Gotowa bibliografia na temat „Electronic aesthetics”
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Artykuły w czasopismach na temat "Electronic aesthetics"
Gao, Jie, i Alessandro Soranzo. "Individual Differences in Aesthetic Preferences for Multi-Sensorial Stimulation". Vision 4, nr 1 (6.01.2020): 6. http://dx.doi.org/10.3390/vision4010006.
Pełny tekst źródłaWiltsher, Nick. "The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics". Philosophy Compass 11, nr 8 (28.07.2016): 426–36. http://dx.doi.org/10.1111/phc3.12332.
Pełny tekst źródłaLähdeoja, Otso, i Alejandro Montes De Oca. "Co-Sounding: Fostering intersubjectivity in electronic music improvisation". Organised Sound 26, nr 1 (kwiecień 2021): 5–18. http://dx.doi.org/10.1017/s1355771821000017.
Pełny tekst źródłaLandy, Leigh. "New aesthetics and practice in experimental electronic music". Organised Sound 13, nr 1 (29.02.2008): 1–3. http://dx.doi.org/10.1017/s1355771808000010.
Pełny tekst źródłaTRUAX, BARRY. "The aesthetics of computer music: a questionable concept reconsidered". Organised Sound 5, nr 3 (grudzień 2000): 119–26. http://dx.doi.org/10.1017/s1355771800005021.
Pełny tekst źródłaWang, Jian, i Yen Hsu. "Does Sustainable Perceived Value Play a Key Role in the Purchase Intention Driven by Product Aesthetics? Taking Smartwatch as an Example". Sustainability 11, nr 23 (30.11.2019): 6806. http://dx.doi.org/10.3390/su11236806.
Pełny tekst źródłaCelona, Luigi, i Raimondo Schettini. "A Genetic Algorithm to Combine Deep Features for the Aesthetic Assessment of Images Containing Faces". Sensors 21, nr 4 (12.02.2021): 1307. http://dx.doi.org/10.3390/s21041307.
Pełny tekst źródłaNeill, Ben. "Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music". Leonardo Music Journal 12 (grudzień 2002): 3–6. http://dx.doi.org/10.1162/096112102762295052.
Pełny tekst źródłaAngel, Maria, i Anna Gibbs. "Geospatial Aesthetics Time, Space, Agency and Movement in Electronic Writing". Sprache und Literatur 42, nr 2 (22.11.2011): 13–21. http://dx.doi.org/10.1163/25890859-042-02-90000003.
Pełny tekst źródłaRODGERS, TARA. "On the process and aesthetics of sampling in electronic music production". Organised Sound 8, nr 3 (grudzień 2003): 313–20. http://dx.doi.org/10.1017/s1355771803000293.
Pełny tekst źródłaRozprawy doktorskie na temat "Electronic aesthetics"
Phillips, Christine Michelle. "The influence of aesthetics on website user perceptions". Diss., Wichita State University, 2007. http://hdl.handle.net/10057/1495.
Pełny tekst źródłaThesis (Ph.D.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of Psychology
"December 2007."
Phillips, Christine Michelle Chaparro Barbara. "The influence of aesthetics on website user perceptions /". Diss., A link to full text of this thesis in SOAR, 2007. http://hdl.handle.net/10057/1495.
Pełny tekst źródłaSheppard, Adam. "Aesthetic Practices in my Live Electronic Music". Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/202.
Pełny tekst źródłaCorder, Nathan Anthony. "Determining Conditions| Towards an Aesthetic of Emergence in Live Electronic Music". Thesis, Mills College, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10822167.
Pełny tekst źródłaThe concept of emergence, and/or emergent properties, is one that has gained resurgence within the realm of various branches of science and the humanities. Emergence is an idea that explains to/for us how dynamical systems, complexes of elements, bodies, and even concepts, begin to exhibit properties and behaviors that are at least seemingly greater than the sum of their parts- how irreducible, novel, complexities arise from constructs of fundamental entities. I argue that in some music of 20th and 21st century American experimentalists, we have music that is under-theorized and lacking in an appropriate contextualization in regards to emergent properties within music. I claim that a careful distinction between indeterminate forms and emergent properties is needed to further develop how we think about these works, and examine them in light of more recent philosophical and aesthetic developments. This paper does not aim to lay out a fully ontology or metaphysics of what emergence is in general, but rather works towards a working definition of a kind of emergence present within the music of various American experimental composers (John Bischoff, Tim Perkis, Chris Brown, David Tudor), and how to apply such a definition of emergence to an aesthetic framework of understanding live electronic music.
Salimun, Carolyn. "The relationship between visual interface aesthetics, task performance, and preference". Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4256/.
Pełny tekst źródłaLackamp, Denise. "Aesthetic and moral judgments the moral value of immoral art /". abstract and full text PDF (free order & download UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1442870.
Pełny tekst źródłaCooke, Patricia K. "From the sublime to duende: a cross-cultural study on the aesthetics of artistic transcendence". Thesis, Wichita State University, 2008. http://hdl.handle.net/10057/2032.
Pełny tekst źródłaThesis [M.A.] - Wichita State University, College of Liberal Arts and Science, Dept. of English
Cooke, Patricia K. Waters Mary. "From the sublime to duende : a cross-cultural study on the aesthetics of artistic transcendence". A link to full text of this thesis in SOAR, 2008. http://hdl.handle.net/10057/2032.
Pełny tekst źródłaRyan, Teresa Maria. "This ecstatic nation : the American landscape and the aesthetics of patriotism /". abstract (UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3280751.
Pełny tekst źródła"August 2007." Includes bibliographical references (leaves 191-221). Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2008]. 1 microfilm reel ; 35 mm. Online version available on the World Wide Web.
Gower, Peter W. "Resorting to aesthetics measuring the visual qualities of selected new urbanist-style resort developments in the Lake Tahoe region /". abstract and full text PDF (free order & download UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1447698.
Pełny tekst źródłaKsiążki na temat "Electronic aesthetics"
Listening through the noise: The aesthetics of experimental electronic music. New York: Oxford University Press, 2010.
Znajdź pełny tekst źródłaThe aesthetics of ambivalence: Rethinking science fiction film in the age of electronic (re)production. Westport, Conn: Greenwood Press, 1992.
Znajdź pełny tekst źródłaBayle, François. Musique acousmatique: Propositions-- positions. Paris: Institut national de l'audiovisuel, 1993.
Znajdź pełny tekst źródłaThe digital musician. New York: Routledge, 2012.
Znajdź pełny tekst źródłaHugill, Andrew. The digital musician. New York: Routledge, 2008.
Znajdź pełny tekst źródłaRaaijmakers, Dick. Cahier "M": A brief morphology of electric sound. Leuven, Belgium: Leuven University Press, 2000.
Znajdź pełny tekst źródłaDunne, Anthony. Hertzian tales: Electronic products, aesthetic experience, and critical design. Cambridge, Mass: MIT Press, 2006.
Znajdź pełny tekst źródłaDunne, Anthony. Hertzian tales: Electronic products, aesthetic experience, and critical design. Wyd. 2. Cambridge, Mass: MIT Press, 2005.
Znajdź pełny tekst źródłaDunne, Anthony. Hertzian tales: Electronic products, aesthetic experience, and critical design. Cambridge, MA: MIT Press, 2005.
Znajdź pełny tekst źródłaMusic and the emotions: The philosophical theories. London: Routledge & Kegan Paul, 1985.
Znajdź pełny tekst źródłaCzęści książek na temat "Electronic aesthetics"
D’Errico, Mike. "Compression Aesthetics: Transducing Segregation in the Los Angeles Beat Scene". W Electronic Cities, 115–29. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4741-0_8.
Pełny tekst źródłaBrooks, Terrence A. "The effect of textual aesthetics on information retrieval". W Electronic Publishing, Artistic Imaging, and Digital Typography, 454–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/bfb0053291.
Pełny tekst źródłaSparrow, Laurent. "Variations in Visual Exploration and Physiological Reactions During Art Perception When Children Visit the Museum with a Mobile Electronic Guide". W Aesthetics and Neuroscience, 131–37. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46233-2_9.
Pełny tekst źródłaMarrington, Mark. "The DAW, Electronic Music Aesthetics, and Genre Transgression in Music Production". W Producing Music, 52–74. New York, NY : Routledge, 2019. | Series: Perspectives on music production series: Routledge, 2019. http://dx.doi.org/10.4324/9781315212241-4.
Pełny tekst źródłaBuscher, Monika, i John Hughes. "Screen Scenery: Transposing Aesthetic Principles from Real to Electronic Environments". W Social Navigation of Information Space, 90–111. London: Springer London, 1999. http://dx.doi.org/10.1007/978-1-4471-0837-5_6.
Pełny tekst źródłaTyurina, Anastasia. "Searching for New Aesthetics: Unfolding the Artistic Potential of Images Made by the Scanning Electron Microscopy". W Springer Series on Cultural Computing, 103–19. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42097-0_7.
Pełny tekst źródła"Aesthetics and Art". W Electronic Media Criticism, 233–55. Routledge, 2000. http://dx.doi.org/10.4324/9781410600745-19.
Pełny tekst źródłaEmmerson, Simon. "‘Playing Space’: Towards an Aesthetics of Live Electronics". W Living Electronic Music, 89–116. Routledge, 2017. http://dx.doi.org/10.4324/9781351217866-4.
Pełny tekst źródłaPrince, Patric D. "The Aesthetics of Exhibition: A Discussion of Recent American Computer Art Shows". W Electronic Art, 81–88. Elsevier, 1988. http://dx.doi.org/10.1016/b978-0-08-036978-5.50017-2.
Pełny tekst źródłaFuruhata, Yuriko. "Tange Lab and Biopolitics". W Beyond Imperial Aesthetics, 219–42. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888455874.003.0011.
Pełny tekst źródłaStreszczenia konferencji na temat "Electronic aesthetics"
Pham, Binh. "Design for aesthetics: interactions of design variables and aesthetic properties". W Electronic Imaging '99, redaktorzy Bernice E. Rogowitz i Thrasyvoulos N. Pappas. SPIE, 1999. http://dx.doi.org/10.1117/12.348457.
Pełny tekst źródłaVessel, Edward A., Jonathan Stahl, Natalia Maurer, Alexander Denker i G. G. Starr. "Personalized visual aesthetics". W IS&T/SPIE Electronic Imaging, redaktorzy Bernice E. Rogowitz, Thrasyvoulos N. Pappas i Huib de Ridder. SPIE, 2014. http://dx.doi.org/10.1117/12.2043126.
Pełny tekst źródłavan Nes, Floris L. "Aesthetics versus utility in electronic imaging". W Electronic Imaging 2008, redaktorzy Bernice E. Rogowitz i Thrasyvoulos N. Pappas. SPIE, 2008. http://dx.doi.org/10.1117/12.764857.
Pełny tekst źródłaSchloss, Karen B., i Stephen E. Palmer. "Aesthetics of color combinations". W IS&T/SPIE Electronic Imaging, redaktorzy Bernice E. Rogowitz i Thrasyvoulos N. Pappas. SPIE, 2010. http://dx.doi.org/10.1117/12.849111.
Pełny tekst źródłaBalinsky, Helen. "Evaluating interface aesthetics: measure of symmetry". W Electronic Imaging 2006, redaktorzy Jan P. Allebach i Hui Chao. SPIE, 2006. http://dx.doi.org/10.1117/12.642120.
Pełny tekst źródłaSahyun, M. R. V. "Aesthetics and entropy II: a critical examination". W IS&T/SPIE Electronic Imaging, redaktorzy Bernice E. Rogowitz, Thrasyvoulos N. Pappas i Huib de Ridder. SPIE, 2013. http://dx.doi.org/10.1117/12.2019098.
Pełny tekst źródłavan Nes, Floris L. "Visually representing reality: aesthetics and accessibility aspects". W IS&T/SPIE Electronic Imaging, redaktorzy Bernice E. Rogowitz i Thrasyvoulos N. Pappas. SPIE, 2009. http://dx.doi.org/10.1117/12.805847.
Pełny tekst źródłaSahyun, M. R. V. "Aesthetics and entropy: optimization of the brightness distribution". W IS&T/SPIE Electronic Imaging. SPIE, 2012. http://dx.doi.org/10.1117/12.903638.
Pełny tekst źródłaPolmeer, Gareth. "Sublating Time: Hegel’s speculative philosophy and digital aesthetics". W Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.49.
Pełny tekst źródłaKakarala, Ramakrishna, Abhishek Agrawal i Sandino Morales. "Comparing humans to automation in rating photographic aesthetics". W IS&T/SPIE Electronic Imaging, redaktorzy Qian Lin, Jan P. Allebach i Zhigang Fan. SPIE, 2015. http://dx.doi.org/10.1117/12.2084991.
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