Książki na temat „Electronic creativity”

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Sprawdź 33 najlepszych książek naukowych na temat „Electronic creativity”.

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1

Clusters of Creativity. New York: John Wiley & Sons, Ltd., 2003.

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2

Writing in the electronic environment: Electronic text and the future of creativity and knowledge. Halifax, N.S: Dalhousie University, School of Library and Information Studies, 1996.

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3

The music producer's survival guide: Chaos, creativity, and career in independent and electronic music. Boston, MA: Cengage Learning PTR, 2014.

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4

American Institute of Architects. Computer-aided Task Force. Creativity and architecture: The impact of new electronic tools : June 9, 1993, Anaheim, California. Washington, DC (1735 New York Ave., NW, Washington 20006): American Institute of Architects, 1993.

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5

Making waves in the information and space age: Creativity and management in the electronic era. Portland, Or: Binford & Mort Pub., 1992.

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6

Metcalf, George F. Making waves in the information and space age: Creativity and management in the electronic era. New York: Vantage Press, 1997.

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7

Ahamed, Syed V. The art of scientific innovation: Cases of classic creativity. Upper Saddle River, N.J: Pearson Prentice Hall, 2005.

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8

Clusters of creativity: Enduring lessons on innovation and entrepreneurship from Silicon Valley and Europe's Silicon Fen. Chichester: Wiley, 2002.

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9

CHI Conference (1995 Denver, Colo.). Human factors in computing systems: CHI '95 Conference Proceedings : CHI '95 Mosaic of Creativity, Conference on Human Factors in Computing Systems, Denver, Colorado, May 7-11, 1995. New York: Association for Computing Machinery, 1995.

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10

CHI '95 Conference (1995 Denver, Colo.). Human factors in computing systems: CHI '95 Conference companion, CHI '95 Mosaic of Creativity, Conference on Human Factors in Computing Systems, Denver, Colorado, May 7-11, 1995. New York: Association for Computing Machinery, 1995.

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11

Johnstone, Peggy Fitzhugh. The transformation of rage: Mourning and creativity in George Eliot's fiction. New York: New York University Press, 1994.

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12

Text comparison and digital creativity: The production of presence and meaning in digital text scholarship. Leiden: Brill, 2010.

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13

Sheldahl, French Patricia, i Mering Margaret, red. Growth, creativity, and collaboration: Great visions on a Great Lake : proceedings of the North American Serials Interest Group, Inc. 19th Annual Conference, June 17-20, 2004, Milwaukee, Wisconsin. New York: Haworth Information Press, 2005.

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14

The business case for employee privacy: Empirical analysis of the effects of employee privacy on empowerment, creativity, and job satisfaction. Berlin: Duncker & Humblot, 2013.

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15

Doctorow, Cory. Content: Selected essays on technology, creativity, copyright, and the future of the future. San Francisco: Tachyon Publications, 2008.

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16

Jezik struke i spoznaja. Split: Književni krug, 2005.

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17

Warner, Timothy. Pop Music : Technology and Creativity - Trevor Horn and the Digital Revolution: Technology and Creativity - Trevor Horn and the Digital Revolution. Taylor & Francis Group, 2017.

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18

Newman, Matthew, i Noel Oliver. Copyright and Creativity in the Digital Economy: Balancing Policy, Protection and Innovation. Nova Science Publishers, Incorporated, 2013.

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19

Jackson, Brian M. Music Producer's Survival Guide: Chaos, Creativity, and Career in Independent and Electronic Music. Taylor & Francis Group, 2018.

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20

Artists, Technology & the Ownership of Creative Content (Creativity Commerce & Culture). Lear Center Press, 2003.

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21

Feijoo, Eugenio Tuya. Diseno digital / Electronic Design Techniques: Tecnicas Avanzadas/Advanced Techniques (Diseno Y Creatividad / Design & Creativity). Anaya Multimedia, 2000.

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22

The Music Producer's Survival Guide: Chaos, Creativity, and Career in Independent and Electronic Music. Routledge, 2018.

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23

An age without samples: Originality and creativity in the digital world. Hal Leonard, 2017.

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24

Koepp, Rob. Clusters of Creativity: Enduring Lessons on Innovation and Entrepreneurship from Silicon Valley and Europe's Silicon Fen. Wiley & Sons, Incorporated, John, 2010.

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25

Koepp, Rob. Clusters of Creativity: Enduring Lessons on Innovation and Entrepreneurship from Silicon Valley and Europe's Silicon Fen. Wiley, 2003.

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26

Lifelong Kindergarten: Cultivating Creativity Through Projects, Passion, Peers, and Play. MIT Press, 2017.

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27

Robinson, Ken, 1950- author of foreword, red. Lifelong kindergarten: Cultivating creativity through projects, passion, peers, and play. The MIT Press, 2017.

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28

Robinson, Ken, i Mitchel Resnick. Lifelong Kindergarten: Cultivating Creativity Through Projects, Passion, Peers, and Play. MIT Press, 2017.

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29

Robinson, Ken, i Mitchel Resnick. Lifelong Kindergarten: Cultivating Creativity Through Projects, Passion, Peers, and Play. MIT Press, 2017.

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30

Resnick, Mitchel. Lifelong Kindergarten: Cultivating Creativity through Projects, Passion, Peers, and Play. MIT Press, 2018.

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31

Thoutenhoofd, Ernst, i Wido Th van Peursen. Text Comparison and Digital Creativity: The Production of Presence and Meaning in Digital Text Scholarship. BRILL, 2010.

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32

Sharkey, John A. Electronic filing and digitizing of course materials and selected historical/seminal articles at the Center for Studies in Creativity : a project in creative studies. 1999.

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33

Iheka, Cajetan. African Ecomedia. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022046.

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In African Ecomedia, Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture. Iheka shows how, through visual media such as film, photography, and sculpture, African artists deliver a unique perspective on the socioecological costs of media production, from mineral and oil extraction to the politics of animal conservation. Among other works, he examines Pieter Hugo's photography of electronic waste recycling in Ghana and Idrissou Mora-Kpai's documentary on the deleterious consequences of uranium mining in Niger. These works highlight not only the exploitation of African workers and the vast scope of environmental degradation but also the resourcefulness and creativity of African media makers. They point to the unsustainability of current practices while acknowledging our planet's finite natural resources. In foregrounding Africa's centrality to the production and disposal of media technology, Iheka shows the important place visual media has in raising awareness of and documenting ecological disaster even as it remains complicit in it.
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