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Artykuły w czasopismach na temat "Douglas Crimp"
Takemoto, Tina, i Marc Siegel. "For Douglas Crimp". Art Journal 79, nr 3 (2.07.2020): 8–9. http://dx.doi.org/10.1080/00043249.2020.1801091.
Pełny tekst źródłaLevine, Sherrie. "For Douglas Crimp". October 171 (marzec 2020): 150–51. http://dx.doi.org/10.1162/octo_a_00384.
Pełny tekst źródłaMauss, Nick. "On Douglas Crimp". October 171 (marzec 2020): 152–54. http://dx.doi.org/10.1162/octo_a_00385.
Pełny tekst źródłaJoselit, David. "An Appreciation of Douglas Crimp". October 171 (marzec 2020): 159–60. http://dx.doi.org/10.1162/octo_a_00387.
Pełny tekst źródłaLawler, Louise. "What Would Douglas Crimp Say?" October 171 (marzec 2020): 161. http://dx.doi.org/10.1162/octo_a_00388.
Pełny tekst źródłaCrimp, Douglas, i François Aubart. "Entretien avec Douglas Crimp (avril 2015)". Marges, nr 26 (19.04.2018): 121–32. http://dx.doi.org/10.4000/marges.1385.
Pełny tekst źródłaFermon, Daniel. "ON THE MUSEUM'S RUINS. Douglas Crimp". Art Documentation: Journal of the Art Libraries Society of North America 13, nr 2 (lipiec 1994): 107–8. http://dx.doi.org/10.1086/adx.13.2.27948647.
Pełny tekst źródłaRafferty, Rebecca. "Review: Before Pictures, edited by Douglas Crimp". Afterimage 44, nr 6 (1.05.2017): 30. http://dx.doi.org/10.1525/aft.2017.44.6.30.
Pełny tekst źródłaWillis, Alfred. "AIDS DEMO GRAPHICS. Douglas Crimp , Adam Rolston". Art Documentation: Journal of the Art Libraries Society of North America 10, nr 1 (kwiecień 1991): 49. http://dx.doi.org/10.1086/adx.10.1.27948320.
Pełny tekst źródłaLajer-Burcharth, Ewa. "Warhol's Subject? A Response to Douglas Crimp". October 132 (maj 2010): 25–29. http://dx.doi.org/10.1162/octo.2010.132.1.25.
Pełny tekst źródłaRozprawy doktorskie na temat "Douglas Crimp"
Forster, Lou. "Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Pełny tekst źródłaLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Książki na temat "Douglas Crimp"
Hieber, Lutz. Zur Aktualität von Douglas Crimp. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7.
Pełny tekst źródłaEl-Hai, Jack. The Nazi and the psychiatrist: Hermann Göring, Dr. Douglas M. Kelley, and a fatal meeting of minds at the end of WWII. New York: MJF Books, 2015.
Znajdź pełny tekst źródłaEl-Hai, Jack. El nazi y el psiquiatra: Hermann Göring y Douglas M. Kelley : un encuentro letal de mentes al fin de la Segunda Guerra Mundial. México, D.F: Planeta Mexicana, 2014.
Znajdź pełny tekst źródłaWexler, Harry K. A criminal justice system strategy for treating cocaine-heroin abusing offenders in custody: By Harry K. Wexler, Douglas S. Lipton and Bruce D. Johnson ; prepared for the National Institute of Justice, U.S. Dept. of Justice, by Abt Associates, Inc., under contract #OJP-86-C-002. [Washington, D.C.]: U. S. Dept. of Justice, National Institute of Justice, Office of Communication and Research Utilization, 1988.
Znajdź pełny tekst źródłaWexler, Harry K. A criminal justice system strategy for treating cocaine-heroin abusing offenders in custody: By Harry K. Wexler, Douglas S. Lipton and Bruce D. Johnson ; prepared for the National Institute of Justice, U.S. Dept. of Justice, by Abt Associates, Inc., under contract #OJP-86-C-002. [Washington, D.C.]: U. S. Dept. of Justice, National Institute of Justice, Office of Communication and Research Utilization, 1988.
Znajdź pełny tekst źródłaHieber, Lutz. Zur Aktualität Von Douglas Crimp: Postmoderne und Queer Theory. Springer Vieweg. in Springer Fachmedien Wiesbaden GmbH, 2013.
Znajdź pełny tekst źródłaZur Aktualit T Von Douglas Crimp Aktuelle Und Klassische Sozial Und KulturwissenschaftlerIn. Springer vs, 2012.
Znajdź pełny tekst źródłaDouglas Crimp : From Before Pictures, a Memoir of 1970s New York: DISSS-CO. MoMA PS1, 2016.
Znajdź pełny tekst źródłaVoß, Heinz-Jürgen, red. Die Idee der Homosexualität musikalisieren. Psychosozial-Verlag, 2018. http://dx.doi.org/10.30820/9783837978117.
Pełny tekst źródłaUntitled Douglas Crime 1 Of 3. Orion Publishing Group, Limited, 2022.
Znajdź pełny tekst źródłaCzęści książek na temat "Douglas Crimp"
Hieber, Lutz. "Texte aus der kulturellen Metropole". W Zur Aktualität von Douglas Crimp, 1–3. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_1.
Pełny tekst źródłaHieber, Lutz. "Der Postmodernismus-Diskurs in den USA". W Zur Aktualität von Douglas Crimp, 5–44. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_2.
Pełny tekst źródłaHieber, Lutz. "Die Fortsetzung des unvollendeten Projekts der historischen Avantgarde in New York". W Zur Aktualität von Douglas Crimp, 45–84. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_3.
Pełny tekst źródłaHieber, Lutz. "Queer Theory". W Zur Aktualität von Douglas Crimp, 85–110. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_4.
Pełny tekst źródłaHieber, Lutz. "Gisela Theising: Deutschland – ein Entwicklungsland in Sachen Protestkultur". W Zur Aktualität von Douglas Crimp, 111–20. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_5.
Pełny tekst źródłaHieber, Lutz. "Douglas Crimp: Vom Postmodernismus zur Queer Culture". W Kultur. Theorien der Gegenwart, 482–94. Wiesbaden: VS Verlag für Sozialwissenschaften, 2011. http://dx.doi.org/10.1007/978-3-531-92056-6_39.
Pełny tekst źródła"Douglas Kennedy, the Man for Whom Crime Paid". W Origins and Legacies of Marcel Duhamel’s Série Noire, 149–77. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004359000_008.
Pełny tekst źródłaWindlesham, Lord. "The Quest: Punishment in the Community, 1987–90". W Responses to Crime, 209–54. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198254164.003.0005.
Pełny tekst źródłaDownes, David. "Commentary". W The Legacy of Thatcherism. British Academy, 2014. http://dx.doi.org/10.5871/bacad/9780197265703.003.0013.
Pełny tekst źródłaMaesschalck, Jeroen. "Using Grid-Group Cultural Theory to Assess Approaches to the Prevention of Corporate and Occupational Crime: The EU as a Natural Experiment". W European White-Collar Crime, 17–38. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529212327.003.0002.
Pełny tekst źródłaStreszczenia konferencji na temat "Douglas Crimp"
Porwal, Charles. "Exploring the spatial tools to generate social inclusive and empowered space for people living in margins". W Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/poca4957.
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