Gotowa bibliografia na temat „Drawing”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Drawing”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Drawing"
Bauer, Angelika, i Gudrun Kaiser. "Drawing on drawings". Aphasiology 9, nr 1 (styczeń 1995): 68–78. http://dx.doi.org/10.1080/02687039508248692.
Pełny tekst źródłaBraine, Lila Ghent. "Drawing Conclusions About Children's Drawings". Contemporary Psychology: A Journal of Reviews 33, nr 10 (październik 1988): 899–900. http://dx.doi.org/10.1037/026126.
Pełny tekst źródłaSpiller, Neil. "The Magical Architecture in Drawing Drawings". Journal of Architectural Education 67, nr 2 (3.07.2013): 264–69. http://dx.doi.org/10.1080/10464883.2013.817173.
Pełny tekst źródłaJoiner Jr., Thomas E., i Kristen L. Schmidt. "Drawing Conclusions--Or Not-From Drawings". Journal of Personality Assessment 69, nr 3 (grudzień 1997): 476–81. http://dx.doi.org/10.1207/s15327752jpa6903_2.
Pełny tekst źródłaFarthing, Stephen. "Drawing Drawn (A Taxonomy)". Visual Communication 12, nr 4 (listopad 2013): 423–36. http://dx.doi.org/10.1177/1470357212460798.
Pełny tekst źródłaCarpenter, Patricia A. "Drawn in by Drawing". Contemporary Psychology: A Journal of Reviews 37, nr 4 (kwiecień 1992): 289–90. http://dx.doi.org/10.1037/031967.
Pełny tekst źródłaSUDERMAN, MATTHEW. "PATHWIDTH AND LAYERED DRAWINGS OF TREES". International Journal of Computational Geometry & Applications 14, nr 03 (czerwiec 2004): 203–25. http://dx.doi.org/10.1142/s0218195904001433.
Pełny tekst źródłaKoutsoumpos, Leonidas. "Drawings of sections and drawing with sections1". Drawing: Research, Theory, Practice 9, nr 1 (1.04.2024): 19–34. http://dx.doi.org/10.1386/drtp_00126_1.
Pełny tekst źródłaGeerts, Bart. "UNDRAWING: A GLOSSARY OF DAILY DRAWING". Culture Crossroads 22 (13.09.2023): 161–71. http://dx.doi.org/10.55877/cc.vol22.445.
Pełny tekst źródłaAntoniu, Manuela. "Drawing Without Drawing". Architectural Theory Review 14, nr 3 (grudzień 2009): 213–33. http://dx.doi.org/10.1080/13264820903341613.
Pełny tekst źródłaRozprawy doktorskie na temat "Drawing"
Chard, N. J. "Drawing indeterminate architecture, indeterminate drawings of architecture". Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1344187/.
Pełny tekst źródłaKauffman, Jordan Scott. "Drawing on architecture : the socioaesthetics of architectural drawings, 1970-1990". Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/97376.
Pełny tekst źródłaCataloged from PDF version of thesis.
Includes bibliographical references (pages 391-422).
This dissertation examines a period in the late twentieth century when architectural drawings provoked a profound re-evaluation of architecture. It does so through novel research of the individuals, galleries, institutions, and events-and the networks that originated therefrom-that drove this reappraisal by shifting the perception of architectural drawings. During the 1970s and 1980s, for the first time, architectural drawings became more than an instrument for building. Prior to this period, except for scattered instances, buildings were considered to be the goal of architectural practice; architectural drawings were viewed simply as a means to an end. However, through a confluence of factors architectural drawings emerged from this marginal role. Drawings attained autonomy from the architectural process and were ultimately perceived as aesthetic artifacts in and of themselves. No attention has been given to this shift, and recovering this period's forgotten history reveals a rich and complex tapestry. Research unearths interrelated individuals, galleries, institutions, and events outside of practice that impacted the perception of architectural drawings during this period. This reveals the uniqueness of this period, for at no other time was debate generated in the same way, since at no other time did the necessary structures exist to support this change. During this period, architectural drawings became the driving force of architectural debate, not for what architects put in them, but for what others asked them to be and saw in them. Through exhibitions that emphasized drawings in and of themselves, through collectors and galleries, through the development of a market for architectural drawings, and through the interrelation of these, all of which this work reconstructs for the first time, the role and perception of drawings fell between and among aesthetic, artistic, architectural, commercial, conceptual, cultural, and historical understandings. It was this shifting that drove questioning during this period of nearly all facets of architecture.
by Jordan Scott Kauffman.
Ph. D.
Spankie, Rosemary. "Drawing out the interior : thinking through drawing". Thesis, University College London (University of London), 2018. http://discovery.ucl.ac.uk/10052519/.
Pełny tekst źródłaMouton, Jacques P. "Drawing the building and building the drawing". Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/45292.
Pełny tekst źródłaDissertation (MArch(Prof))--University of Pretoria, 2014.
Architecture
MArch(Prof)
Unrestricted
Williamson, Naomi, i naomiruthwilliamson@mac com. "The Drawn Subject: Meaning and the Moving Drawing". RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080617.142838.
Pełny tekst źródłaSammis, Kim. "Drawing/s". Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/88806.
Pełny tekst źródłaMICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Includes bibliographical references (p. 175-179).
Drawing has become essential to the making of architecture. Though some of the most magnificent structures were created without documentation, testified by The Pyramids, the Parthenon, primitive dwellings, treehouses and many other "spontaneous" constructions, the contemporary profession of making buildings demands countless representations. From sketchy initial concepts to persuasive presentations to detailed construction documents, the making of images for a design sometimes takes longer than the construction process. Images must be read by many diverse people involved in the formation of buildings, therefore architectural notation systems demand consistency. Despite the accepted language of representation, images are abstractions of real objects. They are limited in their scope of information and allow us to bring our own perceptions to them. Architectural drawings stand between us and an object Due to their two dimensional nature, they must present information with symbols and conventions that we take for granted, just as we accept the structure of language. Many contemporary drawings are created not to serve the making of buildings, but to make a visual or ideological statement They are illustrative of ideas, and their resultant physical forms would express the manipulations of drawings, rather than the reverse. This aspect of representation has led me to question the substance of architectural images, their functions and the use of traditional notation systems specific to architecture and its allied crafts. Herbert Spenser said. "language must truly be regarded as a hindrance to thought" We think in images, though the mandatory learning of verbal formations may well befuddle our visions. Notation systems in architecture are similar to language. They too are abstractions of concepts and require training for understanding and manipulation. An investigation of their implications may offer more effective utilization.
by Kim Sammis.
M.Arch.
Coppage, Mary. "Drawing Conclusions". VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1886.
Pełny tekst źródłaDonarski, Vincent. "Drawing tools". College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3615.
Pełny tekst źródłaThesis research directed by: Dept. of Art. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Himebaugh, Keith. "Mythic Drawing| An archetypal approach to drawing with dreams". Thesis, Pacifica Graduate Institute, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3565655.
Pełny tekst źródłaThis production-style dissertation explores the psychological aspect of drawing with dream images. It introduces a practical method, called Mythic Drawing, which can help artists work with dream images in an authentic way. For James Hillman, the founder of Archetypal Psychology, dreams do not reflect the outer world of empirical reality. Rather, they express the inner world of psychic reality through mythological resemblances. Therefore, to draw adequately with images, the artist must give up the rational approach of step-by-step formulas and abstract concepts, and instead, sensitize these methods to the metaphorical style of the dream.
The essence of Mythic Drawing is play. The artist engages the dream image as an active participant, like an actor playing a part. The role of "artist" is relativized and seen through to the many archetypal figures one embodies while drawing, such as a child, a dancer, an architect, or a shaman. The artist accepts the dream images as alive, intelligent and capable of asserting a will of their own. In this way, drawing becomes a collaborative activity that fosters a dynamic relationship between the artist and the creative figures of his or her imagination.
Using a hermeneutic method, the dissertation outlines the theoretical basis of Mythic Drawing, while at the same time examining traditional assumptions and biases in art education. It then tests the efficacy of the ideas discussed through two intensive drawing projects. A heuristic method is applied throughout the production of drawings which helps provide reflection upon and analysis of the creative process.
Kalin, Nadine. "Conversations on teaching and learning drawing : drawn toward transformation". Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31358.
Pełny tekst źródłaEducation, Faculty of
Curriculum and Pedagogy (EDCP), Department of
Graduate
Książki na temat "Drawing"
Murray, John Philip. Demiurge - drawing words: New drawings. Macroom, Co. Cork: Vangard Gallery, 1994.
Znajdź pełny tekst źródłaHashmi, Imtiaz. Fundamentals of engineering drawing: Basics concepts of engineering drawing. Saarbrücken, Germany: Lap Lambert Academic Publishing, 2010.
Znajdź pełny tekst źródłaRhodes, R. S. Basic engineering drawing. Harlow: Longman Scientific & Technical, 1986.
Znajdź pełny tekst źródłaRobson, Colin. Drawing. New York: Watson-Guptill Publications, 1998.
Znajdź pełny tekst źródłaEileen, Adams, red. Start drawing: Power drawing. London: Drawing Power, 2002.
Znajdź pełny tekst źródłaBrooks, Julian. 'Graceful and true': Drawings in Florence c.1600. Oxford: Ashmolean Museum, 2003.
Znajdź pełny tekst źródłaOstrowsky, O. Engineering drawing: With CAD applications. London: Edward Arnold, 1989.
Znajdź pełny tekst źródłaOstrowsky, O. Engineering drawing: With CAD applications. London: Edward Arnold, 1989.
Znajdź pełny tekst źródłaOstrowsky, O. Engineering drawing: With CAD applications. London: Edward Arnold, 1995.
Znajdź pełny tekst źródłaChard, Nat. Drawing indeterminate architecture, indeterminate drawings of architecture. Wien: Springer, 2005.
Znajdź pełny tekst źródłaCzęści książek na temat "Drawing"
Agudo-Martínez, María Josefa. "Drawing Without Drawing". W Architectural Draughtsmanship, 1099–107. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_87.
Pełny tekst źródłaGooch, Jan W. "Drawing". W Encyclopedic Dictionary of Polymers, 243. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_4005.
Pełny tekst źródłaGooch, Jan W. "Drawing". W Encyclopedic Dictionary of Polymers, 243. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_4006.
Pełny tekst źródłaCalì, Carmelo. "Drawing". W Lecture Notes in Morphogenesis, 129–31. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51324-5_27.
Pełny tekst źródłaTyers, Ben. "Drawing". W Practical GameMaker: Studio, 19–28. Berkeley, CA: Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-2373-4_3.
Pełny tekst źródłaGummert, Hermann-J. "Drawing". W Encyclopedia of Lubricants and Lubrication, 392–420. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-22647-2_24.
Pełny tekst źródłaWard, Jenna, i Harriet Shortt. "Drawing". W The SAGE Handbook of Qualitative Business and Management Research Methods: Methods and Challenges, 262–81. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2018. http://dx.doi.org/10.4135/9781526430236.n16.
Pełny tekst źródłaWeik, Martin H. "drawing". W Computer Science and Communications Dictionary, 461. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_5600.
Pełny tekst źródłaRichter-Gebert, Jürgen, i Ulrich H. Kortenkamp. "Drawing". W The Cinderella.2 Manual, 281–347. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-540-34926-6_11.
Pełny tekst źródłaEdwards, Jean, Helen Caldwell i Rebecca Heaton. "Drawing". W Art in the Primary School, 157–85. Wyd. 2. New York, NY: Routledge, 2021. |: Routledge, 2021. http://dx.doi.org/10.4324/9780429296208-7.
Pełny tekst źródłaStreszczenia konferencji na temat "Drawing"
Zhang, Lvmin, Jinyue Jiang, Yi Ji i Chunping Liu. "SmartShadow: Artistic Shadow Drawing Tool for Line Drawings". W 2021 IEEE/CVF International Conference on Computer Vision (ICCV). IEEE, 2021. http://dx.doi.org/10.1109/iccv48922.2021.00534.
Pełny tekst źródłaTaskoparan Stassi, Secil. "Life At The Riverfront: Drawing Histories, Drawing Narratives, Drawing Entanglements". W DRS2024: Boston. Design Research Society, 2024. http://dx.doi.org/10.21606/drs.2024.650.
Pełny tekst źródłaPenman, Scott. "Drawing to See / Drawn to Seeing: Multimodal Reinterpretation in an Autonomous Drawing Machine". W Design Research Society Conference 2018. Design Research Society, 2018. http://dx.doi.org/10.21606/drs.2018.687.
Pełny tekst źródłaLooi, Lydia, i Richard Green. "Estimating Drawing Guidelines for Portrait Drawing". W 2021 36th International Conference on Image and Vision Computing New Zealand (IVCNZ). IEEE, 2021. http://dx.doi.org/10.1109/ivcnz54163.2021.9653407.
Pełny tekst źródłaSchkolne, Steven, Michael Pruett i Peter Schröder. "Surface drawing". W the SIGCHI conference. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/365024.365114.
Pełny tekst źródłaBrunvand, Erik, Jennifer (Ginger) Reynolds Alford i Paul Stout. "Drawing machines". W Proceeding of the 44th ACM technical symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2445196.2445530.
Pełny tekst źródłaFitzgerald, Jeannie, i Conor Ryan. "Drawing boundaries". W the 13th annual conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2001576.2001758.
Pełny tekst źródłaShirali-Shahreza, M., i S. Shirali-Shahreza. "Drawing CAPTCHA". W 28th International Conference on Information Technology Interfaces, 2006. IEEE, 2006. http://dx.doi.org/10.1109/iti.2006.1708527.
Pełny tekst źródłaLeigh, Sang-won, Harshit Agrawal i Pattie Maes. "Z-drawing". W SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2787626.2787652.
Pełny tekst źródłaZaks, Shahar. "Drawing Tool". W TEI'12: Sixth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2012. http://dx.doi.org/10.1145/2148131.2148210.
Pełny tekst źródłaRaporty organizacyjne na temat "Drawing"
WILSON, G. W. Drawing evaluation report for sampling equipment drawings. Office of Scientific and Technical Information (OSTI), maj 1999. http://dx.doi.org/10.2172/782256.
Pełny tekst źródłaJaramillo, George Steve. Drawing Waters. University of Limerick, 2020. http://dx.doi.org/10.31880/10344/8360.
Pełny tekst źródłaSmith, W. L. Automated glass fiber drawing. Office of Scientific and Technical Information (OSTI), wrzesień 1989. http://dx.doi.org/10.2172/5524774.
Pełny tekst źródłaLeon, Ryan Francis. Personal Drawing Portfolio Sample. Office of Scientific and Technical Information (OSTI), maj 2016. http://dx.doi.org/10.2172/1253516.
Pełny tekst źródłaDomnoske-Rauch, L. A. Tank farms essential drawing plan. Office of Scientific and Technical Information (OSTI), sierpień 1998. http://dx.doi.org/10.2172/362550.
Pełny tekst źródłaOlds, Daniel P. CAD drawing of tensile rig. Office of Scientific and Technical Information (OSTI), czerwiec 2014. http://dx.doi.org/10.2172/1134794.
Pełny tekst źródłaWILSON, G. W. Characterization equipment essential drawing plan. Office of Scientific and Technical Information (OSTI), maj 1999. http://dx.doi.org/10.2172/782268.
Pełny tekst źródłaWILSON, G. W. Characterization equipment essential drawing plan. Office of Scientific and Technical Information (OSTI), maj 1999. http://dx.doi.org/10.2172/782269.
Pełny tekst źródłaHenderson, Thomas C., i Lavanya Swaminathan. Agent-Based Engineering Drawing Analysis. Fort Belvoir, VA: Defense Technical Information Center, luty 2002. http://dx.doi.org/10.21236/ada453890.
Pełny tekst źródłaLaura Leddy, Laura Leddy. Drawing Archaeology in Byzantine Athens. Experiment, maj 2014. http://dx.doi.org/10.18258/2591.
Pełny tekst źródła