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Artykuły w czasopismach na temat „Eavan”

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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 19 lutego 2022

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1

Delgado, Antonio. "Eavan Boland: inside history". Irish Studies Review 27, nr 4 (6.09.2019): 604–5. http://dx.doi.org/10.1080/09670882.2019.1664025.

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2

Villar-Argáiz, Pilar. "Jody Allen-Randolph, Eavan Boland". Irish University Review 47, supplement (listopad 2017): 578–80. http://dx.doi.org/10.3366/iur.2017.0314.

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3

Conboy, Sheila C. "Eavan Boland’s Topography of Displacement". Éire-Ireland 29, nr 3 (1994): 137–46. http://dx.doi.org/10.1353/eir.1994.0011.

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4

Reizbaum, Marilyn, i Eavan Boland. "An Interview with Eavan Boland". Contemporary Literature 30, nr 4 (1989): 471. http://dx.doi.org/10.2307/1208610.

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5

Mcneely, Sarah. "Eavan Boland by Jody Allen Randolph". New Hibernia Review 19, nr 1 (2015): 150–52. http://dx.doi.org/10.1353/nhr.2015.0008.

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6

Wolkoff, Gisele, i Eavan Boland. "Três poemas traduzidos de Eavan Boland". Cadernos de Literatura em Tradução, nr 8 (1.12.2007): 203–13. http://dx.doi.org/10.11606/issn.2359-5388.i8p203-213.

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7

McCallum, Shara. "Eavan Boland's Gift: Sex, History, and Myth". Antioch Review 62, nr 1 (2004): 37. http://dx.doi.org/10.2307/4614596.

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8

Maguire, Sarah. "Dilemmas and Developments: Eavan Boland Re-examined". Feminist Review 62, nr 1 (1999): 58–66. http://dx.doi.org/10.1080/014177899339153.

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9

Lees, Clare A. "Women Write the Past: Medieval Scholarship, Old English and New Literature". Bulletin of the John Rylands Library 93, nr 2 (wrzesień 2017): 3–22. http://dx.doi.org/10.7227/bjrl.93.2.2.

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This article explores the contributions of women scholars, writers and artists to our understanding of the medieval past. Beginning with a contemporary artists book by Liz Mathews that draws on one of Boethius‘s Latin lyrics from the Consolation of Philosophy as translated by Helen Waddell, it traces a network of medieval women scholars of the nineteenth and twentieth centuries associated with Manchester and the John Rylands Library, such as Alice Margaret Cooke and Mary Bateson. It concludes by examining the translation of the Old English poem, The Wife‘s Lament, by contemporary poet, Eavan Boland. The art of Liz Mathews and poetry of Eavan Boland and the scholarship of women like Alice Cooke, Mary Bateson, Helen Waddell and Eileen Power show that women‘s writing of the past – creative, public, scholarly – forms a strand of an archive of women‘s history that is still being put together.

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10

Fitzgerald-Hoyt, Mary. "Eavan Boland's Famine Poems : Voicing the Hungry Silences". Études irlandaises 25, nr 1 (2000): 81–89. http://dx.doi.org/10.3406/irlan.2000.1535.

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11

Chang, Tsung Chi. "Unsettling Irish poetic tradition: Eavan Boland’s feminist poetics". Neohelicon 43, nr 2 (25.07.2016): 591–601. http://dx.doi.org/10.1007/s11059-016-0345-x.

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12

Wheatley, David. "Changing the Story: Eavan Boland and Literary History". Irish Review (1986-), nr 31 (2004): 103. http://dx.doi.org/10.2307/29736142.

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13

McLoughlin, Nigel. "Negative Polarity in Eavan Boland's ‘The Famine Road’". New Writing 10, nr 2 (lipiec 2013): 219–27. http://dx.doi.org/10.1080/14790726.2013.777460.

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14

Coffey, D. ""Crewel Needle": Eavan Boland and Bodies in Pain". Contemporary Women's Writing 6, nr 2 (23.11.2011): 102–21. http://dx.doi.org/10.1093/cww/vpr009.

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15

Gervais, D. "Eavan Boland: A Poem to Grow Old in". Cambridge Quarterly XXVI, nr 1 (1.01.1997): 59–66. http://dx.doi.org/10.1093/camqtly/xxvi.1.59.

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16

DÜRÜKOĞLU, Okaycan. "EAVAN BOLANDIN ŞİİRİNDE YENİ BİR KADIN KİMLİĞİ YANSIMASI". Journal of Academic Social Science Studies 9, Number: 73 (1.01.2018): 207–14. http://dx.doi.org/10.9761/jasss7898.

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17

Han, Jihee. "Eavan Boland’s Poetics of Body in Outside History". Yeats Journal of Korea 26 (31.12.2006): 217–44. http://dx.doi.org/10.14354/yjk.2006.26.217.

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18

Auge, Andrew J. "Fracture and Wound: Eavan Boland's Poetry of Nationality". New Hibernia Review 8, nr 2 (2004): 121–41. http://dx.doi.org/10.1353/nhr.2004.0034.

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19

York, Richard. "Voice and Vision in The Poetry of Eavan Boland". Estudios Irlandeses, nr 2 (15.03.2007): 205–13. http://dx.doi.org/10.24162/ei2007-2700.

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20

Atfield, Rose. "Postcolonialism in the poetry and essays of Eavan Boland". Women: A Cultural Review 8, nr 2 (wrzesień 1997): 168–82. http://dx.doi.org/10.1080/09574049708578307.

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21

Molly O'Hagan Hardy. "Symbolic Power: Mary Robinson's Presidency and Eavan Boland's Poetry". New Hibernia Review 12, nr 3 (2008): 47–65. http://dx.doi.org/10.1353/nhr.0.0030.

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22

Villar, Pilar, i Eavan Boland. "“The Text of It”: A Conversation with Eavan Boland". New Hibernia Review 25, nr 1 (2021): 23–37. http://dx.doi.org/10.1353/nhr.2021.0002.

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23

Awad, Samah. "Eavan Boland and the Gendered Discourse of Irish Nationalism". هرمس 8, nr 3 (1.07.2019): 53–96. http://dx.doi.org/10.21608/herms.2019.166682.

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24

Burns, Christy. "Beautiful Labors: Lyricism and Feminist Revisions in Eavan Boland's Poetry". Tulsa Studies in Women's Literature 20, nr 2 (2001): 217. http://dx.doi.org/10.2307/464484.

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25

Smith, Bethany J. "Ekphrasis and the ethics of exchange in Eavan Boland'sDomestic Violence". Word & Image 29, nr 2 (kwiecień 2013): 212–32. http://dx.doi.org/10.1080/02666286.2013.777241.

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26

Costa Pascal, Anne-Gaëlle. "Eavan O’BRIEN. Women in the prose of María de Zayas". Criticón, nr 111-112 (1.06.2011): 302–5. http://dx.doi.org/10.4000/criticon.2597.

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27

Gunne, Sorcha. "Feminist politics and semiperipheral poetics: Eavan Boland and Aislinn Hunter". Atlantic Studies 16, nr 1 (2.01.2019): 126–41. http://dx.doi.org/10.1080/14788810.2018.1472360.

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28

Ni Fhrighil, Riona. "Faitios Imni an Scathaithe: Eavan Boland agus Nuala Ni Dhomhnaill". New Hibernia Review 6, nr 4 (2002): 136–49. http://dx.doi.org/10.1353/nhr.2003.0005.

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29

Gamboa, Yolanda. "Women in the Prose of Maria de Zayas. Eavan O’Brien." Early Modern Women: An Interdisciplinary Journal 7 (1.09.2012): 367–69. http://dx.doi.org/10.1086/emw23617564.

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30

Volsik, Paul. "Engendering the Feminine: two Irish poetsEavan Boland and Medbh McGuckian". Études anglaises 56, nr 2 (2003): 148. http://dx.doi.org/10.3917/etan.562.0148.

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31

Dillon, Brian. "Attempts to Recover the "Ordinary" in the Poetry of Eavan Boland". Canadian Journal of Irish Studies 25, nr 1/2 (1999): 309. http://dx.doi.org/10.2307/25515277.

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32

Annunciação, Viviane Carvalho da. "Villar-Argáiz, Pilar. The Poetry of Eavan Boland – A Postcolonial Reading." ABEI Journal 10 (17.06.2008): 161. http://dx.doi.org/10.37389/abei.v10i0.3683.

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33

Williams, D. G. "Responses to Elizabeth Bishop: Anne Stevenson, Eavan Boland and Jo Shapcott". English 44, nr 180 (1.09.1995): 229–45. http://dx.doi.org/10.1093/english/44.180.229.

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34

Brocato, Linde M. "Women in the Prose of María de Zayas by Eavan O’Brien". Hispanófila 170, nr 1 (2014): 156–58. http://dx.doi.org/10.1353/hsf.2014.0016.

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35

Villar, Pilar, i Eavan Boland. ""The Text of It": A Conversation with Eavan Boland". New Hibernia Review 10, nr 2 (2006): 52–67. http://dx.doi.org/10.1353/nhr.2006.0045.

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36

Southgate, Christopher. "Singing and dancing in the cruellest month: A reflection on theology and poetry in a time of COVID". Theology in Scotland 28, nr 1 (10.03.2021): 37–47. http://dx.doi.org/10.15664/tis.v28i1.2184.

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This article explores what contribution poetry and the arts can make to the human experience in a time of pandemic. It argues that artistic productions can ‘enlarge the heart’ such that sorrow and anxiety are not removed or defeated but are, as in the biblical text, ‘woven […] into a larger imaginative story.’ This argument is made through close examination of three poems: T. S. Eliot’s “The Waste Land”, written in 1922 during the Spanish flu epidemic; “Quarantine” by Eavan Boland, set during the Irish Potato Famine of the 1840s; and Malcolm Guite’s “Easter 2020”.

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37

Trachsler, Virginie. "‘The Need for Translation’: The Role of Translation in Eavan Boland's Work". Translation and Literature 30, nr 1 (marzec 2021): 30–51. http://dx.doi.org/10.3366/tal.2021.0444.

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This article provides an overview of the place translation holds in Eavan Boland's career, taking in her experience as a reader of translations as well as a translator, showing how the first fed into the second and how her own practice evolved using examples from her whole career. It then focuses on her bilingual anthology of German poets After Every War to demonstrate that her work as a translator stemmed from the same ethical and poetic concerns as her work as a poet, retrieving marginal voices and creating an alternative tradition around female experiences. The Classical myth of Ceres and Persephone, which Boland revisited and rewrote many times, shows how her translation practice lastingly influenced her poetics and poetry.

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38

Kostenko, О. Н. "THE CONCEPT OF “BEAUTY” IN THE WORK OF EAVAN BOLAND (POEM “ANOREXIC”)". Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 2, nr 1 (2020): 116–20. http://dx.doi.org/10.32838/2663-6069/2020.1-2/23.

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39

JooyoungPark. "Decolonization of the Female Body in Eavan Boland’s In Her Own Image". Feminist Studies in English Literature 20, nr 1 (kwiecień 2012): 59–90. http://dx.doi.org/10.15796/fsel.2012.20.1.003.

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40

Gonzalez, Alexander G. "Additional Interpretations of Eavan Boland's “I Remember” and “In Her Own Image”". ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 26, nr 3 (wrzesień 2013): 207–9. http://dx.doi.org/10.1080/0895769x.2013.805973.

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41

Villar-Argáiz, Pilar. "A New Female Art on Old Ground: Spanish Translations of Eavan Boland’s Code". Estudios Irlandeses, nr 4 (15.03.2009): 92–99. http://dx.doi.org/10.24162/ei2009-2935.

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42

Thoss, Jeff. "Cartographic ekphrasis: map descriptions in the poetry of Elizabeth Bishop and Eavan Boland". Word & Image 32, nr 1 (2.01.2016): 64–76. http://dx.doi.org/10.1080/02666286.2016.1143325.

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43

Meaney, Gerardine. "Myth, history and the politics of subjectivity: Eavan Boland and Irish women's writing". Women: A Cultural Review 4, nr 2 (wrzesień 1993): 136–53. http://dx.doi.org/10.1080/09574049308578155.

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44

Huh, Hyun Sook. "Out of Myth into History: Women in W. B. Yeats and Eavan Boland". Yeats Journal of Korea 22 (31.12.2004): 143–63. http://dx.doi.org/10.14354/yjk.2004.22.143.

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45

Train, Daniel. "Beyond Iconic Elusions: The Icon’s Excess in Eavan Boland’s Object Lessons and Poetry". New Hibernia Review 20, nr 2 (2016): 115–33. http://dx.doi.org/10.1353/nhr.2016.0026.

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46

Mills, Lia. "‘I Won't Go Back to It’: Irish Women Poets and the Iconic Feminine". Feminist Review 50, nr 1 (lipiec 1995): 69–88. http://dx.doi.org/10.1057/fr.1995.23.

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This paper explores the dynamic interaction between contemporary Irish women poets and the notion of tradition in Irish poetry. Looking at the work of Eavan Boland, Susan Connolly, Paula Donlon, Mary Dorcey, Paula Meehan and Nuala Ní Dhomhnaill, the paper suggests that women poets today are subverting tradition and destabilizing a conventionally accepted fusion of the feminine with the national. This is achieved through direct challenge, through dislocation and through establishing a dialogue between the mythical and the real in the context of the lived experience of women in Ireland. Finally, the paper suggests the potential for civil and social effect of the work of women who engage consciously in the process of giving women an active voice.

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47

Hagen, Patricia L., i Thomas W. Zelman. ""We Were Never on the Scene of the Crime": Eavan Boland's Repossession of History". Twentieth Century Literature 37, nr 4 (1991): 442. http://dx.doi.org/10.2307/441657.

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48

Sarbin, Deborah. ""Out of Myth into History": The Poetry of Eavan Boland and Eiléan Ní Chuilleanáin". Canadian Journal of Irish Studies 19, nr 1 (1993): 86. http://dx.doi.org/10.2307/25512952.

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49

Cannon, M. Louise. "The Extraordinary within the Ordinary: The Poetry of Eavan Boland and Nuala Ni Dhomhnaill". South Atlantic Review 60, nr 2 (maj 1995): 31. http://dx.doi.org/10.2307/3201299.

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50

Cory, Abbie L. "“This is a stitch”: Gender, Class, and Colony in the Poetry of Eavan Boland". Women's Studies 43, nr 7 (2.10.2014): 960–78. http://dx.doi.org/10.1080/00497878.2014.939379.

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