrysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.
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