Gotowe bibliografie tematyczne / East indian americans – fiction

Gotowa bibliografia na temat „East indian americans – fiction”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 26 lipca 2024

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Artykuły w czasopismach na temat "East indian americans – fiction"

M, Athira. "Torn between Cultures: Reading Shashi Tharoor’s Riot". SMART MOVES JOURNAL IJELLH 9, nr 1 (29.01.2021): 60–66. http://dx.doi.org/10.24113/ijellh.v9i1.10878.

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Shashi Tharoor is a distinctivevoice in the Postcolonial Indian literature in English with his remarkable contribution of more than 16 works of fiction and non-fiction. Postcolonialism refers to a set of theoretical concepts, approaches and interventions which deals with the diverse effects of the interaction between the colonizer and the colonized. History, politics and culture have always been a dominant preoccupation of the Indian English novelists. The compulsive obsession was perhaps inevitable since the genre originated and developed concurrently with the climatic phase of colonial rule. As a diplomat and writer, Shashi Tharoor has explored the diversity of culture in his native country. He has made his point in many of his interviews that the novel is full of collisions of various sorts- personal, political, cultural, emotional and violent. Riot is a novel about the ownership of history, about love, hate, cultural collision, religious fanaticism and the impossibility of knowing the truth. The novel chronicles the mystery of an American 24-year old lady, Priscilla Hart. The intention of this paper is to explore the cultural conflict between the East and the West and an attempt is made to examine Shashi Tharoor’s Riot as a conveyor of the various distinguishable features to the divergent cultures. The characters of Riot are facing problems and striving to achieve their identities as Indians and as individuals in Indian society. Lakshman, though an educated Indian, cannot share his intellectual ideas with any fellow Indians, but feels quite comfortable with Priscilla, an American lady. Yet, he cannot completely forego his Indian identity and is aware of their irreconcilable gap between their culture, values and outlook towards life.

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Ojwang, D. "Exile and Estrangement in East African Indian Fiction". Comparative Studies of South Asia, Africa and the Middle East 32, nr 3 (1.01.2012): 523–42. http://dx.doi.org/10.1215/1089201x-1891543.

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Maulida, Lifia, Muhammad Farkhan i Hasnul Insani Djohar. "INDIAN-AMERICANS IDENTITY IN “THIS BLESSED HOUSE” SHORT STORY". PARADIGM: Journal of Language and Literary Studies 5, nr 1 (31.07.2022): 11–26. http://dx.doi.org/10.18860/prdg.v5i1.13398.

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This research discusses the identity of indian immigrants especially the main characters, Sanjeev and Twinkle, in the short story “This Blessed House” by Jhumpa Lahiri. The theory used in this research is cultural studies theory by Stuart Hall and combining with character and characterization theory of fiction. This research focuses on the habits of an indian immgirants who lived in Connecticut, the United states, and also the factors that made the main characters have different identity. The husband has a stable identity and trying to maintain Indian culture while his wife acting like an American. As Twinkle shows that she loses her origin identity, which is indian, because she does not preserve her identity strongly and Sanjeev succeeds to carry his Indian identity to their household because Sanjeev has a strong Indian culture. Compared to Twinkle, Sanjeev was more recently living in America. So Twinkle has been exposed to American culture longer than Sanjeev.

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Abbas, Abbas. "The Racist Fact against American-Indians in Steinbeck’s The Pearl". ELS Journal on Interdisciplinary Studies in Humanities 3, nr 3 (25.09.2020): 376–92. http://dx.doi.org/10.34050/elsjish.v3i3.11347.

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the social conditions of Indians as Native Americans for the treatment of white people who are immigrants from Europe in America. This research explores aspects of the reality of Indian relations with European immigrants in America that have an impact on discriminatory actions against Indians in John Steinbeck's novel The Pearl. Social facts are traced through fiction as part of the genetics of literary works. The research method used is genetic structuralism, a literary research method that traces the origin of the author's imagination in his fiction. The imagination is considered a social reality that reflects events in people's lives. The research data consist of primary data in the form of literary works, and secondary data are some references that document the background of the author's life and social reality. The results of this research indicate that racist acts as part of American social facts are documented in literary works. The situation of poor Indians and displaced people in slums is a social fact witnessed by John Steinbeck as the author of the novel The Pearl through an Indian fictional character named Kino. Racism is an act of white sentiment that discriminates against Native Americans, namely the Indian community.

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Shumaila Fatma. "Treatment of History in Select Contemporary Indian English Novels". Creative Launcher 5, nr 4 (30.10.2020): 60–64. http://dx.doi.org/10.53032/tcl.2020.5.4.11.

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History and fiction share one trait in common and that is recording of events past, incidence, personalities, movements, etc. the difference between history and fiction is that history takes an objective view of the events whereas fiction takes a creative sweep. Both chronicle formation, development and evolution of nations in their own way. History fiction interface therefore becomes a virgin track to till for the Indian English novelist. Shashi Tharoor in The Great Indian Novel (1989), Geeta Mahta in Raj (1988) and Kiran Nagarkar in Cuckold (1997) explore this interface in their unique ways. Tharoor tries to atone himself with his present retrospectively with the help of history. Geeta Mehta tries to coalate east –west encounter along with cultural issues, historical facts and fantasy, realism and socio-political features at the time of independence. Kiran Nagarkar tries to achieve a transformation in the history or the lack of it.

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Caterine, Darryl V. "Heirs through Fear". Nova Religio 18, nr 1 (luty 2013): 37–57. http://dx.doi.org/10.1525/nr.2014.18.1.37.

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Beginning with nineteenth-century Indian curse rhetoric as a national jeremiad, and continuing into the twentieth century through Puritan-derived landscapes in fiction by Howard Philips Lovecraft and Jay Anson, Indian curses and accursed lands stand apart from other paranormal beliefs in the explicit voice they give to Euro-American anxieties over cultural authority. By imagining themselves as living in Indian terrains, accursed though they are, white Americans lay claim to the land, articulating an indigenized myth of national origin. Since the 1970s, neo-charismatic Protestants have taken a keen interest in Lovecraft-inspired religions and Indian curse lore, engaging in various deliverance ministries to exorcise individuals and landscapes, and to symbolically claim the nation for themselves.

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Abdullah, Omar Mohammed, i Zainab Hummadi Fayadh. "Question of Identity". Al-Adab Journal, nr 134 (15.09.2020): 13–28. http://dx.doi.org/10.31973/aj.v0i134.827.

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Since Jhumpa Lahiri has been regarded as a second generation Indian immigrant living in the United States. This has made her fully aware of the cultural mixing between India and America. This paper focuses on the process of mimicry and decolonization of Indian immigrants who live in the United States. Lahiri’s fiction Interpreter of Maladies reveals cultural identity, mimicry and decolonization that the immigrants experience while living in the target culture. This paper applies Homi Bhabha’s concept of mimicry and Frantz Fanon’s concept of decolonization to explore three short stories in Lahiri’s fiction Interpreter of Maladies namely; “When Mr. Pirzada Came to Dine” , “Mrs. Sen’s” and “This Blessed House”. The study concludes that some characters in these stories mimic the American culture as a result of their interaction with the Americans due to work or for being born and raised in America. Their imitation involves culture, tradition, language and religion. While, other characters decolonize and resist the American culture by rejecting everything related to this culture, in order to adhere to their original Indian identity and keep ties with their heritage.

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Lapaev, Nikita. "Copper face of ancient America: representation of Mesoamerican civilizations in American pulp-magazine Weird tales in the interwar period". Latin-American Historical Almanac 41, nr 1 (27.03.2024): 56–78. http://dx.doi.org/10.32608/2305-8773-2024-41-1-56-78.

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In the Interwar period different form of Ancient civilization had been one the most frequent theme in American popular culture. Lost Indian civilization wasn’t exception, but this is-sue is still poorly investigate in the popular culture’s field. The article examines, based on John Cavelti's theory of for-mular fiction and John Saler’s “imaginary worlds”, the repre-sentation of pre-Columbian civilizations in one of the most significant American pulp magazines, Weird tales, and the ways in which their heritage is appropriated by American popular culture. We come to conclusion that representation of pre-Colombian indian civilization was within the general nar-rative of the ancient (like Egypt and Babylon), but had differ-ence in tropes. This concerned attention to the phenomenon of sacrifices. Also, the authors were anxious about issues of race, since the racist view of Latin Americans was a constitu-tive stereotype for many Americans. To prevent this problem from interfering with the appropriation of the Indian ancient heritage as uniquely American, the writers excluded the in-termediary in the person of a modern resident of Mexico. Mexico was represented as a poor, unstable country, just an epigone of its magnificent ancestors.

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Arce Álvarez, María Laura. "The Native American dream in Sherman Alexie's short story “One Good Man”". Cultura, Lenguaje y Representación 25 (1.05.2021): 33–45. http://dx.doi.org/10.6035/clr.2021.25.2.

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The purpose of this article is to discuss the idea of an Indian identity and the Native American Dream in Sherman Alexie’s short story “One Good Man.” In this story, Alexie introduces the idea of the Indian constructed by the White Americans and attempts through his characters to redefine that concept by deconstructing all the different stereotypes created by the White American society. In order to do this, he also introduces the idea of the American Dream that he calls the “Native American Dream” to express the social inequality and hopeless existence of the Indian community always immersed in an ironic and comic discourse. In this sense, Alexie proposes a new definition of the Indian identity looking back to culture, tradition and the space of the reservation. He creates in his fiction a space of contestation and resistance opening a new voice for the Native American identity.

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Dr. Sampath Kumar Chavvakula. "Feminism In The Novels Of Anita Desai". Journal of Namibian Studies : History Politics Culture 33 (20.05.2023): 5462–70. http://dx.doi.org/10.59670/jns.v33i.4824.

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Feminism in western nations are epitomized in literature and different books, that is in composed shape however in the east, especially in nations like India, attributable to its oral tradition and more noteworthy lack of education, the effect of these investigations was limited to the urban populace. In any case, as of late, even the rural regions have been secured due to the regularly spreading wing of electronic media. Since the most recent couple of decades, women have been attempting their hands at writings and that too effectively. Anita Desai is a standout amongst other known contemporary women writers of Indian fiction in English. She has picked up qualification in investigating the human psyche and the enthusiastic sentiments of her protagonists. She has included a new dimension and great support to the contemporary Indian English fiction and has a huge place because of her creative topical concerns and arrangements in her fiction with feminine sensibility.

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Rozprawy doktorskie na temat "East indian americans – fiction"

Pathak, Archana A. "To be Indian (hyphen) American : communicating diaspora, identity and home /". Full-text version available from OU Domain via ProQuest Digital Dissertations, 1998.

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Kulanjiyil, Thomaskutty I. "Culture and psychology understanding Indian culture and its implications for counseling Asian Indian immigrants in the United States /". Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Lambha, Meenakshi Brestan Elizabeth V. "Reports of child conduct problems and parenting styles among Asian Indian mothers in the United States". Auburn, Ala., 2006. http://repo.lib.auburn.edu/2006%20Fall/Theses/LAMBHA_MEENAKSHI_56.pdf.

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Matthew, Mulamootil Ronnie Bolls Paul David. "Model ethnicity and product class involvement white Americans' attitude toward advertisements featuring Asian-Indian models /". Diss., Columbia, Mo. : University of Missouri--Columbia, 2007. http://hdl.handle.net/10355/4958.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on September 14, 2009). Thesis advisor: Dr. Paul Bolls. Includes bibliographical references.

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Bhatt, Pooja. "Differentiation of self and marital adjustment within the Asian Indian American population". Online version, 2001. http://www.uwstout.edu/lib/thesis/2001/2001bhattp.pdf.

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Soni, Sonal H. "Negotiating the self an exploratory study on the gender identity formation of second-generation Asian Indian American women : a project based upon an independent investigation /". Click here for text online. Smith College School for Social Work website, 2007. http://hdl.handle.net/10090/1015.

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Thesis (M.S.W.)--Smith College School for Social Work, Northampton, Mass., 2007
Thesis submitted in partial fulfillment for the degree of Master of Social Work. Includes bibliographical references (leaves 77-80).

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Biswas, Paromita. "Colonial displacements nationalist longing and identity among early Indian intellectuals in the United States /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1680042161&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Henry, Beulah. "L'expression de l'indianité chez les écrivains de la diaspora indienne de la Caraïbe". Villeneuve d'Asq : Presses universitaires du Septentrion, 2002. http://catalog.hathitrust.org/api/volumes/oclc/48112513.html.

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Thompson, Sidney 1965. "Bass Reeves: a History • a Novel • a Crusade, Volume 1: the Rise". Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804965/.

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This literary/historical novel details the life of African-American Deputy US Marshal Bass Reeves between the years 1838-1862 and 1883-1884. One plotline depicts Reeves’s youth as a slave, including his service as a body servant to a Confederate cavalry officer during the Civil War. Another plotline depicts him years later, after Emancipation, at the height of his deputy career, when he has become the most feared, most successful lawman in Indian Territory, the largest federal jurisdiction in American history and the most dangerous part of the Old West. A preface explores the uniqueness of this project’s historical relevance and literary positioning as a neo-slave narrative, and addresses a few liberties that I take with the historical record.

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Shimray, Edward W. "Developing a cross-cultural relational evangelism training program in an Asian Indian mission church". Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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Książki na temat "East indian americans – fiction"

Mathur, Anurag. The inscrutable Americans. Novato, Calif: New World Library, 1997.

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James, Justin J. Acacia. Elk Grove, Calif: S.S. Shergill, 2004.

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Deckha, Nitin. Shopping for Sabzi: Stories. Toronto: TSAR Publications, 2008.

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Satyal, Rakesh. No one can pronounce my name: A novel. New York: Macmillan Audio, 2017.

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Lahiri, Jhumpa. Interpreter of maladies: The namesake. Boston: Houghton Mifflin Harcourt, 2010.

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Meena, Alexander. Manhattan music: A novel. San Francisco: Mercury House, 1997.

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Jasmine. New York: Grove Weidenfeld, 1989.

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Persaud, Sasenarine. Canada geese and apple chatney: Stories. Toronto: TSAR, 1998.

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Mukherjee, Bharati. Jasmine. New York: Fawcett Crest, 1991.

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Mukherjee, Bharati. Jasmine. Markham, Ont., Canada: Viking, 1989.

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Części książek na temat "East indian americans – fiction"

Jaising, Shakti. "Neoliberal Subjectivity and the Alterity Paradigm". W Beyond Alterity: Contemporary Indian Fiction and the Neoliberal Script, 19–38. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781837645121.003.0002.

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Chapter 1 challenges the alterity assumptions underlying Wendy Brown and Aihwa Ong’s influential theories about subject formation in neoliberal North America and East Asia respectively. It argues that while these Foucauldian theories provide valuable insight into the construction of subjectivities in the contemporary moment, they tend to overemphasize what they characterize as fundamental differences between the Global North and South. The dichotomy between North and South that both Brown and Ong suggest obscures, on the one hand, the impact of economic violence and precarity on large numbers of people in the advanced capitalist world, and on the other hand the potency of “soft power” in normalizing ideas of entrepreneurial individualism, especially among middle classes in the South. The chapter ends by suggesting an approach that is attuned to the role of material interests and compulsions in the shaping of subjectivities all over the world.

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Flint, Kate. "Savagery and Nationalism: Native Americans and Popular Fiction". W The Transatlantic Indian, 1776-1930, 136–66. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691203188.003.0006.

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This chapter explores British popular writing. It considers some of the means by which stereotypes of Indians that emanated from the United States circulated within Britain and were modified and filtered through domestic concerns. The chapter first assesses the influence that James Fenimore Cooper had on transatlantic adventure and historical fiction, and then pass to Charles Dickens's often contradictory treatments of native peoples, before looking at the more complicated case of Mayne Reid. This British writer of popular Westerns employed contemporary American-generated stereotypes of Indians and at times reinforced that country's message of manifest destiny, yet he also managed to question certain political and racial aspects of American life in a way that offered up a warning to his home readership. These stereotypes are read through a consideration of the shifting nuances of the idea of the “savage” in mid-Victorian Britain.

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"Chapter Six. Savagery and Nationalism: Native Americans and Popular Fiction". W The Transatlantic Indian, 1776-1930, 136–66. Princeton University Press, 2009. http://dx.doi.org/10.1515/9780691210254-008.

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Zellinger, Elissa. "E. Pauline Johnson’s Poetics Acts". W Lyrical Strains, 162–97. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469659817.003.0006.

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Chapter Five demonstrates how the Canadian Mohawk poet E. Pauline Johnson deployed her performance of "Indianness"—that is, a fantasy of Native identity that was dictated by and performed for white audiences—to prove that the seemingly sincere lyrical voice was a fiction. This chapter focuses on Johnson's performances on the Chautauqua tour in 1907. To her American audiences, Johnson appeared to be a real Indian princess. But her performance dress was a bricolage of accessories and garments modeled on Minnehaha, the iconic Indian princess in Henry Wadsworth Longfellow's The Song of Hiawatha. By adopting the tools of assimilation, Johnson's poetic acts exaggerated the idea of a Native "voice" to foreground the performativity of such a persona. But Johnson was following the imperatives of a cultural marketplace that had dissolved the distinctions between authenticity and performance. In so doing, Johnson proves that Native American selfhood was not subject to notions of fixed identity. Rather, Johnson created public space for a new embodied Indian presence, short-circuiting any easy equivalency between authentic Native subjectivity and white, Minnehaha-derived fantasies. By performing Indianness, Johnson insisted on the ongoing existence of Indians precisely because they could not be equated with these commercial figures.

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Pretty, Jules. "September". W The East Country. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501709333.003.0009.

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This chapter details the east country in September. Mist was in the valley, every field in fog, and westerly gales brought drenching rain. Showery rain spotted paving, then an Indian summer shone inside the whole valley. Indian summer was a term used in rural New York in the 1770s, thus derived from Native Americans rather than the East Indies. On this continent, it was long a St. Luke's or St. Martin's summer, the latter for sun as late as November. It was autumn, yet still in flower were mallow and harebell, yarrow and white campion, and hawkweed and buttercup. High in hedge were rose hip and haw, wild damson, and blue-black sloe. The chapter then focuses on farms and farm identities.

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"4 London South-East: Metropolitan (Un)realities in Indian Fiction". W Imagining London. Toronto: University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442676015-005.

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"METAMORPHOSES OF THE SELF ON THE BORDER BETWEEN ‘EAST’ AND ‘WEST’". W Performance and Performativity in Contemporary Indian Fiction in English, 1–31. Brill | Rodopi, 2015. http://dx.doi.org/10.1163/9789004292604_002.

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"10. Native Americans, African Americans, and the Space That Is America: Indian Presence in the Fiction of Toni Morrison". W Crossing Waters, Crossing Worlds, 196–217. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822388401-014.

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Frymer, Paul. "“Advancing Compactly as We Multiply”". W Building an American Empire. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691166056.003.0003.

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This chapter examines the final decades of American policy toward incorporation of lands east of the Mississippi. It first considers the federal government's continuation of land and expansion policies under the Jeffersonian Republicans from 1800 to the mid-1820s before discussing the federal government's initial incursions into the lands purchased from the French, especially Orleans Territory that became the state of Louisiana. It then explores how the addition of Louisiana, and its French settlers who were actively involved in the slave trade, exacerbated existing national debates over slavery. It also looks at the role of judges and courts of law in privileging the rights of settlers in their claims against both Native Americans and the federal government. Finally, it analyzes the passage of the Indian Removal Act in 1830 and its enforcement, with emphasis on the politics of removals of Native Americans.

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Yandell, Kay. "Introduction". W Telegraphies, 1–23. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190901042.003.0001.

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In nineteenth-century America, Native Americans communicated long distance with smoke signals and Indian sign language to combat U.S. invasions across the American plains. Recently immigrated Morse telegraphers began to organize “online” for safer working conditions. Women telegraphers entered electric speech forums. These interactions inspired the creation of what this book dubs “telegraph literature”—the fiction, poetry, social critique, and autobiography that experiences of telecommunication inspired authors from vastly different social locations to write throughout nineteenth-century America. The telegraphic virtual inspired such canonical authors as Walt Whitman and Emily Dickinson, alongside such lesser known authors as Lida Churchill and Crow medicine woman Pretty Shield, to explore how seemingly instantaneous, disembodied, nationwide speech practices challenged American conceptions of self, text, place, nation, and God.

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