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Książki na temat „Dorothy Miller”

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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 29 lipca 2024

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1

Radford, Jean. Dorothy Richardson. New York: Harvester Wheatsheaf, 1991.

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Radford, Jean. Dorothy Richardson. Bloomington: Indiana University Press, 1991.

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3

Miller, Dorothy Canning. Dorothy C. Miller: With an eye to American art : checklist : Smith College Museum of Art, Northampton, Massachusetts, April 19-June 16, 1985. Northampton, Mass: The Museum, 1985.

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4

Smith College. Museum of Art, red. Dorothy C. Miller: With an eye to American art : checklist [of the exhibition held at the] Smith College Museum of Art, Northampton, Massachusetts, April 19-June 16, 1985. Northampton: The Museum, 1985.

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5

Felber, Lynette. Gender and genre in novels without end: The British roman-fleuve. Gainesville, Fla: University Press of Florida, 1996.

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6

Meade, Marion. Bobbed hair and bathtub gin: Writers running wild in the Twenties. New York: Nan A. Talese/Doubleday, 2004.

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7

Meade, Marion. Bobbed Hair and Bathtub Gin. New York: Knopf Doubleday Publishing Group, 2009.

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8

1966-, Bernstein Sheri, Fort Ilene Susan i Los Angeles County Museum of Art, red. Made in California: Art, image, and identity, 1900-2000. Los Angeles: Los Angeles County Museum of Art, 2000.

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9

The Dorothy C. Miller collection. New York: Christie's, 2003.

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10

Watts, Carol. Dorothy Richardson. Hyperion Books, 1990.

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11

Bronfen, Elisabeth. Dorothy Richardson's Art of Memory: Space, Identity, Text. Manchester University Press, 2011.

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12

The Pilgrimage of Dorothy Richardson. Madison: University of Wisconsin Press, 2000.

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13

Frauendarstellung und Erzählstruktur im Romanwerk Dorothy Richardsons. Frankfurt am Main: P. Lang, 1996.

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14

Bronfen, Elisabeth. Literarische Raum: Eine Untersuchung Am Beispiel Von Dorothy M. Richardsons Romanzyklus Pilgrimage. de Gruyter GmbH, Walter, 2010.

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15

Der literarische Raum: Eine Untersuchung am Beispiel von Dorothy M. Richardsons Romanzyklus Pilgrimage. Tübingen: M. Niemeyer, 1986.

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16

Momente innerweltlicher Transzendenz: Die Augenblickserfahrung in Dorothy Richardsons Romanzyklus Pilgrimage und ihr ideengeschichtlicher Kontext. Tübingen: M. Niemeyer, 1997.

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17

THEORISTS OF THE MODERNIST NOVEL: JAMES JOYCE, DOROTHY RICHARDSON, VIRGINIA WOOLF. LONDON: ROUTLEDGE, 2006.

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18

Pollack, Howard. Candide. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0021.

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This chapter represents the most thorough and accurate study to date of Leonard Bernstein’s Candide, including its long, torturous history both before and after its 1956 premiere. It pays special attention to how the show’s books and lyrics evolved over the year, including contributions of Latouche, Lillian Hellman, Dorothy Parker, Richard Wilbur, Stephen Sondheim, Hugh Wheeler, and others, and studies its many productions under the supervision of such directors and adaptors as Hal Prince, Jonathan Miller, and John Caird. It also surveys its critical reception over the years.

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19

Bowler, Rebecca. Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair. Bloomsbury Academic, 2018.

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20

Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H. D. and May Sinclair. Bloomsbury Publishing Plc, 2016.

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21

Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H. D. and May Sinclair. Bloomsbury Publishing Plc, 2016.

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22

Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H. D. and May Sinclair. Bloomsbury Publishing Plc, 2016.

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23

Drewery, Claire. Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Taylor & Francis Group, 2016.

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24

Drewery, Claire. Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Taylor & Francis Group, 2016.

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25

Drewery, Claire. Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Taylor & Francis Group, 2016.

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26

Drewery, Claire. Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Taylor & Francis Group, 2016.

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27

Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Taylor & Francis Group, 2016.

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28

Modernist short fiction by women: The liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Burlington, VT: Ashgate, 2011.

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29

Garrington, Abbie. Haptic Modernism: Touch and the Tactile in Modernist Writing. Edinburgh University Press, 2015.

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Garrington, Abbie. Haptic Modernism: Touch and the Tactile in Modernist Writing. Edinburgh University Press, 2013.

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31

Garrington, Abbie. Haptic Modernism: Touch and the Tactile in Modernist Writing. Edinburgh University Press, 2015.

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32

Garrington, Abbie. Haptic Modernism: Touch and the Tactile in Modernist Writing. Edinburgh University Press, 2013.

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33

Murnaghan, Sheila, i Deborah H. Roberts. Ancient History for Girls. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199583478.003.0006.

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This chapter considers the strategies used to make history texts and works of historical fiction set in antiquity appealing to girl readers of the first half of the twentieth century, who were increasingly exposed to books with active girl heroines. Despite the severe constraints on ancient women and girls, such writers as Dorothy Mills, Caroline Dale Snedeker, Erick Berry, and Naomi Mitchison contrive to provide their readers with independent, resourceful ancient counterparts. They achieve this by filling in the silences of the ancient record, setting their stories on the spatial and temporal margins of the classical world, and devising plots in which girls act in the place of absent or inadequate brothers.

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34

M, Snyder Charles. Lady and the President: The Letters of Dorothea Dix and Millard Fillmore. University Press of Kentucky, 2021.

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35

M, Snyder Charles. Lady and the President: The Letters of Dorothea Dix and Millard Fillmore. University Press of Kentucky, 2014.

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36

Richardson, Samuel. Correspondence with Lady Bradshaigh and Lady Echlin. Redaktor Peter Sabor. Cambridge University Press, 2016. http://dx.doi.org/10.1017/9781316535905.

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Samuel Richardson (1689–1761), renowned English novelist and master printer, was also a prolific letter writer. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. These three volumes contain his correspondence, much of it published for the first time, with two fascinating women: Dorothy, Lady Bradshaigh (1705–85) and her sister Elizabeth, Lady Echlin (1704–82). Lady Bradshaigh was Richardson's most prolific and important correspondent, challenging him about a range of issues, literary and otherwise, including his intentions for Clarissa and Sir Charles Grandison, in an iconoclastic style. Lady Echlin lived in Ireland for much of her life and provided Richardson with information on Irish issues, including the Dublin editions of his novels. The scholarly apparatus in this volume furnishes a wealth of material about these women's lives and their milieu, affording many insights into eighteenth-century English and Irish social and literary history.

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Snyder, Charles M. The Lady and the President: The Letters of Dorothea Dix and Millard Fillmore. University Press of Kentucky, 2014.

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38

Hepburn, Allan. Saints and Miracles: The End of the Affair. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828570.003.0003.

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Miracles rarely appear in novels, yet Graham Greene includes several of them in The End of the Affair. Sarah Miles heals a boy suffering from appendicitis and a man with a disfigured cheek. Like a saint, she seems to heal or revive through her compassionate touch, as when she raises her lover, who may or may not have died in a bomb blast, by touching his hand. This chapter locates Sarah’s interventions amidst debates about miracles, beginning with David Hume’s sceptical rejection of inexplicable phenomena, through such mid-century books as C. S. Lewis’s Miracles and Dorothy Sayers’ The Mind of the Maker. The inherent godlessness of novels, as Georg Lukacs puts the matter in Theory of the Novel, would seem to ban mystical content altogether from novelistic discourse. Yet this chapter argues for the revaluation of mystical content—the ordeals of the whisky priest in The Power and the Glory, for example—within the generic precincts of the novel.

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39

Felber, Lynette. Gender and Genre in Novels Without End: The British Roman-Fleuve. University Press of Florida, 1995.

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40

Hetmank, Sven, i Constantin Rechenberg, red. Kommunikation, Kreation und Innovation - Recht im Umbruch? Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783748901099.

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The conference transcript deals with current challenges facing the legal fields of intellectual property, media, competition and data protection law, primarily due to technical developments and the resulting changes in legislation. Examples of this are artificial intelligence systems that call into question essential principles of current patent and copyright law. However, it also deals with questions concerning the legal classification of search engines, social bots and other internet intermediaries, as well as questions of the data protection requirements for bloggers, street photographers and credit scoring, which need to be clarified in particular by the new General Data Protection Regulation. The book also focuses on the regulatory options for "Industry 4.0" data markets and the new directive on copyright in the digital single market. With contributions by Stefan Papastefanou, David Linke, Katrin Giere und Dorothea Heilmann, Azim Semizoglu, Hanno Magnus, Jens Milker, Stefan Michel, Katharina Wunner, André Reinelt, David Kleß, Tobias Endrich-Laimböck, Justus Duhnkrack, Susan Bischoff

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41

Hombach, Bodo, i Frank Richter, red. Auf Streife durchs Revier. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2022. http://dx.doi.org/10.5771/9783828878594.

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If one looks at the development of crime and criminality, it is always also a piece of contemporary history and milieu study. This anthology looks at the consequences of these phenomena in the Ruhr region. What factors influence the (non)sense of security of people living in the metropolitan region? What crimes have shaken and scarred the area? And how does crime affect society? In this volume, intelligent perspectives from science, politics, business and the police provide a new look at the topic of security in the Ruhr region. With contributions by Stefan Berger, Jörg Bogumil, Dorothee Dienstbühl, Klaus Engel, Dorthe Flothmann, Bernhard Frevel, Ralph Ghadban, Peter Henning, Bodo Hombach, Frank Kawelovski, Janet Kursawe, Herbert Reul, Frank Richter, Karsten Rudolph, Christoph Schwennicke, Patricia Scicolone and Jan Zweyer.

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42

Hill, Marylu. Mothering Modernity: Feminism, Modernism, and the Maternal Muse. Taylor & Francis Group, 2016.

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Hill, Marylu. Mothering Modernity: Feminism, Modernism, and the Maternal Muse. Taylor & Francis Group, 2016.

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44

Hill, Marylu. Mothering Modernity: Feminism, Modernism, and the Maternal Muse. Taylor & Francis Group, 2016.

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45

Mothering modernity: Feminism, modernism, and the maternal muse. New York: Garland Pub., 1999.

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Hill, Marylu. Mothering Modernity: Feminism, Modernism, and the Maternal Muse. Taylor & Francis Group, 2016.

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Hill, Marylu. Mothering Modernity: Feminism, Modernism, and the Maternal Muse (Garland Reference Library of the Humanities). Routledge, 1998.

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48

Mothering Modernity: Feminism, Modernism, and the Maternal Muse. Taylor & Francis Group, 2016.

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49

Meade, Marion. Bobbed Hair and Bathtub Gin: Writers Running Wild in the Twenties. Harvest Books, 2005.

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50

Stephanie, Barron, Sheri Bernstein i Ilene Susan Fort. Made in California: Art, Image, and Identity, 1900-2000. University of California Press, 2000.

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