Gotowe bibliografie tematyczne / English knights

Gotowa bibliografia na temat „English knights”

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Data publikacji: 26 lipca 2024
Data aktualizacji: 27 lipca 2024

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Artykuły w czasopismach na temat "English knights"

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Lee, Dongchoon. "Crusade Reflected in “The Knight’s Tale”". Hankuk University of Foreign Studies Literature Studies 90 (31.05.2023): 105–28. http://dx.doi.org/10.22344/fls.2023.90.105.

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Although original fervor of religious idealism was cooling somewhat and a sense of practicality was taking over, the crusades were far from a dead issue among the commoners as well as the nobles during the fourteenth century. As this century is called 'the real age of propaganda for the crusade,' some writings including late Middle English romances and chivalric treatises stress the justice of the crusades and urge people, in particular, the knights, to action. Chaucer, who was in a precarious position at court and had a perfect understanding of the crusades deeply embedded in the knights' mind, adds two real crusaders in The Canterbury Tales: the Knight and his son, the Squire. While eulogizing crusading as an admirable pursuit of the knight, Chaucer does not ignore a natural contradiction between the brutal violence or killing that military campaigns required and the religious motivation of converting the infidel into Christianity. Such an ambivalence is revealed implicitly in his portrait of the Knight as well as in The Knight's Tale.
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EXWORTHY, MARK, PAULA HYDE i PAMELA MCDONALD-KUHNE. "Knights and Knaves in the English Medical Profession: the Case of Clinical Excellence Awards". Journal of Social Policy 45, nr 1 (2.10.2015): 83–99. http://dx.doi.org/10.1017/s0047279415000483.

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AbstractWe elaborate Le Grand's thesis of ‘knights and knaves’ in terms of clinical excellence awards (CEAs), the ‘financial bonuses’ which are paid to over half of all English hospital specialists and which can be as much as £75,000 (€92,000) per year in addition to an NHS (National Health Service) salary. Knights are ‘individuals who are motivated to help others for no private reward’ while knaves are ‘self-interested individuals who are motivated to help others only if by doing so they will serve their private interests.’ Doctors (individually and collectively) exhibit both traits but the work of explanation of the inter-relationship between them has remained neglected. Through a textual analysis of written responses to a recent review of CEAs, we examine the ‘knightly’ and ‘knavish’ arguments used by medical professional stakeholders in defending these CEAs. While doctors promote their knightly claims, they are also knavish in shaping the preferences of, and options for, policy-makers. Policy-makers continue to support CEAs but have introduced revised criteria for CEAs, putting pressure on the medical profession to accept reforms. CEAs illustrate the enduring and flexible power of the medical profession in the UK in colonising reforms to their pay, and also the subtle inter-relationship between knights and knaves in health policy.
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Prestwich, Michael. "Miles in Armis Strenuus: The Knight at War". Transactions of the Royal Historical Society 5 (grudzień 1995): 201–20. http://dx.doi.org/10.2307/3679334.

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War was more important to medieval knights than to many of their historians. They have been more concerned to debate shifts in the social status and numbers of knights, than to examine their military role. Varied scenarios of knights rising in social status, gaining a more powerful political voice as they became wealthier, and of declining knights, increasingly aggrieved at their failure to maintain their position in society, have vied one with another. Military obligation has, of course, proved to be a battlefield on paper for many historians, but debate on this has not always been informed by awareness of the muddy realities of war. It would be reasonable to suppose that major transformations in the social position of English knights were a response to, or at least a reflection of, changes in their military functions. Yet the only link that is commonly made is the assumption that changes in the social position of English knights were in some measure the result of the rising costs of the military equipment they needed to possess.
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Bogner, Gilbert. "The Diplomatic Career of Sir John Colville (ca. 1365-ca. 1447)". Medieval People: Social Bonds, Kinship, and Networks 36, nr 1 (25.04.2022): 67–106. http://dx.doi.org/10.32773/xacv8744.

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The purpose of this article is to reconstruct the career of the English knight, Sir John Colville, and the important role diplomacy played in it. While he did nothing particularly significant in the world of international relations, the length and geographic range of Colville’s diplomatic service distinguished him from most other contemporary knights. Over the course of nearly three decades, he represented all three Lancastrian monarchs as an envoy to kings, nobles, popes, and councils from Scotland to Rome. His career serves as a case study of fifteenth-century English knighthood and late medieval diplomatic practice.
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Sell, Carl B. "“My Honor is My Life”: Sturm Brightblade of the Dragonlance Saga and Middle English Arthurian Knighthood". Romanica Silesiana 20, nr 2 (20.12.2021): 1–26. http://dx.doi.org/10.31261/rs.2021.20.04.

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Arthuriana has a long history of adaptation and appropriation in medieval and contemporary works, and the tradition of such textual borrowing and reworking continues in contemporary “genre” novels, particularly those that invoke associations with knights, honor, and codes of chivalry. One such example are the novels and short stories of the Dragonlance setting. Sturm Brightblade is positioned as a knight who adheres to a code of honor and is given Arthurian character traits, narrative arcs, and a backstory by the various authors that have fleshed out his history. The texts in the Dragonlance setting knowingly use appropriated elements from Middle English Arthurian works and assign them to Sturm Brightblade to give him proper positioning as a knight that would fit in with Arthur’s legendary Round Table.
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Simms, Norman. "Hungary and Hungarian Knights in Middle English Literature". Parergon 8, nr 1 (1990): 57–72. http://dx.doi.org/10.1353/pgn.1990.0065.

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Hodges, Kenneth. "Why Malory's Launcelot Is Not French: Region, Nation, and Political Identity". PMLA/Publications of the Modern Language Association of America 125, nr 3 (maj 2010): 556–71. http://dx.doi.org/10.1632/pmla.2010.125.3.556.

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Discussions of early nationalism need to focus not just on how incipient nations differentiated themselves from international communities, such as the Roman church, but also on how smaller territories fitted into more expansive composite monarchies, in which one king ruled several lands that had separate traditions and laws. Thomas Malory dramatizes the latter situation by having King Arthur's major knights come from lands subject to the English crown but located outside England: Wales, Ireland, Orkney. In their tense efforts to build a fellowship, the knights personify the troubles of building a nation that grows by hybridizing various regional identities. Malory makes Launcelot come from Gascony and dramatizes the shifts in national imagination necessary in England (and France) as Launcelot's lands shift from being autonomous to being held by the English to being part of a newly constituted France.
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Düll, Siegrid, Anthony Luttrell i Maurice Keen. "Faithful Unto Death: the Tomb Slab of Sir William Neville and Sir John Clanvowe, Constantinople 1391". Antiquaries Journal 71 (wrzesień 1991): 174–90. http://dx.doi.org/10.1017/s0003581500086868.

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An inscribed marble (figs, 1, 2), until now in the Byzantine collection of the Archaeological Museum at Istanbul, recorded two English knights, Sir William Neville and Sir John Clanvowe, who died in Galata outside Constantinople in 1391.
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Naha, Anindita, i Dr Mirza Maqsood Baig. "Overview Of Story- Le Morte D' Arthur". Think India 22, nr 2 (20.06.2019): 138–43. http://dx.doi.org/10.26643/think-india.v22i2.8322.

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The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come until 1133 A.D in the work Historia Regum Britaniae written by a Welsh cleric, Geoffrey of Monmouth. His work was actually meant to be a historical document, but over time many other writers added on fictional tales. The Round Table was added in 1155 A.D by a French poet Maistre Wace. Both the English and French cycles of Arthurian Legend are controlled by three inter-related themes:
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Naha, Anindita, i Dr Mirza Maqsood Baig. "Overview Of Story- Le Morte D' Arthur". Think India 22, nr 3 (21.09.2019): 500–505. http://dx.doi.org/10.26643/think-india.v22i3.8316.

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The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come until 1133 A.D in the work Historia Regum Britaniae written by a Welsh cleric, Geoffrey of Monmouth. His work was actually meant to be a historical document, but over time many other writers added on fictional tales. The Round Table was added in 1155 A.D by a French poet Maistre Wace. Both the English and French cycles of Arthurian Legend are controlled by three inter-related themes:
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Rozprawy doktorskie na temat "English knights"

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O'Malley, G. J. "The English Knights Hospitaller, c.1468-1540". Thesis, University of Cambridge, 1999. https://www.repository.cam.ac.uk/handle/1810/272606.

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Hyttenrauch, David Edward. "Ladies and their knights in Middle English Arthurian romance". Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239380.

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Graham, Tom. "Knights and merchants : English cities and the aristocracy, 1377-1509". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:6cbaed78-e5fb-4b31-94b8-5d9df7a0ef72.

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This thesis examines how English towns and townsmen interacted with the aristocracy in the late middle ages. To do so, it compares the experiences and behaviour of four towns and their inhabitants across a 'long' fifteenth century running from 1377 until 1509. These four examples - Exeter, Norwich, Salisbury and Southampton - represent a cross-section of important provincial towns, with each providing a different picture because of their differing contexts and circumstances, particularly the contrasting political societies of the counties which surrounded them. The first half of the study considers links between individual townsmen and aristocrats. In particular, it discusses the patterns displayed by both groups' property ownership as well as their involvement in royal government, before investigating direct connections which existed between them. It concludes that although links did emerge between these groups, most were short-lived and had few political or social implications. The exception was a group on the boundary of gentility, including lawyers, administrators, royal servants and a small number of prosperous townsmen. These men moved relatively easily between town and country and often had interests in both spheres, but their activities rarely combined the ‘aristocratic' and the 'urban'. In addition, their low status in landed society meant that they rarely drew wider urban and aristocratic society into contact. The second part of the thesis examines the relationship between aristocrats and town governments. It argues that aristocrats could provide significant benefits to towns, but only if they possessed national influence and local authority. This combination was originally exclusive to regional magnates, but the 'new monarchy' empowered progressively minor figures, and towns ultimately preferred to seek the aid of these junior men. It also argues that aristocrats received some benefit to their prestige and worship from helping towns, and that magnates were perhaps even expected to do so by both towns and the king.
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Lucas, Karen. "Middle English romance, attitudes to kingship and political crisis, c.l272-c.l350". Thesis, Durham University, 1997. http://etheses.dur.ac.uk/4637/.

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This study used mostly printed sources to investigate wider attitudes to kingship than those of the political philosophers and to consider their implications for the understanding of the political crises of 1297, 1326 and 1340-41.Middle English romances are suitable for determining more 'popular' attitudes to kingship because of their subject matter, the length of texts, their dissemination and their receptivity to contemporary opinion. These 'popular' attitudes were those belonging to the audience of the romances, being the large and increasingly politically influential group comprising knights and gentry. The romances contain substantial images and concepts of kingship, revealing strong expectations of the king in the areas of justice, good government and defence. They reveal an understanding of questions such as the nature of royal power and the king’s position with regard to will and law. The perception of kingship which animated the relationship between king and people was shown to be that of familiar social bonds. The images of kingship found in the romances are supported by those in a second type of popular literature, the legendary histories of Britain. The romance images provide legitimate evidence for the attitudes to kingship of knights and gentry. They are both representative of the opinions of this social group and capable of influencing the opinions of the people who had contact with the romances. Edward 1 was familiar with the attitudes of his people towards kingship and he appealed to these extensively to gain support for his requests for military service, money and supplies in 1297. The deposition of Edward II in 1326 showed royal opposition to be equally at ease in appealing to 'popular' attitudes to generate public support for the rebellion. The attitudes also created a receptive background for the removal of the king. In 1340-41 Edward III and his opponent Archbishop Stratford appealed to royal subjects' attitudes on kingship in order to try to achieve their practical and political aims. 'Popular' attitudes towards kingship became strengthened by association with particular kings and events.
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Hartland, Beth. "English rule in Ireland, c.1272-c.1315 : aspects of royal and aristocratic lordship". Thesis, Durham University, 2001. http://etheses.dur.ac.uk/1662/.

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Lewis, Robert Lee III. "Changing Perceptions of Heraldry in English Knightly Culture of the Twelfth and Thirteenth Centuries". Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277947/.

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The purpose of this thesis is to analyze and discuss the changing ways in which the visual art of heraldiy was perceived by the feudal aristocracy of twelfth- and thirteenth-century England. It shows how the aristocracy evolved from a military class to a courtly, chivalric class, and how this change affected art and culture. The shifts in the perceptions of heraldry reflect this important social development of the knightly class.
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Crummy, Elizabeth Anne. "Constructing a Reputation in Retrospect in "Sir Gawain and the Green Knight"". W&M ScholarWorks, 1991. https://scholarworks.wm.edu/etd/1539625673.

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Reed, Kaylara Ann. "Writing reform in fourteenth-century English romance, from the agrarian crisis to Sir Gawain and the Green Knight". Thesis, University of Hull, 2017. http://hydra.hull.ac.uk/resources/hull:16556.

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This thesis investigates five fourteenth-century Middle English romances—Sir Isumbras, The King of Tars, The Earl of Toulouse, Geoffrey Chaucer’s Wife of Bath’s Tale, and Sir Gawain and the Green Knight—for their resonances with fourteenth-century reformist ideology. The fourteenth century witnessed the emergence of Middle English complaint writing and also culminated in two reformist movements in the 1380s: the Peasants’ Revolt and Lollardy. Each romance considered in the thesis share resonances with reformist ideology and complaint poems—like William Langland’s Piers Plowman—as well as texts relating to the Peasants’ Revolt and Lollardy. Such evidence suggests that romance and complaint shared ideologies and both types of texts may have contributed to reformist activities—writing, acting, or both—throughout the century. Sir Isumbras is explored in relation to the Agrarian Crisis, related complaint texts such as The Simonie and The Song of the Husbandman, and the penitential philosophy it shares with Piers Plowman. Isumbras shows landowners causing peasant suffering, and problematises orthodox penitential prescriptions. The King of Tars is read in relationship to complaint texts like The Sayings of the Four Philosophers and with later Lollard writing. Tars reforms nations by highlighting the consequences of immoral kingship—both Christian and Saracen—and replacing it with an ethically superior woman. The Earl of Toulouse, examined alongside texts relevant to the Peasants’ Revolt, represents armed revolt as a means of stopping obstinate tyranny and envisions that heroic men—even to the point of breaking the law—will insist upon truth and justice. The Wife of Bath’s Tale shares resonances with an array of Middle English Lollard writings, from its stance on execution, nobility, poverty, the power of sermons, and female autonomy and power. Finally, I analyse Sir Gawain and the Green Knight alongside Ricardian complaint texts, illuminating tyrannical character traits in Arthur and his negative influence on Gawain.
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Pugh, William W. Tison. "Play and game in Sir Gawain and the Green Knight and Troilus and Criseyde /". view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978260.

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Thesis (Ph. D.)--University of Oregon, 2000.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 228-242). Also available for download via the World Wide Web; free to University of Oregon users.
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Inoue, Noriko. "The a-verse of the alliterative long line and the metre of 'Sir Gawain and the Green Knight'". Thesis, University of Bristol, 2002. http://hdl.handle.net/1983/cdca0000-643e-48b7-bcc3-7751c135eece.

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The purpose of this study is to conduct a close and careful study of the metre of Sir Gawain and the Green Knight, and thereby to describe the metrical principles that underlie the structure of the unrhymed long line, especially, that of the a-verse, and to demonstrate the stylistic possibilities that individual poets could exploit on the basis of these principles. In the introduction, I re-examine the three-stave half-line theory and point out the inconsistencies and unnecessary complexities that this theory entails, and argue for the regular two-stave verse and the potential disjunction between alliteration and stress. Chapter I examines the lines with non-aa/ax patterns found in Sir Gawain, and considers whether the non-aa/ax alliterative patterns in this romance should be treated as `irregular' and thus be assumed to require emendation. Chapter II deals with the so-called `extended' verses, and how stress and alliteration function in such half-lines; Chapter III investigates combinations of various syntactic units, mainly those of adjective + noun and verb + adverb, and presents general metrical `rules' which appear to govern the `extended' and non-'extended' a-verse; Chapter IV is aimed at the demonstration of these rules by examining the metrical function in the long line of doublet forms, such as to/for to + infinitive and on/ vpon folde. Chapter V presents a comparative study between the metre of Sir Gawain and that of Cleanness and Patience, the other alliterative poems found in the same manuscript, and three other alliterative poems, namely, The Destruction of Troy, The Wars of Alexander, and St Erkenwald. Chapter VI explores how the alliterative metre can be exploited for stylistic purposes. My conclusions smmarisetsh e metrical rules that have emerged from this study.
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Książki na temat "English knights"

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Brown, Joff. Knights and dragons. Sywell, England: Igloo Books, 2010.

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Brown, Joff. Knights and dragons. Sywell: Igloobooks.com, 2012.

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Aristophanes. The knights. Studio City, CA: Players Press, 1992.

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Ōkami, Mineko. Dragon Knights. Los Angeles: Tokyopop, 2004.

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Ōkami, Mineko. Dragon Knights. Hamburg: Tokyopop, 2004.

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Ōkami, Mineko. Dragon Knights. Hamburg: Tokyopop, 2006.

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Ōkami, Mineko. Dragon Knights. Los Angeles: Tokyopop, 2004.

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Stephanie, Sheh, i Junemoon Studios, red. Dragon Knights. Hamburg: Tokyopop, 2004.

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Stories of knights. London: Usborne, 2005.

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1946-, Ewans Michael, red. Acharnians, knights, and peace. Norman: University of Oklahoma Press, 2011.

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Części książek na temat "English knights"

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Hodges, Kenneth. "English Knights, French Books, and Literary Communities". W Forging Chivalric Communities in Malory’s Le Morte Darthur, 11–33. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403979322_2.

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Stanivukovic, Goran V. "“Knights in Armes”: The Homoerotics of the English Renaissance Prose Romances". W Prose Fiction and Early Modern Sexualities in England, 1570–1640, 171–92. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-09177-2_10.

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Samson, Anne. "Chaucer and the English Court". W The Knight’s Tale by Geoffrey Chaucer, 4–15. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08915-4_2.

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Doms, Misia Sophia. "Der Kurtze Wegweiser zur Erlernung der Englischen Sprache und die Gestaltung seiner Musterdialoge". W Neues von der Insel, 13–40. Berlin, Heidelberg: Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-66949-5_2.

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ZusammenfassungFirst published in Hamburg in 1699, the Short guide to learn the Englisch [sic!] Tongue by F. K. forms a prototypical example for the textbooks used by early modern learners of English and other modern languages. At the heart of the textbook we can find a collection of 16 situational dialogues offering communication models for their well-to-do bourgeois readers. Some passages of these dialogues seem to consist of a mere series of incoherent ready-made phrases for everyday conversation with Englishmen during travels abroad or business negotiations, while other more coherent parts have a more immersive and entertaining design. In some cases, their elements seem to have been adopted from comedy. In the Short guide’s fourth edition from 1713 the dialogues clearly refer to the social environment of the knight academies and thus to the galant context of nobility which, at the turn of the 18th century, was especially attractive to the ambitious young members of bourgeoisie supposed to use the textbook.
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Rudd, Gillian. "Shifting Identities and Landscapes in Sir Gawain and the Green Knight". W Medieval English Literature, 45–59. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46960-1_4.

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Gustafson, Kevin. "Sir Gawain and the Green Knight". W A Companion to Medieval English Literature and Culture c.1350-c.1500, 619–33. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996355.ch38.

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Warner, Lawrence. "Sir Gawain and the Green Knight and the Alliterative Tradition". W The Routledge Companion to Medieval English Literature, 268–77. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429197390-26.

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"Knights of the Shire". W English MPs. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350335066.ch-002.

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"The Frescobaldi of Florence and the English Crown". W Kings, Knights and Bankers, 43–92. BRILL, 2016. http://dx.doi.org/10.1163/9789004302655_006.

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British Drama 1533–1642: A Catalogue. "714: English Court Entertainment: the Imprisoned Knights". W British Drama 1533–1642: A Catalogue, Vol. 2: 1567–1589, redaktorzy Martin Wiggins i Catherine Richardson. Oxford University Press, 2012. http://dx.doi.org/10.1093/oseo/instance.wiggins714.

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Streszczenia konferencji na temat "English knights"

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Staiger, Jeff D. "The Forest, The Trees, The Bark, The Pith: An Intensive Look at the Circulation Rates of Primary Texts in Ten Major Literature Areas at the University of Oregon Libraries". W Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317145.

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This poster looks at the circulation rate for literary primary texts, which constitute a unique area of collecting in academic libraries: while they do not in most cases meet immediate research needs, it is assumed that libraries ought to acquire them, for reasons including future research needs, preservation of the cultural record, and the ability of members of the intellectual community to stay current, those these remain primarily tacit. The circulation trends of contemporary literary works in ten areas of literature (English, American, German, French, Italian, Spanish, Latin American, Chinese, Japanese, and Russian) over the past twenty years at the University of Oregon Knight Library are presented and the circulation turnover rate (CTR), for each of these subject areas are presented. Sample graphs allow for the comparison of circulation rates and numbers of books across time, and serve as examples of the utility of such visualizations of the numbers. The key question raised by the study is what makes a good CTR for a particular region of the collection? The poster concludes by summarizing the considerations that bear on the interpretation of the CTR as an index of how the collection is “working.”
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Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „English knights” dla poszczególnych typów źródeł:
Artykuły w czasopismach Rozprawy doktorskie Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii