Artykuły w czasopismach na temat „Drama”
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Hadžiefendić-Parić, Remzija. "ISAKOVIĆEVA DRAMA „HASANAGINICA“ I NJEGOV „RJEČNIK KARAKTERISTIČNE LEKSIKE U BOSANSKOME JEZIKU“". Zbornik radova Islamskog pedagoškog fakulteta u Bihaću 11, nr 11 (25.12.2019): 161–87. http://dx.doi.org/10.52535/27441695.2019.11.161-187.
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U radu je fokus na leksičkom sastavu Isakovićeve drame Hasanaginica (1982) s obzirom na postupke izdvajanja i tumačenje leksike u njegovom Rječniku karakteristične leksike u bosanskome jeziku (1991). Cilj je utvrditi odnos riječi u drami Hasanaginica i leksema uvrštenih u Rječnik – s polaznom pretpostavkom da postoji određena podudarnost u njihovom izboru, formi i značenju, pri čemu se ne gubi iz vida da su u pitanju dva posve različita tipa tekstova, vrsno i žanrovski, dva stila - književnoumjetnički (drama, tragedija) i primijenjeno naučni (rječnik, jednojezički), što za sobom povlači niz bitnih, međusobno suprotstavljenih distinkcija na planu leksike i njenog funkcioniranja u tekstu premda su i jedno i drugo, drama i rječnik, 'jeziku metajezici' (usp. Peti, 1995: 103), jedno in preasentia (drama), drugo in absentia (rječnik). U analizi se dakle polazi od toga da dramu i rječnik čine komponente različite strukturno (s obzirom na mjesto u tekstu), formalno (s obzirom na način pisanja), funkcionalno (s obzirom na uloge u 'drugostepenom modelativnom sistemu' i u leksikografskom djelu) i jezičkostilski (s obzirom na vrijednosti i efekte). Koliko mi je poznato, za ovu temu do sada nije bilo naučnih zanimanja niti je bilo istraživanja o njoj. U radu sam se zadržala samo na određenim riječima iz drame preko kojih se mogu pratiti i u konačnici prepoznati bitne konture odnosa drame i Rječnika sa aspekta koji je odabran u ovom radu.
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Ognjenović, Svjetlana. "„POLITIKA STILA“ KERIL ČERČIL: KRITIKA KAPITALIZMA I NEOLIBERALNOG FEMINIZMA NA PRIMJERU DRAME FEN (1983)". Philologia Mediana 16, nr 16 (6.06.2024): 213–27. http://dx.doi.org/10.46630/phm.16.2024.14.
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Drama Fen nastala je nakon drame top djevojke, koja važi za najpoznatiju feministič- ku dramu Keril Čerčil i tematski je nadopunjuje. Dok u prethodnoj drami Keril Čerčil prikazuje žene na vrhu društvene ljestvice, u ovoj drami ona se bavi isključivo ženama koje se nalaze na društvenom dnu. Ovo je drama o ženama koje nisu predmet pažnje ni feministkinja, a ni tzv. Novih ljevičara, čiji je pokret smišljen da bi diskvalifikovao prvobitnu marksističku Ljevicu, i koje su prepuštene isključivo vlastitim nastojanjima da prežive dan. Da bi prikazala isprazne i teške živote ovih žena zaglibljenih u baruštinama istočne Engleske, Keril Čerčil kombinuje mnogobrojne pozorišne tehnike čija raznovrsnost ovu dramu čini jedinstvenom. Tako autor- ka njenim uobičajnim strategijama epskog teatra pridodaje tehnike eksperimentalnog teatra, kao i nove dokumentarističke tehnike usavršene tokom saradnje sa pozorišnom trupom joint Stock Company. Brehtova tipologija i efekat otuđenja samo su neke of tehnika kojima je autorka uspjela da istorizuje pojave o kojima piše i ukaže gledaocima na kontinuiranu zloupotrebu moći i podjarmljivanje širokih narodnih masa od strane kapitalističkih tiranina. S druge strane, njeno insistiranje na emocionalnom angažmanu i empatiji ukazuje da samo sprega emocije i razumije- vanja može dovesti do toliko željene revolucionarne promjene u zapadnom društvu. Pored kri- tike kapitalizma i cjelokupne zapadne ideologije moći i eksploatacije, u ovoj drami Keril Čerčil takođe aludira na nedovoljnosti i nedostatke liberalnog feminizma koji ona suštinski tumači kao ideološku podkategoriju patrijarhalno-kapitalističkog sistema.
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Kim, Jooyon. "A Study of Applying Story Drama for Dramatic Inquiry". Korean Association For Learner-Centered Curriculum And Instruction 23, nr 9 (15.05.2023): 137–52. http://dx.doi.org/10.22251/jlcci.2023.23.9.137.
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Objectives In this study, the concept of ‘drama inquiry’ was revealed, the method of applying story dramas was explored, and the process realized in actual classes was analyzed.
Methods To this end, a literature study on ‘drama inquiry’ and ‘story drama’ was conducted, and story drama was applied to six participant teachers. The aspect of ‘drama inquiry’ being implemented through story dramas was analyzed.
Results As a result of applying story dramas to six participants, it was found that ‘drama inquiry’ was possible. Participants constructed new generative meanings through dialogue with other participants which they could not construct before.
Conclusions ‘Drama inquiry’ is a unique way of constructing meaning that can be realized in a drama, and its feasibility increases when applied through story dramas. Various situations or issues of story dramas provide materials for ‘drama inquiry’, especially story dramas that enable participants to construct metaphorical meanings help operate ‘drama inquiry’ efficiently.
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Strejčková, Hana. "Ambientalna avtorska drama". Amfiteater 9, nr 2021-2 (30.06.2022): 230–32. http://dx.doi.org/10.51937/amfiteater-2022-1/230-232.
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Prispevek obravnava vlogo dramatikov v sodobni ambientalni drami ter vlogo režiserjev ambientalnih uprizoritev. Raziskava se osredotoča na tri poglavitna področja: na avtorsko dramo, ki temelji na novejši zgodovini dvajsetega stoletja; na performativni potencial skupnosti in ustne zgodovine ter na sodobno ambientalno dramo. Kot dramatičarka se avtorica osredotoča na spomine in družbene tabujske teme, kot režiserka pa raziskuje pristope, kako spomine na kraje, zbirke podatkov iz ustne zgodovine ter pereča vprašanja preoblikovati v gledališki jezik. Preučuje razmerja med dramatiki in ambientalnimi uprizoritvami. Opazuje povezave med temo, sredstvi komunikacije in negledališkimi prostori. Longitudinalna kvalitativna umetniška raziskava temelji na izkušnjah iz gledališke prakse, analizi in primerjavi teoretskega znanja. Avtorica navaja primere avtorskih iger in poročil o njihovih uprizoritvah, konkretno gre za naslednje drame: Polnoč v obmejnem prostoru (3./4. maj 1950, samostan), Trije stoli (Alzheimerjeva bolezen, dom upokojencev), Od Majdalenke do Madle (druga svetovna vojna, klet) in Hotel na vogalu (1932–1989, stara gledališka stavba). Raziskava izpostavlja potrebo po ustvarjalnem in pozornem pristopu avtorjev –dramatikov, dramaturgov in režiserjev – da lahko iz dualnosti običajnega in tabujskega ustvarijo povsem nov svet. Kombinacija močne teme, nenavadne lokacije, povezane s temo drame, in participativne vloge (aktivne/pasivne) občinstva se lahko izkaže za učinkovito strategijo in celo za »taktiko« krepitve avtorjeve vloge v drami po letu 2000.
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Lee, Sin-Bok. "The Effect of the Characteristics of the Drama based on the Webtoon on the Attitude and Behavior of the Viewer". International Journal of Membrane Science and Technology 10, nr 1 (1.06.2023): 261–73. http://dx.doi.org/10.15379/ijmst.v10i1.1454.
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Recently, dramas based on webtoons are gaining popularity. The reason is that dramas which are based on webtoons is not only highly recognized but also have a strong story, so there is a high probability that they can succeed as a masterpiece drama. In this study, based on previous studies on the characteristics of the dramas which are based on webtoons, we tried to investigate how the attitude of drama viewers and the behavior of drama viewers can change, by confirming the characteristics of the dramas based on the webtoons. For our study, we distributed and collected 252 questionnaires filled out from September 1 to September 14, 2022 to adult men and women in their 20s and 30s. The results of this study are summarized as follows. First, among the characteristics of the dramas which were based on webtoons, the reputation of the original work, or webtoons, had a positive effect on the satisfaction of drama viewers, but it had no effect on flow of the drama viewers. Second, among the characteristics of the drama in which the webtoon is the original work, the suitability of original work and drama imaqge and the suitability of actor casting were found to have a positive effect on both satisfaction and flow of drama users.Third, among the characteristics of the dramas which were based on webtoons, it was found that the platform characteristics had no effect on both satisfaction and flow of drama viewers. Finally, it was found that the satisfaction and flow of drama viewers had a positive effect on all behaviors of the drama viewers.
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Elia, Fabrizio, Francesco Panero, Vincenzo Crupi i Franco Aprà. "Drama of medical dramas". Postgraduate Medical Journal 94, nr 1114 (16.05.2018): 477. http://dx.doi.org/10.1136/postgradmedj-2018-135723.
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B, Vijayakumar. "A Comparative Analysis of Tamil and Assamese Dramatic Tradition". International Research Journal of Tamil 4, nr 2 (1.02.2022): 1–8. http://dx.doi.org/10.34256/irjt2221.
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The article is to trace the heritage of Tamil and Assamese drama earliest times to present. The sub-genre of different periods is also discussed herewith. Earliest record of Tamil drama is available during Sangam period. In Assamese it is mentioned in the Sankaradev period. Sankardeva the father of Assamese literature and society maker had a great contribution to Assamese drama. ‘Chihno Jatra’ was the first drama of Assamese literature. To speed up his ‘Ek Saran’ religion he wrote many dramas as an instrument of it and his followers also followed him. In the end of the nineteenth century Tamil and Assamese drama underwent a change after its contact with western literature. Hence the Tamil drama can be divided into four periods. (1) Tolkappiyam to 16th century, (2) drama in the 17th,18th century, (3) 19th century, and (4) 20th century. Assamese drama can be classified as (1) Vaisavate period, (2) Ahom period, (3) modern period. Many authors wrote ancient, historical and modern dramas in both languages. All those dramas are taken as the very great wealth of Tamil and Assamese literature.
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Maryam, Siti. "STUDI KOMPARASI EMIK DAN ETIK MASYARAKAT TERHADAP MENJAMURNYA TAYANGAN DRAMA ASING DI INDONESIA: KAJIAN ANTROPOLOGI KONTEMPORER". GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, nr 1 (7.05.2018): 91–105. http://dx.doi.org/10.47269/gb.v3i1.8.
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AbstrakBahasa merupakan suatu hal yang telah membuat manusia menjadi makhluk istimewa. Sejak lahir, setiap manusia telah dibekali dengan alat akuisisi bahasa yang sering diistilahkan dengan Language Acquisition Device (LAD). Seiring dengan berkembangnya zaman dan teknologi yang semakin maju, semakin berkembang pula dunia perfilman di setiap negara, terutama negara India, Korea, Amerika Latin, Filipina, dan Turki. Seperti yang kita lihat, belakangan ini sekitar tahun 2014 sampai sekarang, drama-drama India, Korea, Amerika Latin, Filipina, dan Turki yang sedang marak di layar kaca Indonesia. Dalam hal ini, karena semakin maraknya drama-drama luar, maka banyak sekali pengaruh yang ditimbulkan drama-drama tersebut kepada masyarakat Indonesia terutama para remaja, misalnya karena sering menonton drama Korea mereka jadi mengikuti gaya bicara, berpakaian, dan bahasanya seperti, Annyeong Haseyo (Hallo), Gamsamhamnida (Terima Kasih), Mianhae (Maaf), dan masih banyak lagi. Hal serupa juga sama dilakukan bagi masyarakat yang menyukai drama India, Amerika Latin, Filipina, dan Turki. Tidak disangka dari drama tersebutlah budaya dari negara-negara tersebut jadi semakin dikenal oleh bangsa Indonesia. Oleh karena itu, dianggap penting untuk melakukan kajian tentang persepsi masyarakat terkait menjamurnya drama asing di Indonesia sebagai bahan informasi untuk menambah wawasan masyarakat. Adapun drama yang dimaksud terwujud dalam bentuk film, sebab antara film dengan drama memiliki persamaan terutama dalam ihwal bentuk tayangan dan konten yang disajikan. Hal tersebut yang menyebabkan terjadinya berbagai persepsi di tengah masyarakat yang menikmatinya. Kata kunci: komparasi, emik dan etik, drama asing, antropologi kontemporer AbstractLanguage is something that has made human a special being. Since birth, every human has been equipped with language acquisition tools that are often called the Language Acquisition Device (LAD). Along with the development of the era and the progress of technology, the more developed the world of cinema in every country, especially India, Korea, Latin America, Philippines, and Turkey. As we see, lately around 2014 until now, the dramas of India, Korea, Latin America, Philippines, and Turkey are often broadcasted on the Indonesian television. In this case, since the increase of the widespread of foreign dramas, many influences caused by those dramas to Indonesian, especially the teenagers. For instance because of watching Korean dramas, the youth follow the style of speech, dressing, and language like, Annyeong Haseyo (Hallo), Gamsamhamnida (Thank You), Mianhae (Sorry), and so on. The same is also true for people who love India, Latin America, Philippines, and Turkey dramas. Unexpectedly, based on those dramas, the culture of those countries become increasingly recognized by Indonesian people. Therefore, it is considered important to conduct a study on public perceptions related to the proliferation of foreign dramas in Indonesia as an information material to increase community insight. About dramas is being in the film, causes between film and dramas having the same is the structure of showing and content. That’s same be the caused of perception variated in the people community. Key words: comparation, emik and ethics, foreign drama, contemporary anthropology
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Li, Ya, i Ho Young Yoon. "Cultural differences in color between countries viewed as Korean-Japanese dramas: Focusing on the color scheme of five remake dramas". Korean Data Analysis Society 25, nr 1 (28.02.2023): 445–56. http://dx.doi.org/10.37727/jkdas.2022.25.1.445.
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This study examines the colors of identical scenes from five remakes and the five original Korean-Japanese drama, by mixing the country of the origin. In doing so, this study analyzes colors difference of TV drama by production countries. The comparison between the originals and the remakes is conditioning the storyline, genre and plot. Thus, the detailed color difference between Korean and Japanese dramas lies in the production style for cultural contents, instead of contents differences. According to the study's findings, colors with similar hues were favoured in both Korea and Japan, however the Japanese preference tended to be stronger. The chromaticity and brightness color combinations are contrasted between Korea and Japan. In cotrast to Korea, the contrast color combination of chroma and the similar color combination of brightness were more frequent in Japanese drams, which is the opposite to Korean dramas that the contrast combination is more prevalent in brightness measure and similar color combination in chroma measure. The study has demonstrated the need for more research into the appealing power of Korean dramas by comparing color combinations between countries.
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Farooq, Ummar, i Abdul Hameed Shahwani. "پی ٹی وی کوئٹہ؛ براہوئی و بلوچی ڈرامہ غاک". Al-Burz 8, nr 1 (20.12.2016): 45–60. http://dx.doi.org/10.54781/abz.v8i1.145.
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This research article refers the Brahui and Balochi dramas telecasted from the Pakistan Television Quetta Centre. This article tells how and when the drama in these both languages got started it further leads that in folk literature of both the languages did the genre of drama had any presence or not. In spite of the dramas telecasted by PTV Quetta Centre Balochi short films made at private sector are also discussed. The main purpose of this article is to collect the scattered material of the Brahui and Balochi dramas and to present them for the new researchers of drama.
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y, Hou Jue, i Jeongmin Ko. "A Study on the Q Methodology on the Factors of Korean Viewers’ Preference for Watching Chinese Drama: Focusing on Costume Drama". Academic Association of Global Cultural Contents 57 (30.11.2023): 267–90. http://dx.doi.org/10.32611/jgcc.2023.11.57.267.
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With the continued development of the media, the spread of multicultural dramas has become a common concern of the drama industry, and the export of dramas has become an important way to improve the culture of countries around the world. Currently, Chinese costume drama is actively consumed through OTT platforms, such as remakes in Korea. In order to maintain this desire of Korean viewers, the subjective viewing preference factors of Korean viewers were analyzed using the Q methodology and based on this, implications for the entry of Chinese costume drama into Korea were presented.
As a result of the study, it was confirmed that the factors that Korean viewers prefer to watch Chinese costume dramas were divided into types that prefer traditional historical dramas and types that prefer fusion historical dramas. Cultural curiosity is the preferred factor in the pursuit of traditional culture that likes traditional historical dramas based on cultural similarities. Based on cultural similarities, fusion historical dramas can be divided into visual effect-seeking types that prefer colorful production environments and fandom-seeking types that prefer to like actors, and content excellence is the preferred factor. It can be seen that this is an individual's subjective taste in which various factors of preference for Chinese costume drama appear depending on the viewing tendency.
This study is meaningful in presenting the factors of Korean viewers' preference for viewing differently depending on the preference for viewing traditional historical dramas and fusion historical dramas in the production environment of Chinese costume drama.
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Park, Noh-Hyun. "The Journal of Korean Drama and Theatre and Television Drama: Focusing on Quotation of Lines/Scenes in Research on Television Drama". Korean Society of Culture and Convergence 44, nr 10 (31.10.2022): 1119–33. http://dx.doi.org/10.33645/cnc.2022.10.44.10.1119.
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The Journal of Korean Drama and Theatre published by the Learned Society of Korean Drama and Theatre is the most representative journal for research on Korean television dramas as a kind of drama act. The number of theses that have been gathered by a total of 75 journal series is as many as 615, which have been issued until 2020, since 1991 when it was launched. Of them, the theses on television dramas began to be initially published by the 21th series issued in 2005, and then 76 theses investigated by 35 researchers are currently published. The scenes beyond/post sheet, which appear in television dramas as image literature, become main texts, due to the genre characteristics. Lines and scenes in screens are naturally mobilized for any quotations. The current research on television dramas, however, do not give any academic guidelines regarding the quotation of lines and scenes. This paper, therefore, attempts to provide a direction of examining the current conditions of the lines and scenes quoted by research on television dramas based on 76 theses gathered in The Journal of Korean Drama and Theatre and helping both the society and the journal improve them. The measure may be largely specified as five proposals. The key point of them lies in the essence of the quotation properly certified by research, in other words, the practice of it, which make it possible to realize scholarly conversations with academic value.
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Ta Park, Van My, Joyce Suen Diwata, Nolee Win, Vy Ton, Bora Nam, Waleed Rajabally i Vanya C. Jones. "Promising Results from the Use of a Korean Drama to Address Knowledge, Attitudes, and Behaviors on School Bullying and Mental Health among Asian American College-Aged Students". International Journal of Environmental Research and Public Health 17, nr 5 (3.03.2020): 1637. http://dx.doi.org/10.3390/ijerph17051637.
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The limited research on bullying, mental health (MH), and help-seeking for Asian American (ASA) college students is concerning due to the public health importance. Korean drama (K-Drama) television shows may be an innovative approach to improve knowledge, attitudes, and behaviors (KAB) on bullying. This study examined whether the KAB about school bullying improved after watching a K-Drama and asked participants about their perspectives of using a K-Drama as an intervention. A convenience sample of college students (n = 118) watched a K-Drama portraying school bullying and MH issues. Pre-/post-tests on KAB on bullying were conducted. Interviews (n = 16) were used to understand their experiences with K-Dramas. The mean age was 22.1 years (1.6 SD), 83.9% were female, and 77.1% were ASAs. Many reported experiences with anxiety (67.8%), depression (38.1%), and school bullying victim experience (40.8%). Post-test scores revealed significant differences in knowledge by most school bullying variables (e.g., victim; witness) and MH issues. There were varying significant findings in post-test scores in attitudes and behaviors by these variables. Participants reported that they “love” the drama, felt an emotional connection, and thought that K-Dramas can be an educational tool for ASAs. K-Dramas may be an effective population-level tool to improve health outcomes among ASAs.
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LEE, Hyeon-Jeong. "DEVELOPMENT OF THE KOREAN POETIC DRAMA AND THE SIGNIFICANCE OF THE POETIC DRAMA MOVEMENT". International Journal of Korean Humanities and Social Sciences 7 (27.12.2021): 117–41. http://dx.doi.org/10.14746/kr.2021.07.06.
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This paper deals with the definition and characteristics of poetic drama, and attempts to clarify the significance of poetic drama works during the time when the poetic drama movement took place. Unlike drama-poetry or plays, poetic drama is an independent art genre. It presents artistic vision through the conflict of poetics and dramas. The unity of poetic and dramatic things, which is facilitated through music, internal necessity, stage image, sound effect, and visual auditory indication, poetic drama is a part of complex art. The entire work functions as a poem and must be realized on the stage. For Choi Il-soo, in order to develop the characteristics of these poetry plays, the innatrhythm of the free verse should be embodied within these plays. He accepted Eliot’s theory and tried to establish the position that Western poetic drama works and theories are unique to Korea. This deepening perception of theory led to a poetic drama movement with the creators. In this paper, we classify its characteristics by focusing on approximately 18 poetic drama works. From 1920 to 1999, 18 representative works were classified, focusing on the completeness of the works and the remarkable artists. The characteristics of works can largely be divided into historical, narrative, reality, and philosophy. The meaning of this classification can serve as an opportunity for poetic dramas to advance into more diverse topics or forms. The poetic drama movement was dominated by critics and poets with the aim of pursuing independent Korean art works, and although it failed in performance and popularization, it was an achievement of the times to give a glimpse into the possibility of poetic drama. Poetic drama can act as a new element in the genre of poetry and drama that are losing original literary character, and there is a need to revive in Korean literature.
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Xoun, Chuan Pom, Do Tien Dat i Ming Nguyen Trinh. "Drama with Unique Setting and Profession based on the Point of View of Korean Drama Connoisseurs". Journal of Asian Multicultural Research for Social Sciences Study 3, nr 2 (7.04.2022): 21–25. http://dx.doi.org/10.47616/jamrsss.v3i2.271.
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This article aims to discuss K-Drama with a unique work profession background through the abstinence point of k-drama fans. The modern Korean entertainment landscape would not be complete without K-drama. Millions of people around the world enjoy watching Korean dramas. Many parallels are made between the characters, allowing viewers to gain a better understanding of Korean culture. K-drama fans will be paired with Korean drama works to write here. They are not your ordinary doctors, lawyers or professors, but people from all walks of life
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Guo, Ziyan. "On the Application of Regional Features in Contemporary Dance Drama". Journal of Education and Educational Research 4, nr 1 (26.06.2023): 62–64. http://dx.doi.org/10.54097/jeer.v4i1.10034.
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Regional characteristics are widely used in Chinese contemporary dance dramas. Different regional cultures create different regional characteristics. Integrating regional characteristics into Chinese contemporary dance dramas can make Chinese regional characteristics shine. This article analyzes the regional characteristics of the dance drama "Shawan Past" and explores the spiritual connotations expressed by the application of regional characteristics in contemporary dance dramas. The dance drama "The Past of Shawan" is a rare masterpiece in contemporary dance drama creation. Through stories, characters, music and props full of regional characteristics, the drama deeply reflects the unremitting efforts of Guangdong musicians in inheriting and developing national music and the spirit of persistent pursuit, as well as the national spirit of the Chinese nation, which is fearless, indomitable, unswerving and self-improvement. At the same time, it vividly portrays the personality traits of Lingnan people, such as their unwillingness to succumb and yearning for freedom to drift with the tide, their brave, tenacious, united national spirit, and strong patriotism
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Xiang, Meng, i Kyung Hoon Han. "A Comparative Analysis Study on Musical Characteristics Shown in the Use of Modes in Korean and Chinese Classical Drama OSTs: Focusing on the Analysis of the Theme Melody of Major Underscores". Korean Society of Culture and Convergence 45, nr 11 (30.11.2023): 1289–99. http://dx.doi.org/10.33645/cnc.2023.11.45.11.1289.
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The purpose of this paper is to understand the musical features in the use of modes in Korean and Chinese classical drama OSTs, with the intention of providing assistance to music creators who wish to produce OSTs for classical dramas. To achieve this, we explore the overall musical flow of classical drama OSTs, focusing on the analysis of the main insert songs' thematic melodies. In order to grasp the commonalities and differences, we analyze the thematic melodies of key insert songs, covering the period from 2020 to 2023, selecting the top 12 OST songs from dramas that entered the top 3 viewership rankings in Korea and China. As a result, commonalities and differences in the musical characteristics of OSTs from classical dramas in Korea and China were identified. It is hoped that this will contribute to exploring ways to utilize classical drama OST production and serve as valuable information and foundational material for the development of drama music genres.
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Heo, Jae-Hong. "A Study of Web·TV Drama on Now Jeju TV". Society for Jeju Studies 59 (28.02.2023): 39–68. http://dx.doi.org/10.47520/jjs.2023.59.39.
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The purpose of this study is an analysis of <Good bye Day 420>, <We are always the first>, <Uglak Daglak>, and <Cheong-yeon> aired on Now Jeju TV. Now Jeju TV is a subsidiary broadcasting station of JIBS, which is broadcast nationwide and provides various tourism information about Jeju Island for the ‘land people’ of Korea. JIBS produces dramas or through outsourcing companies with sponsors in Jeju Island, and presents them through Now Jeju TV’s web platform and television broadcasts. As the purpose of establishing Now Jeju TV is to promote Jeju, The dramas that are aired also serve as a function of promoting Jeju. Now Jeju TV's dramas are unique in that they are a combination of tourism promotion and drama, and are rare in that they are self-produced dramas by local broadcasting stations. The characteristics of Now Jeju TV dramas according to the analysis are as follows. First, it is a sense of difference that occurs when a web drama is edited into a TV drama version. The technique of omission and coincidence that gives speed to the narrative in the web drama version appears as a lack of probability in the TV drama version. On the other hand, if the plot is formed in an omnibus format or If a plot is constructed with an emphasis on probability in web dramas, TV dramaticization of web dramas is naturally formed. Second, the protagonists are all ‘land person’, every text shows the beautiful landscape of Jeju following their eyes. However, Since specific tourist attractions are not emphasized, they are not enough as tourism promotional materials. While land people's stories are considered as important, the language or culture of Jeju is marginalized or removed. Third, every text has PPL scene of sponsors. In Now Jeju TV, PPL is arranged to suit the progress of the plot. This is because the sponsor is determined from the planning process, so the drama is produced with PPL in mind from the beginning.
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Kristianto, William, Dyah Erny Herwindiati i Janson Hendryli. "SISTEM REKOMENDASI DRAMA KOREA MENGGUNAKAN METODE USER-BASED COLLABORATIVE FILTERING". Jurnal Ilmu Komputer dan Sistem Informasi 9, nr 1 (18.01.2021): 252. http://dx.doi.org/10.24912/jiksi.v9i1.12668.
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Korean drama is one of the entertainment that is very popular with the public, be it among children, teenager, adults and parents. There is a huge selection of dramas to watch, however, viewers have limited time. Therefore, a recommendation system is used to provide input to viewers in choosing Korean drama series that suits their respective profiles. This recommendation system is made using the User-Based Collaborative Filtering method, where the input of this method is in the form of rating data provided by the user for a list of available Korean dramas. Based on the results of interviews via video calls and questionnaires, this Korean drama application can provide different recommendation results based on user ratings of Korean dramas.
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Ta Park, Van My, R. Henry Olaisen, Quyen Vuong, Lisa G. Rosas i Mildred K. Cho. "Using Korean Dramas as a Precision Mental Health Education Tool for Asian Americans: A Pilot Study". International Journal of Environmental Research and Public Health 16, nr 12 (18.06.2019): 2151. http://dx.doi.org/10.3390/ijerph16122151.
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Precision mental health (MH) holds great potential for revolutionizing MH care and reducing the burden of mental illness. Efforts to engage Asian Americans in precision MH research is necessary to help reduce MH disparities. Korean drama (“K-drama”) television shows may be an effective educational tool to increase precision MH knowledge, attitudes, and behaviors (KAB) among Asian Americans. This study determined whether KAB improved after participating in a K-drama precision MH workshop, and examined the participants’ perspectives about K-dramas’ utility as an educational tool. A K-drama precision MH workshop in English/Vietnamese/Korean was conducted with a convenience sample (n = 122). Pre-/post-tests on precision MH KAB (genetics and genetic testing, and MH and help-seeking) and a survey on K-dramas’ utility as an educational tool were administered. Findings revealed a significant difference in the pre- and post-test KAB scores overall, by genetics and genetic testing, and by MH and help-seeking. There were also significant increases in the overall post-test KAB scores by workshop (language) participation. Overall, participants responded positively on the utility of K-dramas as a precision MH educational tool. This study demonstrates the feasibility of K-drama as an innovative and widely available health education tool to educate communities about precision MH.
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Saidpudin, Wawarah, i Wan Amizah Wan Mahmud. "Naratif Drama Islamik: Motif Visual Mior Hashim Manap Melalui Latar Lokasi". Al-i’lam - Journal of Contemporary Islamic Communication and Media 1, nr 2 (30.12.2021): 4–22. http://dx.doi.org/10.33102/jcicom.vol1no2.15.
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The location of the drama is one of the types of setting chosen in a drama and is one of the production process of television dramas. The selection of the location requires in-depth study and recce to ensure that the play is more interesting and has a specific meaning for the audience to understand. Thus, this study aims to analyze the extent to which the selection of location backgrounds chosen by the director is tailored to the scene, having elements of da'wah besides influencing the visual beauty of the drama. This study uses content analysis on three Islamic dramas directed by Mior Hashim Manap on TV Al-Hijrah titled Cinta Kun Fayakun, Warkah Cinta, and Cinta dan Wahyu. This study carries out in-depth interviews with Mior Hashim Manap to discuss the issue of this study. The results reveals the location of the drama chosen by the directors in these three dramas have the characteristics of da'wah that show the beauty of Islam, the power of Allah S.W.T and bring the audience closer to Allah S.W.T. Overall the location can be made as an element of da'wah in Islamic drama whether as unseeded or implied through the scenes portrayed in the location.
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Lee, Jin. "A Study on Transmedia Storytelling of Web Dramas". Korean Society of Culture and Convergence 44, nr 7 (31.07.2022): 109–20. http://dx.doi.org/10.33645/cnc.2022.7.44.7.109.
Pełny tekst źródłaStreszczenie:
The purpose of this study is to understand the aspects of transmedia storytelling that encompass the formal and content characteristics of media appearing in web dramas. Focusing on the web drama of Playlist, a representative web drama production company, a transmedia approach to web dramas were attempted as a hybrid content with both the web and drama characteristics. The expansion leading to OSTs and goods in terms of media form expands the scope of web drama text by allowing users to synesthetically appeal web dramas. In addition, a multi-layered pattern that encompasses expansion, modification, and change appears through close connection with web content that shares the web ecosystem. In terms of the content of the media, the construction of the transmedia storyworld, a key methodology of transmedia storytelling, is revealed. Plyverse’s fictional space gives an syntagmatic context to the storyworld through the social daily space, and based on this, the character functions as a persona representing the social space. The paradigmatic connection centered on the rituals of social space provides the probability of expansion and intersection where new characters can naturally appear
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Agustini, Fajar, i Khoirun Nisa. "Penerapan Model AHP Pada Pemilihan Aplikasi Streaming Drama Korea". INFORMATICS FOR EDUCATORS AND PROFESSIONAL : Journal of Informatics 5, nr 2 (6.07.2021): 127. http://dx.doi.org/10.51211/itbi.v5i2.1540.
Pełny tekst źródłaStreszczenie:
Technology is developing very fast and is increasingly global, various kinds of the latest technological discoveries and various kinds of applications offered by each company will continue to compete, one of which is the Korean drama streaming application program. However, it is not just one Korean drama streaming application, but many other streaming applications that have sprung up and can make users hesitate to choose a streaming application to watch quality Korean dramas. Selection of useful criteria for selecting Korean drama streaming applications using the Analytical Hierarchy Process approach and processing using Expert Choice software allows streaming application users to know how to choose a streaming application to watch Korean dramas as desired. The population of this study were several Bekasi city people with approximately 30 questionnaires. From the research results, it was found that VIU was a strategic alternative for selecting Korean drama streaming applications using the Analytical Hierarchy Process which received top priority with a weight of 0.499 or comparable to 49.9% of another alternative.
Keywords: Streaming application, Korean Drama, Analytical Hierarchy Process
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Hameed, Muhammad Basharat, Dr Babrak Niaz i Dr Malik Adnan. "Turkish Television Drama in Pakistan: Effects on University Students". Issue-2 04, nr 02 (30.09.2020): 376–97. http://dx.doi.org/10.36968/jpdc-v04-i02-019.
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This study attempts to investigate the effects of Turkish drama on University students. Drama plays influential role in changing life style of its audience. Through drama viewers come to know the diverse values of different cultures and it has a different effect on different audience. University level students are more expose to media especially with television drama and current study is an attempt to gauge the effects of Turkish drama on youth. The students of Punjab University Lahore, GC University Faisalabad, University of Gujrat and The Islamia University of Bahawalpur are selected as respondents. The study is qualitative and quantitative in nature and non-probability sampling technique is used for data collection. Questionnaires were distributed in 400 respondents and hypotheses were also constituted to envisage the general perception. The data collected through questionnaire accepted two hypothesis while on of the hypothesis was rejected. The study finding states that Turkish dramas are good source of entertainment but these dramas are not challenging basic teachings of Islam and it has made no effects on our norms. On the basis of findings, suitable recommendations are suggested.
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Hameed, Muhammad Basharat, Dr Babrak Niaz i Dr Malik Adnan. "Turkish Television Drama in Pakistan: Effects on University Students". Issue-2 04, nr 02 (30.09.2020): 396–417. http://dx.doi.org/10.36968/jpdc-v04-i02-21.
Pełny tekst źródłaStreszczenie:
This study attempts to investigate the effects of Turkish drama on University students. Drama plays influential role in changing life style of its audience. Through drama viewers come to know the diverse values of different cultures and it has a different effect on different audience. University level students are more expose to media especially with television drama and current study is an attempt to gauge the effects of Turkish drama on youth. The students of Punjab University Lahore, GC University Faisalabad, University of Gujrat and The Islamia University of Bahawalpur are selected as respondents. The study is qualitative and quantitative in nature and non-probability sampling technique is used for data collection. Questionnaires were distributed in 400 respondents and hypotheses were also constituted to envisage the general perception. The data collected through questionnaire accepted two hypothesis while on of the hypothesis was rejected. The study finding states that Turkish dramas are good source of entertainment but these dramas are not challenging basic teachings of Islam and it has made no effects on our norms. On the basis of findings, suitable recommendations are suggested.
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Du, Guoguang, i Jacquline Tham. "Optimize Brand Culture Positioning to Improve Customer Perception of Brand Image and Purchase Intention". International Journal of Social Sciences and Public Administration 4, nr 1 (23.08.2024): 207–18. http://dx.doi.org/10.62051/ijsspa.v4n1.22.
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This paper takes "optimizing brand culture positioning to improve customer perception of brand image and purchase intention" as the starting point and makes an in-depth exploration and research in the field of brand image. This is not only the exploration of brand cultural positioning, but also the exploration of brand image perception and consumer purchase intention. As a popular form of entertainment, dance drama and drama have emerged in an endless stream in recent years, and the output and quality of works have shown a rapid development trend, which has aroused the warm attention of consumers. These dance dramas and drama works not only play an important role in cultural inheritance, but also greatly promote social and economic development. Many dance dramas and drama works have formed a strong brand effect, which has greatly enhanced consumers' willingness to consume works. As the core element of brand image building, brand culture positioning not only covers all the characteristics of the brand, but also the focus of consumers when choosing a brand. At the same time, consumers' perception of brand image directly affects consumers' purchase intention. The competition in the business environment is essentially the competition of brands, and the competition of brands must first carry on the competition of brand image. In the process of globalization, how to create distinctive brand cultural positioning and greatly promote consumers' perception of brand image and purchase intention through brand cultural positioning is an important purpose of this study. This paper adopts research methods such as literature review and case study, and analyzes the commercial operation of dance dramas and drama works that have formed brand effect, such as dance dramas "Heaven Road", "Only This Green" and drama "Only A Dream of Red Mansions · City of Drama Fantasy", focusing on brand image to enable business direction, hoping to broaden the breadth and depth of research in the field of brand image. This will enrich the research results in the field of brand image.
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Khan, Rooh ul Amin, Yasar Arafat i Muhammad Atif Shahzad. "Islamic Family Values Depicted in Urdu Drama before and during Cable Era". Global Political Review V, nr I (30.03.2020): 119–26. http://dx.doi.org/10.31703/gpr.2020(v-i).14.
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This study aims to describe the content analysis of televised Urdu dramas before and after the advent of the cable. This research focuses that how relationships between the married couple are depicted in televised Urdu drama serials. The Islamic objective of marriage is examined in this study. This study divided the Urdu drama serials into two broad eras, pre cable and post cable eras, it is observed that in pre cable dramas serials, relationship between the married couple was more positive and loving and more in accord with Islamic objective of marriage. On the other hand, in post cable era, the relationship between husband and wife presented in televised Urdu drama serials found to be more negative, deviating from the Islamic objective of marriage. Extramarital relations are on the increase side in post cable era; these relations were absent pre cable Urdu drama serials.
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Alu, Sri Utami Devy. "Al-Anāṣir al-Dākhiliyah fī Masraḥiyah al-Aydī al-Nāʽimah li Taufīq al-Ḥakīm: Dirāsah Adabiyah". JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) 5, nr 2 (29.10.2021): 156–69. http://dx.doi.org/10.15642/jilsa.2021.5.2.156-169.
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One of the modern Arabic literary figures who wrote many drama scripts is Taufiq al-Hakim. The beauty, and uniqueness of the drama script he produced made researchers interested in researching one of his dramas entitled Soft Hands or Al-Aydi an-Na'imah. This research was written to analyze the intrinsic elements in the drama script Al-Aydi an-Na'imah by Taufiq Al-hakim. The object of this research is the drama script Al-Aydi an-Na'imah then this object is examined by qualitative descriptive research methods, qualitative research is observative and usually, the data presented is in the form of words.
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Muhammad Ashraf i Muhammad Nasir Kiazai. "براہوئی ڈرامہ نا اولیکو کتاب ’’استو نا بندغ‘‘ اسہ جاچ اس". Al-Burz 11, nr 1 (25.12.2019): 44–50. http://dx.doi.org/10.54781/abz.v11i1.44.
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Raag, a folk term has used for Drama in ancient Brahui. In folk literature when the Brahui modern literature were not introduced the Term Raag were used for entertain. After establishment of Radio Station center at Quetta, the different parts of modern literature opened the windows for Brahui fiction. There is prominent writer which Mr. Ghulam Nabi Rahi has started firstly Brahui radio Drama, soon after the tradition of Brahui drama has spread all over the Balochistan. A compilation of his first period’s Drama known as Isto naa Bandagh. This research paper discussed and analyses the technique and tendency of Rahi’s Drama. Mostly his dramas have played from Radio and Television Quetta center after Sixties. Shaahbeg naa wataakh a very famous radio Drama, where the social problems were reflecting. A descriptive method has been used to complete this paper.
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Chalaby, Jean K. "Drama without Drama". Television & New Media 17, nr 1 (13.01.2015): 3–20. http://dx.doi.org/10.1177/1527476414561089.
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Schreiber, Falk. "Another Drama, Drama". Theater heute 65, nr 6 (2024): 11–13. http://dx.doi.org/10.5771/0040-5507-2024-6-011.
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Machtspiele am Hamburger Schauspielhaus: Claudia Bauer inszeniert Selina Fillingers «Die Schattenpräsidentinnen», Anne Jelena Schulte beschäftigt sich mit der mythologischen Randfigur «Antiope» Von Falk Schreiber
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Nazir, Farrukh, Arshad Ali i Muhammad Farooq. "Social Taboos in Pakistani Prime Time Urdu Dramas". Global Regional Review IV, nr II (30.06.2019): 67–77. http://dx.doi.org/10.31703/grr.2019(iv-ii).08.
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The occurrence of social taboos and their frequencies on Pakistani television dramas was the core objective behind the conduction of this research work. The ultimate purpose was to find out the possible types of social taboos, frequently exposed social taboo, occurrence per drama and comparison of social taboos in these dramas. The analysis was carried out by using purposive sampling technique. The results showed that there were nine types of social taboos i.e. obscene language, nudity, disrespectful attitude, violence, drug abuse, racism, divorce, extra-material relation and abortion in Pakistani primetime Urdu dramas. The finding of the study demonstrated that obscene language was exposed more than the other social taboos, whereas the drama serial Sabaz Qadam was found having more social taboos as compare to other dramas. The occurrence of frequency of these social taboos was recorded as well. Drama Qissa Chaar Darvesh was highest in occurrence of disrespectful attitude and nudity.
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Fena Andita Cahyani i Mochammad Rochim. "Manajemen Konflik Penghuni Apartemen dalam Drama Korea". Bandung Conference Series: Communication Management 3, nr 2 (25.07.2023): 504–9. http://dx.doi.org/10.29313/bcscm.v3i2.7447.
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Abstract. Korean dramas started as drama series that were broadcast by several Korean television stations. The Korean drama series Happiness has its own charm from other similar Korean drama series, one of which is having a positive plot that makes the audience curious about what will happen next. In addition, the resolution of interpersonal conflicts in the drama Happiness is different from other Korean dramas where there is conflict. This study aims to find out how the conflict management of apartment/flat occupants in the Korean drama series Happiness is to survive during the quarantine period which is accompanied by difficulties accessing the internet and telephone. The paradigm used in this study is the constructivism paradigm, the research method used is observation. The data collection technique in this study was literature study, for the data analysis technique used in this study was content analysis technique. The research results obtained are that myth can be interpreted as a connotative meaning that is normally and naturally accepted so that it is hegemonic. The myth referred to in this study is that the drama series Happiness displays conflict scenes and how they are resolved. This film describes the condition when an area is hit by a deadly infectious virus outbreak.
Abstrak. Drama Korea berawal dari seri drama yang ditampilkan oleh beberapa stasiun televisi Korea. Serial drama Korea Happiness memiliki daya tarik tersendiri dari serial drama Korea sejenis lainnya, salah satunya yaitu memiliki plot positif yang membuat penonton penasaran akan wacana apa yang akan terjadi selanjutnya. Selain itu, penyelesaian konflik interpersonal pada drama Happiness ini berbeda dengan drama Korea lainnya yang didalamnya terdapat konflik. Penelitian ini memiliki tujuan untuk mengetahui bagaimana manajemen konflik penghuni apartemen/rumah susun pada serial drama Korea Happiness untuk bertahan hidup selama masa karantina yang disertai kesulitan akses internet dan telepon. Paradigma yang digunakan pada penelitian ini yaitu paradigma konstruktivisme, metode penelitian yang digunakan yaitu observasi. Teknik pengumpulan data pada penelitian ini yaitu studi kepustakaan, untuk teknik analisis data yang digunakan pada penelitian ini yaitu teknik analisis isi. Hasil penelitian yang diperoleh yaitu mitos dapat diartikan sebagai makna konotatif yang diterima secara normal dan alamiah sehingga bersifat hegemonik. Mitos yang dimaksud dalam penelitian ini adalah bahwa drama serial Happiness menampilkan adegan-adegan konflik dan bagaimana mereka menyelesaikannya. Film ini menggambarkan kondisi ketika suatu wilayah dilanda wabah virus menular yang mematikan.
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Donegan, Robert. "Process Drama and Teacher in Role in ELT". JALT PIE SIG: Mask and Gavel 8, nr 1 (styczeń 2020): 5–12. http://dx.doi.org/10.37546/jaltsig.pie8.1-1.
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This paper is a discussion of the potential of using specific drama techniques during English lessons at a Japanese private senior high school. The techniques in focus are process drama and specifically teacher in role (TiR). TiR is a specific technique that is often used in the broader area of process drama. Process drama concerns itself more with the experiential rather than the performance aspect of drama. In it, a teacher, or facilitator, goes into role with the participants in the co-construction of extended role-plays and dramas. Such methods have been used in English language teaching by many practitioners. The methods are discussed in this paper, with the focus on their suitability for teaching in a Japanese senior high school.
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Palileo, Shirley. "Cultural Technique-al Cues and Performative acts in Online Filipino Communities drawn from Korean Drama Series". Academia Lasalliana Journal of Education and Humanities 4, nr 2 (czerwiec 2023): 36–60. http://dx.doi.org/10.55902/efbf7468.
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This study examines the evolving culture of performatives in online Filipino communities through the analysis of Korean drama series, particularly during the COVID-19 pandemic. The primary objectives include investigating cultural textual discourses in K-drama series, synthesizing the operations of film language within these discourses, examining K-drama-related performative acts in online Filipino communities, and analyzing the residents’ recognition and sense-making processes of K-drama discourses. The findings highlight recurring themes and film variants in K-dramas and the resident-informants’ lived experiences. Using the IPLC model and method design, value adding cultural technique cues and illustrative performative acts were generated in this scholarship.
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Korniy, Lidiya. "Ukrainian School Christmas Drama of the XVIIth–XVIIIth Centuries and Puppet Nativity Play Theatre: Problem of Adaptation and Interpretation of a Musical Factor". Folk art and ethnology, nr 2 (30.07.2021): 5–14. http://dx.doi.org/10.15407/nte2021.02.005.
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The article states that the Ukrainian baroque art has become differentiated into the high, middle and lower stylistic levels. There were certain connections between them, and new art genres appeared on the verges of these levels. The problem of the connection between distinct stylistic levels of the Ukrainian musical baroque has not yet attracted the attention of researchers. The study examines the links between the Ukrainian school Christmas drama of the XVIIth– XVIIIth centuries and the puppet Nativity play theatre. It is noted that for the first time a comparison of these two kinds of theatrical art is drawn in terms of the use of a musical factor in them. It is established that the first act of the Nativity play drama is related to the high style of Ukrainian Christmas school drama. This is revealed on the basis of analysing the dramatic functions of a Choir in both school drama and Nativity play drama. A choir in these spectacles took an active part in revealing the Christmas story, playing the role of a character. What they had in common was the genre of spiritual chant with the syllabic versification. Despite its association with the high style of school drama, the Nativity play drama was a quite new theatrical genre that belongs to the middle stylistic level. Focusing on the folk environment, authors of the Nativity play drama intelligibly conveyed to a wide audience the sacred plot. It is noted that in the second act of the Nativity scene were adapted interludes of school dramas, which represented the lower stylistic level of the Baroque. In this act, a funny line came to the fore, and a musical component is marked by influences of the Ukrainian musical folklore with a predominance of its dancing variety. The interaction of folklore with the lower version of the Baroque had a great potential for the further development of the Ukrainian national theatre. Due to the fact that music was an integral part of the puppet Nativity play drama and played an important dramatic function, this theatrical spectacle, like some school dramas, had the features of the drama with music genre. Thus, school drama and Nativity play drama created the foundation, on which in the XIXth century, the Ukrainian dramaturgy emerged, with a significant role of the musical factor in it, which was essentially a drama with music.
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Hashimi, Sayed Samim, Azizullah Jabarkhail i Abdullah Awwab. "Overview of Structural Elements of Pashto Radio Dramas". Sprin Journal of Arts, Humanities and Social Sciences 2, nr 10 (14.10.2023): 53–59. http://dx.doi.org/10.55559/sjahss.v2i10.173.
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Drama is an ancient representational art that dates back to the first centuries of human existence. There has been some discussion about the antiquity of the origin of the drama. This genre has specific types, such as stage, radio, television, one-act and interactive dramas. In this, the radio drama is the one that is broadcasted on the radio and each character and actor presents a scene, it is recorded in the studio and then broadcast so that the audience listens to it. It represents the events that can only be presented with sound. In the structural elements, the story and the incident come from which the drama is built, the plot and design are the foundation of the drama and it is based on it. It has main and secondary characters without which the drama does not exist because it gives it movement. It is a dialogue that provides a way for dialogue between actors and performers. The sound effect creates the voice effects and results, is a picture of time and place that is related to both and is an essential element of drama. It also has a piece of effective music, which plays an important role in comedy and tragedy types of dramas, which increases the flavor and color many times. It is the role of the actors and actresses that the story moves forward with their help and finally has a message that brings a positive change in people's behavior and evokes high emotions.
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Tahir, Kiran, Atif Ashraf i Majid ul Ghafar. "Portrayal of Parents and Children Behavior: A Study of TV Drama Serials in Pakistan". Global Digital & Print Media Review IV, nr III (30.09.2021): 20–32. http://dx.doi.org/10.31703/gdpmr.2021(iv-iii).03.
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This paper endeavors to explore the portrayal of parents in prime-time entertainment television dramas of Pakistan. Representation of the parenting style and children's response to their parents in the top three entertainment channels has been analyzed. Total 147 episodes of targeted drama serials of ARY, Hum, and Geo TV were selected through purposive sampling. The study found that the authoritative parenting style was most prevailing in the drama serials. The behavior of the children towards their parents was respectful except in the Drama serials broadcasted by ARY Digital. As Parents' respect is dominant in private entertainment channels of Pakistan, so the findings indicate that Pakistani entertainment television dramas play a vital role in safeguarding cultural norms of the country.
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M, Vadivel, i Amitha Darwin J. "The Expression of Music in the Theatre". International Research Journal of Tamil 4, S-19 (10.12.2022): 79–83. http://dx.doi.org/10.34256/irjt224s1913.
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Sangam Tamil consists of three major parts viz., Poetry, Music, and Drama. This is something that no other language in the world has. Hence, Tamil can also be called Muthamizh (The three kinds of literature in Tamil). Drama, along with music, has been developing gradually since time immemorial. Theatrical music is a mirror of worldly events. The literature also makes it clear that the Tamils excelled in art and culture. Therefore, on the basis of literary references, Poetic Tamil, Music Tamil, and Drama Tamil are the three Tamils that make history in many aspects. This approach seeks to explain from a variety of perspectives the work done by Thavathiru Sankaradas Swamigal on Musical Drama Text, mention of literary dramas such as play and dance, and his contribution to Tamil music and drama.
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Liang, Zeguang. "Effects of American drama familiarity on Chinese people’s remote acculturation, attitudes, and watching intentions". International Journal of Innovative Research and Scientific Studies 7, nr 2 (25.01.2024): 377–89. http://dx.doi.org/10.53894/ijirss.v7i2.2630.
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The study aims to examine the impacts of American drama familiarity on Chinese people’s remote acculturation to American culture, attitudes towards American dramas, and watching intentions of American dramas. A total of 358 survey data points from Chinese respondents were collected, and structural equation modeling (SEM) analysis was conducted in an effort to verify the research hypotheses. The research outcomes indicate that American drama familiarity significantly positively impacts American cultural orientation, attitudes towards American dramas, and watching intentions of American dramas, but does not significantly bear upon Chinese cultural orientation. American cultural orientation significantly positively affects attitudes towards American dramas. Additionally, Chinese cultural orientation significantly negatively influences attitudes towards American dramas. Attitudes towards American dramas engender significant positive effects on watching intentions for American dramas. American drama familiarity, the remote acculturation of Chinese people to American culture, attitudes towards American dramas, and watching intentions of American dramas are significantly interrelated. The research is only targeted at Chinese people, and the remote acculturation is bi-dimensional in this study. Thereby, the remote acculturation of local people to multiple cultures simultaneously ought to be delved into in subsequent research. It is recommended that stakeholders and marketers of American dramas take essential marketing measures to increase the familiarity of Chinese people with American dramas and promote their friendly attitudes toward American dramas. This study contributes to yielding empirical evidence for the interrelation between American dramas and the remote acculturation of Chinese people to American culture.
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Slipushko, O. M., i A. O. Katyuzhynska. "THE INTEGRATION OF PANEUROPEAN THEATRIC TRADITIONS OF THE BAROQUE EPOCH INTO THE HISTORICAL DRAMA OF THE LUMINARIES". Literary Studies, nr 60 (2021): 199–210. http://dx.doi.org/10.17721/2520-6346.60.199-210.
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The article represents the study of the peculiarities of the integration of PanEuropean theatrical traditions of the Baroque epoch into the historical drama by Ukrainian coryphees. Particular attention is paid to the study of the specifics of the creation of baroque drama of the XVIII century and its influence on the formation of the dramatic tradition of the Coryphées. The main European tendencies represented in historical baroque dramas are singled out. It is proved, that succession is manifested primarily at the level of national identity. The historical dramas of F. Prokopovych “Volodymyr”, the anonymous author “God’s Grace” and M. Starytsky “Bogdan Khmelnytsky”, I. Karpenko-Kary “Sava Chaly” in the comparative aspect are analyzed. Common and different features in the interpretive models of the central images of statesmen are clarified. Actually, F. Prokopovich has developed his own theory of drama with a division into five acts. It was found out, that such a structure is also characteristic of the works of I. Karpenko-Kary “Sava Chaly” and M. Starytsky “Bogdan Khmelnytsky”, which testifies to the preservation of the baroque dramatic tradition. At the same time, the Coryphées have significantly deepened the compositional structure of the drama, adding new elements. The works of the anonymous author “God’s Grace” and M. Starytsky “Bogdan Khmelnytsky” have the genre of historical drama, the central image of hetman B. Khmelnytsky. However, in the historical drama of M. Starytsky “Bohdan Khmelnytsky” the interpretative model of the image of the statesman is significantly expanded, in particular, the psychological aspect of the figure of the hetman is deepened. At the same time, the idea of messianism, especially the interpretation of the National Liberation War as the highest level of self-sacrifice, is common in the interpretation of the image of B. Khmelnytsky by the anonymous author and M. Starytsky. Pan-European traditions of Ukrainian baroque drama of the XVIII century has become one of the sources for the formation of the original professional Theater of luminaries, in particular historical dramas.
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Lo, Chung-Ming, i Zih-Sin Syu. "Analyzing drama metadata through machine learning to gain insights into social information dissemination patterns". PLOS ONE 18, nr 11 (30.11.2023): e0288932. http://dx.doi.org/10.1371/journal.pone.0288932.
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TV drama, through synchronization with social phenomena, allows the audience to resonate with the characters and desire to watch the next episode. In particular, drama ratings can be the criterion for advertisers to invest in ad placement and a predictor of subsequent economic efficiency in the surrounding areas. To identify the dissemination patterns of social information about dramas, this study used machine learning to predict drama ratings and the contribution of various drama metadata, including broadcast year, broadcast season, TV stations, day of the week, broadcast time slot, genre, screenwriters, status as an original work or sequel, actors and facial features on posters. A total of 800 Japanese TV dramas broadcast during prime time between 2003 and 2020 were collected for analysis. Four machine learning classifiers, including naïve Bayes, artificial neural network, support vector machine, and random forest, were used to combine the metadata. With facial features, the accuracy of the random forest model increased from 75.80% to 77.10%, which shows that poster information can improve the accuracy of the overall predicted ratings. Using only posters to predict ratings with a convolutional neural network still obtained an accuracy rate of 71.70%. More insights about the correlations between drama metadata and social information dissemination patterns were explored.
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Muzakiah, Azka, i Wulan Trigartanti. "Hubungan antara Tayangan Drama Serial Korea X dengan Minat Mahasiswa menjadi Reporter". Jurnal Riset Public Relations 1, nr 2 (23.12.2021): 104–11. http://dx.doi.org/10.29313/jrpr.v1i2.410.
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Abstract. The world has been faced with changes in the digital era, especially in the field of information communication which makes it easier for humans to access various information. whether in the form of news, advertisements, radio broadcasts, film shows to dramas. Drama shows, especially dramas from Korea, are very popular among the public, seen from the birth of the term Korean wave. The various themes raised made the storyline more diverse, one of which was the Times drama series which picked up a reporter's story. So the researchers are interested in researching the Times drama shows with the audience's interest in becoming reporters. The purpose of this study was to determine the relationship between the Times drama program and the audience's interest in becoming a reporter. The theory used is mass communication process theory, media exposure theory, and social learning theory. The method used is a quantitative correlational approach with data collection techniques through questionnaires, observation, and literature. The questionnaire was distributed to 79 respondents at the Faculty of Communication Unisba 2017 and analyzed by statistical tests with the SPSS application. The results of this study obtained a correlation coefficient with the number 0,772 it can be interpreted that there is a strong relationship between drama shows and the variable of interest in being a reporter
Abstrak. Dunia telah dihadapkan oleh perubahan era yaitu digital, khususnya pada bidang komunikasi informasi yang menyebabkan manusia menjadi lebih mudah untuk mengakses berbagai informasi. baik dalam bentuk berita, iklan, siaran radio, tayangan film hingga drama. Tayangan drama khususnya drama dari negara Korea sangatlah populer dikalangan masyarakat, dilihat dari lahirnya sebutan yaitu gelombang Korea. Berbagai tema yang diangkat membuat alur cerita semakin beragam, salah satunya drama serial Times yang mengangkat cerita cerita reporter. Maka peneliti tertarik meneliti mengenai tayangan drama Times dengan minat penonton menjadi reporter. Tujuan penelitian ini untuk mengetahui hubungan antara tayangan drama Times dengan minat penonton menjadi reporter. Teori yang digunakan yaitu teori proses komunikasi massa, teori terpaan media, dan teori pembelajaran sosial. Metode yang digunakan adalah kuantitatif pendekatan korelasional dengan teknik pengumpulan data melalui kuesioner, observasi, dan studi pustaka Kuesioner disebar kepada 79 responden di Fikom Unisba angkatan 2017 serta dianalisis oleh uji statistika dengan aplikasi SPSS. Hasil penelitian ini diperoleh koefisien korelasi dengan angka 0,772 yaitu dapat diartikan terdapat hubungan yang kuat antara tayangan drama dengan variabel minat menjadi reporter
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Susandro, Susandro, Afrizal H, Saaduddin Saaduddin i Edy Suisno. "PARABOLIC DRAMA: PENYANGKALAN TEORETIK TERHADAP TEATER ABSURD". Melayu Arts and Performance Journal 3, nr 1 (1.04.2020): 49. http://dx.doi.org/10.26887/mapj.v3i1.1342.
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ABSTRACTSamuel Beckett's Waiting for Godot is one of the dramas that Martin Esslin calls the Absurd Theater. Furthermore, For Esslin, Theater of the Absurd is not only a term but a theater theory to know conventions and understand the meaning of a drama. In this way, Esslin puts the Absurd Theater into the trajectory of the development of the world's theater arts style, as well as leading the reader or audience to a perception that the life or routine that humans live in is meaningless, pointless and futile. However, the Theater of the Absurd, in the view of Michael Y. Bennett, a term that is supported by unstructured and abstract concepts. Therefore, it is necessary to develop an alternative, a term which he calls Parabolic Drama. A more structured term in understanding Waiting for Godot and other dramas that contain parallel philosophical values. This article tries to explain the dialectic of the two theater theories above, the extent to which they can bind one drama and encompass another drama. ABSTRAKWaiting for Godot karya Samuel Beckett merupakan salah satu drama yang disebut dengan istilah Teater Absurd oleh Martin Esslin. Lebih jauh, Bagi Esslin, Teater Absurd tidak hanya suatu istilah melainkan teori teater untuk mengetahui konvensi serta memahami makna suatu drama. Dengan begitu, Esslin menempatkan Teater Absurd ke dalam lintasan perkembangan gaya seni teater dunia, sekaligus menggiring pembaca atau penonton pada suatu persepsi bahwa kehidupan atau rutinitas yang dijalani manusia tidaklah bermakna, tidak ada tujuan dan sia-sia. Namun, Teater Absurd, menurut pandangan Michael Y. Bennett, istilah yang didukung oleh konsep-konsep yang tidak terstruktur serta abstrak. Oleh karena itu, perlu dibangun suatu alternatif,istilah yang disebutnya dengan Parabolic Drama.Istilah yang lebih terstruktur dalam memahami Waiting for Godotserta drama lain yang mengandung nilai filosofis yang sejajar.Artikel ini mencoba memaparkandialektika kedua teoriteater di atas,sejauh mana keduanya dapat mengikat suatu drama dan melingkupi drama lainnya.
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Tahir, Huma, i Dr Bushra H. Rehma. "Rethinking Gender Roles: Perception of Female Viewers of Pakistani Television Dramas". Journal of Peace, Development & Communication me 05, issue 2 (30.06.2021): 177–84. http://dx.doi.org/10.36968/jpdc-v05-i02-16.
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Television drama is always an attraction for women. It has considerably contributed in defining gender roles to its viewers. This study was aimed to investigate that how females from different socioeconomic backgrounds perceive and interpret gender roles shown in Pakistani television drama. For data collection qualitative research strategy was applied. Data was collected by conducting eight focus groups. Each group consisted of eight participants (females) aged 20-40 years. Emergent themes from the data were non stereotypic representation of gender roles in Pakistani Television drama. This study concluded that tendency of Pakistani TV drama to redefine gender roles have contributed in conformity with the change in perception of female viewers interpreting gender roles shown in these dramas.
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Alves Ribeiro Junior, Wilson. "O drama Epeu, de Eurípides". Rónai – Revista de Estudos Clássicos e Tradutórios 6, nr 1 (15.08.2018): 28–33. http://dx.doi.org/10.34019/2318-3446.2018.v6.23245.
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O objetivo deste artigo é, primeiro, avaliar os elementos do mito de Epeu que Eurípides pode ter utilizado para o enredo do drama homônimo; segundo, traduzir e comentar brevemente a única possível fonte desse misterioso drama, perdido possivelmente antes de ser preservado na Biblioteca de Alexandria; e, finalmente, discutir a possibilidade de se tratar de um dos poucos dramas satíricos criados por Eurípides durante a segunda metade do século V a.C.
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Qorib, Fathul, i Fitri Olievia. "Fenomena dan Pandangan Pria dalam Menonton Drama Korea". Indonesian Social Science Review 1, nr 2 (1.09.2023): 75–86. http://dx.doi.org/10.61105/issr.v1i2.52.
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Women often consider Korean drama films more preferred because the stories focus on romance, emotions, and interpersonal relationships. Male fans of Korean drama films are considered new and unique, but a negative stigma is often attached to them in Indonesia. Labels such as "weird," "unmanly," and "melancholy" are often applied. This point of view can influence how certain men see and are attracted to Korean drama films. This study aims to find out how men see Korean drama films and how these films affect their lives. Purposive sampling was used to select informants for this study, which included a total of seven people. The method used is a qualitative-descriptive approach. This study used interviews, observations, and documentation to collect data. The data analysis process used in this study is divided into three stages: data reduction, data presentation, and concluding. According to research findings, men who like Korean dramas have a favorable opinion of the Korean Wave program. Everyone has different tastes and perspectives on Korean Wave programming. In addition, Korean films and dramas have also influenced the lifestyle of some fans. Some fans may be inspired by fashion trends, hairstyles, or lifestyles featured in Korean dramas. In addition, the Korean Wave can also affect fans' interest in music, food, and travel to South Korea. However, it is important to note that these perceptions and influences can vary between individuals. Film Drama Korea sering dianggap lebih disukai oleh perempuan karena ceritanya yang fokus pada romansa, emosi, dan hubungan antarpribadi. Laki-laki penggemar film Drama Korea dianggap sebagai hal baru dan unik, namun di Indonesia seringkali disematkan stigma negatif terhadap mereka. Label seperti "aneh", "tidak jantan", dan "melankolis" sering diterapkan. Sudut pandang ini dapat memengaruhi bagaimana pria tertentu melihat dan tertarik pada film drama Korea. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana pria melihat film Drama Korea dan bagaimana film tersebut mempengaruhi kehidupan pria. Purposive sampling digunakan untuk memilih informan untuk penelitian ini, yang mencakup 7 orang. Metode yang digunakan adalah pendekatan deskriptif kualitatif. Dalam penelitian ini, wawancara, observasi, dan dokumentasi digunakan untuk mengumpulkan data. Proses analisis data yang digunakan dalam penelitian ini dibagi menjadi tiga tahap: reduksi data, penyajian data, dan penarikan kesimpulan. Menurut temuan penelitian, pria yang menyukai film Drama Korea memiliki pendapat yang baik tentang program Korean Wave. Setiap orang memiliki selera dan sudut pandang yang berbeda tentang pemrograman Korean Wave. Selain itu, film dan Drama Korea juga telah mempengaruhi gaya hidup sebagian penggemarnya. Beberapa penggemar dapat terinspirasi oleh tren fashion, gaya rambut, atau gaya hidup yang ditampilkan dalam drama Korea. Selain itu, Korean Wave juga dapat mempengaruhi minat penggemar dalam hal musik, makanan, dan wisata ke Korea Selatan. Namun, penting untuk dicatat bahwa persepsi dan pengaruh ini dapat bervariasi antara individu.
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Nasir, Muhammad Saeed, Muhammad Riaz i Barirah Nazir. "The Representation of Social Reality in Saraiki Dramas Roshan Zameer and Qatil e Hamsheer". Global Language Review VI, nr I (30.03.2021): 186–96. http://dx.doi.org/10.31703/glr.2021(vi-i).20.
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The Genre of Drama had always been reflective of social life. The history of drama is as old as of humans on earth. Saraiki drama is believed to be developed from undeveloped but organized expressions of caricatures; such kind of organized caricature is found still in the local area. It is a tradition that people of the lower caste named Bhaands. This kind of art was established by the people who were very poor, and they used to caricature the rich and gentry to amuse them and other people. The present study is aimed to trace the social realities and their representation in Saraiki Drama. Two Saraiki dramas Roshan Zameer and Qatil e Hamsheer had been analyzed in light of the Qualitative Content Analysis model proposed by Altheide(1996). It has been found that selected Saraiki dramas speak the prevailing ideological, social realities. It is suggested that more studies should be conducted to explore tradition and social realities existing in the Saraiki region so that regional social and cultural traditions may get a voice in international literary landscapes.
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Jeong, Yejin, i Hyewon Ko. "Exploring the Alteration of Teacher-Student Relationships Through Lexical Analysis of Drama Dialogues: Focused on Youth Dramas from the 1990s to the 2010s". Studies in Modern Grammar 121 (30.03.2024): 203–28. http://dx.doi.org/10.14342/smog.2024.121.203.
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This paper aims to explore the alteration of teacher-student relationships in youth dramas aired from 1991 to 2012, through the transcription of dialogues and quantitative lexical analysis. Selecting one drama per decade from the 1990s to the 2010s, the study employs morphological analysis and the weighted log- odds ratio to extract key words, categorized into nouns, verbs, adjectives, and sentence-closing ending. By ranking the extracted keywords by their centrality and selecting those of significance, the study examines how the dynamics between teachers and students have changed, discussing these changes in the context of actual drama dialogues. This paper is significant for its quantitative approach to drama dialogues, previously limited to socio-cultural interpretations based on a limited selection of works, offering a diachronic perspective on the shifting dynamics of teacher-student relationships. Dramas, reflecting the thoughts of their times, serve as a suitable medium for studying generational shifts, yet the extensive volume of material has hindered comprehensive research. This study anticipates future holistic approaches to drama analysis, enabling meaningful exploration of cultural and educational shifts over time.
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Sahadun, Florida Cita Dewi, Dahlia D. Moelier i Asyrafunnisa Asyrafunnisa. "Family Conflict in Edward Albee’s Selected Dramas". Humaniora: Journal of Linguistics, Literature, and Education 2, nr 2 (30.12.2022): 116–26. http://dx.doi.org/10.56326/jlle.v2i2.2115.
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This research aimed to identify the kinds o family conflict that appear in Edward Albee’s dramas and to know the causes and impacts of the dramas using theory of family conflict by Ursula Lehr and descriptive qualitative method. In The Sand box drama the types of family conflict are conflict with own parents, conflict with own children, conflict with husband/wife, and self-conflict. Other causes were because mommy’s selfish characteristic and always wanted to be a dominant person, while grandma was experiencing her second childhood phase. The impacts of The Sandbox drama are the fight between the characters in the drama and the loss of harmonization in the family. In who’s Afraid of Virginia Woolf? Drama, there are conflicts with other people, conflict with husband/wife, and self-conflict. The main causes were Martha and George as a marriage couple that always wanted to drop down on and insulted each other. The impacts are the loss of harmonization in the family, another couple (Nick and Honey) got into their problem fought to each other.