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Artykuły w czasopismach na temat "Dorothy Miller"
Buchanan, Averill. "Dorothy Miller Richardson: A Bibliography 1900 to 1999". Journal of Modern Literature 24, nr 1 (2000): 135–60. http://dx.doi.org/10.1353/jml.2000.0021.
Pełny tekst źródłaGoldberg, Gertrude Schaffner. "Women and Social Welfare: A Feminist Analysis. Dorothy C. Miller". Social Service Review 66, nr 1 (marzec 1992): 162–67. http://dx.doi.org/10.1086/603903.
Pełny tekst źródłaBøggild, Jacob. "Fiktion som restriktion? Eller som indirekte meddelelse?: En diskussion med Dorothy Hale om en etisk vending i nyere litteraturteori". K&K - Kultur og Klasse 36, nr 106 (22.03.2009): 34–55. http://dx.doi.org/10.7146/kok.v36i106.22023.
Pełny tekst źródłaDrake, Christine. "Citation for Dorothy Drummond 2010 Recipient of the George J. Miller Award for Distinguished Service". Journal of Geography 110, nr 1 (28.01.2011): 3–5. http://dx.doi.org/10.1080/00221341.2011.536674.
Pełny tekst źródłaMurphy, Brenda. "Essays on Modern American Drama: Williams, Miller, Albee, and Shepard, ed. by Dorothy Parker, and: Arthur Miller by June Schlueter, James K. Flanagan". Comparative Drama 22, nr 3 (1988): 274–76. http://dx.doi.org/10.1353/cdr.1988.0020.
Pełny tekst źródłaNika Wirawan, I. Gede. "The Syntax Analysis in Relative Clause Found in the Novel “The Wonderful Wizard of OZ”". e-Journal of Linguistics 17, nr 1 (2.12.2022): 29. http://dx.doi.org/10.24843/e-jl.2023.v17.i01.p04.
Pełny tekst źródłaOlshen, Barry N. "Essays on Modern American Drama: Williams, Miller, Albee, and Shepard ed. by Dorothy Parker (review)". Modern Drama 31, nr 1 (1988): 127–30. http://dx.doi.org/10.1353/mdr.1988.0004.
Pełny tekst źródłaAvalos, Lisa R. "Abortion in the Web of Relationship: Negotiating the Abortion Decision Through a Lens of Care". International Journal of Human Caring 7, nr 2 (marzec 2003): 48–55. http://dx.doi.org/10.20467/1091-5710.7.2.48.
Pełny tekst źródłaPérez Valero, Luis. "El sonido de la voz femenina en las primeras producciones discográficas (1933-1940) de Xavier Cugat. Una multimodalidad de lo tropical". Contrapulso - Revista latinoamericana de estudios en música popular 3, nr 2 (5.08.2021): 6–23. http://dx.doi.org/10.53689/cp.v3i2.104.
Pełny tekst źródłaWithorn, Ann. "Book Reviews : Women and Social Welfare: A Feminist Analysis. By Dorothy C. Miller. New York: Praeger, 1990,181 pp., $38.95 (hardbound". Affilia 6, nr 4 (grudzień 1991): 113–14. http://dx.doi.org/10.1177/088610999100600408.
Pełny tekst źródłaRozprawy doktorskie na temat "Dorothy Miller"
Joubert, Claire. "Lire le féminin : Dorothy Richardson, Katherine Mansfield, Jean Rhys /". Paris : Éd. Messene, 1997. http://catalogue.bnf.fr/ark:/12148/cb36187766k.
Pełny tekst źródłaTrajanoska, Ivana. "La Musique dans Pilgrimage de Dorothy Richardson". Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30066/document.
Pełny tekst źródłaMusic plays an important role in Pilgrimage by Dorothy Richardson. On the one hand, music is a crucial element in the protagonist's search for identity. Reading Pilgrimage as a story of a quest and the formation of an artist shows that the quest of the protagonist Miriam Henderson is also that of a religious, national and feminine identity accompanied by music. Music provides the protagonist with the opportunity to (re)assess her relationship with various organized religions, redefine her Englishness, and build an authentic female identity. Music also reveals the “independent joy,” at “the center of being,” where a pre-existing identity can be found upon which the authentic identity that Miriam seeks rests. On the other hand, Richardson relies on music to break with the nineteenth-century writing conventions and express her distrust in the capacity of language to render “reality.” Her effort to integrate musical principles in the construction of the narrative emphasizes her desire to use music as a model for the semiotic functioning of the text, to influence how the text makes sense and communicates it refracting “reality” on an axis, both vertical and horizontal, thus presenting her concept of time which is outside the division into past, present and future. Furthermore, Richardson uses music to represent consciousness, the thinking process, and the inner world of the protagonist. Finally, the musical accompaniment generates the cooperation of the reader's creative consciousness securing his collaboration in the construction of the “reality” that the novel is trying to represent
Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.
Pełny tekst źródłaJoubert, Claire. "La lectrice dans le texte : écriture et lecture au féminin dans les oeuvres de Dorothy Richardson, Katherine Mansfield et Jean Rhys, 1919-1939". Paris 3, 1993. http://www.theses.fr/1994PA030015.
Pełny tekst źródłaThis study explores the field of intersection between text and sexuality, as it proposes to examine the inscription of a feminine subjectivity within the fictional writings of dorothy richardson (pilgrimage), katherine mansfield (the collected short stories), and jean rhys (the left bank, quartet, after leaving mr mackenzie, and good morning, midnight). This analysis of gender takes root in the lacanian theories of the symbolic order of language in order to identify particular enunciative patterns, based on the practice of literature as a reading activity. The figure of the female reader in the text appears in these texts as the narrative locus for the exposition of the discursive nature of feminity and of gender identity, bound up with the sexual implications of signifying processes. By writing feminity into their texts, dorothy richardson, katherine mansfield and jean rhys direct the writing activity toward a semantic loss, and, through diferrent narrative strategies, offer a vision of reading as a feminine form of discourse, as the discourse of the female gender
"Journeys viewed, heard and read: literary impressionism, music and consonance in Dorothy Richardson's Pilgrimage". 2008. http://library.cuhk.edu.hk/record=b5893664.
Pełny tekst źródłaThesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 143-151).
Abstracts in English and Chinese.
Abstract --- p.i
摘要 --- p.iii
Contents --- p.iv
Introduction --- p.1
Chapter Chapter 1 --- Colours and Letter; Painting and Writing: Literary Impressionism in Pilgrimage --- p.32
Chapter Chapter 2 --- Notes and Words; Listening and Reading: Music and Reading in Pilgrimage --- p.79
Chapter Chapter 3 --- Consonance --- p.113
Conclusion Arts in a Chord --- p.132
Work Cited --- p.143
Gear, Nolan Thomas. "Spectatrices: Moviegoing and Women's Writing, 1925-1945". Thesis, 2021. https://doi.org/10.7916/d8-an6s-j049.
Pełny tekst źródłaSkovajsa, Ondřej. "Psaný hlas: Whitmanovy Listy trávy (1855) a Millerův Obratník Raka". Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342280.
Pełny tekst źródłaKsiążki na temat "Dorothy Miller"
Radford, Jean. Dorothy Richardson. New York: Harvester Wheatsheaf, 1991.
Znajdź pełny tekst źródłaRadford, Jean. Dorothy Richardson. Bloomington: Indiana University Press, 1991.
Znajdź pełny tekst źródłaMiller, Dorothy Canning. Dorothy C. Miller: With an eye to American art : checklist : Smith College Museum of Art, Northampton, Massachusetts, April 19-June 16, 1985. Northampton, Mass: The Museum, 1985.
Znajdź pełny tekst źródłaSmith College. Museum of Art, red. Dorothy C. Miller: With an eye to American art : checklist [of the exhibition held at the] Smith College Museum of Art, Northampton, Massachusetts, April 19-June 16, 1985. Northampton: The Museum, 1985.
Znajdź pełny tekst źródłaFelber, Lynette. Gender and genre in novels without end: The British roman-fleuve. Gainesville, Fla: University Press of Florida, 1996.
Znajdź pełny tekst źródłaMeade, Marion. Bobbed hair and bathtub gin: Writers running wild in the Twenties. New York: Nan A. Talese/Doubleday, 2004.
Znajdź pełny tekst źródłaMeade, Marion. Bobbed Hair and Bathtub Gin. New York: Knopf Doubleday Publishing Group, 2009.
Znajdź pełny tekst źródła1966-, Bernstein Sheri, Fort Ilene Susan i Los Angeles County Museum of Art, red. Made in California: Art, image, and identity, 1900-2000. Los Angeles: Los Angeles County Museum of Art, 2000.
Znajdź pełny tekst źródłaThe Dorothy C. Miller collection. New York: Christie's, 2003.
Znajdź pełny tekst źródłaWatts, Carol. Dorothy Richardson. Hyperion Books, 1990.
Znajdź pełny tekst źródłaCzęści książek na temat "Dorothy Miller"
Zwernemann, Jens. "Richardson, Dorothy Miller". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16928-1.
Pełny tekst źródłaKilian, Eveline. "Richardson, Dorothy Miller". W Metzler Autorinnen Lexikon, 450–51. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_313.
Pełny tekst źródłaZwernemann, Jens. "Richardson, Dorothy Miller: Pilgrimage". W Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16929-1.
Pełny tekst źródła"DOROTHY J. CHRISMAN (CHRIS) MILLER". W Capitol Women, 166–68. University of Texas Press, 2000. http://dx.doi.org/10.7560/740624-030.
Pełny tekst źródłaWordsworth, William. "W. W. to John Miller". W The Letters of William and Dorothy Wordsworth, Vol. 8: A Supplement of New Letters (Revised Edition), redaktor Alan G. Hill. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00087523.
Pełny tekst źródłaWordsworth, William. "180. W. W. to John Miller". W The Letters of William and Dorothy Wordsworth, Vol. 2: The Middle Years: Part I: 1806–1811 (Second Revised Edition), redaktorzy Ernest De Selincourt i Mary Moorman, 384. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00087038.
Pełny tekst źródłaWordsworth, William, i Dorothy Wordsworth. "658. W. W. to Joseph Kirkham Miller". W The Letters of William and Dorothy Wordsworth, Vol. 5: The Later Years: Part II: 1829–1834 (Second Revised Edition), 464–65. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00083824.
Pełny tekst źródłaWhitehead, Kevin. "Young Men with Horns: The Jazz Biopic’s Golden Age 1950–1959". W Play the Way You Feel, 97–142. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190847579.003.0004.
Pełny tekst źródłaKennerley, David. "Dorothea Solly’s Musical World". W Sounding Feminine, 120–55. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190097561.003.0005.
Pełny tekst źródłaSlany, Katarzyna. "W krainie Kota Doroty Terakowskiej jako przykład herstorii uśpionej". W Imaginautka zaangażowana. Twórczość i biografia Doroty Terakowskiej z perspektywy XXI wieku, 234–55. Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie, 2021. http://dx.doi.org/10.24917/9788380847460.16.
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