Gotowa bibliografia na temat „Electronic and cello music”
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Artykuły w czasopismach na temat "Electronic and cello music"
Cleman, Thomas, Robert Basart i Yehuda Yannay. "Kansas City Dump; For Clarinet, Piano, Violin, Cello, and Electronic Tape". Notes 44, nr 2 (grudzień 1987): 367. http://dx.doi.org/10.2307/941598.
Pełny tekst źródłaStraebel, Volker. "Technological implications of Phill Niblock's drone music, derived from analytical observations of selected works for cello and string quartet on tape". Organised Sound 13, nr 3 (3.11.2008): 225–35. http://dx.doi.org/10.1017/s1355771808000320.
Pełny tekst źródłaLIVINGSTON, HUGH. "Paradigms for the new string instrument: digital and materials technology". Organised Sound 5, nr 3 (grudzień 2000): 135–47. http://dx.doi.org/10.1017/s1355771800005045.
Pełny tekst źródłaBerehova, Olena, i Mariia Kara. "Features of the individual interpretation of the cello sonata genre in the creation by Gyorgy Ligeti". Музикознавча думка Дніпропетровщини, nr 18 (16.11.2020): 167–78. http://dx.doi.org/10.33287/222027.
Pełny tekst źródłaTsaregradskaya, Tatiana V. "The Music of Fausto Romitelli: Concerning the Question of “Musical Material”". Problemy muzykal'noi nauki / Music Scholarship, nr 1 (2024): 81–90. http://dx.doi.org/10.56620/2782-3598.2024.1.081-090.
Pełny tekst źródłaGorodecki, Michael, Jonathan Harvey, Frances-Marie Uitti, John Casken, Heinrich Schiff, Andrzej Panufnik, Mstislav Rostropovich i in. "Cello Concerto; Works for Cello". Musical Times 134, nr 1805 (lipiec 1993): 408. http://dx.doi.org/10.2307/1003108.
Pełny tekst źródłaAnderson, Robert. "Cello". Musical Times 128, nr 1733 (lipiec 1987): 391. http://dx.doi.org/10.2307/964540.
Pełny tekst źródłaAnderson, Robert. "Cello". Musical Times 128, nr 1734 (sierpień 1987): 442. http://dx.doi.org/10.2307/965018.
Pełny tekst źródłaAnderson, Robert. "Cello". Musical Times 126, nr 1714 (grudzień 1985): 736. http://dx.doi.org/10.2307/965208.
Pełny tekst źródłaANDERSON, ROBERT. "Cello". Musical Times 127, nr 1715 (styczeń 1986): 36. http://dx.doi.org/10.2307/965360.
Pełny tekst źródłaRozprawy doktorskie na temat "Electronic and cello music"
Bielmeier, Douglass Christopher. "The Thief of Always". Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1136924509.
Pełny tekst źródłaSchryer, Claude. "A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape]". Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61257.
Pełny tekst źródłaThe following excerpt from the programme note in the score summarizes the 'spirit' of the composition.
"The computer generated sounds on tape form a large body in which instrumental sounds float and from which they appear, like weeds oscillating on a sometimes calm and often turbulent sea of sound.
'You're afraid, in the mirror, of the sea, in front of, you're afraid ... ' and 'searching, for a common pulse, to sustain, to carry on, searching ... ' are circular phrases in the text which reflect elements of both doubt and courage. Mourning that which can never return. Celebrating that which will always be with us."
Cheng, Chien-Wen. "Snow spell an interactive composition for erhu, flute, piano, cello and Max/MSP /". Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3989.
Pełny tekst źródłaBukvic, Ivica Ico. "Tabula Rasa". University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1131065629.
Pełny tekst źródłaGagnon, Marie-Elaine. "Graduate cello recital". FIU Digital Commons, 2002. http://digitalcommons.fiu.edu/etd/3434.
Pełny tekst źródłaClark, James. "Peter sculthorpe| Music for unaccompanied cello". Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590072.
Pełny tekst źródłaAs a contemporary Australian composer, concerned with finding an "Australian sound," Peter Sculthorpe incorporated elements of Aboriginal music, Asian music, and other unique compositional devices in his music. This paper investigates Sculthorpe's compositional style through analysis of Requiem: for Cello Alone, Threnody, Into the Dreaming, For Justine, and Sonata for Cello Alone, in order to explore his incorporation of Australian characteristics within the context of idiomatic writing for the solo cello.
YANG, HEEYOUNG. "GAME FOR FOUR CELLO". University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1151383279.
Pełny tekst źródłaNichols, Richard A. "Trio for horn, cello and piano /". The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486546889382746.
Pełny tekst źródłaChen, Ru-Ping. "The Cello works of Hsiao Tyzen /". The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488187763848087.
Pełny tekst źródłaThumpston, Rebecca Mary. "Agency in twentieth-century British cello music". Thesis, Keele University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699672.
Pełny tekst źródłaKsiążki na temat "Electronic and cello music"
Kreiger, Arthur. Meeting places: Flute (alto flute), clarinet (bass clarinet), piano, percussion, violin, violoncello, and tape. New York: C.F. Peters, 1996.
Znajdź pełny tekst źródłaWykes, Robert. For cello. Berkeley, CA: Fallen Leaf Press, 1989.
Znajdź pełny tekst źródłaMusic, Royal Conservatory of, red. Cello syllabus. Oakville, Ont: F. Harris Music, 1995.
Znajdź pełny tekst źródłaSiblin, Eric. The cello suites. Crows Nest, N.S.W: Allen & Unwin, 2009.
Znajdź pełny tekst źródłaSiblin, Eric. The cello suites. Crows Nest, N.S.W: Allen & Unwin, 2009.
Znajdź pełny tekst źródłaShchedrin, Rodion Konstantinovich. Music for cello and piano. Wyastone Leys, Monmouth, UK: Nimbus Records, 2008.
Znajdź pełny tekst źródłaRorem, Ned. Dances, cello and piano. [U.S.A.]: Boosey & Hawkes, 1988.
Znajdź pełny tekst źródłaLazarof, Henri. Momenti: For solo cello. Bryn Mawr, Pa: Merion Music, 1988.
Znajdź pełny tekst źródłaCarter, Elliott. Figment: For cello alone. [New York]: Hendon Music, 1995.
Znajdź pełny tekst źródłaRoberts, Adam Matthew. Gesture, energy, and play: Works, 2005-2010. 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "Electronic and cello music"
Colwell, Richard J., Michael P. Hewitt i Mark Fonder. "The Cello". W The Teaching of Instrumental Music, 421–30. Fifth edition. | New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-30.
Pełny tekst źródłaHartmann, William M. "Electronic Music". W Principles of Musical Acoustics, 279–86. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_27.
Pełny tekst źródłaMcIntyre, Joanne. "Music Therapy". W Longer-Term Psychiatric Inpatient Care for Adolescents, 107–14. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1950-3_12.
Pełny tekst źródłaKaul, Timor. "Electronic Body Music". W Handbuch Popkultur, 102–6. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05601-6_18.
Pełny tekst źródłaBattier, Marc. "Analyzing Electronic Music". W Teaching Electronic Music, 58–74. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780367815349-5.
Pełny tekst źródłaRoss, Sara. "Overlooking the Scene: Electronic Music and Toronto’s Music City Project (1999–2019)". W Electronic Cities, 79–94. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4741-0_6.
Pełny tekst źródłaSallis, Friedemann, Valentina Bertolani, Jan Burle i Laura Zattra. "Introduction". W Live Electronic Music, 1–13. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-1.
Pełny tekst źródłaBenedictis, Angela Ida De. "Authorship and performance tradition in the age of technology". W Live Electronic Music, 195–216. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-10.
Pełny tekst źródłaScaldaferri, Nicola. "(Absent) authors, texts and technologies". W Live Electronic Music, 217–29. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-11.
Pełny tekst źródłaBiró, Dániel Péter, i George Tzanetakis. "Computer-supported analysis of religious chant". W Live Electronic Music, 230–52. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-12.
Pełny tekst źródłaStreszczenia konferencji na temat "Electronic and cello music"
Scheiblauer, Anna, Alexander Mayer i Montserrat Pàmies-Vilà. "Investigating the cello position, bow motion and cellist posture using motion capture". W Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001677.
Pełny tekst źródłaRuchkina, Natalia. "qNaturalq Music of Ivan G. Sokolov: Sonata for Cello and Piano". W 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.101.
Pełny tekst źródłaSchimbinschi, Florin, Christian Walder, Sarah M. Erfani i James Bailey. "SynthNet: Learning to Synthesize Music End-to-End". W Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/467.
Pełny tekst źródłaLi, Dejun, i Tian Xia. "Electronic music clothing". W International conference on Management Innovation and Information Technology. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/miit130121.
Pełny tekst źródłaIrons, Jonathan, i Martin Schmucker. "Fingerprinting of music scores". W Electronic Imaging 2004, redaktorzy Edward J. Delp III i Ping W. Wong. SPIE, 2004. http://dx.doi.org/10.1117/12.526758.
Pełny tekst źródłaGuoping You i Wanghui Zeng. "Electronic music box design". W 2016 2nd IEEE International Conference on Computer and Communications (ICCC). IEEE, 2016. http://dx.doi.org/10.1109/compcomm.2016.7924848.
Pełny tekst źródłaHayes, Lauren. "Live Electronic Music Performance". W MOCO '18: 5th International Conference on Movement and Computing. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3212721.3212891.
Pełny tekst źródłaTrickett, Terry. "Visual Music". W Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.53.
Pełny tekst źródłaRaphael, Christopher, i Rong Jin. "Optical music recognition on the International Music Score Library Project". W IS&T/SPIE Electronic Imaging, redaktorzy Bertrand Coüasnon i Eric K. Ringger. SPIE, 2013. http://dx.doi.org/10.1117/12.2040247.
Pełny tekst źródłaSmith, Wilson. "Music lessons". W ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313026.
Pełny tekst źródłaRaporty organizacyjne na temat "Electronic and cello music"
Hickey, James. The Electronic Hardware Music Subculture in Portland, Oregon. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.7470.
Pełny tekst źródłaSun, Chenbing, Zhe Wang i Yuening Dai. Music therapy for sleep quality in cancer patients with insomnia:A protocol for systematic review and meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, grudzień 2021. http://dx.doi.org/10.37766/inplasy2021.12.0128.
Pełny tekst źródłaKiv, Arnold E., Vladyslav V. Bilous, Dmytro M. Bodnenko, Dmytro V. Horbatovskyi, Oksana S. Lytvyn i Volodymyr V. Proshkin. The development and use of mobile app AR Physics in physics teaching at the university. [б. в.], lipiec 2021. http://dx.doi.org/10.31812/123456789/4629.
Pełny tekst źródłaYatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.
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