Gotowa bibliografia na temat „Dudley House (London, England)”

“I think that I shall never see,/A billboard lovely as a tree.” Let Nash’s haunting lines stand as emblem for the strategic options of design, realism, or symbolism. They are nicely illustrated In English stage practice this summer. Take Wild Honey at the National, a version of Chekhov’s Platonov. For Chekhov one needs a country house deep in Russia, a measure of naturalism, and trees. John Gunter’s setting supplied them all. I counted over 20 birches, visible from the porch of the country house set; they looked perfectly real to me. This was a clearcut design theme – the birches were repeated in the poster and programme – and congruent with the elaborately detailed schoolroom of scene four, no tricks, square on, an interior that could have been created at any time this century.

Will Todd, born in Durham in 1970, has an extensive output of compositions to his credit, including highly-charged operas and oratorios, largely centred around themes from northeastern England, notably the workers' struggle against early 19th and 20th-century injustice and oppression. I had heard his emotive cantata The Burning Road performed at St Albans Cathedral in February 2002 – it depicts the relentless, footsore Jarrow Marchers of 1936 who stopped in the city en route to London – and was interested to hear the follow-up in his new opera on an allied theme: The Blackened Man.

On the morning of Wednesday, 24 February 1585, a bill ‘for imploying of Landes and Tenementes given to the Maintenance of Highewayes, Bridges etc.’ was read in the house of common for the seond time and committed for consideration by several members that afternoon in the hall of the Middle Temple. The committee decided to introduce a completely new measure which was itself committed after the second reading on 9 March. At one point in these proceedings William Fleetwood, recorder of London, told the lower house that he had advised the bill's promoter to make it ‘a private bill but he would not and therfor he shall see what will come of it’. Undoubtedly irked at this refusal to accept his advice, Fleetwood may have felt some satisfaction when the bill was rejected on its third reading in the lower house. Nevertheless, the bill's promoter had good reason to introduce his measure as a public rather than as a private bill. Private bills were expensive. Fees were payable at every stage, for the reading, committing, engrossing and endorsing such bills, and then, if all went well, fees had to be paid if the promoter wanted the bill printed and thus made public. Besides the cost, private bills stood less chance of getting through both houses of parliament. Not only was there a great risk of one's measure getting swamped by the large number of private bills always introduced in the first few weeks of a session, but it was also frequently asserted that private bills should have low priority on the agenda of parliament.

-Dennis Walder, Robert D. Hamner, Derek Walcott. New York: Twayne Publishers, 1993. xvi + 199 pp.''Critical perspectives on Derek Walcott. Washington DC: Three continents, 1993. xvii + 482 pp.-Yannick Tarrieu, Lilyan Kesteloot, Black writers in French: A literary history of Negritude. Translated by Ellen Conroy Kennedy. Washington DC: Howard University Press, 1991. xxxiii + 411 pp.-Renée Larrier, Carole Boyce Davies ,Out of the Kumbla: Caribbean women and literature. Trenton NJ: Africa World Press, 1990. xxiii + 399 pp., Elaine Savory Fido (eds)-Renée Larrier, Evelyn O'Callaghan, Woman version: Theoretical approaches to West Indian fiction by women. London: Macmillan Caribbean, 1993. viii + 126 pp.-Lisa Douglass, Carolyn Cooper, Noises in the blood: Orality, gender and the 'vulgar' body of Jamaican popular culture. London: Macmillan Caribbean, 1993. ix + 214 pp.-Christine G.T. Ho, Kumar Mahabir, East Indian women of Trinidad & Tobago: An annotated bibliography with photographs and ephemera. San Juan, Trinidad: Chakra, 1992. vii + 346 pp.-Eva Abraham, Richenel Ansano ,Mundu Yama Sinta Mira: Womanhood in Curacao. Eithel Martis (eds.). Curacao: Fundashon Publikashon, 1992. xii + 240 pp., Joceline Clemencia, Jeanette Cook (eds)-Louis Allaire, Corrine L. Hofman, In search of the native population of pre-Colombian Saba (400-1450 A.D.): Pottery styles and their interpretations. Part one. Amsterdam: Natuurwetenschappelijke Studiekring voor het Caraïbisch Gebied, 1993. xiv + 269 pp.-Frank L. Mills, Bonham C. Richardson, The Caribbean in the wider world, 1492-1992: A regional geography. Cambridge: Cambridge University Press, 1992. xvi + 235 pp.-Frank L. Mills, Thomas D. Boswell ,The Caribbean Islands: Endless geographical diversity. New Brunswick NJ: Rutgers University Press, 1992. viii + 240 pp., Dennis Conway (eds)-Alex van Stipriaan, H.W. van den Doel ,Nederland en de Nieuwe Wereld. Utrecht: Aula, 1992. 348 pp., P.C. Emmer, H.PH. Vogel (eds)-Idsa E. Alegría Ortega, Francine Jácome, Diversidad cultural y tensión regional: América Latina y el Caribe. Caracas: Nueva Sociedad, 1993. 143 pp.-Barbara L. Solow, Ira Berlin ,Cultivation and culture: Labor and the shaping of slave life in the Americas. Charlottesville: University Press of Virginia, 1993. viii + 388 pp., Philip D. Morgan (eds)-Andrew J. O'Shaughnessy, Karen Ordahl Kupperman, Providence Island, 1630-1641: The other puritan colony. Cambridge: Cambridge University Press, 1993. xiii + 393 pp.-Armando Lampe, Johannes Meier, Die Anfänge der Kirche auf den Karibischen Inseln: Die Geschichte der Bistümer Santo Domingo, Concepción de la Vega, San Juan de Puerto Rico und Santiago de Cuba von ihrer Entstehung (1511/22) bis zur Mitte des 17. Jahrhunderts. Immensee: Neue Zeitschrift für Missionswissenschaft, 1991. xxxiii + 313 pp.-Edward L. Cox, Carl C. Campbell, Cedulants and capitulants; The politics of the coloured opposition in the slave society of Trinidad, 1783-1838. Port of Spain, Trinidad: Paria Publishing, 1992. xv + 429 pp.-Thomas J. Spinner, Jr., Basdeo Mangru, Indenture and abolition: Sacrifice and survival on the Guyanese sugar plantations. Toronto: TSAR, 1993. xiii + 146 pp.-Rosemarijn Hoefte, Lila Gobardhan-Rambocus ,Immigratie en ontwikkeling: Emancipatie van contractanten. Paramaribo: Anton de Kom Universiteit, 1993. 262 pp., Maurits S. Hassankhan (eds)-Juan A. Giusti-Cordero, Teresita Martínez-Vergne, Capitalism in colonial Puerto Rico: Central San Vicente in the late nineteenth century. Gainesville: University Press of Florida, 1992. 189 pp.-Jean Pierre Sainton, Henriette Levillain, La Guadeloupe 1875 -1914: Les soubresauts d'une société pluriethnique ou les ambiguïtés de l'assimilation. Paris: Autrement, 1994. 241 pp.-Michèle Baj Strobel, Solange Contour, Fort de France au début du siècle. Paris: L'Harmattan, 1994. 224 pp.-Betty Wood, Robert J. Stewart, Religion and society in post-emancipation Jamaica. Knoxville: University of Tennessee Press, 1992. xx + 254 pp.-O. Nigel Bolland, Michael Havinden ,Colonialism and development: Britain and its tropical colonies, 1850-1960. New York: Routledge, 1993. xv + 420 pp., David Meredith (eds)-Luis Martínez-Fernández, Luis Navarro García, La independencia de Cuba. Madrid: MAPFRE, 1992. 413 pp.-Pedro A. Pequeño, Guillermo J. Grenier ,Miami now! : Immigration, ethnicity, and social change. Gainesville: University Press of Florida, 1992. 219 pp., Alex Stepick III (eds)-George Irving, Alistair Hennessy ,The fractured blockade: West European-Cuban relations during the revolution. London: Macmillan Caribbean, 1993. xv + 358 pp., George Lambie (eds)-George Irving, Donna Rich Kaplowitz, Cuba's ties to a changing world. Boulder CO: Lynne Rienner, 1993, xii + 263 pp.-G.B. Hagelberg, Scott B. MacDonald ,The politics of the Caribbean basin sugar trade. New York: Praeger, 1991. vii + 164 pp., Georges A. Fauriol (eds)-Bonham C. Richardson, Trevor W. Purcell, Banana Fallout: Class, color, and culture among West Indians in Costa Rica. Los Angeles: UCLA Center for Afro-American studies, 1993. xxi + 198 pp.-Gertrude Fraser, George Gmelch, Double Passage: The lives of Caribbean migrants abroad and back home. Ann Arbor: University of Michigan Press, 1992. viii + 335 pp.-Gertrude Fraser, John Western, A passage to England: Barbadian Londoners speak of home. Minneapolis: University of Minnesota Press, 1992. xxii + 309 pp.-Trevor W. Purcell, Harry G. Lefever, Turtle Bogue: Afro-Caribbean life and culture in a Costa Rican Village. Cranbury NJ: Susquehanna University Press, 1992. 249 pp.-Elizabeth Fortenberry, Virginia Heyer Young, Becoming West Indian: Culture, self, and nation in St. Vincent. Washington DC: Smithsonian Institution Press, 1993. x + 229 pp.-Horace Campbell, Dudley J. Thompson ,From Kingston to Kenya: The making of a Pan-Africanist lawyer. Dover MA: The Majority Press, 1993. xii + 144 pp., Margaret Cezair Thompson (eds)-Kumar Mahabir, Samaroo Siewah, The lotus and the dagger: The Capildeo speeches (1957-1994). Port of Spain: Chakra Publishing House, 1994. 811 pp.-Donald R. Hill, Forty years of steel: An annotated discography of steel band and Pan recordings, 1951-1991. Jeffrey Thomas (comp.). Westport CT: Greenwood, 1992. xxxii + 307 pp.-Jill A. Leonard, André Lucrèce, Société et modernité: Essai d'interprétation de la société martiniquaise. Case Pilote, Martinique: Editions de l'Autre Mer, 1994. 188 pp.-Dirk H. van der Elst, Ben Scholtens ,Gaama Duumi, Buta Gaama: Overlijden en opvolging van Aboikoni, grootopperhoofd van de Saramaka bosnegers. Stanley Dieko. Paramaribo: Afdeling Cultuurstudies/Minov; Amsterdam: Koninklijk Instituut voor de Tropen, 1992. 204 pp., Gloria Wekker, Lady van Putten (eds)-Rosemarijn Hoefte, Chandra van Binnendijk ,Sranan: Cultuur in Suriname. Amsterdam: Koninklijk Instituut voor de Tropen/Rotterdam: Museum voor Volkenkunde, 1992. 159 pp., Paul Faber (eds)-Harold Munneke, A.J.A. Quintus Bosz, Grepen uit de Surinaamse rechtshistorie. Paramaribo: Vaco, 1993. 176 pp.-Harold Munneke, Irvin Kanhai ,Strijd om grond in Suriname: Verkenning van het probleem van de grondenrechten van Indianen en Bosnegers. Paramaribo, 1993, 200 pp., Joyce Nelson (eds)-Ronald Donk, J. Hartog, De geschiedenis van twee landen: De Nederlandse Antillen en Aruba. Zaltbommel: Europese Bibliotheek, 1993. 183 pp.-Aart G. Broek, J.J. Oversteegen, In het schuim van grauwe wolken: Het leven van Cola Debrot tot 1948. Amsterdam: Muelenhoff, 1994. 556 pp.''Gemunt op wederkeer: Het leven van Cola Debrot vanaf 1948. Amsterdam: Muelenhoff, 1994. 397 pp.

Architecture in England Remained a fledgling science until Inigo Jones's Italianate classicism burst forth in London in the first decades of the seventeenth century. His 1622 Banqueting House at Whitehall with its masterful double-cube interior astounded Londoners accustomed to the rabbit warren of Elizabethan apartments making up the surrounding Whitehall Palace; its rhythmic, subtly articulated marble façade clashed with the eclectic exteriors of neighboring buildings.

This paper sets out to consider how a simple and easy-to-estimate power-law exponent can be used by policymakers to assess changes in economic inequalities, where the data can have a long tail—common in analyses of economic disparities—yet does not necessarily deviate from log-normality. The paper finds that the time paths of the coefficient of variation and the exponents from Lavalette’s function convey similar inferences about inequalities when analysing the value of house purchases over the period 2001–2022 for England and Wales. The house price distribution ‘steepens’ in the central period, mostly covering the post-financial-crisis era. The distribution of districts’ expenditure on house purchases ‘steepens’ more quickly. This, in part, is related to the loose monetary policy associated with QE driving a wedge between London and the rest of the nation. As prices can rise whilst transactions decline, it may be better for policymakers to focus on the value of house purchases rather than house prices when seeking markers of changes in housing market activity.

The final chapters of Bram Stoker's novel The Jewel of Seven Stars (1903) are set in a house on the “very verge” of a cliff in Cornwall, the peninsula located at the far south west of England. The narrator, Malcolm Ross, travels overnight from London to Cornwall, then describes his first sight of the house, and a little later the position of the dining-room, its walls hanging over the sea: We were all impressed by the house as it appeared in the bright moonlight. A great grey stone mansion of the Jacobean period; vast and spacious, standing high over the sea on the very verge of a high cliff. When we had swept round the curve of the avenue cut through the rock, and come out on the high plateau on which the house stood, the crash and murmur of waves breaking against rock far below us came with an invigorating breath of moist sea air . . .We had supper in the great dining-room on the south side, the walls of which actually hung over the sea. The murmur came up muffled, but it never ceased. As the little promontory stood well out into the sea, the northern side of the house was open; and the due north was in no way shut out by the great mass of rock, which, reared high above us, shut out the rest of the world. Far off across the bay we could see the trembling lights of the castle, and here and there along the shore the faint light of a fisher's window. For the rest the sea was a dark blue plain with here and there a flicker of light as the gleam of starlight fell on the slope of a swelling wave. (195–96; ch. 17) In this liminal place, there is a confusion of categories: the sea not only crosses the boundary into land (the sound of its “murmur” and its moistness in the air) but seems itself to become land (a “dark blue plain”). The actual land is in contrast invisible from the house, being shut out by a mass of rock that rears high above. From the far distant shore, on the other side of the bay, the lights vibrate across both land and sea, further collapsing the sense of a distinction between them: from the “trembling lights” of the castle to the intermittent “flicker of light” on the waves.

AbstractThis article considers how lecturing in Victoria Park in the East End of London allowed three early heads of the university settlement Oxford House to engage local communities in a discussion about the place of religion in the modern world. It demonstrates how park lecturing enabled James Adderley, Hebert Hensley Henson, and Arthur Winnington-Ingram, all of whom also held positions in the Church of England, to perform and test out their religious identities. Open-air lecturing was a performance of religious faith for these settlement leaders. It allowed them to move beyond the institutional spaces of the church and the settlement house in order to mediate their faith in the context of open discussion and debate about religion and modern life. The narratives they constructed in and about their park sermons reveal a good deal about how these early settlement leaders imagined themselves as well as their relationship with the working-class men they hoped to reach through settlement work. A vivid picture of Victorian religious and philanthropic life emerges in their accounts of lecturing in Victoria Park.

I need not complain of the times; every traveler tells them; they are as clear to see as an Angel in the sun. (Henry Osborne, October 1642)In early October 1642, a tract of forest and deer chase in the Severn valley, northwest of Gloucester, known as Corse Lawn, became the site of a grisly spectacle. Richard Dowdeswell, a steward of the property, described the scene in a letter to Lionel Cranfield, earl of Middlesex, the absentee owner resident in Great St. Bartholomew in London. Dowdeswell delivered terrifying news of how “a rising of neighbors about Corse Lawn” destroyed more than 600 of Middlesex's deer in a “rebellious, riotous, devilish way,” a hideous consequence of what Dowdeswell termed “this time of liberty.” Dowdeswell rode to the scene from his estate at Pull Court, a few miles from the chase, and “appeased the multitude, yet some scattering companies gave out in alehouses that they would not only destroy the remainder of deer but rifle your Lordship's house at Forthampton and pull it down to the ground and not let a tree or bush stand in all the chase.” The deer massacre became an assault on the chase, the forest, and the manor house of Forthampton, an estate close to the chase but not included in the meets and bounds of the forest. Middlesex's tenant at Forthampton Court, his brother-in-law Henry Osborne, prudently moved his household to Gloucester until Dowdeswell acquired a formal statement of protection from the earl of Essex to defend the forest, the deer left in the chase, and the house in Forthampton.

While writing these books, Susan had re-entered the world of psychoanalysis. The possibility of treating children with psychoanalytic methods was now much discussed at the meetings, given strong impetus by a new figure on the scene, Melanie Klein. She had established herself in Berlin but found little sympathy for her ideas there and so, in 1926, was pleased to accept an invitation from Ernest Jones to settle in London. During a previous visit to England, she had visited the Malting House School and got on well with Susan Isaacs. Susan now became an enthusiastic advocate for Kleinian ideas which put great emphasis on the role of infantile fantasies in the development of personality and psychopathology. In 1927, she engaged in a further personal psychoanalysis with Joan Riviere, an analyst herself much influenced by Melanie Klein. By the end of the 1920s Susan had become a fully trained analyst for children as well as for adults.

Abstract When Dudley returned to London from Turkey he expanded the range and depth of his international trade and branched out into manufacturing and shipping. He continued to direct his business in the Levant from London through agents, such as Peter Deleau, John Darley, and Jacob Bouverie, who bought his ritomo cargoes, usually specializing in particular commodities, and performed for him the services which his old ragione had provided for its principals. After 1680, Montague took over the ragione in Constantinople and Dudley ceased to be an active partner. Judged by the struggle to balance the accounts, management of the business deteriorated. A consignment was shipped to Messina, ‘never minding how it got to England ‘ and the partners could not determine who in England had bought the return cargo.

This chapter considers Reasons Humbly Offered in Justification [ … ] of Letting a Room in London-House unto Certain Peaceable Christians, Called Anabaptists (?1647). Written by a Presbyterian elder, possibly Richard Coysh, this anonymous tract defends the decision to rent a room in the Bishop of London’s palace to Baptists led by Henry Jessey and William Kiffin. It signals a key moment in the formation of religious identities and allegiances during the English Revolution, when the disestablishment of the Church of England made available ‘waste’ rooms for Dissenters to occupy, even within the grounds of St. Paul’s Cathedral. This chapter brings into focus some unexpected causes and consequences for religious toleration in seventeenth-century London, and considers afresh the jurisdictions and protective authorities as well as the architectural forms and features of an urban landscape that affected Dissenting ‘church life’ and its accommodation in a time of ecclesiastical renewal, contest, experimentation, and opportunism.

Abstract Not long after it was introduced in France, the guitar also became known in England. It is first cited in Thomas Whythorne’s autobiography. Whythorne reports that when he went to London in 1545, he ‘learned to play on the Gittern, and Sithern which ii instruments were then strange in England, and therefore the more desired and esteemed’. The gittern, he writes, ‘was an instrument … yused of gentilmen, and of the best sort in thoz days’. One such gentleman was England’s Secretary of State, Sir William Petre, who owned and took lessons on a ‘gyttron’ in 1550. An engraved portrait of Robert Dudley, Earl of Leicester, dated 1568, in which a small guitar is included among the objects symbolic of his interests and pursuits, suggests that he too was a gentleman occupied with the guitar.

In ten days more we returned to England, accompanied by Benjamin. Mrs Macallan’s house in London offered us ample accommodation. We gladly availed ourselves of her proposal, when she invited us to stay with her until our child was born, and our plans for the...

Abstract The introduction begins with an unusual work by Thomas Urquhart in which he claims to have had his manuscripts plundered and used as waste paper by Parliamentarian soldiers during the English Civil War, before going on to himself compose a text on scraps of waste paper in a London printing house. Urquhart’s claims regarding the histories and fates of his writing materials are representative of the material and imaginative presence of waste paper in early modern England more broadly—the subject of Waste Paper in Early Modern England. The introduction goes on to overview existing scholarship on subjects related to waste paper; to outline the place of papermaking in the early modern imagination and its connection to that of waste paper; and to explain Waste Paper in Early Modern England’s indebtedness and contribution to scholarship on the phenomenology of reading, material culture, and the theorization of waste, commodities, things, and stuff.

This chapter offers an exploration of the Settlement House movement in a contemporary light. It uses the reflections of two practitioners and data from recently conducted focus groups on the community-based practice in two organisations in England during the period 1981 to 1995. The authors contend that community development and community social work were part of mainstream social work practice supported by local authorities and integrated into social work education but that this has largely been lost from both mainstream social work practice and education, taking place only in the voluntary sector. This chapter aims to document the value of social work within contemporary based community-based organisations where politics of place were central to the community-based practice which took place, thus carrying on the original ethos and ideas of the original Settlements.

This chapter provides an overview of certain aspects of major settlement systems and clearing systems in the UK. It focuses on CREST, a UK electronic settlement system that is operated by Euroclear UK & Ireland Limited (EUI) in London. It also recounts how CREST became part of the Euroclear group in September 2002, when it merged with Euroclear Bank SA/NV and became its wholly owned subsidiary. This chapter draws attention to LCH Limited, a private limited company incorporated under the laws of England and Wales and was formerly called the London Clearing House Limited. It describes how LCH provides CCP clearing services in respect of trades on a wide range of exchanges, trading platforms, and OTC markets.

Architects F. Noel Bamford (1881-1952) and A.P. Hector Pierce (1879-1918) both worked in Edwin Lutyens’ London office before establishing their Auckland partnership in 1907. Just prior to the formation of the partnership, Bamford designed a house called Ngahere in the Auckland suburb of Epsom. Ngahere is known as an early and important example of Arts and Crafts architecture in Aotearoa New Zealand. It is a novel application of the butterfly plan, with a dominant central section and two articulated wings. Although built in timber on a foundation of basalt, like some larger villas in surrounding Mount Eden, in its plan and form it was unlike any other house in Auckland. This paper explores the design of Ngahere considering Bamford’s knowledge and experience of Arts and Crafts architecture, including that gained during his time in Lutyens’ office. It asks whether this house is true to the ideals of the Arts and Crafts movement as conceived in England, using pre-industrial forms, traditional construction methods and hand-crafting, or shows evidence of other geographical paths of the Arts and Crafts movement such as the United States and Australia. Additionally, it asks whether aspects of the house relative to planning (including relationship to the site), built form, materials and detailing are reflected in later Bamford and Pierce houses, or more widely in Arts and Crafts houses in the Auckland region. The paper shows that while Bamford’s time in Lutyens’ office apparently provided him with a repertoire of design skills and ideas, it did not render him an acolyte. Rather, Ngahere included clear references to the broader architectural lineage and direction of the Arts and Crafts movement in England and beyond, apparent in the ways the house responds to its site and context, including the visual and physical relationships between indoor and outdoor spaces.