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Książki na temat „Dorothy Richardson”

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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 1 lutego 2022

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1

Radford, Jean. Dorothy Richardson. New York: Harvester Wheatsheaf, 1991.

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2

Radford, Jean. Dorothy Richardson. Bloomington: Indiana University Press, 1991.

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3

Dorothy Richardson. Plymouth: Northcote House in association with The British Council, 1995.

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4

Dorothy Richardson: A biography. Athens: University of Georgia Press, 1994.

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5

The Pilgrimage of Dorothy Richardson. Madison: University of Wisconsin Press, 2000.

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6

Thomson, George H. Notes on Pilgrimage: Dorothy Richardson annotated. Greensboro: ELT Press, University of North Carolina at Greensboro, 1999.

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7

Richardson, Dorothy Miller. Windows on modernism: Selected letters of Dorothy Richardson. Athens: University of Georgia Press, 1995.

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8

Richardson, Dorothy Miller. Windows on modernism: Selected letters of Dorothy Richardson. Athens: University of Georgia Press, 1995.

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9

Powys, Theodore Francis. The letters of John Cowper Powys and Dorothy Richardson. London: Cecil Woolf, 2008.

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10

Powys, Theodore Francis. The letters of John Cowper Powys and Dorothy Richardson. London: Cecil Woolf, 2008.

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11

Lire le féminin: Dorothy Richardson, Katherine Mansfield, Jean Rhys. Paris: Editions Messene, 1997.

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12

Powys, Theodore Francis. The letters of John Cowper Powys and Dorothy Richardson. London: Cecil Woolf, 2008.

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13

Quando le parole cantano: La scrittura musicale di Dorothy Richardson. Roma: Aracne, 2010.

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14

Narrative's journey: The fiction and film writing of Dorothy Richardson. New York: P. Lang, 1996.

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15

Dorothy Richardson's art of memory: Space, identity, text. Manchester: Manchester University Press, 1999.

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16

Experimenting on the borders of modernism: Dorothy Richardson's Pilgrimage. Athens: University of Georgia Press, 1997.

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17

Modernist short fiction by women: The liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Burlington, VT: Ashgate, 2011.

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18

Tucker, Eva. Pilgrimage: The enchanted guest of spring and summer : Dorothy Richardson 1873 - 1954 : reassessment of her life and work. Penzance: Hypatia Trust, 2003.

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19

Labovitz, Esther Kleinbord. The myth of the heroine: The female Bildungsroman in the twentieth century : Dorothy Richardson, Simone de Beauvoir, Doris Lessing, Christa Wolf. New York: P. Lang, 1986.

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20

Frauendarstellung und Erzählstruktur im Romanwerk Dorothy Richardsons. Frankfurt am Main: P. Lang, 1996.

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21

Thomson, George H. A reader's guide to Dorothy Richardson's Pilgrimage. Greensboro, NC: ELT Press, 1996.

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22

Wendt, Doris. Ästhetik und Mystik: Close readings von Dorothy Richardsons "Pilgrimage". Bielefeld: Aisthesis, 2003.

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23

Wendt, Doris. Ästhetik und Mystik: Close readings von Dorothy Richardsons "Pilgrimage". Bielefeld: Aisthesis, 2003.

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24

Form and meaning in Dorothy M. Richardson's Pilgrimage. Heidelberg: Winter, 2007.

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25

Der literarische Raum: Eine Untersuchung am Beispiel von Dorothy M. Richardsons Romanzyklus Pilgrimage. Tübingen: M. Niemeyer, 1986.

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26

A pathway to reality: Visual and aural concepts in Dorothy Richardson's "Pilgrimage". Tübingen: Francke Verlag, 2000.

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27

Momente innerweltlicher Transzendenz: Die Augenblickserfahrung in Dorothy Richardsons Romanzyklus Pilgrimage und ihr ideengeschichtlicher Kontext. Tübingen: M. Niemeyer, 1997.

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28

Step-daughters of England: British women modernists and the national imaginary. Manchester, UK: Manchester University Press, 2003.

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29

Mothering modernity: Feminism, modernism, and the maternal muse. New York: Garland Pub., 1999.

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30

Watts, Carol. Dorothy Richardson. Hyperion Books, 1990.

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31

Forkos, Heather. Dorothy ""Dot"" Richardson (Women Who Win). Chelsea House Publications, 2001.

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32

Dorothy "Dot" Richardson (Women Who Win). Chelsea House Publications, 2001.

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33

Chauhan, H. G. Stream of Consciousness and Beyond in the Novels of Dorothy M. Richardson. Stosius Inc/Advent Books Division, 1991.

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34

Bronfen, Elisabeth. Dorothy Richardson's Art of Memory: Space, Identity, Text. Manchester University Press, 2011.

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35

Bowler, Rebecca. Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair. Bloomsbury Academic, 2018.

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36

Womens Writing In Stuart England The Mothers Legacies Of Elizabeth Joscelin Elizabeth Richardson Dorothy Leigh. Sutton Pub Ltd, 2000.

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37

Theorists of the Modernist Novel: James Joyce, Dorothy Richardson and Virginia Woolf (Routledge Critical Thinkers). Routledge, 2007.

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38

Parsons, Debora. Theorists of the Modernist Novel: James Joyce, Dorothy Richardson and Virginia Woolf (Routledge Critical Thinkers). Routledge, 2006.

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39

Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H. D. and May Sinclair. Bloomsbury Publishing Plc, 2016.

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40

1966-, Brown Sylvia Monica, red. Women's writing in Stuart England: The mother's legacies of Dorothy Leigh, and Elizabeth Joscelin, Elizabeth Richardson. Stroud: Sutton, 1999.

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41

Wandor, Michelene. Wandor on Women Writers: Antonia White, Elizabeth Barrett-Browning, Hannah Culwick, Dorothy Richardson, Jean Rhys, Radclyffe Hall. Journeyman Pr, 1990.

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42

Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Taylor & Francis Group, 2016.

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43

McCracken, Scott. Oxford Edition of the Works of Dorothy Richardson, Volume IV : Pilgrimage 1 and 2: Pointed Roofs and Backwater. Oxford University Press, 2020.

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44

The Myth of the Heroine: The Female Bildungsroman in the Twentieth Century : Dorothy Richardson, Simone De Beauvoir, Doris Lessing, Christa Wolf (Am). Peter Lang Pub Inc, 1987.

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45

Pottie, Lisa Marie. Dorothy Richardson's other writing. 1992.

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46

Marcus, Laura. 8. Autobiographies, autobiographical novels, and autofictions. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199669240.003.0009.

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Few of the great modernist writers produced explicit or fully fledged autobiographies, but the expansion of the ‘life-writing’ category has made visible the prevalence of autobiographical novels, including works by Katherine Mansfield, James Joyce, D. H. Lawrence, Dorothy Richardson, and Virginia Woolf. ‘Autobiographies, autobiographical novels, and autofictions’ explains that in the late 19th and early 20th centuries there was an increasingly ‘aesthetic’ approach to autobiography. New genres arose that blended life-writing and fiction, such as the personal essay, the ‘imaginary portrait’, and novels which incorporated authentic letters and journal entries. Since the 1980s, it is argued, the novel has been eclipsed by autobiographical narrative, reversing the earlier sense that autobiographical writing was of secondary importance.

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47

Pooler, Mhairi. Writing Life: Early Twentieth-Century Autobiographies of the Artist-Hero. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781781381977.001.0001.

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Writing Life offers a revisionary exploration of the relationship between an author’s life and art. By examining the self-representation of authors across the schism between Victorianism and Modernism via the First World War, this study offers a new way of evaluating biographical context and experience in the individual creative process at a critical point in world and literary history. Writing Life is also the story of four literarily and personally interconnected writers – Edmund Gosse, Henry James, Siegfried Sassoon and Dorothy Richardson – and how and why they variously adapted the model of the German Romantic Künstlerroman, or artist narrative, for their autobiographical writing, reimagining themselves as artist-heroes. By appropriating key features of the genre to underpin their autobiographical narratives, Writing Life examines how these writers achieve a form of life-writing that is equally a life story, artist’s manifesto, aesthetic treatise and modern autobiographical Künstlerroman. Pooler argues that by casting their autobiographical selves in this role, Gosse, James, Sassoon and Richardson shift the focus of their life-stories towards art and its production and interpretation, each one conducting a Romantic-style conversation about literature through literature as a means of reconfirming the role of the artist in the face of shifting values and the cataclysm of the Great War.

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48

Hanaway-Oakley, Cleo. Fin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198768913.003.0006.

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This concluding chapter briefly turns to Joyce’s final work, Finnegans Wake (1939). Joyce’s cacophonous ‘book of the dark’, with its many references to cinema, forms the centre of a discussion of the emergence of sound film. The importance of touch in both silent and sound film is restated through reference to the film criticism of Bryher, Dorothy Richardson, and Gertrude Stein, and Chaplin’s City Lights (1931), a late silent film focusing on Chaplin’s relationship with a blind flower-seller. The complex interrelationship between sound and image in both film and Finnegans Wake is contemplated through gestalt theory and multi-perspectival ‘figure–ground images’. The chapter concludes by returning to Ulysses, to consider the never-produced Reisman–Zukofsky screenplay and the ways in which the film would, and would not, have affirmed a phenomenological reading of Joyce’s text.

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49

Fifield, Peter. Modernism and Physical Illness. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198825425.001.0001.

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T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf’s ‘On Being Ill’, it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to and appearance of the world, making it appear newly strange; it determines the character of human interactions, and models of behaviour. As a topic illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.

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50

Thomson, George H. The editions of Dorothy Richardson's Pilgrimage: A comparison of texts. ELT Press, 2001.

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