Gotowe bibliografie tematyczne / Dorothee Solle

Gotowa bibliografia na temat „Dorothee Solle”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 lutego 2022

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Artykuły w czasopismach na temat "Dorothee Solle"

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Janssen, Claudia. "Bodily Resurrection (1 Cor. 15)? The Discussion of the Resurrection in Karl Barth, Rudolf Bultmann, Dorothee Solle and Contemporary Feminist Theology". Journal for the Study of the New Testament 23, nr 79 (styczeń 2001): 61–78. http://dx.doi.org/10.1177/0142064x0102307906.

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Harvey, Ann-Marie. "Dorothee Soelle: “In Memoriam”". Pacifica: Australasian Theological Studies 17, nr 1 (luty 2004): 71–86. http://dx.doi.org/10.1177/1030570x0401700105.

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Gruber, Jacques. "« La Représentation » de Dorothée Solle". Revue d'histoire et de philosophie religieuses 66, nr 2 (1986): 179–210. http://dx.doi.org/10.3406/rhpr.1986.4862.

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Gruber, Jacques. "« La Représentation » de Dorothée Solle (2e partie)". Revue d'histoire et de philosophie religieuses 66, nr 3 (1986): 287–318. http://dx.doi.org/10.3406/rhpr.1986.4873.

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McGinn, Bernard. "The Silent Cry: Mysticism and Resistance. Dorothee Soelle". Journal of Religion 83, nr 1 (styczeń 2003): 143–44. http://dx.doi.org/10.1086/491253.

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DioGuardi, Shirley Cloyes. "Mystic and Rebel—The Pathbreaking Journey of Dorothee Soelle". Theology Today 70, nr 2 (24.06.2013): 196–99. http://dx.doi.org/10.1177/0040573613485526.

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Jensen, David H. "Dorothee Soelle: Essential Writings ? Edited by Dianne L. Oliver". Religious Studies Review 32, nr 3 (lipiec 2006): 203. http://dx.doi.org/10.1111/j.1748-0922.2006.00095_3.x.

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Grey, Mary. "Diversity, Harmony and in the End, Justice: Remembering Dorothee Soelle". Feminist Theology 13, nr 3 (wrzesień 2005): 343–57. http://dx.doi.org/10.1177/0966735005054916.

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Schöne, Irene. "Zur Entwicklung des Regionalen Wohlfahrtsindex". Ökologisches Wirtschaften - Fachzeitschrift 33, nr 2 (29.05.2018): 10. http://dx.doi.org/10.14512/oew330210.

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In der Ausgabe 04/2017 von ÖkologischesWirtschaften diskutierten Dorothee Rodenhäuser, Benjamin Held, Roland Zieschank und Hans Diefenbacher die Frage, wie gesellschaftliche Wohlfahrtgemessen wird. Die darin dargestellte Entstehungsgeschichte des ersten Regionalen Wohlfahrtsindex ist nicht ganz korrekt und sollte in den Gesamtkontext eingebettet werden.
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Hawkins, Nancy. "Dorothee Soelle and Meister Eckhart: Learning to Live Without a Why". Eckhart Review 18, nr 1 (27.03.2009): 22–34. http://dx.doi.org/10.1558/mmt.v18.22.

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Rozprawy doktorskie na temat "Dorothee Solle"

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Harvey, Ann-Marie, i res cand@acu edu au. "Towards a Fifth Gospel via Schillebeeckx and Solle". Australian Catholic University. School of Theology, 2003. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp32.29082005.

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The aim of this thesis, Towards ajifth gospel via Schillebeeclx and Solle, is a search for God and God's gospel. It is a quest in which I combine Edward Schillebeeckx's belief that Christian life is a fifth gospel and Dorothee Solle's praxis-orientated theology into a contrapuntal theological conversation. I argue that through each theologian's vision of Christian life a theological and hermeneutical framework is established within which men and women of faith can interpret change and prepare the world and church for God's transforming newness. The scope of this thesis identifies a life-giving Christianity by investigating common theological themes in the work of Schillebeeckx and Solle. On the basis of the insights of both theologians I argue that all believers are called to critically reinterpret belief in the God of Jesus, that human experience is the horizon for reflection and interpretation. That mystics and prophets communicate God's saving love within an ethic of responsibility for this world, and that when Christian communities engage in
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Neumann, Katja L. E. "Gendering liberation : "deprivatising" women's subjectivity in the prayer-poetry of Dorothee Soelle". Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21172.

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This study investigates the artistic expressions of women’s subjectivity in the prayer-poetry of Dorothee Sölle (1929-2003). My aim is to develop a critical introduction of Sölle’s poetry, in light of her theology and in conversation with literary theory, contextualising the reception of her work and the role of reception in subjectivity as these converge in her prayerful hermeneutic. In what I come to call “liturgical reception”, I provide a perspective on Sölle’s work on the basis of translations for an English speaking context. I draw on contemporary thought, ranging from feminism and liberation theology to hermeneutics, literary theory and philosophy, to shape the contour and scope of Sölle’s work. Addressing feminist debates that consider the role of gendered subjectivity in relation to pervasive hetero-normative structures, I facilitate Mary Gerhart’s notion of the “genric” and Luce Irigaray’s work on the “sexuate” to clarify the issues arising in Sölle’s poetry in the context of language and literature, as well as classic formulations of God and the Church. Thinking through gendered subjectivity allows liberation to emerge as a poetic process that opens up personal prayer for the wider community. In light of Sölle’s early comments on “Deprivatised Prayer” [1971], I argue for a theopoetic conception of prayer which takes the Death of God not as an end point, but as a starting point for a consciously critical negotiation of gendered faith identity in community. The conditions of the Death of God, to Sölle a sign for the loss of immediacy in the sense of naïveté (Ricoeur) – and therefore a loss of unproblematic intimacy – require prayer to take into account its gendered situation, since prayer is never not embodied. Sölle’s portrayals of woman-lover, mother and artist both rely upon and differentiate the relationship between emancipation and solidarity that I see addressed by liberation hermeneutics as the work of co-creation. Thus emerges a theopoetic vision that does not dissolve gender difference in favour of a “general” salvation, but offers a critique of the process of liberation itself tied into our gendered engagements with a theological reception of women at prayer.
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Sailer-Pfister, Sonja. "Theologie der Arbeit vor neuen Herausforderungen : sozialethische Untersuchungen im Anschluß an Marie-Dominique Chenu und Dorothee Sölle /". Berlin ; Münster : Lit, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015519005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Numminen, Tuija. "God, power and justice in texts of Simone Weil and Dorothee Sölle /". Åbo : Åbo akademi förlag, 2001. http://catalogue.bnf.fr/ark:/12148/cb39139139w.

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Salomonsson, Olivia. "En lidande mänsklighet och en lidande Gud : En feministisk analys av Dorothee Sölle och Jürgen Moltmann". Thesis, Enskilda Högskolan Stockholm, Avdelningen för religionsvetenskap och teologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ths:diva-1143.

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The aim of this study is to explore questions regarding the concept of suffering and the relationship between a suffering world and a suffering God. The theology of Dorothee Soelle and Jürgen Moltmann are presented and then analysed through the feminist-theological lens of Rita Nakashima Brock and Rebecca Ann Parker. The feminist-theological perspective is used to highlight the theological strengths and weaknesses of Soelle and Moltmann. The issues of suffering can be found all through human history and across all religious views or life stances. Soelle and Moltmann show that to create a sustainable theology regarding suffering there needs to be an awareness of what image of God is presented. The conclusion of the study is that both Soelle and Moltmann use the term “apathy” throughout the theology that has been presented. The concept is regarded as a hindrance to forming and maintaining relationships and being able to sympathise with the suffering party. This hinderance is present both in the relationships between humans and between God and humanity. The focus of Soelle and Moltmann lies in the interpretation of God the Father and how the Father relates to the suffering of humanity. The importance of how the suffering of the Son is regarded is presented through the feminist theology of Brock and Parker. According to Brock and Parker, the church needs to examine how the suffering of Jesus is presented. If the suffering of Jesus is presented as an example of how suffering should be endured then the concept of Jesus willingly suffering might put pressure on the suffering individual to stay in the context that causes suffering.
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Graham, Jeannine Michele. "Christ for us : a comparative study of the themes of representation and substitution in the theologies of Dorothee Sole, John Macquarrie and Karl Barth". Thesis, University of Aberdeen, 1993. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU482039.

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Christ for us describes the essence of the reconciling act initiated and brought to fruition by the Triune God towards God's errant creation. The themes of representation and substitution have figured prominently in attempts to articulate the nature of this divine act of reconciliation in Christ. The intent of this study is not to present a plethora of viewpoints on these themes, arriving at a general survey of the subject, but rather to focus on the theologies of three contemporary theologians---Dorothee Sole, John Macquarrie and Karl Barth---drawing from this select purview a portrait of key issues arising from these themes and the relative adequacy of their particular attempts to address them. Such a study aims to substantiate the following premises: 1. Representation and substitution, far from being mutually exclusive, are complementary concepts which must be held together, each illuminating the other. As such, they express a view of reconciliation which is both cognizant of sin's radically incapacitating effect---necessitating a Substitute who acts in our place apart from human cooperation---and consonant with the inner logic of the incarnation, wherein such substitution ontologically implicates us as those included in Christ's representative existence as Elect Head of humanity. 2. The marriage of representation and substitution presumes a trinitarian view of grace, interpreted not primarily in legal terms but relationally , in the covenantal context of the Triune God's elective resolve to draw humankind within the faithful embrace of His dynamic, self-giving love through becoming the God of, for and with humankind in Christ. 3. The hypostatic union is vital, not only to an understanding of Jesus' Person as both in continuity with humankind and utterly unique, but also in providing the essential bilateral dynamic by which to interpret his atoning mission, i.e., fulfilling the covenant not only from the divine side qua God, but simultaneously embodying the necessary human response---God as man---on our behalf and in our place.
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Klitgaard, Nelsson Rebecca. "Bakbunden frälsning : en kritisk analys av det politiska frälsningsbegreppets predikament i moderniteten". Thesis, Uppsala universitet, Teologiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-381035.

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This thesis explores the ideological underpinnings of political soteriological discourse. Through analyzing key texts in liberation theology, using critical theorists such as Theodor W. Adorno and Wendy Brown, I aim to understand to how this soteriological discourse respond to the predicaments that afflict theology in modernity – and to explore the ideological issues with these responses. I then turn to present day Swedish theological conversations concerning salvation and its political use, in order to discuss whether the issues exposed in liberation theology can be considered to continue to be a problem for the present discussion. I also discuss the ethical and theological obstacles connected to the translocation of liberation theology from the Latin America of the 60’s, 70’s and 80’s to present day Sweden, or, in other words: from an exploited continent in protest against imperialism and capitalism, to the continent guilty of so much of the suffering that Latin American liberation theology condemned. What does it mean to turn to liberation theology in this context? I find, in this discourse, a certainty and assuredness concerning the salvation of all, which I find to be at least in part ideologically grounded. Instead, I suggest another direction for political revolutionary soteriology: to unsettle and disturb the modern image of the God-like man; to reconnect with the prehistoric fear of nature through a vigilant and restless immanent critique and through the subversive act of rituals and sacrifice.
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Majerová, Kateřina. "Reflexe evangelií z pohledu vybraných textů feministické teologie". Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-340430.

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The master thesis Reflection of gospels from the view of choosen feminist theological texts is situated do the context of christian feminist theology, specifically in the framework of feminist theology of liberation. It's focused especially on the texts of feministic protestant theologists Jana Opočenská and Dorothee Solle, mainly on texts which are related to the choosen parts of the gospels. The theoretical part is aimed especially on the theoretical and methodological basics which includes besides others the major concepts of feminist theories of gender stereotypes and the sex-gender system. The attention is also paid to the concepts of feminist theology with main focus to the thesis of relatedness and mutuality exercised in the field of exegesis of Biblical texts, anthropology nad christology. In this part of thesis is also mentioned the biographical context of the canonical gospels origin including its follow-up interpretation by the prism of texts written by feminist-theological authors mentioned above. The analytical part of the thesis is aimed on two concrete moments of gospels and their interpretation through the texts of Jana Opočenská and Dorothee Solle, considering the theoretical and methodological basis. Through the gender focused method of qualitative content analysis is subsequently...
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Harvey, Ann-Marie. "Towards a fifth Gospel via Schillebeeckz and Sölle". 2003. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp32.29082005/index.html.

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Thesis (PhD.) -- Australian Catholic University, 2003.
Submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy. Bibliography: p. 298-332. Also available in an electronic format via the internet.
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Šipka, Magdaléna. "Vztah mezi teologií a poezií u Dorothee Sölle". Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-368731.

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This dissertation examines the poetry of Dorothee Sölle, particularly her seven books of collected poems - Meditationen & Gebrauchstexte, Revolutionäre geduld, Fliegen lernen, Spiel doch von brot und rosen, Verrückt nach licht, Zivil und ungehörsam, Loben ohne lügen. At least two poems from each book are chosen for analysis based on the theological concept they express. It thus attempts to cover most of the concepts Sölle elaborates upon in her works. The second part of the thesis then focuses on the use of biblical passages in Dorothee Sölle's poetry, offering to view them in three subject cathegories based on her ways of working with them. Those are 1) 2) Re-telling the Bible, and 3) Contemplating upon the passages themselves. It further examines the synthesis of religious and social topics throughout her works, again suggesting to divide them into 1) Contemporary 2) Historical, and 3) Stuctural, based on the nature of the social topics portrayed in them. The thesis also explores Sölle's depiction of God, concluding that Sölle sees God in her poems not as a governing, dominating entity, but rather as a co-creator, God weeping and compassionate with the world. Sölle sees this image of God's empathy and involvement with man as an incentive for the man to become the same, to act similarly.
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Książki na temat "Dorothee Solle"

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Representation and substitution in the atonement theologies of Dorothee Solle, John Macquarrie, and Karl Barth. New York: Peter Lang, 2005.

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Sölle, Dorothee. Dorothee Sölle im Gespräch. Stuttgart: Kreuz, 1988.

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Sölle, Dorothee. Dorothee Soelle: Essential writings. Maryknoll, NY: Orbis Books, 2006.

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Nancy, Lukens, i Rumscheidt Martin, red. Dorothee Soelle: Mystic and rebel : the biography. Minneapolis: Fortress Press, 2012.

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Sölle, Dorothee. Zur Umkehr fähig: Mit Dorothee Sölle im Gespräch. Mainz: M.-Grünewald-Verlag, 1999.

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Die Lebenswelt der "neuen christlichen Kultur": Christsein nach Dorothee Sölle. Frankfurt am Main, Germany: P. Lang, 1992.

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Sensibilität für den Menschen: Theologie und Anthropologie bei Dorothee Sölle. Frankfurt am Main, Germany: P. Lang, 1988.

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Megill-Cobbler, Thelma. Women and the cross: Atonement in Rosemary Radford Ruether and Dorothy Soelle. Ann Arbor, Mich: UMI Dissertation Services, 1994.

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Politik Und Theologie Bei Dorothee Solle: Die Herausforderung Der Frauenbewegung Durch Carl Schmitt. Peter Lang Pub Inc, 2004.

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Dorothee, Solle, i Pinnock Sarah Katherine, red. The theology of Dorothee Soelle. Harrisburg, PA: Trinity Press International, 2003.

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Części książek na temat "Dorothee Solle"

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Pinnock, Sarah. "Dorothee Soelle". W The Palgrave Handbook of Radical Theology, 367–80. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96595-6_22.

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Rumscheidt, H. Martin. "Dorothee Soelle:". W Engaging Bonhoeffer, 169–86. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt19qgg3z.13.

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Kennerley, David. "Dorothea Solly’s Musical World". W Sounding Feminine, 120–55. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190097561.003.0005.

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This case study explores the musical and social world of Dorothea Solly, a keen amateur musician and singer. It builds on Chapter 2 by arguing that Solly’s middle-class background, combined with a Broad Church Anglican milieu and her marriage into a Unitarian family shaped her strongly affirmative approach to female voices, in ways that contrasted sharply with the attitudes on display in conduct literature. In particular, she exhibited great admiration for, and sought to acquire herself, the advanced vocal technique of leading stars of the Italian opera, such as her singing teacher, Cecilia Davies. In her advocacy of both female professional performers and composers, and in her own style of singing, Solly and her social milieu encapsulate an important, emerging section of the British musical public that was open both to the idea of female musical creativity and professionalism, and comfortable with an empowered, confident, assertive style of envoicing femininity.
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Mordden, Ethan. "Behind the Times". W Pick a Pocket Or Two, 132–44. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190877958.003.0009.

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This chapter focuses on Sandy Wilson and Julian Slade, who had a number of things in common. They both first appeared in the early 1950s, wrote shows originating outside the West End, seemed unaffected by the American influence, and had one outstanding hit (respectively, The Boy Friend and Salad Days). However, the two are unalike each other in important ways. Wilson was the sole author of his shows, while Slade had collaborators, especially actress Dorothy Reynolds, who co-wrote most of Slade’s best-known titles. Wilson enjoyed basing songs on earlier models, while Slade rarely used pastiche. Slade's musicals are innocent and sweet-hearted while Wilson's are worldly, satiric, and cynical. Thus, Slade's Salad Days (1954) is the perfection of lovable twaddle while Wilson's The Boy Friend (1953) is an analysis of lovable twaddle, a resuscitation of the twenties musical to ask what it was made of.
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