Gotowa bibliografia na temat „English Allegories”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „English Allegories”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "English Allegories"
DOY, GEN. "THE MAKING OF ENGLISH PHOTOGRAPHY: ALLEGORIES BY STEVE EDWARDS". Art Book 14, nr 3 (sierpień 2007): 58. http://dx.doi.org/10.1111/j.1467-8357.2007.00850_1.x.
Pełny tekst źródłaLukitsh, Joanne. "The Making of English Photography: Allegories, by Steve Edwards". Victorian Studies 49, nr 4 (lipiec 2007): 718–19. http://dx.doi.org/10.2979/vic.2007.49.4.718.
Pełny tekst źródłaIrvine, Martin, i John P. Hermann. "Allegories of War: Language and Violence in Old English Poetry". South Atlantic Review 56, nr 2 (maj 1991): 127. http://dx.doi.org/10.2307/3199964.
Pełny tekst źródłaBernard, Catherine. "A Certain Hermeneutic Slant: Sublime Allegories in Contemporary English Fiction". Contemporary Literature 38, nr 1 (1997): 164. http://dx.doi.org/10.2307/1208856.
Pełny tekst źródłaPittock, M. G. H. "Review: Allegories of Union in Irish and English Writing, 1790-1870". Review of English Studies 53, nr 210 (1.05.2002): 276. http://dx.doi.org/10.1093/res/53.210.276.
Pełny tekst źródłaMATTHEWS, C. "A RELATION, OH BLISS! UNTO OTHERS". Nineteenth-Century Literature 58, nr 4 (1.03.2004): 474–505. http://dx.doi.org/10.1525/ncl.2004.58.4.474.
Pełny tekst źródłaChance, Jane. "Rhetoricalinventio and Ricardian allegories in late middle English literature: A new historical approach to fiction". International Journal of the Classical Tradition 8, nr 1 (wrzesień 2001): 79–91. http://dx.doi.org/10.1007/bf02700230.
Pełny tekst źródłaRenu i Dr. R K. Sharma. "Mulk Raj Anand, Raja Rao and R. K. Narayan: The Polemics of Myth making and Influence of Gandhi". Creative Launcher 6, nr 2 (30.06.2021): 19–24. http://dx.doi.org/10.53032/tcl.2021.6.2.04.
Pełny tekst źródłaNikolaeva, O. V. "Discursive-Pragmatic Creativity in English-Language Chinese Mass Media". Nauchnyi dialog 11, nr 2 (19.03.2022): 221–38. http://dx.doi.org/10.24224/2227-1295-2022-11-2-221-238.
Pełny tekst źródłaAkkoyun, Burcu Kayışcı. "After the Night, Before the Gate: Kafkaesque Imaginations and Dystopian Speculations in the Mediterranean". Utopian Studies 35, nr 1 (marzec 2024): 152–72. http://dx.doi.org/10.5325/utopianstudies.35.1.0152.
Pełny tekst źródłaRozprawy doktorskie na temat "English Allegories"
Fick, Angelo Carlo. "Limited possibilities : agency and subaltern subjectivity in four South African allegories". Master's thesis, University of Cape Town, 1998. http://hdl.handle.net/11427/17940.
Pełny tekst źródłaThis thesis examines the representation of the negotiation of black women's subjectivity in four South African allegorical novels. Using aspects of postmodern discourse, and feminist and postcolonial literary and cultural theories on identity formation and subjectivity, I propose that it is in the allegorical mode that the four writers are able to offer black women as female gendered subalterns the space to negotiate subjectivity and to assert agency. Given the history of sexism, racism and imperialism in South Africa, the politics of place impact crucially on the practice of writing literature, so that the tensions between the representation of others and self-representation becomes crucial in identity formation. Through the four texts, I propose that there is a spectrum of practices, and that each offers different possibilities for black women's subject formation: from the most limiting liberal discourses, through the interrogation of those discourses, to an autobiographical moment of self-reclamation.
Lilford, Charles Grant. "Allegories of drought and of gardens in the novels of J.M. Coetzee and Dambudzo Marechera". Doctoral thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/18705.
Pełny tekst źródłaYang, Ruei-Yang. "From exotic dreams to political allegories : The representation of animals in postwar English travel writings". Thesis, University of York, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.516567.
Pełny tekst źródłaHeuer, Thomas. "Plotting Horror". Doctoral thesis, Humboldt-Universität zu Berlin, 2019. http://dx.doi.org/10.18452/19947.
Pełny tekst źródłaThe development in modern media during the 20th century (from movies over television to the hybrid forms of audiovisual and textual media in the internet) reveals interdependencies between art, media, the modalities of senses, the verbal and nonverbal dictions and semiotic processes that have evolved and expanded themselfes. According to this progress the interest in art and media studies should achive a collective interest in the changes of genre and formats, instead of a sepa-rated observation of only single disciplines. Following the Prolegomena on a comperative drama of media by Eleonore Ka-lisch (Kalisch 2014) and the thougts of André Gaudreault on Narration and Mon-stration (Gaudreault 2009) this thesis bulids a system to analyse works of fiction (e. g. movies, pictures, literature, video games). This system allows to analyse and compare works of fiction based on drama and presentation structure. The horror genre is used to show the mechanics of this system. Horror has a direct influence on the narrative structure of a work and manifests a duality of narration and mon-stration (Kalisch 2016), that binds drama and presentation to each other and shows the necessity of a separated consideration on both aspects. The duality of drama and presentation reveals itself during the modeling of a work of fiction. Build on the system the discourse is open to discuss intermetiality and transmedi-ality and their influence on the field of interest. Furthermore, an aesthetic of hor-ror is defined by evaluation categories of aesthetic indicators. In the end three types of narrativ driven concepts of horror are revealed and discussed: gloomy pre-figuaration, gloomy configuration and gloomy manifestation.
Książki na temat "English Allegories"
Wells, Lynn. Allegories of telling: Self-referential narrative in contemporary British fiction. Amsterdam: Rodopi, 2003.
Znajdź pełny tekst źródłaTimothy, Murray. Theatrical legitimation: Allegories of genius in seventeenth-century England and France. New York: Oxford University Press, 1987.
Znajdź pełny tekst źródłaTimothy, Murray. Theatrical legitimation: Allegories of genius in seventeenth-century England and France. New York: Oxford University Press, 1987.
Znajdź pełny tekst źródłaJaynie, Anderson, red. Hume and the heroic portrait: Studies in eighteenth-century imagery. Oxford: Clarendon Press, 1986.
Znajdź pełny tekst źródłaBach, Richard. Mavi tuy: Gonulsuz bir mesihin seruvenleri. Istanbul: Puhu, 1986.
Znajdź pełny tekst źródłaBach, Richard. Illusions: Le messie récalcitrant. Paris: J'ai lu, 1999.
Znajdź pełny tekst źródłaBach, Richard. Illusions: [the adventures of a reluctant Messiah]. London: Mandarin, 1995.
Znajdź pełny tekst źródłaBach, Richard. Illusions. London: Mandarin, 1992.
Znajdź pełny tekst źródłaBach, Richard. Illusions: Le messie récalcitrant. Paris: J'ai lu, 1994.
Znajdź pełny tekst źródłaKomarova, V. P. Metafory i allegorii v proizvedenii͡a︡kh Shekspira. Leningrad: Izd-vo Leningradskogo universiteta, 1989.
Znajdź pełny tekst źródłaCzęści książek na temat "English Allegories"
Raschko, Mary. "Ethical allegories". W The politics of Middle English parables. Manchester University Press, 2018. http://dx.doi.org/10.7765/9781526131188.00009.
Pełny tekst źródłaMaher, Brigid. "‘La dolce vita’ meets ‘the nature of evil’: the paratextual positioning of Italian crime fiction in English translation". W Translating National Allegories, 42–55. Routledge, 2019. http://dx.doi.org/10.4324/9781315161778-3.
Pełny tekst źródłaLOCK, LÉON E. "Netherlandish Allegories of Madness in English Perspective". W Burning Bright, 16–26. UCL Press, 2015. http://dx.doi.org/10.2307/j.ctt1g69z6q.5.
Pełny tekst źródła"3. ALLEGORIES OF THE ENGLISH REFORMATIONS: DRAMA, POETRY, AND FICTION". W Voices of the English Reformation, 89–178. University of Pennsylvania Press, 2004. http://dx.doi.org/10.9783/9780812200805.89.
Pełny tekst źródłaChristian, Margaret. "Saracens, Assyrians, and Spaniards: allegories of the Armada". W Spenserian Allegory and Elizabethan Biblical Exegesis. Manchester University Press, 2016. http://dx.doi.org/10.7228/manchester/9780719083846.003.0007.
Pełny tekst źródła"Allegories of prescription: engendering Union in Owenson and Edgeworth". W Allegories of Union in Irish and English Writing, 1790–1870, 51–81. Cambridge University Press, 2000. http://dx.doi.org/10.1017/cbo9780511484766.003.
Pełny tekst źródła"Allegories of Ruin and Redemption: Michael Ondaatje’s The English Patient". W Rewriting Apocalypse in Canadian Fiction, 53–82. McGill-Queen's University Press, 2005. http://dx.doi.org/10.1515/9780773572942-004.
Pełny tekst źródła"Edmund Spenser, Allegory and the chivalric epic (I 590)". W English Renaissance Literary Criticism, redaktor Brian Vickers, 297–301. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198186793.003.0012.
Pełny tekst źródła"Introduction". W Allegories of Union in Irish and English Writing, 1790–1870, 1–20. Cambridge University Press, 2000. http://dx.doi.org/10.1017/cbo9780511484766.001.
Pełny tekst źródła"Public affections and familial politics: Burke, Edgeworth, and Ireland in the 1790s". W Allegories of Union in Irish and English Writing, 1790–1870, 21–50. Cambridge University Press, 2000. http://dx.doi.org/10.1017/cbo9780511484766.002.
Pełny tekst źródła