Rozprawy doktorskie na temat „English drama 17th century History and criticism”
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Boguszak, Jakub. "Actors' parts in the plays of Ben Jonson". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:7732f887-5a9d-4fc6-afce-9bc4242265f9.
Pełny tekst źródłaMiyoshi, Riki. "Thomas Killigrew and Carolean stage rivalry in London, 1660-1682". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0cf4bd8a-041c-47a9-b82f-bb38ce159dd7.
Pełny tekst źródłaKwong, Jessica Mun-Ling. "Playing the whore : representations of whoredom in early modern English comedy". Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707984.
Pełny tekst źródłaHirsch, Brett Daniel. "Werewolves and women with whiskers : figures of estrangement in early modern English drama and culture". University of Western Australia. English and Cultural Studies Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0175.
Pełny tekst źródłaOh, Seiwoong. "The Scholarly Trickster in Jacobean Drama: Characterology and Culture". Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278216/.
Pełny tekst źródłaStreete, Adrian George Thomas. "Calvinism, subjectivity and early modern drama". Thesis, University of Stirling, 2001. http://hdl.handle.net/1893/12800.
Pełny tekst źródłaBender, Ashley Brookner. "Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707". Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12081/.
Pełny tekst źródłaMontanari, Anna Maria. "'A heart in Egypt' : Cleopatra on the Renaissance stage in Italy and England". Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709112.
Pełny tekst źródłaTanner, Jane Hinkle. "Sharing the Light: Feminine Power in Tudor and Stuart Comedy". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278551/.
Pełny tekst źródłaReynolds, Paige Martin. "Reforming Ritual: Protestantism, Women, and Ritual on the Renaissance Stage". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5439/.
Pełny tekst źródłaEdelman, Charles. "The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare". Title page, contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phe21.pdf.
Pełny tekst źródłaHjul, Lauren Martha. "The family in Shakespeare's plays: a study of South African revisions". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001832.
Pełny tekst źródłaHenderson, Felicity 1973. "Erudite satire in seventeenth-century England". Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.
Pełny tekst źródłaJackson, Simon John. "The literary and musical activities of the Herbert family". Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283892.
Pełny tekst źródłaTurner, Irene. "Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31949204.
Pełny tekst źródłaBenson, Fiona. "The Ophelia versions : representations of a dramatic type, 1600-1633". Thesis, St Andrews, 2008. http://hdl.handle.net/10023/478.
Pełny tekst źródłaLEMP, RICHARD WARREN. "MOLIERE AND MEDICINE: DISSECTING THE KALEIDOSCOPE (FRANCE)". Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183776.
Pełny tekst źródłaIngham, Michael Anthony. "Theatre of storytelling : the prose fiction stage adaptation as social allegory in contemporary British drama /". Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20275961.
Pełny tekst źródłaWong, Chi-keung Frederick, i 黃志強. "Postmodernism, drama, language: Waiting for Godot and Inadmissible evidence revisited". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31951053.
Pełny tekst źródłaWilton-Godberfforde, Emilia Eleni Rachel. "Mendacity and the figure of the liar in seventeenth-century French comedy". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609698.
Pełny tekst źródłaLaverick, Jane A. "A world for the subject and a world of witnesses for the evidence : developments in geographical literature and the travel narrative in seventeenth-century England". Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/2250.
Pełny tekst źródłaJones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.
Pełny tekst źródłaBotica, Allan Richard. "Audience, playhouse and play in Restoration theatre, 1660-1710". Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:6dc8576e-e5cf-4514-ad90-19e7b1253c8e.
Pełny tekst źródłaIsley, Edwin L. "Farce, critique sociale, et comedie morale chez Moliere". Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/539802.
Pełny tekst źródłaDepartment of Foreign Languages
Macbeth, Georgia School of Theatre Film & Dance UNSW. "A Plurality of Identities: Ulster Protestantism in Contemporary Northern Irish Drama". Awarded by:University of New South Wales. School of Theatre, Film and Dance, 1999. http://handle.unsw.edu.au/1959.4/33257.
Pełny tekst źródłaDuncan, Dawn E. (Dawn Elaine). "Language and Identity in Post-1800 Irish Drama". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277916/.
Pełny tekst źródłaHone, Joseph. "The end of the line : literature and party politics at the accession of Queen Anne". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d847a561-130a-42f0-b78f-2463e9e65535.
Pełny tekst źródłaBrammall, Sheldon. "Translating the Prince of Poets : the politics of the English translations of the Aeneid, 1558-1632". Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283905.
Pełny tekst źródłaPercival, Gary William. "Developments towards a theatre of the absurd in England, 1956-1964". Thesis, University of St Andrews, 1995. http://hdl.handle.net/10023/14879.
Pełny tekst źródłaHiggins, Benjamin David Robert. "We have a constant will to publish : the publishers of Shakespeare's First Folio". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:ab876515-5984-46a5-8bf0-8346165fb583.
Pełny tekst źródłaKershaw, Alison. "The poetic of the Cosmic Christ in Thomas Traherne's 'The Kingdom of God'". University of Western Australia. School of Social and Cultural Studies, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0085.
Pełny tekst źródłaTreacy, Susan. "English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture". Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331253/.
Pełny tekst źródłaBerlando, Maria Elena, i University of Lethbridge Faculty of Arts and Science. "De-colonizing bodies : the treatment of gender in contemporary drama and film". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2007, 2007. http://hdl.handle.net/10133/648.
Pełny tekst źródłav, 104 leaves ; 29 cm.
Roth, Jenny. "Law, gender and culture : representations of the female legal subject in selected Jacobean texts". Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14658.
Pełny tekst źródłaRumbold, Kate Louise. "All the men and women merely players : quoting Shakespeare in the mid-eighteenth-century novel". Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670136.
Pełny tekst źródłaRoberts, David. "The ladies : female patronage of Restoration drama 1660-1700". Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670377.
Pełny tekst źródłaJohanson, Kristine. "A rhetoric of nostalgia on the English stage, 1587-1605". Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1001.
Pełny tekst źródłaJennings, Emily. "Prophetic rhetoric in the early Stuart period". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:13643178-0544-4b2b-9ca3-55d6c73a5d26.
Pełny tekst źródłaChan, Tzu-Ying. "John Playford's The Division Violin: Improvisation and Variation Practice in English Violin Music of the Seventeenth Century". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011780/.
Pełny tekst źródłaBrooks, Scott A. "To move, to please, and to teach : the new poetry and the new music, and the works of Edmund Spenser and John Milton, 1579-1674". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5034.
Pełny tekst źródłaIdrissi, Nizar. "Stephen Poliakoff: another icon of contemporary British drama". Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210559.
Pełny tekst źródłaDoctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Abunasser, Rima Jamil. "Corporate Christians and Terrible Turks: Economics, Aesthetics, and the Representation of Empire in the Early British Travel Narrative, 1630 - 1780". Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4444/.
Pełny tekst źródłaSutton, Peter David. "'The trade of application' : political and social appropriations of Ben Jonson, 1660-1776". Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16547.
Pełny tekst źródłaDyson, Jessica. "Staging legal authority : ideas of law in Caroline drama". Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/366.
Pełny tekst źródłaJeffrey, Anthony Cole. "The Aesthetics of Sin: Beauty and Depravity in Early Modern English Literature". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062818/.
Pełny tekst źródłaLobban, Paul. "Inhabited space : writing as a practice in early modern England; Margaret Hoby, Eleanor Davies, Katherine Philips". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phl796.pdf.
Pełny tekst źródłaTaylor, Helena. "The lives of Ovid : secrets, exile and galanterie in writing of the ‘Grand Siècle’". Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4571c071-a499-44e7-a870-ed747d69bdc5.
Pełny tekst źródła"Clothes make the wo/man: cross-dressing and gender on the English renaissance stage and in the late Imperial Chinese theatre". 2004. http://library.cuhk.edu.hk/record=b6073650.
Pełny tekst źródła"August 2004."
Thesis (Ph.D.)--Chinese University of Hong Kong, 2004.
Includes bibliographical references (p. 249-268).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Mode of access: World Wide Web.
Abstracts in English and Chinese.
Edelman, Charles. "The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare / Charles Edelman". Thesis, 1988. http://hdl.handle.net/2440/18714.
Pełny tekst źródłaElphick, Anthony Beresford. "Rapport between players and audience in 15th and early 16th century English drama". Diss., 1995. http://hdl.handle.net/10500/16743.
Pełny tekst źródłaM.A. (English)