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Artykuły w czasopismach na temat "English fiction 18th century History and criticism"
Green, Alison. "‘A Supreme Fiction’: Michael Fried and Art Criticism". Journal of Visual Culture 16, nr 1 (kwiecień 2017): 89–102. http://dx.doi.org/10.1177/1470412917700931.
Pełny tekst źródłaZipfel, Frank. "The Pleasures of Imagination. Aspects of Fictionality in the Poetics of the Age of Enlightenment and in Present-Day Theories of Fiction". Journal of Literary Theory 14, nr 2 (25.09.2020): 260–86. http://dx.doi.org/10.1515/jlt-2020-2007.
Pełny tekst źródłaJenkins, E. R. "English South African children’s literature and the environment". Literator 25, nr 3 (31.07.2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.
Pełny tekst źródłaMulalić, Lejla. "Redefining the Boundaries of Historical Writing and Historical Imagination in Carolyn Steedman’s Master and Servant: Love and Labour in the English Industrial Age". ELOPE: English Language Overseas Perspectives and Enquiries 10, nr 1 (9.05.2013): 51–61. http://dx.doi.org/10.4312/elope.10.1.51-61.
Pełny tekst źródłaROLLS, ALISTAIR. "Primates in Paris and Edgar Allan Poe’s Paradoxical Commitment to Foreign Languages". Australian Journal of French Studies 58, nr 1 (1.04.2021): 76–87. http://dx.doi.org/10.3828/ajfs.2021.07.
Pełny tekst źródłaKinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]". China Quarterly 182 (czerwiec 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.
Pełny tekst źródłaGarcha, Amanpal. "FORGETTING THACKERAY AND UNMAKING CAREERS". Victorian Literature and Culture 46, nr 2 (16.05.2018): 531–45. http://dx.doi.org/10.1017/s1060150318000128.
Pełny tekst źródłaБлашків, О. В. "INTELLECTUALS IN THE FACE OF HISTORIC TURMOIL: “THE REVENGE OF THE PRINTER” BY STANISLAV ROSOVETSKYJ AS ACADEMIC FICTION". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 3, nr 93 (20.12.2019): 3–15. http://dx.doi.org/10.34142/2312-1076.2019.3.93.01.
Pełny tekst źródłaGrane, Leif. "Grundtvigs forhold til Luther og den lutherske tradition". Grundtvig-Studier 49, nr 1 (1.01.1998): 21–41. http://dx.doi.org/10.7146/grs.v49i1.16265.
Pełny tekst źródłaParker, Christopher, Elizabeth Truax, Ivan Roots, Christopher Hill, R. C. Richardson, Joan Thirsk, W. A. Speck, Neil Curtin, Asa Briggs i William Richardson. "Reviews: Companion to Historiography, Engendering a Nation: A Feminist Account of Shakespeare's English Histories, the Debate on the English Revolution, the Invention of the Newspaper: English Newsbooks, 1641–49, God's Englishwomen: Seventeenth-Century Radical Sectarian Writing and Feminist Criticism, Birth, Marriage and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England, the Politics of Sensibility: Race, Gender and Commerce in the Sentimental Novel, the Oxford Book of the American South: Testimony, Memory and FictionBentleyMichael (ed.), Companion to Historiography , Routledge, 1997, pp. xvii + 997, £100.HowardJean E. and RackinPhyllis, Engendering a Nation: A Feminist Account of Shakespeare's English Histories , Routledge, 1997, pp. xviii + 215, £14.99 pb.RichardsonR. C., The Debate on the English Revolution , 3rd ed., Manchester University Press, 1998, pp.x + 262, £14.99.RaymondJoad, The Invention of the Newspaper: English Newsbooks, 1641–49 , Oxford University Press, 1996, pp. xii + 379, £45.HindsHilary, God's Englishwomen: Seventeenth-century Radical Sectarian Writing and Feminist Criticism , Manchester University Press, 1996, pp. vii + 264, £35, £14.99 pb.CressyDavid, Birth, Marriage and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England , Oxford University Press, 1997, pp. 641, £25.00.EllisMarkman, The Politics of Sensibility: Race, Gender and Commerce in the Sentimental Novel , Cambridge University Press, 1996, pp. xii + 264, £45.AyersEdwards L., and MittendorfBradley C. (eds), The Oxford Book of the American South: Testimony, Memory and Fiction , Oxford University Press, 1997, pp. 597, £30.WinterJay and RobertJean-Louis, Capital Cities at War, 1914–1919 , Cambridge University Press, 1997, pp. xviii + 622, £60.NaimanEric, Sex in Public: The Incarnation of Early Soviet Ideology , Princeton University Press, 1997, pp. 307, $39.50, £27.50." Literature & History 8, nr 1 (maj 1999): 76–90. http://dx.doi.org/10.7227/lh.8.1.6.
Pełny tekst źródłaRozprawy doktorskie na temat "English fiction 18th century History and criticism"
Johnson, Nancy E. (Nancy Edna) 1956. "The "equivocal spirit" of law : property, agency and the contract in the English Jacobin novel". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29054.
Pełny tekst źródłaGuthrie, Neil. "A thousand wrecks! : rakes' progresses in some eighteenth century English novels". Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:b08473d6-9cae-4a14-b7a7-3e40cf7bb283.
Pełny tekst źródłaAhern, Stephen. "Between duty and desire : sentimental agency in British prose fiction of the later eighteenth century". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0027/NQ50101.pdf.
Pełny tekst źródłaScott, Linda Kane. "The Inheritance Novel: The Power of Strict Settlement Language in Clarissa, Evelina and Pride and Prejudice". Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/ScottLK.pdf.
Pełny tekst źródłaMoore, Paul Henry. "Death in the eighteenth-century novel, 1740-1800". Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:5def918a-a899-4650-8850-efcacf3f4bf1.
Pełny tekst źródłaShannon, Josephine E. "From discourse to the couch : the obscured self in eighteenth- and nineteenth-century epistolary narrative". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34533.
Pełny tekst źródłaI examine this claim---and the metaphors defining it---in two ways. First, by focusing on selected letters, I foreground each writer's language as an agent of internal conflict. In so doing, I am able to formulate distinctive questions regarding the potential of epistolary narratives to transform emotional or psychological schisms into fictions which become explicitly creative texts. Secondly, I analyze the changing nature of the fictions which emerge through this process. My findings conclude that authors' letters must be read, at least very often, as a constituent part of their literary work and as interpretive models of a shifting dynamic of psychological expression.
Angel-Cann, Lauryn. "Stretched Out on Her Grave: Pathological Attitudes Toward Death in British Fiction 1788-1909". Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4271/.
Pełny tekst źródłaPoston, Craig A. (Craig Alan). "The Problematic British Romantic Hero(ine): the Giaour, Mathilda, and Evelina". Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278684/.
Pełny tekst źródłaBowen, Michael John. "Uncertain affections : representations of trust in the British sentimental novel of the eighteenth century". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38158.
Pełny tekst źródłaMy work explores this dual shift in three sentimental novels. It first analyzes Samuel Richardson's Pamela (1740) and contends that Richardson denies the concept of honor its epistemological role in practical deliberations. The denial of the epistemology of honor uncouples the mechanism of personal trust from assessments of role and role performance and thus makes the trust in persons in the intimate sphere less dependent on institutional forms of trust. To replace honor's role in the formation of trust, Richardson proposes that the sentiments can provide reliable grounds for trust in the intimate sphere. However, he denies the sentiments a role in the formation of an encompassing social trust among strangers and mere acquaintances. The thesis proceeds to read Henry Fielding's Amelia (1751). In order to argue that Fielding envisioned divergent grounds for trust relations, it maintains that Fielding considers trust relations in the intimate sphere and trust relations in public life as based on the sentiments and fair distribution respectively. To conclude, the thesis investigates Oliver Goldsmith's The Vicar of Wakefield (1766) to uncover the manner in which Goldsmith distinguishes personal trust in the intimate sphere from general system trust, which Goldsmith ultimately envisions as an ontological trust in providence.
Maia, Ludmila de Souza 1984. "Os descaminhos de Clarissa entre o campo e a cidade = o romance de Samuel Richardson e a Sociedade inglesa do século XVIII". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279017.
Pełny tekst źródłaMade available in DSpace on 2018-08-17T12:05:41Z (GMT). No. of bitstreams: 1 Maia_LudmiladeSouza_M.pdf: 993926 bytes, checksum: 64b05d09592660e1a62b9845a8551faa (MD5) Previous issue date: 2011
Resumo: Este trabalho se dedica ao estudo do romance epistolar 'Clarissa, or the history of a young lady', de autoria do inglês Samuel Richardson, publicado entre os de anos 1747-48. O propósito é realizar uma pesquisa historiográfica através da interpretação da narrativa literária. A obra, objeto deste estudo, recria muitas das tensões sociais, políticas e religiosas latentes na sociedade inglesa do século XVIII. Os percalços vividos pela heroína da trama, entre o campo e a cidade, permitem analisar as relações sociais e de gênero da Inglaterra das Luzes. A trama conta a história de Clarissa, donzela d aristocracia rural inglesa que recebe a herança do avô, motivando disputas familiares. O primogênito preterido convence a família a casá-la com um homem odioso, para evitar sua independência e lucrar com o negócio. Clarissa se recusa ao matrimônio e passa a ser perseguida dentro de casa. Para escapar da tirania, ela foge para Londres com Lovelace, libertino que lhe faz a corte contra a vontade de sua família. Seu desejo de autonomia é interrompido quando seu raptor a aprisiona num bordel e a violenta. Para preservar sua vontade de virtude e a independência de seu espírito, Clarissa escolhe a morte como única saída moral possível. Com efeito, meu objetivo foi entender aquela sociedade a partir das páginas do romance, cuja análise, também, derivou de questões e referências exteriores à trama
Abstract: This work is dedicated to the novel 'Clarissa, or the history of a Young lady', written by Samuel Richardson, and published in 1747-48. My purpose was to make a historiographic research by using a literary narrative. This novel creates, in a literary way, many of the most important social, political, and religious conflicts of the Eighteenth Century English society. The mishaps of the life of the novel's protagonist, between the country and the city, allowed me to analyze the social and gender relations in the Enlightenment England. The plot tells us the story of Clarissa, an aristocratic maiden in rural England. She inherits an estate from her grandfather, which provokes a familiar disturbance. The deprecated old brother convinces the family to marry her to an odious man, to avoid her independence and to profit from the business. She refuses the marriage and her persecution begins at home. In order to escape from tyranny, she fled to London with the libertine Lovelace, who courts her against her family's will. Her wish for autonomy is interrupted when his abductor imprisons and rapes in a brothel. She wishes virtue and an independent soul, and that's why she chooses death, as the only possible way to maintain her moral intact. Indeed, my goal with this research was to understand the mentioned society from the pages of the novel,whose analysis also comes from questions and references external to the plot
Mestrado
Politica, Memoria e Cidade
Mestre em História
Książki na temat "English fiction 18th century History and criticism"
Spacks, Patricia Ann Meyer. Novel beginnings: Experiments in eighteenth-century English fiction. New Haven, Conn: Yale University Press, 2006.
Znajdź pełny tekst źródłaProbyn, Clive T. English fiction of the eighteenth century, 1700-1789. London: Longman, 1987.
Znajdź pełny tekst źródłaBrophy, Elizabeth Bergen. Women's lives and the 18th-century English novel. Tampa: University of South Florida Press, 1991.
Znajdź pełny tekst źródłaRees, Christine. Utopian imagination and eighteenth-century fiction. London: Longman Pub., 1996.
Znajdź pełny tekst źródłaHaggerty, George E. Unnatural affections: Women and fiction in the later 18th century. Bloomington: Indiana University Press, 1998.
Znajdź pełny tekst źródłaFrank, Judith. Common ground: Eighteenth-century English satiric fiction and the poor. Stanford, Calif: Stanford University Press, 1997.
Znajdź pełny tekst źródłaZimmerman, Everett. The boundaries of fiction: History and the eighteenth-century British novel. Ithaca, NY: Cornell University Press, 1996.
Znajdź pełny tekst źródłaBartolomeo, Joseph F. A new species of criticism: Eighteenth-century discourse on the novel. Newark: University of Delaware Press, 1994.
Znajdź pełny tekst źródłaSwan, Beth. Fictions of law: An investigation of the law in eighteenth-century English fiction. Frankfurt am Main: P. Lang, 1997.
Znajdź pełny tekst źródłaKraft, Elizabeth. Character & consciousness in eighteenth-century comic fiction. Athens: University of Georgia Press, 1992.
Znajdź pełny tekst źródła