Gotowe bibliografie tematyczne / East Indian drama

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  1. Artykuły w czasopismach
  2. Książki
  3. Części książek

Gotowa bibliografia na temat „East Indian drama”

Autor: Grafiati
Data publikacji: 29 lipca 2024
Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "East Indian drama"

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Guttman, Anna Michal. "“Our Brother’s Blood”: Interreligious Solidarity and Commensality in Indian Jewish Literature." Prooftexts 40, no. 2 (2023): 71–93. http://dx.doi.org/10.2979/prooftexts.40.2.03.

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Abstract: This article argues that contemporary Indian Jewish literature recovers a narrative of lost, Indigenous cosmopolitanism, which effectively reframes the history of the Indian subcontinent. More specifically, it contends that interreligious commensality, particularly between Jews and Muslims, forms the center of this cosmopolitan vision, thereby reimagining the home—rather than the public sphere—as the center of cosmopolitan experience. This gendered focus on food as a site for cultural syncretism and remembrance renders the home as a space that redefines Jewish identity and community,
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Thevananth, Thevanayagam. "'Theatre for Liberation' during the Period of IPKF in Srilanka." Shanlax International Journal of Tamil Research 7, no. 3 (2023): 34–59. http://dx.doi.org/10.34293/tamil.v7i3.6089.

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The Indian Peace Keeping Force (IPKF) was in Sri Lanka from 1987 to 1990. Later, the IPKF withdrew from Sri Lanka due to Gruella attacks, political maneuvering and pressure from the Sri Lankan government. During this period, property loss and human disasters were reported in the north and east of Sri Lanka. Because of the war between the Indian Peace Force and the LTTE; there was no public space for grammatist performances, theatre activism was stand still. In this environment, two political dramas named ‘Kalathil Kaththan’ and ‘Sathiiyai Venra Savu’ were produced and performed in more than a
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Andayani, Ambar, and Jupriono Jupriono. "REPRESENTATION OF NYI RORO KIDUL IN MYTH, LEGEND, AND POPULAR CULTURE." ANAPHORA: Journal of Language, Literary and Cultural Studies 2, no. 1 (2019): 28–36. http://dx.doi.org/10.30996/anaphora.v2i1.2724.

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Nyi Roro Kidul, Nyai Loro Kidul, or Nyai Ratu Kidul is a character of folk legend which has existed all along south coast of Java land: from East Java, to Middle Java and Jogjakarta, then to West Java and Banten. People along the south coast of Java island believe to myth of this legendary character as a beautiful and supernatural woman who has authority of devil realm in Indonesian Ocean (Indian Ocen) or Segoro Kidul (South Sea). The popularity of Nyi Roro Kidul has also become motivation for national film-making and TV media to produce many films and drama about this character. Although the
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KITLV, Redactie. "Bookreview." New West Indian Guide / Nieuwe West-Indische Gids 79, no. 1-2 (2005): 103–70. http://dx.doi.org/10.1163/22134360-90002504.

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Marcus Wood; Slavery, Empathy, and Pornography (Lynn M. Festa)Michèle Praeger; The Imaginary Caribbean and Caribbean Imaginary (Celia Britton)Charles V. Carnegie; Postnationalism Prefigured: Caribbean Borderlands (John Collins)Mervyn C. Alleyne; The Construction and Representation of Race and Ethnicity in the Caribbean and the World (Charles V. Carnegy)Jerry Gershenhorn; Melville J. Herskovits and the Racial Politics of Knowledge (Richard Price)Sally Cooper Coole; Ruth Landes: A Life in Anthropology (Olivia Maria Gomes Da Cunha)Maureen Warner Lewis; Central Africa in the Caribbean: Transcendin
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KITLV, Redactie. "Bookreview." New West Indian Guide / Nieuwe West-Indische Gids 79, no. 1-2 (2008): 103–70. http://dx.doi.org/10.1163/13822373-90002504.

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Marcus Wood; Slavery, Empathy, and Pornography (Lynn M. Festa)Michèle Praeger; The Imaginary Caribbean and Caribbean Imaginary (Celia Britton)Charles V. Carnegie; Postnationalism Prefigured: Caribbean Borderlands (John Collins)Mervyn C. Alleyne; The Construction and Representation of Race and Ethnicity in the Caribbean and the World (Charles V. Carnegy)Jerry Gershenhorn; Melville J. Herskovits and the Racial Politics of Knowledge (Richard Price)Sally Cooper Coole; Ruth Landes: A Life in Anthropology (Olivia Maria Gomes Da Cunha)Maureen Warner Lewis; Central Africa in the Caribbean: Transcendin
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Hussin, Iza. "Circulations of Law: Cosmopolitan Elites, Global Repertoires, Local Vernaculars." Law and History Review 32, no. 4 (2014): 773–95. http://dx.doi.org/10.1017/s0738248014000479.

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Bernard Cohn once called the imperial point of view the “view from the boat”. There were other boats as well.In 1893, the sovereign state of Johor adopted the OttomanMedjelle (Meḏj̱elle-yi Aḥkām-i˚ḥʿAdliyye, the civil code applied in the Ottoman Empire since 1877), being the only state among the Muslim sultanates of the Malay Peninsula to do so. In 1895, Johor promulgated a Constitution(Undang-Undang Tubuh Kerajaan Johor), being the first state in Southeast Asia to do so. This article takes this moment, of the intersection of two types of law from quite disparate sources, as a point of departu
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Basas, Allan. "Inculturation: An Ongoing Drama of Faith-Culture Dialogue." Scientia - The International Journal on the Liberal Arts 9, no. 1 (2020). http://dx.doi.org/10.57106/scientia.v9i1.115.

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Inculturation emerged as a result of paradigm shifts in the missionary outlook of the Church necessitated by a heightened sense of culture, especially the plurality of cultures. This outlook saw culture as a tool for the transmission of the Gospel message to different frontiers. In view of this, dialogue with culture has passed from being an exception to the rule to becoming normative. Inculturation is a complex process, which must be undertaken gradually and critically. Overall, it aims to incarnate the Gospel in every culture by maintaining a healthy balance between tradition and progress. I
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"The path to enlightenment of sacred married home life: Grihasthya dharma as a guiding ideal for the transpersonal marriage therapist." International Journal of Transpersonal Studies 38, no. 1 (2019). http://dx.doi.org/10.24972/ijts.2019.38.1.236.

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This paper attempts to correct the unwitting reliance of much transpersonal psychology upon Indian texts that were indigenously specific to sannyasins (nonhouseholder, monastics). This includes teachings from advaita vedanta, yoga, and many Buddhist schools on releasement from desire, the diminishing role of the ego, guardedness toward “the mellow-drama” of “worldly” life (as Ram Dass famously cast relational involvements). Some forty years of the unwitting over-application of such teachings to modern non-monastic lives has helped create an artificial split in transpersonal and East-West spiri
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Mathur, Suchitra. "From British “Pride” to Indian “Bride”." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2631.

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 The release in 2004 of Gurinder Chadha’s Bride and Prejudice marked yet another contribution to celluloid’s Austen mania that began in the 1990s and is still going strong. Released almost simultaneously on three different continents (in the UK, US, and India), and in two different languages (English and Hindi), Bride and Prejudice, however, is definitely not another Anglo-American period costume drama. Described by one reviewer as “East meets West”, Chadha’s film “marries a characteristically English saga [Austen’s Pride and Prejudice] with classic Bollywood format “transf
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Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

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The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou
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Książki na temat "East Indian drama"

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Gupta, Tanika. The waiting room. Faber and Faber, 2000.

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Kaura, Manajītapāla, ред. Santa Siṅgha Sekhoṃ racanāwalī: Ikāṅgī. Pabalīkeshana Biūro, Pañjābī Yūnīwarasiṭī, 2010.

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Gupta, Tanika. Skeleton. Faber and Faber, 1997.

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Farrukh, Dhondy, ed. Romance, romance ; and, The bride. Faber and Faber, 1985.

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Gupta, Tanika. Skeleton. Faber and Faber, 1997.

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Sarkar, Badal. Two plays: Indian history made easy. Life of Bagala. Oxford University Press, 2010.

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Sarkar, Badal. Two plays: Indian history made easy. Life of Bagala. Oxford University Press, 2010.

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Khan-Din, Ayub. Rafta, rafta--. Nick Hern Books, 2007.

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Grewal, Ray. My dad's corner shop. Faber and Faber, 2000.

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Collins, Wilkie. The moonstone. Signet Classics, 2009.

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Części książek na temat "East Indian drama"

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Al-Azami, Lubaaba. "‘Seat of Merchandise’: Staging Indian Trade in The Triumphs of Honour and Industry." In Materializing the East in Early Modern English Drama. The Arden Shakespeare, 2023. http://dx.doi.org/10.5040/9781350300484.ch-006.

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Kaur, Harpreet, and Ayasha Siddika. "Strengthening the Bilateral Relationship Between India and Thailand Through Tourism." In Evaluating Trade and Economic Relations Between India and Southeast Asia. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-5774-7.ch008.

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India and Thailand have a long-term relationship. Both countries geographically are in extended neighbourhood and share a maritime boundary. Both countries taken together constitute 18.6% of the world's population. They have deep rooted similar history, cultures, philosophies, and religions. They share the same link of Buddhism. Even Hinduism has some reflection on Thai architecture, arts, names of cities, sculpture, dance, drama, and literature. In this chapter, Thailand has been chosen due to physical proximity, cultural, and ideological similarities with India. India and Thailand have celebrated more than 70 years of bilateral diplomatic relationship. In the past two decades, with regular political exchanges of growing trade and investment, India's relationship with Thailand has grown into a comprehensive partnership. India's ‘Act East' policy has been complemented by Thailand's ‘Act West' policy in bringing the two countries closer. Both countries are important regional partners under BIMSTEC linking Northeastern Indian states with Southeast Asia.
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Martin, Joel W. "Circling Earth." In The Land Looks After Us. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195145861.003.0001.

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Abstract For some American Indians involved in Native American religions, life unfolds as a rich drama. This drama plays out in a world filled with spiritual forces and shaped by them. Everything can mean something. Little is separate from religious influence. Spiritually attuned Native American men and women seek multiple ways to express their religious visions. Their spirituality can affect how they cook, eat, dance, paint, tell stories, mold pottery, dye clothes, decorate their bodies, design their homes, organize their villages, court lovers, marry, bury, dress, speak, make love, cut their hair, and so on. Wisdom comes by paying attention to the living world, discerning the spiritual dimension within it, and debating its significance with others in a community.
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