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Artykuły w czasopismach na temat "Documentary truth"
Arthos, John. "Narrative Manipulation and Documentary Truth". Film and Philosophy 3 (1996): 87–94. http://dx.doi.org/10.5840/filmphil199638.
Pełny tekst źródłaLodge, Sue Wise. "Truth exposed in The Hospital documentary". Nursing Standard 31, nr 22 (25.01.2017): 30. http://dx.doi.org/10.7748/ns.31.22.30.s31.
Pełny tekst źródłaWalker, Janet. "Moving Testimonies: Documentary, "Truth," and Reconciliation". Velvet Light Trap 60, nr 1 (2007): 87–88. http://dx.doi.org/10.1353/vlt.2007.0029.
Pełny tekst źródłaKOZLOV, V. P. "«THE TRUTH OF HISTORY» AND DOCUMENTARY MEMORY". JOURNAL OF PUBLIC AND MUNICIPAL ADMINISTRATION 11, nr 1 (2022): 143–54. http://dx.doi.org/10.22394/2225-8272-2022-11-1-143-154.
Pełny tekst źródłaMinle, SUN. "Documentary Writing and Politics of "Truth". Critical Theory 2, nr 2 (2018): 136–81. http://dx.doi.org/10.47297/wspctwsp2515-470204.20200202.
Pełny tekst źródłaUrban, Marek. "Documentary film as historical narrative". Ars Aeterna 7, nr 2 (1.12.2015): 31–43. http://dx.doi.org/10.1515/aa-2015-0009.
Pełny tekst źródłaHasan, Renta Vulkanita. "INDONESIAN DOCUMENTARY: A THEORETICAL REVIEW OF TRUTH CLAIMS PERSPECTIVE". Journal of Urban Society's Arts 7, nr 1 (20.09.2020): 15–20. http://dx.doi.org/10.24821/jousa.v7i1.3903.
Pełny tekst źródłaNas, L. "The ‘unreel’ in Woody Allen’s Zelig". Literator 13, nr 3 (6.05.1992): 93–100. http://dx.doi.org/10.4102/lit.v13i3.775.
Pełny tekst źródłaDeutsch, J. I. "Rothstein's First Assignment: A Story about Documentary Truth". Journal of American History 99, nr 1 (22.05.2012): 382–84. http://dx.doi.org/10.1093/jahist/jas124.
Pełny tekst źródłaZeng, Jinyan. "Visualizing truth-telling in Ai Xiaoming’s documentary activism". Studies in Documentary Film 11, nr 3 (19.06.2017): 184–99. http://dx.doi.org/10.1080/17503280.2017.1340795.
Pełny tekst źródłaRozprawy doktorskie na temat "Documentary truth"
Goldson, Annie. "A claim to truth: documentary, politics, production". Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/1246.
Pełny tekst źródłaWhole document restricted, but available by request, use the feedback form to request access.
Mitropoulos, Maria Michael. "Regimes of truth : documentary photography in the margins". Queensland University of Technology, 2003. http://eprints.qut.edu.au/16077/.
Pełny tekst źródłaMitropolous, Maria. "Regimes of truth: Documentary photography in the margins". Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/106899/1/T%28CI%29%2082%20Regimes%20of%20truth.pdf.
Pełny tekst źródłaMickwitz, Nina. "Comics and/as documentary : the implications of graphic truth-telling". Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/48686/.
Pełny tekst źródłaShaw, Nicola. "Truth-telling strategies of British drama-documentary : from realism to postmodernism". Thesis, Manchester Metropolitan University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496787.
Pełny tekst źródłaBevins, Thomas Levin Ben. "Street chords and the truth a street level view of country music /". [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-6134.
Pełny tekst źródłaBevins, Thomas. "Street Chords and the Truth: A Street Level View of Country Music". Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6134/.
Pełny tekst źródłaSmith, Elizabeth Ann. "Ecstatic Truth through Fiction: Re-framing the Science Film to Engage a Wider Audience". Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/smith/SmithE0507.pdf.
Pełny tekst źródłaDrummer, Aurora. "Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film". Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/12877.
Pełny tekst źródłaThis dissertation takes theories of voice-over narration that are typically applied to fiction film and applies them to documentary film. It looks at issues of representation and truth values in the documentary films of Werner Herzog, John Marshall, Luis Buñuel and Karin Jurshcick. It argues that the choices filmmakers make regarding types of voice-over affect these issues and are therefore worthy of study. It argues that the unconventional story-weavers in documentaries like those of Marshall and Herzog‘s can inadvertently marginalise their subjects. It looks at Buñuel‘s Land Without Bread as an extreme example of an (intentionally) manipulative narrator. It suggests that a voice-over narrator that follows Chion‘s conceptualisation of the complete acousmêtre encourages audiences to engage on a more critical level. Finally, it argues that even a seemingly traditional narrator as seen in Jurshick‘sIt Should Have Been Nice After That can be unconventional and reveal an - ecstatic truth.
Lang, Ian William, i n/a. "Conditional Truths: Remapping Paths To Documentary 'Independence'". Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031112.105737.
Pełny tekst źródłaKsiążki na temat "Documentary truth"
Gallery, Whitechapel Art, Tate Modern (Gallery) i ebrary Inc, red. Truth or dare: Art & documentary. Bristol, UK: Intellect, 2007.
Znajdź pełny tekst źródła1967-, Navarro Vinicius, red. Crafting truth: Documentary form and meaning. New Brunswick, N.J: Rutgers University Press, 2010.
Znajdź pełny tekst źródłaAvi. Nothing but the truth: A documentary novel. New York: Orchard Books, 1991.
Znajdź pełny tekst źródłaKennedy, Michael. An examination of truth and meaning in documentary. London: LCPDT, 1994.
Znajdź pełny tekst źródłaManufacturing truth: The documentary moment in early Soviet culture. DeKalb: Northern Illinois University Press, 2008.
Znajdź pełny tekst źródłaScreening truth to power: A reader on documentary activism. Montréal, Québec: Cinema Politica, 2014.
Znajdź pełny tekst źródłaTelling the truth: The theory and practice of documentary fiction. Ithaca: Cornell University Press, 1986.
Znajdź pełny tekst źródłaFactual fictions: Narrative truth and the contemporary American documentary novel. Newcastle upon Tyne: Cambridge Scholars, 2010.
Znajdź pełny tekst źródłaMind's eye, mind's truth: FSA photography reconsidered. Philadelphia: Temple University Press, 1989.
Znajdź pełny tekst źródłaBlood on the lens: A filmmaker's quest for truth in Afghanistan. Washington, D.C: Potomac Books, 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "Documentary truth"
Mickwitz, Nina. "The Truth-Claims of Images". W Documentary Comics, 29–57. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137493323_3.
Pełny tekst źródłaKeshishian, Alek. "Truth or Dare (aka In Bed with Madonna/ Madonna: Truth or Dare)". W 100 Documentary Films, 225–26. London: British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_93.
Pełny tekst źródłaBeattie, Keith. "The Truth of the Matter: Cinéma Vérité and Direct Cinema". W Documentary Screens, 83–104. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-62803-8_6.
Pełny tekst źródłaKellner, Douglas. "On Truth, Objectivity and Partisanship: The Case of Michael Moore". W The Documentary Film Book, 59–67. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_5.
Pełny tekst źródłaEitzen, Dirk. "The Duties of Documentary in a Post-Truth Society". W Cognitive Theory and Documentary Film, 93–111. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90332-3_6.
Pełny tekst źródłaNannicelli, Ted. "Interactive Documentary, Narrative Scepticism and the Values of Documentary Film". W Truth in Visual Media, 167–88. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474467.003.0008.
Pełny tekst źródłaKhatib, Lina. "Documentary, History and Reality:". W Truth or Dare, 47–56. Intellect Books, 2006. http://dx.doi.org/10.2307/j.ctv36xvw0g.7.
Pełny tekst źródłaHillier, Jim. "Truth or Dare (aka In Bed with Madonna/Madonna: Truth or Dare)". W 100 Documentary Films. British Film Institute, 2009. http://dx.doi.org/10.5040/9781838710606.0096.
Pełny tekst źródłaNannicelli, Ted. "8. INTERACTIVE DOCUMENTARY, NARRATIVE SCEPTICISM AND THE VALUES OF DOCUMENTARY FILM". W Truth in Visual Media, 165–88. Edinburgh University Press, 2021. http://dx.doi.org/10.1515/9781474474481-011.
Pełny tekst źródła"Documentary, or instants of truth". W Photography: History and Theory, 94–131. Routledge, 2013. http://dx.doi.org/10.4324/9780203153215-10.
Pełny tekst źródłaStreszczenia konferencji na temat "Documentary truth"
Yesicha, Chelsy. "Reality the Truth of Religious Practice in Documentary Covid-19". W International Conference on Emerging Media & Communication. European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.01.02.32.
Pełny tekst źródłaLi, Peng-Peng, i Geng Zhang. "Environmental Discourse Production and Confrontation in Environmental Documentary-Using ⟨⟨An Inconvenient Truth⟩⟩ and ⟨⟨Under the Dome⟩⟩as examples". W 2019 IEEE Eurasia Conference on IOT, Communication and Engineering (ECICE). IEEE, 2019. http://dx.doi.org/10.1109/ecice47484.2019.8942707.
Pełny tekst źródłaRaporty organizacyjne na temat "Documentary truth"
San Deogracias, José Antonio, i María Antonia Paz Rebollo. A modified representation of truth through the use of editing in the documentary La pelota vasca. Revista Latina de Comunicación Social (RLCS), 2011. http://dx.doi.org/10.4185/rlcs-66-2011-922-001-030-en.
Pełny tekst źródłaLubkovych, Igor. METHODS OF JOURNALISTIC COMMUNICATION. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11096.
Pełny tekst źródłaKhomenko, Tetiana. TIME AND SPACE OF HISTORICAL PARALLELS OF EUGEN SVERSTIUK’S JOURNALISM. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11095.
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