Rozprawy doktorskie na temat „English knights”
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O'Malley, G. J. "The English Knights Hospitaller, c.1468-1540". Thesis, University of Cambridge, 1999. https://www.repository.cam.ac.uk/handle/1810/272606.
Pełny tekst źródłaHyttenrauch, David Edward. "Ladies and their knights in Middle English Arthurian romance". Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239380.
Pełny tekst źródłaGraham, Tom. "Knights and merchants : English cities and the aristocracy, 1377-1509". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:6cbaed78-e5fb-4b31-94b8-5d9df7a0ef72.
Pełny tekst źródłaLucas, Karen. "Middle English romance, attitudes to kingship and political crisis, c.l272-c.l350". Thesis, Durham University, 1997. http://etheses.dur.ac.uk/4637/.
Pełny tekst źródłaHartland, Beth. "English rule in Ireland, c.1272-c.1315 : aspects of royal and aristocratic lordship". Thesis, Durham University, 2001. http://etheses.dur.ac.uk/1662/.
Pełny tekst źródłaLewis, Robert Lee III. "Changing Perceptions of Heraldry in English Knightly Culture of the Twelfth and Thirteenth Centuries". Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277947/.
Pełny tekst źródłaCrummy, Elizabeth Anne. "Constructing a Reputation in Retrospect in "Sir Gawain and the Green Knight"". W&M ScholarWorks, 1991. https://scholarworks.wm.edu/etd/1539625673.
Pełny tekst źródłaReed, Kaylara Ann. "Writing reform in fourteenth-century English romance, from the agrarian crisis to Sir Gawain and the Green Knight". Thesis, University of Hull, 2017. http://hydra.hull.ac.uk/resources/hull:16556.
Pełny tekst źródłaPugh, William W. Tison. "Play and game in Sir Gawain and the Green Knight and Troilus and Criseyde /". view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978260.
Pełny tekst źródłaTypescript. Includes vita and abstract. Includes bibliographical references (leaves 228-242). Also available for download via the World Wide Web; free to University of Oregon users.
Inoue, Noriko. "The a-verse of the alliterative long line and the metre of 'Sir Gawain and the Green Knight'". Thesis, University of Bristol, 2002. http://hdl.handle.net/1983/cdca0000-643e-48b7-bcc3-7751c135eece.
Pełny tekst źródłaStewart, James T. "Generosity and Gentillesse: Economic Exchange in Medieval English Romance". Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc68047/.
Pełny tekst źródłaMeier, Björn. "Subversive narrative techniques and self-reflexivity in Vladimir Nabokov's the real life of Sebastian Knight, Lolita, Pnin, Pale Fire and Ada, or Ardor: A family Chronicle". Master's thesis, University of Cape Town, 1999. http://hdl.handle.net/11427/18694.
Pełny tekst źródłaCicatko, Judy. "Playing to Mean and Meaning to Play: A n Examination of the Game between the Poet and His Audience in "Sir Gawain and the Green Knight"". W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625599.
Pełny tekst źródłaJohnson, Vilja Olivia. ""It's What You Do That Defines You": Batman as Moral Philosopher". BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2952.
Pełny tekst źródłaJones, Caroline. "The Gawain-poet's use of the Beatitudes". Thesis, University of Wales Trinity Saint David, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683285.
Pełny tekst źródłaRadford, Laura E. "Accepting the Failure of Human and State Bodies: Interactions of Syphilis and Space in "Hamlet" and "The Knight of the Burning Pestle"". FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/1034.
Pełny tekst źródłaWright, Patria Isabel. "On Man, on Nature, and on Human Life: William Knight's Life of William Wordsworth and the Invention of "Home at Grasmere"". BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/3975.
Pełny tekst źródłaMameli, Beatrice. "Wylde and Wode, Wild Madness in Middle English Literature". Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3424040.
Pełny tekst źródłaIn questa tesi vengono analizzati alcuni episodi di follia selvaggia nel romanzo medio inglese. Alcuni cavalieri, come Lancillotto, Tristano, Ivano e Partonope, vengono colpiti da questa pazzia selvaggia in genere a seguito di un evento drammatico nella sfera amorosa. Questo tipo di follia presenta delle precise caratteristiche: i cavalieri pazzi hanno la tendenza a prediligere ambienti selvaggi e solitari, come la foresta; essi inoltre, si spogliano delle proprie vesti, alterano la loro dieta e divengono estremamente aggressivi. Si ipotizza che questi episodi siano stati influenzati dal precedente biblico di Nabucodonosor. Si è notato inoltre che alcuni di questi folli presentano alcuni tratti comuni anche al woodwose, l'uomo selvaggio, una figura molto diffusa nel folklore medievale. Questi episodi, tuttavia, sembrano contenere dei possibili riferimenti anche a teorie mediche e a leggi e costumi dell'epoca. Inoltre, il contesto di avventure cavalleresche e di amor cortese in cui agiscono i protagonisti presuppone una forte cornice di canoni e convenzioni che doveva necessariamente venir rispettata. La tesi si concentra soprattutto su testi in medio inglese, come Le Morte Darthur di Malory, Ywain and Gawain e Partonope de Blois, ma occasionalmente anche le versioni francesi di queste opere vengono prese in considerazione.
Blackmore, Sabine. "In soft Complaints no longer ease I find". Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2015. http://dx.doi.org/10.18452/17176.
Pełny tekst źródłaThis thesis analyses different constructions of poetic self-representations through melancholy in poems written by early eighteenth-century women writers (ca. 1680-1750). The selection of poems includes texts written by representative poets such as Anne Wharton, Anne Finch, Elizabeth Singer Rowe, Henrietta Knight, Elizabeth Carter, Mary Leapor, Mary Chudleigh, Mehetabel Wright und Elizabeth Boyd. Against the background of a detailed analysis of the medical-historical paradigmatic change from humoral pathology to the nerves and the subsequent re-positioning of women as melancholics, the thesis refers to the close relationship of medicine and literature during the eighteenth century. Specifical categories of analysis and two different types of melancholic-poetic self-representations are developed, in order to support the close readings of the literary texts. These poems comprise both texts, which explicitly refer to generically standardized melancholy markers, as well as texts, which negotiate and aestheticize the melancholic experience without necessarily mentioning melancholy. The detailed close readings of the poems discuss the often ambivalent strategies of the poetic speakers to construct and represent their melancholic selves and clearly demonstrate that women writers of that time did – despite the common critical opinion – contribute to the literary discourse of melancholy. The thesis pays special attention to the so-called female elegy and its relationship to melancholy. It becomes clear that mourning and grief, which have often been considered a feminine counter-discourse to the discourse of melancholy as sign of the male intellectual and/or artistic genius, and the resulting female elegy offer an important literary space for women writers and their melancholy poetry, which should thus be recognized as a distinctive part of the literary discourse of melancholy.
Campion, Zachary. "Speech in America: Tracking the Evolution of Speech Pedagogy in Theatre Training". VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3297.
Pełny tekst źródłaLópez, Avilés Agustín. "Palladine of England (1588) Translated by Anthony Munday". Doctoral thesis, Universidad de Alicante, 2017. http://hdl.handle.net/10045/73030.
Pełny tekst źródła"Intertextual variations: a contrastive study of Ellis Cornelia Knight, Angela Carter, Marina Warner and Paula Rego". 2002. http://library.cuhk.edu.hk/record=b5896035.
Pełny tekst źródłaThesis (M.Phil.)--Chinese University of Hong Kong, 2002.
Includes bibliographical references (leaves 157-163).
Abstracts in English and Chinese.
Abstract --- p.i
論文提要 --- p.iii
Acknowledgements --- p.v
"Introduction ""Intertextuality"": Definitions and Issues" --- p.1
Chapter Chapter1 --- Intertextuality in the Eighteenth-Century Novels: Samuel Johnson's Rasselas and Ellis Cornelia Knight's Dinarbas --- p.34
Chapter Chapter2 --- Postmodern Intertextuality (I): The Subversive Rewriting Project in Angela Carter's The Bloody Chamber --- p.61
Chapter Chapter3 --- Postmodern Intertextuality (II): Toward a Broader Scope ´ؤ Multiple Art Forms in Marina Warner's The Mermaids in the Basement and Paula Rego's Nursery Rhymes --- p.100
Selected Bibliography --- p.157
DeRushie, Nicole. "Horticultural Landscapes in Middle English Romance". Thesis, 2008. http://hdl.handle.net/10012/4002.
Pełny tekst źródłaNovotná, Alena. "As v textu středoanglického románu Sir Gawain and the Green Knight". Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404482.
Pełny tekst źródła(6581312), Arielle C. McKee. "Moral Challenge and Narrative Structure: Fairy Chaos in Middle English Romance". Thesis, 2019.
Znajdź pełny tekst źródłaMedieval fairies are chaotic and perplexing narrative agents—neither humans nor monsters—and their actions are defined only by a characteristic unpredictability. My dissertation investigates this fairy chaos, focusing on those moments in a premodern romance when a fairy or group of fairies intrudes on a human community and, to be blunt, makes a mess. I argue that fairy disruption of human ways of thinking and being—everything from human corporeality to the definition of chivalry—is often productive or generative. Each chapter examines how narrative fairies upset medieval English culture’s operations and rules (including, frequently, the rules of the narrative itself) in order to question those conventions in the extra-narrative world of the tale’s audience. Fairy romances, I contend, puzzle and engage their audiences, encouraging readers and hearers to think about and even challenge the processes of their own society. In this way, my research explores the interaction between a text and its audience—between fiction and reality—illuminating the ways in which premodern narratives of chaos and disruption encourage readers and headers to engage in a sustained, ethical consideration of the world.
Bolintineanu, Ioana Alexandra. "Towards A Poetics of Marvellous Spaces in Old and Middle English Narratives". Thesis, 2012. http://hdl.handle.net/1807/35062.
Pełny tekst źródła