Rozprawy doktorskie na temat „Engraving, Germany 17th century”
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Thomsett, Andrea Irma Irene. "Festival representation beyond words : the Stuttgart baptism of 1616". Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29760.
Pełny tekst źródłaArts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
Roy, Francine 1948. ""...Templum nova forma constructum..." : early 17th-century late Gothic churches in Wolfenbüttel and Bückeburg". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31137.
Pełny tekst źródłaElmqvist, Söderlund Inga. "Taking possession of astronomy : Frontispieces and illustrated title pages in 17th-century books on astronomy". Doctoral thesis, Stockholms universitet, Konstvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-38873.
Pełny tekst źródłaSchürger, André. "The archaeology of the Battle of Lützen : an examination of 17th century military material culture". Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6508/.
Pełny tekst źródłavan, Voorhis Daniel R. "A prophet of interior Lutheranism : the correspondence of Johann Arndt". Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/517.
Pełny tekst źródłaPaschoal, Stéfano. "Procedimentos e tendências da tradução na Alemanha no século XVII". Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-13082007-140839/.
Pełny tekst źródłaThis research - Translation procedures and tendencies in 17th century Germany - demonstrates that there was an intensive discussion about translation in Germany in 17th century. This fact can be demonstrated by the analysis of the translation from Montemayor´s Los siete libros de la Diana, originally written in 1559 in Spanish and translated into German in 1619 by Johann Ludwig von Kuefstein as Die sieben Bücher der schönen Diana, and by the discussions on translation in the Poetics written in 17th century Germany. The Poetics written in Germany in 17th century that contain discussions on translation are part of a political and cultural program: language policy. Its main intention was the foundation of an instrument that would serve as common cultural identification among people who spoke German as mother tongue. The political requirement of establishing a common instrument that should serve as cultural identification in 17th century Germany has reference to the historical and social context of this country, in that one felt the damages of the Thirty Years War (1618-1648) and of the pest, as well as of the displeasures due to the relative literary \"delay\", if compared to other lands in Western Europe. The political and cultural ideal of a German language and literature that could expand over all German frontiers allowed the German intellectuals - congregated in linguistic societies - to use translation as the principal mean of re-acquiring Antiquity and Renaissance works. The most frequent procedures in Kuefstein´s translation and their considerations are showed in chapters 3 and 4 of this work. The tendency of translation - about what it is told in the conclusion of this work - takes into account some few peculiarities of the 15th and 16th centuries (Nyklas von Wyle, Martin Luther, Philipp Melanchton) and brief considerations from Johann Wolfgang von Goethe´s conception of translation (beginning of 19th century), because just from the analyses of earlier and later tendencies, it would be possible to describe precisely the tendency of translation in 17th century German. The demonstrated in this research reaches its objective: to refute the thesis of Friedmar APEL (1983), that there has been a stagnation process in the discussions about translation in Germany during the period who comprehends from Martin Luther to the Enciclopedism.
Silva, Eduardo Rosa da. "Um estudo sobre algumas edições do Tratado da gravura de Abraham Bosse". Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21275.
Pełny tekst źródłaMade available in DSpace on 2018-07-25T11:56:57Z (GMT). No. of bitstreams: 1 Eduardo Rosa da Silva.pdf: 2428303 bytes, checksum: 68e4ef8be1e9d885b29ec5063afccdba (MD5) Previous issue date: 2018-04-11
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Fundação São Paulo - FUNDASP
The objective of this research is to verify, among the traditions related to the treaties and manuals, the pathway of a French treatrise on tecniques of engraving, until Portuguese translation. It will be investigated the relevance of this work translated into Portuguese with the title Tratado da Gravura à Água-Forte e a Buril e em Maneira Negra com o modo de construir as Prensas Modernas e de Imprimir em Talho-Doce (Treatise of Engraving, Etching, and Mezzotint with the way of building the Modern Presses and Printing Copper Plates), by Priest José Joaquim Viegas Menezes and published in 1801 in the Arco do Cego’s Typography, Lisbon. The hypothesis that the Portuguese version is based on De la Manière de Graver à L'eau Forte et au Burin, a treatise on French engraving amplified by Charles Nicolas Cochin and edited in the year 1758, guided this study. This research involved a comparison of Abraham Bosse's original treatise of 1645 with the three subsequent French editions, 1701, 1745, 1758, and the edition produced in Portugal in 1801. The changes and updates in relation to the content and the images were analyzed, verifying that the Portuguese edition of 1801 presents few changes in relation to the French text of 1758
O objetivo desta pesquisa é verificar dentre as tradições relacionadas aos tratados e manuais, o percurso de uma publicação francesa sobre as práticas artesanais da gravura em metal, até sua tradução realizada. Será investigada a relevância dessa obra traduzida para o português com o título, Tratado da Gravura à Água-Forte e a Buril e em Maneira Negra com o modo de construir as Prensas Modernas e de Imprimir em Talho-Doce, pelo Padre José Joaquim Viegas Menezes e publicada em 1801 na Tipografia do Arco do Cego. A hipótese de que a versão portuguesa, se baseia no De la Manière de Graver à L'eau Forte et au Burin, tratado da gravura francês ampliado por Charles Nicolas Cochin e editado no ano de 1758, guiou este estudo. O caminho desta pesquisa envolveu a comparação do tratado original de Abraham Bosse de 1645, com as três edições francesas subsequentes, 1701, 1745, 1758 e a edição produzida em Portugal em 1801. Foram analisadas as mudanças e atualizações em relação ao conteúdo e às imagens, verificando-se que a edição portuguesa de 1801 apresenta poucas alterações em relação ao texto francês de 1758
Watson, Róisín. "Lutheran piety and visual culture in the Duchy of Württemberg, 1534 – c. 1700". Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7715.
Pełny tekst źródłaHerbert, Flora. "L'estampe et ses transferts : gravures françaises et copies allemandes (1650-1750)". Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040065.
Pełny tekst źródłaThis doctoral thesis presents a study of the phenomenon of print copying, study based on the production of German publishers and engravers in the second half of the seventeenth century and the first half of the following century. Some of the main producers of engravings in Germany after the end of the Thirty Years War, starting with the Küsel family in Augsburg, were very much involved in creating and publishing engraved copies. The French seventeenth century printing was a central element in the models used by these engravers. When these copies are placed in their historical, technical and artistic background, they enable us to address a different way of looking at the copying and publishing of pictures, compared withtoday. We shall, therefore, analyze three levels of transfers. The first one relates to the actual technique of the copyist who transfers the model onto an engraving plate. The second one focuses more specifically on the exchanges generated from one country to another. Finally, the third one raises the issue of how the desire to appropriate the original is transferred onto the copy. We shall thus place these phenomena of print copies in their respective backgrounds but also analyze what is implied by this practice, taking into account the role played by its audience
Eftekharian, Sâyeh. "Le rayonnement international des gravures flamandes aux XVIe et XVIIe siècles: les peintures murales des églises Sainte-Bethléem et Saint-Sauveur à la Nouvelle-Djoulfa, Ispahan". Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210802.
Pełny tekst źródłaL’auteur démontre qu’il existe également une autre source, à savoir l’album Thesaurus veteris et novi Testamenti de l’éditeur anversois de confession calviniste G. de Jode, dont la première publication date de 1579 et dont les planches furent reprises, entre autres, dans l’album Theatrum Biblicum publié à Amsterdam à partir de 1639 par l’éditeur C. J. Visscher. Une comparaison avec des miniatures de l’école de la Nouvelle-Djoulfa conservés au Matenadaran et à la BNF permet de confirmer que ces deux albums sont parvenus dans la cité arménienne. Enfin, la thèse recense plusieurs estampes isolées qui ont aussi servi de modèle aux peintures murales.
Par une étude stylistique comparée mettant en évidence la transformation caractéristique de certains modèles utilisés, l’auteur établit que les peintres impliqués dans la décoration de l’église Sainte-Bethléem et de la cathédrale Saint-Sauveur sont des artistes de la cité, dont l’un au moins a une connaissance approfondie des techniques et des conventions de l’art pictural occidental. Dans le même temps, elle fait ressortir le fait que l’influence de la gravure flamande sur l’art pictural arménien se traduit à la fois par un renouvellement des formes et par une évolution de certains contenus et signale que le rayonnement de la Nouvelle-Djoulfa en prolonge les effets tant en Arménie que dans d’autres communautés de la diaspora arménienne.
Enfin, en fournissant plusieurs exemples inédits témoignant de l’influence internationale de l’art flamand de cette époque – et tout particulièrement des œuvres de Maarten De Vos – par le truchement de la gravure, l’auteur ouvre des pistes de recherche tant en Perse que dans d’autres zones géographiques.
Doctorat en philosophie et lettres, Orientation histoire de l'art et archéologie
info:eu-repo/semantics/nonPublished
Rusak, Helen Kathryn. "Rhetoric and the motet passion". Title page, table of contents and introduction only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armr949.pdf.
Pełny tekst źródłaLyon, Nicole M. "Between the Jammertal and the Freudensaal the existential apocalypticism of Paul Gerhardt (1607-76) /". Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1243366861.
Pełny tekst źródłaAdvisor: Richard Schade. Title from electronic thesis title page (viewed Aug. 12, 2009). Includes abstract. Keywords: Early Modern Germany; Paul Gerhardt; Apocalypticism; Protestant Hymns; Revelations; 17th Century; Thirty Years' War; Poetry; Protestantism. Includes bibliographical references.
Lejeune, Maud. "Sous l'étoile de Bernard Salomon, Virgil Solis et Jost Amman : répercussions du livre à figures lyonnais dans la production artistique allemande aux XVIe et XVIIe siècles". Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2008.
Pełny tekst źródłaThis study examines the work of Bernard Salomon, painter of the Renaissance of Lyon, based on the re-reading of archival documents and related documentation, and in the light of newly attributed drawings, illuminations and engravings. It integrates the analysis of the influence of its models on two artists working mainly in Nuremberg, painters and engravers Virgil Solis and Jost Amman, and more widely, on German artistic production of the sixteenth and seventeenth centuries
Bucken, Véronique J. "Joos Van Winghe (1542/4-1603), peintre à Bruxelles, en Italie et à Francfort". Doctoral thesis, Universite Libre de Bruxelles, 1991. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212988.
Pełny tekst źródłaLubbe, Fredericka van der. "Martin Aedler and his High Dutch Minerva (1680)". Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27586.
Pełny tekst źródłaVOSKAMP, Henk. "Peasant revolts reconsidered : South West Germany and Languedoc in the 16th and early 17th century". Doctoral thesis, 1988. http://hdl.handle.net/1814/6011.
Pełny tekst źródłaTODESCO, Fabio. "Lector scepticus : la recezione della tradizione scettica e la formazione del pubblico in area tedesca (1680-1750)". Doctoral thesis, 1998. http://hdl.handle.net/1814/6000.
Pełny tekst źródłaExamining board: Prof. Dr. Daniel Roche (Paris I - supervisor) ; Prof. Dr. Laurence Fontaine (IUE) ; Prof. Dr. Geroges D. Benrekassa (Paris VII) ; Dr. Gianfranco Bonola (Bologna)
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Ganzenmueller, Petra. "Wider die Ges(ch)ichtslosigkeit der Frau: Weibliche Selbstbewusstwerdung zu Anfang des 17. Jahrhunderts am Beispiel der Sibylle Schwarz (1621-1638)". Thesis, 1998. http://hdl.handle.net/2429/8501.
Pełny tekst źródłaBERG, Holger. "Military occupation under the eyes of the Lord : studies in Erfurt during the Thirty Years War". Doctoral thesis, 2008. http://hdl.handle.net/1814/10412.
Pełny tekst źródłaExamining Board: Prof. Martin Van Gelderen (EUI) - supervisor Prof. Thomas Kaufmann (University of Göttingen) Prof. Giulia Calvi (EUI) Prof. Sebastian Olden-Jørgensen (University of Copenhagen)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
The growing interest in ways of coping with past wars has led researchers to reexamine the role of religion. Focus has shifted away from religious enmities to a set of less-explored issues. Which of the messages propagated in homilies did laymen adopt and adapt or reject? Did believers focus on consolation and protection or emphasise punishments and sin? These questions are addressed by studying the Thirty Years War at a local level. The study compares how pastors and lay chroniclers described divine interventions. Erfurt in Central Germany is well-suited for such a case-study. The Lutheran town, with a Catholic minority, hosted a Swedish garrison in 1631-1635 and 1637-1650. The historical works of twenty-six local authors who lived during the war are described in the appendix. The analysis proceeds in three steps. The first examines the many prodigies that never made it to print; the second section inspects debates amongst Lutheran pastors; the third analyses lay war-time piety. Erfurt is examined in order to take a closer look at general developments. Hence, local debates are connected to broader theological discussion. The contextualisation shows that the war strengthened the Lutheran reform movement and proved detrimental to millenarian policy-making. The potential for change was restrained in other fields. During the war, lay commitment to the call for repentance was lowered by practical considerations and alternative ways of apportioning blame. These challenges diminished after war. Authors highlighted prodigies and exempla in harmony with the penitential baseline. The theory of cognitive dissonance is used to explain the selection and gradual stabilisation of religious beliefs. The findings thus refine existing hypotheses, outlining a range of long-term cultural changes in the wake of the war. More casestudies are needed to test how representative Erfurt findings are. Sources on the Catholic minority only sufficed to profile some denominational peculiarities.
Martin, Lucinda. "Women's religious speech and activism in German Pietism". 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3110650.
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