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Rozprawy doktorskie na temat "Eugenia (fictitious character)"

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Miller, Brenda Kay Kesterson David B. "Murky impressions of postmodernism Eugene Gant and Shakespearean intertext in Thomas Wolfe's Look homeward, angel and Of time and the river /". [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-5143.

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Miller, Brenda. "Murky Impressions of Postmodernism: Eugene Gant and Shakespearean Intertext in Thomas Wolfe's Look Homeward, Angel and Of Time and the River". Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5143/.

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In this study, I analyze the significance of Shakespearean intertextuality in the major works of Thomas Wolfe featuring protagonist Eugene Gant: Look Homeward, Angel and Of Time and the River. Specifically, I explore Gant's habits and preferences as a reader by examining the narrative arising from the protagonist's perspectives of Shakespeare's The Merchant of Venice, Hamlet, and King Lear. I examine the significance of parallel reading habits of Wolfe the author and Gant the character. I also scrutinize the plurality of Gant's methods of cognition as a reader who interprets texts, communicates his connections with texts, and wars with texts. Further, I assess the cumulative effect of Wolfe's having blurred the boundaries between fiction and reality, between the novel and drama. I assert, then, that Wolfe, by incorporating a Shakespearean intertext, reveals aspects indicative of postmodernism.
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Paes, Luciana Lourenço 1984. "As representações de A morte de Ofélia na obra de Eugène Delacroix". [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279594.

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Orientador: Cláudia Valladão de Mattos
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-26T09:08:07Z (GMT). No. of bitstreams: 1 Paes_LucianaLourenco_M.pdf: 6480106 bytes, checksum: 311dc7804c3dc4fd9387ec6cc4c1d3bd (MD5) Previous issue date: 2014
Resumo: A presente pesquisa tem como objetivo analisar as representações da morte de Ofélia na obra do pintor francês Eugène Delacroix (1798-1863), pensando sua relação com a tradição visual ligada à representação de Vênus e do suicídio feminino, com outras obras do artista e de seus contemporâneos, com a noção de "teatral" em pintura e com o contexto da pesquisa psiquiátrica na França na primeira metade do séc. XIX
Abstract: The present paper intends to analyze the representations of Ophelia¿s death in the production of the French painter Eugène Delacroix (1798-1863), reflecting on its relationship with the visual tradition of Venus and the feminine suicide, with other works by the artist and his contemporaries, with the notion of "theatrical" in painting and with the context of psychiatric research in the first half of nineteenth-century France
Mestrado
Historia da Arte
Mestra em História
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Książki na temat "Eugenia (fictitious character)"

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Pickard, Nancy. The blue corn murders: A Eugenia Potter mystery. Thorndike, Me: G.K. Hall, 1999.

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Pickard, Nancy. The blue corn murders: A Eugenia Potter mystery. New York, N.Y: Delacorte Press, 1998.

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Pickard, Nancy. The blue corn murders: A Eugenia Potter mystery. New York, N.Y: Delacorte Press, 1998.

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Pickard, Nancy. The 27 ingredient chili con carne murders. New York: Delacorte Press, 1993.

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Rich, Virginia. The Nantucket Diet Murders. New York: Random House Publishing Group, 2010.

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Rich, Virginia. The Nantucket diet murders. New York: Delacorte Press, 1985.

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Rich, Virginia. The Nantucket diet murders. Thorndike, Me: Thorndike Press, 1985.

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Pickard, Nancy. The 27 ingredient chili con carne murders: Based on characters and a story created by Virginia Rich. Thorndike, Me: Thorndike Press, 1993.

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Pickard, Nancy. The 27*ingredient chili con carne murders: Based on characters and a story created by Virginia Rich. Thorndike, Me: Thorndike Press, 1993.

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Pickard, Nancy. The 27 ingredient chili con carne murders. New York: Delacorte Press, 1993.

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