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Artykuły w czasopismach na temat "Dramatic criticism – history"
EVANS, PETER W. "GOLDEN-AGE DRAMATIC CRITICISM NOW". Seventeenth Century 2, nr 1 (styczeń 1987): 49–53. http://dx.doi.org/10.1080/0268117x.1987.10555260.
Pełny tekst źródłaEllenzweig, Sarah. "Rhyme's Contrapuntal History in Early Dryden". ELH 91, nr 2 (czerwiec 2024): 377–404. http://dx.doi.org/10.1353/elh.2024.a929153.
Pełny tekst źródłaShapoval, Mariana. "The intellectual's artistic biography in S. Rosovetskyi's dramatic". Synopsis: Text Context Media 26, nr 1 (2020): 1–10. http://dx.doi.org/10.28925/2311-259x.2020.1.1.
Pełny tekst źródłaElam Jr., Harry J. "Making History". Theatre Survey 45, nr 2 (listopad 2004): 219–25. http://dx.doi.org/10.1017/s0040557404000171.
Pełny tekst źródłaKnowles, Richard Paul. "CTR and Canadian Theatre Criticism: Constructing the Discipline". Canadian Theatre Review 79-80 (czerwiec 1994): 10–13. http://dx.doi.org/10.3138/ctr.79-80.002.
Pełny tekst źródłaCatană, Elisabeta Simona. "History as Story and Parody in Julian Barnes’s the Noise of Time". Romanian Journal of English Studies 16, nr 1 (1.11.2019): 25–31. http://dx.doi.org/10.1515/rjes-2019-0004.
Pełny tekst źródłaÖzmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, nr 2 (1.09.2018): 196–204. http://dx.doi.org/10.3167/ej.2018.510226.
Pełny tekst źródłaÖzmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, nr 2 (1.09.2018): 196–204. http://dx.doi.org/10.3167/ej.2017.510226.
Pełny tekst źródłaBenson, Eugene, i L. W. Conolly. "English-Canadian Theatre". Canadian Theatre Review 57 (grudzień 1988): 90–91. http://dx.doi.org/10.3138/ctr.57.020.
Pełny tekst źródłaHarp, Gillis. "Hofstadter's The Age of Reform and the Crucible of the Fifties". Journal of the Gilded Age and Progressive Era 6, nr 2 (kwiecień 2007): 139–48. http://dx.doi.org/10.1017/s1537781400001973.
Pełny tekst źródłaRozprawy doktorskie na temat "Dramatic criticism – history"
Li, Siu Leung, i 李小良. "Toward a theory of dramatic adaptation: with special reference to Shakespearean and Ming Qing adaptations". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1986. http://hub.hku.hk/bib/B31207352.
Pełny tekst źródłaWright, Elizabeth Helena. "Virginia Woolf and the dramatic imagination". Thesis, St Andrews, 2008. http://hdl.handle.net/10023/510.
Pełny tekst źródłaLaReau, Brandon. "Dramatic Themes: Active Learning and Thematic Teaching in the Theatre History Classroom". VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5755.
Pełny tekst źródłaAllingham, Philip Victor. "Dramatic adaptations of the Christmas books of Charles Dickens, 1844-8 : texts and contexts". Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28615.
Pełny tekst źródłaArts, Faculty of
English, Department of
Graduate
Carson, Jo. "Teller Tales: Histories". Digital Commons @ East Tennessee State University, 2007. http://amzn.com/082141753.
Pełny tekst źródłahttps://dc.etsu.edu/alumni_books/1018/thumbnail.jpg
LAW, Ching. "高行健之戲劇 : 理論與實踐". Digital Commons @ Lingnan University, 2006. https://commons.ln.edu.hk/otd/17.
Pełny tekst źródłaWeiss, Katherine. "Haunted by the Blitz: History, Trauma and Noel Coward’s Blithe Spirit". Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/2257.
Pełny tekst źródłaChoate, Catie. "The Action to the Word, The Word to the Action: Teaching Shakespeare as Performance Litearture". VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4234.
Pełny tekst źródłaBen-Shach, Jane Respitz. "The false Messiah in Yiddish literature : a comparison between two dramatic works". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59384.
Pełny tekst źródłaThe figure of the Messiah in Jewish religious imagination signifies the prophetic yearning for redemption at the end of days, but it also provoked hopes in a strong leader who will bring about social and political redemption. Based on historical models, literature from the twelfth to the twentieth century addressed these "false Messiahs" and in the modern period used them to define and illustrate contemporary catastrophe.
Shlomo Molcho by American Yiddish poet Aaron Glanz-Leyeles and Prince Reuveni by Soviet Yiddish author David Bergelson are two twentieth century poetic historic dramas based on two messianic figures of the sixteenth century. These two modern works are compared in relation to the respective authors' life and times, political and aesthetic outlook, and dramatic powers. The comparison shows the usefulness of the "false Messiah" in dramatizing and expressing difficult contemporary issues.
Yantolo-Sotyelelwa, Betty Matase. "The portrayal of characters through dialogue and action in isiXhosa drama : dramatic and cultural perspectives". Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/3361.
Pełny tekst źródłaThis study aims at highlighting one of the crucial aspects of Xhosa drama: how women have been regarded by a variety of communities as being inferior to men. This stereotype pervades almost all spheres of life. The low status assigned to women find its way into literature as well. Ngewu’s drama “Yeha mfazi obulala indoda” and Taleni’s drama “Nyana nank’uNyoko” has been examined. In most Xhosa literature, women are portrayed as submissive, obedient and minor characters. The advent of Ngewu’s work changed this scenario by portraying women as independent characters. This has led to great conflict with male characteristics and this demonstrates clearly that partriarchal domination is deep rooted in Xhosa culture.
Książki na temat "Dramatic criticism – history"
Austin, Gayle. Feminist theories for dramatic criticism. Ann Arbor: University of Michigan Press, 1990.
Znajdź pełny tekst źródłaCardullo, Bert. Dramatic considerations: Essays in criticism, 1977-1987. New York: P. Lang, 1991.
Znajdź pełny tekst źródłaUniversity of Florida Department of Classics Comparative Drama Conference (1985). Within the dramatic spectrum. Lanham, Md: University Press of America, 1986.
Znajdź pełny tekst źródłaHanbery, MacKay Carol, red. Dramatic Dickens. Basingstoke: Macmillan, 1988.
Znajdź pełny tekst źródłaByron, Glennis. Dramatic monologue. London: Routledge, 2003.
Znajdź pełny tekst źródłaHanbery, MacKay Carol, red. Dramatic Dickens. New York: St. Martin's Press, 1989.
Znajdź pełny tekst źródłaLynn, Hulse, i Malone Society, red. Dramatic works. Oxford: Published for the Malone Society by Oxford University Press, 1996.
Znajdź pełny tekst źródłaNwabueze, Emeka. Studies in dramatic literature. Nigeria: ABIC Books, 2011.
Znajdź pełny tekst źródłaEkstein, Nina C. Dramatic narrative: Racine's récits. New York: P. Lang, 1986.
Znajdź pełny tekst źródłaJürgen, Wolter, red. The Dawning of American drama: American dramatic criticism, 1746-1915. Westport, Conn: Greenwood Press, 1993.
Znajdź pełny tekst źródłaCzęści książek na temat "Dramatic criticism – history"
Cannan, Paul D. "Introduction: On Writing the History of Early English Criticism". W The Emergence of Dramatic Criticism in England, 1–17. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-03717-6_1.
Pełny tekst źródłaSaber, Fathieh Hussam. "Shellyseer: A Literary Evolution". W Gulf Studies, 365–80. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7796-1_22.
Pełny tekst źródła"Criticism and Destiny: Kundera and Havel on the Legacy of 1968". W 1948 and 1968 – Dramatic Milestones in Czech and Slovak History, 193–212. Routledge, 2013. http://dx.doi.org/10.4324/9781315879413-13.
Pełny tekst źródłaMitchell-Boyask, Robin N. "Dramatic Scapegoating: On the Uses and Abuses of Girard and Shakespearean Criticism". W Tragedy and the Tragic, 426–37. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198149514.003.0028.
Pełny tekst źródłaGoldhill, Simon. "Representing Democracy: Women at the Great Dionysia". W Ritual, Finance, Politics, 347–69. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198149927.003.0022.
Pełny tekst źródłaGraziosi, Barbara. "Performing Epic and Reading Homer". W Epic Performances from the Middle Ages into the Twenty-First Century, 16–30. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804215.003.0002.
Pełny tekst źródłaHershinow, David. "Coda". W Shakespeare and the Truth-Teller, 225–28. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439572.003.0007.
Pełny tekst źródłaJones, Polly. "Perestroika and Post-Soviet Afterlives". W Revolution Rekindled, 229–66. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198804345.003.0006.
Pełny tekst źródłaDailey, Alice. "Dummies and Doppelgängers". W How to Do Things with Dead People, 77–104. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501763656.003.0004.
Pełny tekst źródłaMilder, Robert. "The Broken Circle: Mardi and (Post-)Romanticism". W Exiled Royalties, 27–49. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195142327.003.0002.
Pełny tekst źródłaStreszczenia konferencji na temat "Dramatic criticism – history"
Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago". W Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.
Pełny tekst źródłaBrand, Anthony. "The ChatGPT Effect: Rethinking Architectural Pedagogy in the AI Age". W 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.56.
Pełny tekst źródłaBrand, Anthony. "The ChatGPT Effect: Rethinking Architectural Pedagogy in the AI Age". W 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.55.
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