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Artykuły w czasopismach na temat "Écrits de voyage"
Rajotte, Pierre. "Les pèlerinages de Henri-Raymond Casgrain : de la référentialité à l’intertextualité". Dossier 22, nr 2 (29.08.2006): 289–306. http://dx.doi.org/10.7202/201303ar.
Pełny tekst źródłaLanglois, Simon. "Alex de Tocqueville, un sociologue au Bas-Canada". Tocqueville Review 27, nr 2 (styczeń 2006): 553–73. http://dx.doi.org/10.3138/ttr.27.2.553.
Pełny tekst źródłaRabsztyn, Andrzej. "L’Asie dans les écrits de la fin du XVIIIe siècle : Jean Potocki". Convergences francophones 5, nr 1 (26.01.2018): 45–51. http://dx.doi.org/10.29173/cf443.
Pełny tekst źródłaTrivisani-Moreau, Isabelle. "La mobilité comme méthode d’attention : approche écopoétique de quelques textes viatiques du xvii e siècle". Dix-septième siècle 301, nr 4 (25.01.2024): 679–94. http://dx.doi.org/10.3917/dss.234.0679.
Pełny tekst źródłaFabre, Gérard. "Présentation". Recherches sociographiques 54, nr 2 (6.09.2013): 223–38. http://dx.doi.org/10.7202/1018278ar.
Pełny tekst źródłaDesset, Fabien. "Le récit de voyage des Shelley : entre émerveillement et familiarité". Textures, nr 24-25 (1.01.2021): 29–48. http://dx.doi.org/10.35562/textures.242.
Pełny tekst źródłaTotah, Monique. "L'influence d'une lecture d'enfance sur l'écriture". Le Carnet PSY 157, nr 8 (1.11.2011): 38–41. http://dx.doi.org/10.3917/lcp.157.0038.
Pełny tekst źródłaCollinge-Germain, Linda. "Poétique du bilinguisme et l’ enjeu de l’ entre-deux". Samuel Beckett Today / Aujourd’hui 30, nr 1 (9.03.2018): 40–54. http://dx.doi.org/10.1163/18757405-03001003.
Pełny tekst źródłaMartín Quatremare, Fanny. "Identités plurielles au cours des voyages d’Alexandra David-Neel". HYBRIDA, nr 4 (29.06.2022): 195. http://dx.doi.org/10.7203/hybrida.4.23712.
Pełny tekst źródłaMouser, Bruce L. ""WALKING CARAVANS" OF NINETEENTH CENTURY FUUTA JALOO, WESTERN AFRICA". Mande Studies 12, nr 1 (2010): 19–104. http://dx.doi.org/10.2979/mnd.2010.a873538.
Pełny tekst źródłaRozprawy doktorskie na temat "Écrits de voyage"
Chlanda, Dorota. ""Tempus edax rerum" ("Le temps rongeur dévore tout", Ovide) : le voyage sur ses propres pas dans les écrits du prince Henryk Lubomirski". Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20150/document.
Pełny tekst źródłaThe purpose of the thesis « Tempus edax rerum » (« Le temps rongeur dévore tout », Ovide). Le voyage sur ses propres pas dans les écrits du prince Henryk Lubomirski is to approach the question of the second journey and the repercussions of the comeback to the same places on the author's perception. These problems are undertaken through the careful lecture of a number of up-to-date unknown manuscripts: that is, prince Henryk Lubomirski's travel diary and the correspondence with his adoptive mother Izabella Lubomirska, as well as others testimonies.In the preliminary part of the research, it was necessary to define the second journey, which for the purposes of this study, is a real experience of the already-visited. The very repetition of the itinerary allowed to discern the differences in the perception of landscapes, places of interest and historic monuments, all due to different factors; among which are someone's real life experience which form, modify and vary the traveller's sensibility. This in turn made possible an attempt to investigate the specificity of the doubled or renewed look apart from the underlying reasons, such as journey destination, motivation of the traveller, and the biography of the latter.The first part presents the history of the second journey, tracing it back to the Middle Ages, when it was a very uncommon phenomenon, and concluding with the French Revolution which is the moment of a sudden change, putting an end to one kind of travelling and giving way to another experience related to new sensibility, deriving from revolutionary upheaval. Thus, the study attempts to reveal particularity and universality of the second journey in the post-revolutionary era.This in itself is looked at through the lens of Goethe's peregrination across Italy and Chateaubriand's comebacks to Rome and London. In their texts the repetition evokes different emotions. Goethe being disappointed, in his account the new impressions drive away the old ones. Thus, for him the value of the second journey is based on erasing. Chateaubriand, on the other hand, draws a parallel between different times of his life as he observes the accumulation of sensations. The accounts of two Polish travellers from the period complete this historical section.In the second part are approached prince Henryk Lubomirski's biography and the circumstances of his second journey. In particular, his cultural background is taken into account as well as his adoptive mother's influence on his upbringing. She accompanied him in his Grand Tour in 1789-1780 and later on, in his maturity, assisting him in the task of the Polish cultural heritage protection.In 1811 he and his family leave Geneva because of his wife health problems. The stay in the South of France was planned to help her in her recovery and finding mental equilibrium. The journey takes place across post-revolutionary France where traces of atrocities are still clearly visible. The prince describes meticulously itinerary, means of transport, accommodation and events he attends. He writes down prices and practical information. He is particularly fond of landscapes he looks at with new sensibility, characteristic for the period. The sublime search, reflexions on the relation between nature and the states of soul and the fragility of the human fate multiply in the relation.The third part is related to memory and its different dimensions: individual, collective and national. We note that there is no innocent perception, it is always tinged with author's personal history. The memory lets the traveller read again places already visited and triggers memories. Thanks to its affective activity it converts neutral places into symbols of the pleasant, allowing the traveller to succeed in his perennial quest of recovering the world that no longer exists and finding himself back
Vergi, Zinovia. "La référence grecque chez Théophile Gautier : écrits littéraires et critique d’art". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040291.
Pełny tekst źródłaThe thesis shows how literature and art communicate, and how this relation is introduced by the theme of Greece. The purpose of this research is within the frame of a comparative study about the relation between literature and the arts, more precisely, architecture, sculpture and painting. We think that at first it is necessary to define a few principles which have already been described by writers, scholars of comparative studies and anesthetics and sociologists. In this study, we are going to examine the opposite face of the problem that is how a literature subject becomes the subject of a painting or of a sculpture. We are examining a subject, the 19th century, Gautier and Greece, considering in particular the relation between literature and the plastic arts: painting, sculpture and architecture, as our work is based upon this century. In our research about the sources, we have started examining Gautier’s works: Mlle de Maupin, Poésies complètes (T. I, II, III), Le Voyage en Turquie (chapter dedicated to Greece), Le Voyage en Grèce, Arria Marcella, Spirite, Avatar, Jettatura, La Toison d’Or, La Morte Amoureuse as well as the articles about art published on the press: Moniteur universel, La Presse, L’Artiste, Le Journal Officiel, La Revue de Paris, Le Guide de l’Amateur au Musée du Louvre. Therefore, the method we have used is, at the same time, historical and social as it is based on a research about the sources and about the social and cultural background; and theorist, as it is based on the situation of theoretical studies; analytical, as it also based on an approach based on interpretation, analysis and thematic structure
Seya, Anne-Aurélie. "Des Françaises au Japon : les mécanismes de l'exotisme et de l'altérité dans les écrits de voyage (XIXe-XXe siècle)". Electronic Thesis or Diss., Lyon, 2021. http://www.theses.fr/2021LYSE3033.
Pełny tekst źródłaThis study proposes an analysis of French women’s travels to Japan from the end of the Sakoku to the period just after the WWII. French women’s presence in History of travel and travel writing has been quite undervalued. Those subjects tend to be silenced in French historiography by the fact that main resources are dominated by male travelers. Even English-language and Japanese studies about Western Women’s travels in Japan, may have somehow muted them. Despite being identified for some, they aren’t studied, mostly because an apparent lack of resources. Who were those French women travelling to Japan and for some even settling there? Why and how did they travel? Did they leave their mark by writing about their experience or their settlement?By bringing together investigations in French and Japanese archives about the travelers and their possible writings (published, unpublished and personal handwritten papers) but also interviews with women travelers’ descendants it was possible to elaborate an overview of French women travelling situation in Japan (19th and 20th century) and build a resources database for their travel writings between 1859 and 1949. Because travelling as a women had specificities, how women travelers did write about their experiences has been impacted. Results of crossing the resources database and a corpus of 5 documents showed how women’s travel writings were not opposing to males ones but completing each other by bringing different representations of Japanese exoticism and alterity
Choinière, Paul. "Etude sur la rhétorique des premièrs écrits de Louis-Ferdinand Céline (1924-1944)". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28252.
Pełny tekst źródłaIn order to do this analysis, is developed an hermeneutic model of analysis which divides Celine's work into a poetical investigation and a polemic pursuit that demonstrate that these two genres use the same rhetorical strategies.
Part I of this thesis investigates the distinct rhetoric used by Celine in mixing poetry and polemic. Part II examines the poetic investigation and the polemic pursuit separately, Celine having separated these two genres after Journey to the End of the Night.
Without eliminating the differences between poetry and polemic, this thesis aims at demonstrating the continuity and coherence of Celine's work which is particularly well suited for putting an hermeneutic model of analysis to the test because it is a work that is torn more than any other between the ravishing and the horrific, between the beautiful and the terrifying. And that is where in this profound humanity Celine's work is so rich in interpretation.
Chambrier, Pauline. "La réception de l'architecture française aux XVIe et XVIIe siècles par les contemporains : témoignages écrits et graphiques". Thesis, Tours, 2010. http://www.theses.fr/2010TOUR2028.
Pełny tekst źródłaThe reception of French architecture in the 16th and 17th centuries by French and foreign contemporaries is unquestionably lacking. Visitors remain unknown, even though they are the spectators of great architectural shows. Their descriptions and mental images of palaces and stately homes, and also of churches, bridges, fortifications, gardens and their like, however, once reassembled enable one, to define the architectural flavour of a period and of a nation. It was thus essential to build up a coprus of texts and images of the 16th and 17th centuries and to analyse them in detail. Handwritten texts, printed documents and graphic representations left behind by antique dealers and geographers as well as travel diaries and newspapers written by inquiring notaries, scholars or even anonymous people were all analysed in an attempt to answer three important questions, namely who are the people behind this reception? In which conditions did their vsits take place? And in their view, what are the most outstanding buildings in France? However self-evident these questions may seem, they have never been tackled. And yet they form the clues to our reading which must no longer be ignored, even more so as they conceal the details of architecture which transpires to be new, unique, and not to be missed
Couture, François. "Le récit de voyage canadien-français au XIXe siècle analyse du succès d'une pratique littéraire". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ26560.pdf.
Pełny tekst źródłaMonah, Roxana. "Écrire le voyage au XIXe siècle : les peintres et la tentation de la littérature". Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL070.pdf.
Pełny tekst źródłaThis PhD dissertation aims to analyse French painters travel writing in the 19th century. We will present the reasons that encourage painters to write about their travels, as well as the place held by these writings within their writing practice. We make several considerations on the way in which these writings fit into the larger phenomenon of 19th century travel literature, given the new relationships established between the artistic and the literary fields. Travel writings hold a privileged place within the category of artists’ writings and span over both utility writing and writing driven by literary ambitions. They provoke the researcher to identify the painters’ artistic recognition strategies, but also to investigate the aesthetic, theoretical and literary aspects of their writings. The period under analysis, which goes from Napoleon’s Egypt expedition to the death of Gauguin, is rich in aesthetic changes, and it allows us to point out the mechanisms of an evolving practice, particularly sensitive to the developments in the literary and scientific fields
Déry, Stéphane. "Les relations de voyage de Jean Frédérick Waldeck et de John Lloyd Stephens : leur débat sur l'origine des bâtisseurs des anciennes cités Mayas et leurs représentations de la société Yucatèque du XIXe siècle". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq26188.pdf.
Pełny tekst źródłaBenardi, Roberto. "Le voyage au Canada français et en Amérique du Nord, exotisme et modernité dans la France de la seconde moitié du XIXe siècle". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/NQ47593.pdf.
Pełny tekst źródłaBillé, Philippe. "La faune brésilienne dans les écrits documentaires du seizième siècle". Bordeaux 3, 2000. http://www.theses.fr/2000BOR30011.
Pełny tekst źródłaKsiążki na temat "Écrits de voyage"
), Chemetoff Alexandre (1950, red. Changements à vue: Voyage à Saint-Étienne. Paris: Arléa, 2015.
Znajdź pełny tekst źródłaMES CRIS PAR MES ÉCRITS - Poèmes de la Dame du Voyage. Paris: Editions L'Harmattan, 2010.
Znajdź pełny tekst źródłaMatteau, Michèle. Voyage en francophonie canadienne. [Québec, Qué.]: ACELF ;[Ottawa, Ont.], 2004.
Znajdź pełny tekst źródłaMédecins voyageurs: Théorie et pratique du voyage médical au début du XIXe siècle, d'après deux textes genevois inédits: les Mémoires sur les voyages médicaux 1806-1810 de Louis Odier et les Carnets du voyage médical en Europe 1817-1820 de Louis-André Gosse. Genève: Georg éditeur, 2002.
Znajdź pełny tekst źródłaJean-Claude, Berchet, i Societe Chateaubriand, red. Le voyage en Orient de Chateaubriand. Houilles [France]: Éditions Manucius, 2006.
Znajdź pełny tekst źródłaSophie, Linon-Chipon, Guennoc Jean-Francois, Blondy Alain, Université de la Réunion i Conservatoire botanique de Mascarin, red. Transhumances divines: Récit de voyage et religion. Paris: Presses de l'Université Paris-Sorbonne, 2005.
Znajdź pełny tekst źródłaVoyage d'un Européen à travers le XXe siècle. Paris: Gallimard, 2007.
Znajdź pełny tekst źródłaMarcil, Yasmine. La fureur des voyages: Les récits de voyage dans la presse périodique (1750-1789). Paris: Honoré Champion, 2006.
Znajdź pełny tekst źródłaJourneys outward, journeys inward: Travel and transformation. Chapel Hill, N.C: Second Journey Publications, 2013.
Znajdź pełny tekst źródłaLe crépuscule du grand voyage: Les récits des pèlerins à Jérusalem (1458-1612). Paris: Honoré Champion, 1999.
Znajdź pełny tekst źródłaCzęści książek na temat "Écrits de voyage"
Weil, André. "Premiers voyages, premiers écrits". W Vita Mathematica, 45–61. Cham: Springer International Publishing, 1991. http://dx.doi.org/10.1007/978-3-319-55522-5_3.
Pełny tekst źródła"Les premiers écrits sur la Chine". W Travel Writing and Cultural Memory / Écriture du voyage et mémoire culturelle, 181–203. BRILL, 2000. http://dx.doi.org/10.1163/9789004490611_014.
Pełny tekst źródłaGomez-Géraud, Marie-Christine. "Enquête sur la voix des autres. Récits de voyage en Nouvelle-France, XVIe-XVIIe siècles". W Voix autochtones dans les écrits de la Nouvelle-France, 139–50. Hermann, 2019. http://dx.doi.org/10.3917/herm.taill.2019.01.0139.
Pełny tekst źródłaVaillancourt, Luc, i Marc-Olivier Laflamme. "Fonction rhétorique de la parole autochtone dans les récits de voyage de la Nouvelle-France". W Voix autochtones dans les écrits de la Nouvelle-France, 125–38. Hermann, 2019. http://dx.doi.org/10.3917/herm.taill.2019.01.0125.
Pełny tekst źródłaChouin, Gérard. "10. Contraintes de la production des écrits de voyage « en Guinée » et leur incidence sur l’écriture de l’histoire". W Hommes et sociétés, 189–204. Karthala, 2013. http://dx.doi.org/10.3917/kart.fauve.2013.01.0189.
Pełny tekst źródła"Écrit mystique". W Les Voyages de Charles Morin, charpentier canadien-français. Texte établi par France Martineau, 561–64. Presses de l'Université Laval, 2018. http://dx.doi.org/10.2307/j.ctv1h0p0cx.29.
Pełny tekst źródłaNeuhofer, Monika. "I. Le grand voyage". W "Écrire un seul livre, sans cesse renouvelé", 87–138. Klostermann, 2013. http://dx.doi.org/10.5771/9783465135012-87.
Pełny tekst źródłaNeuhofer, Monika. "1. Le grand voyage". W "Écrire un seul livre, sans cesse renouvelé", 293–306. Klostermann, 2013. http://dx.doi.org/10.5771/9783465135012-293.
Pełny tekst źródła"Fait divers et poétique du secret dans Voyage de noces de P. Modiano". W Écrire l'insignifiant, 89–100. BRILL, 2000. http://dx.doi.org/10.1163/9789004486140_008.
Pełny tekst źródła"Écrire après le Voyaget". W Relire Voyage au bout de la nuit, 309–11. Les Presses de l’Université de Montréal, 2022. http://dx.doi.org/10.1515/9782760646391-015.
Pełny tekst źródłaStreszczenia konferencji na temat "Écrits de voyage"
Buyer, Véronique. "Les écrans blancs : silences, glissements et contretemps dans le cinéma de Michelangelo Antonioni et quelques œuvres d’art vidéo". W L’art, machine à voyager dans le temps. Fabula, 2017. http://dx.doi.org/10.58282/colloques.4703.
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