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Artykuły w czasopismach na temat "Documentaires musicaux"
Costa, Manuela Areias. "A Sociedade Musical União XV de Novembro como Patrimônio Cultural: da prática musical ao arquivo vivo". LaborHistórico 8, nr 1 (20.09.2022): 87–107. http://dx.doi.org/10.24206/lh.v8i1.46743.
Pełny tekst źródłaDall’Ara-Majek, Ana. "Le trésor de la langue de René Lussier : documentation d’un voyage, de la quête linguistique au débat politique". Circuit 28, nr 3 (3.01.2019): 71–86. http://dx.doi.org/10.7202/1055196ar.
Pełny tekst źródłaPellerin, Agnès. "Représentations cinématographiques du passé colonial portugais : enjeux musicaux dans le film Fantômes d’un Empire (2020)". História: Questões & Debates 70, nr 1 (28.02.2022): 118. http://dx.doi.org/10.5380/his.v70i1.82752.
Pełny tekst źródłaMicheau, Béatrice, Marie Després-Lonnet i Dominique Cotte. "La recommandation musicale entre inscriptions documentaires, pratiques sociales, et dispositifs d’écoute". Études de communication, nr 49 (1.12.2017): 33–56. http://dx.doi.org/10.4000/edc.7014.
Pełny tekst źródłaNejmeddine, Mafalda S. "Os órgãos do Mosteiro de Santa Clara de Vila do Conde: construção, manutenção e repertório". Opus 28 (29.12.2022): 1–20. http://dx.doi.org/10.20504/opus2022.28.24.
Pełny tekst źródłaMoreira, Fernando Alberto Torres, i Humberto Rodrigues Júnior. "A ESTÉTICA MUSICAL JOANINA: UM ESTUDO DAS INFLUÊNCIAS DAS COMPOSIÇÕES DE MARCOS PORTUGAL, NUNES GARCIA E SIGISMUND NEUKOMM NO PERÍODO JOANINO NO BRASIL". ERAS | European Review of Artistic Studies 11, nr 4 (30.12.2020): 73–96. http://dx.doi.org/10.37334/eras.v11i4.11.
Pełny tekst źródłaGabriel, Ana Paula Dos Anjos. "J. S. Bach em português: a escolha textual de Furio Franceschini e Martin Braunwieser para a Johannespassion BWV 245". OPUS 24, nr 3 (20.12.2018): 293. http://dx.doi.org/10.20504/opus2018c2412.
Pełny tekst źródłaHenriques, Luís. "Património musical na Catedral de Angra no século XVII: três livros de polifonia vocal sacra e o seu possível contexto". Herança 2, nr 2 (30.01.2020): 69–82. http://dx.doi.org/10.29073/heranca.v2i2.161.
Pełny tekst źródłaSousa, Ana Claudia Medeiros de, i Bernardina Maria Juvenal Freire de Oliveira. "A escrita de si como prática de mediação cultural: registros de memória e identidade nas redes sociais do Quinteto da Paraíba". Informação@Profissões 9, nr 2 (17.12.2020): 20. http://dx.doi.org/10.5433/2317-4390.2020v9n2p20.
Pełny tekst źródłaPersone, Pedro. "A aurora do (forte)piano". Per Musi, nr 20 (2009): 22–33. http://dx.doi.org/10.1590/s1517-75992009000200004.
Pełny tekst źródłaRozprawy doktorskie na temat "Documentaires musicaux"
Bonnot, Charles. "Le discours des documentaires musicaux : de Robert Johnson à LCD Soudsystem". Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC316.
Pełny tekst źródłaThis thesis is a linguistic and discursive study of documentaries on 20th century popular music in English-speaking countries: rock music, folk, blues, punk and electro. We first suggest a description of the corpus based on formal, discursive and narrative criteria. We see how editing allows an articulation of micro and macro-discourses as well as the creation of pseudo-dialogues and of a plurisemiotic anaphoric chain. We also notice certain patterns among micro-stories and macro-stories, which we believe are the expression of specific cultural norms. The second part of this study in based on the research of linguistic expressions of rock's supposedly innate rebellion. Corpus analysis shows the plasticity of linguistic taboo and of the use of swearwords, depending on the environment in which they appear. Besides, the corpus contains an important number of interactional transgressions that show how rock's rebellion is actually built and dealt with in media discourse. The third part of this study deals with the counter-discourses that are produced within and by music documentaries. These discourses aim at correcting a faulty doxa, they reflectively question the limits of speech and discourse, whether in songs or in the media, and tend to valu the unsa yable as well as alternative means of expression what we refer to as logophobia
Assunção, Maria Clara Rabanal da Silva. "Catalogação de documentos musicais escritos: uma abordagem à luz da evolução normativa". Master's thesis, Universidade de Évora, 2005. http://hdl.handle.net/10174/15730.
Pełny tekst źródłaFiala, David. "Le mécénat musical des ducs de Bourgogne et des princes de la maison de Habsbourgs : 1467-1506 : étude documentaire et prosopographique". Tours, 2002. http://www.theses.fr/2002TOUR2018.
Pełny tekst źródłaReis, Ernesto Silva e. "Acervo de partituras da fundação Gregório de Mattos: uma busca por fontes documentais de atividades de grupos orquestrais na Bahia na primeira metade do século xx". UNIVERSIDADE FEDERAL DA BAHIA, 2015. http://repositorio.ufba.br/ri/handle/ri/21599.
Pełny tekst źródłaApproved for entry into archive by Nilson Nascimento Souza (nilson@ufba.br) on 2017-03-02T17:02:41Z (GMT) No. of bitstreams: 1 Acervo de Partituras da FGM_Ernesto Reis_Dissertação de Mestrado.pdf: 15929458 bytes, checksum: b5edc869679329312a61f5c094c9dd0f (MD5)
Made available in DSpace on 2017-03-02T17:02:42Z (GMT). No. of bitstreams: 1 Acervo de Partituras da FGM_Ernesto Reis_Dissertação de Mestrado.pdf: 15929458 bytes, checksum: b5edc869679329312a61f5c094c9dd0f (MD5)
CNPq
O presente trabalho traz um levantamento do repertório produzido para orquestra, datado da primeira metade do século XX, encontrado no acervo de partituras da Fundação Gregório de Mattos, em Salvador, Bahia, e apresenta algumas das obras para orquestra que dele fazem parte. Essas obras são submetidas à análise crítica, contextualizando-as e buscando validar a sua importância e representatividade no cenário musical baiano, bem como demonstrar a existência e atividade de grupos orquestrais neste período.
This paper presents the 20th century first half orchestral scores gathered in the Fundação Gregório de Mattos’ archives in Salvador, Bahia. Furthermore, critical analysis of some orchestral scores in its historical context helps us to demonstrate about the importance of the orchestral business activity in the city of Salvador at that time.
Lachambre, Hélène. "Caractérisation de l'environnement musical dans les documents audiovisuels". Phd thesis, Université Paul Sabatier - Toulouse III, 2009. http://tel.archives-ouvertes.fr/tel-00457522.
Pełny tekst źródłaGareau, Nicolas. "Mas Conga : documentaire performatif de médiation culturelle interactive". Mémoire, 2010. http://www.archipel.uqam.ca/3044/1/M11421.pdf.
Pełny tekst źródłaDevert, Juliette. "L'Islande et sa musique représentées dans le documentaire : entre lieu, scène et insularité". Thèse, 2013. http://hdl.handle.net/1866/10413.
Pełny tekst źródłaThis Masters thesis examines the icelandic music scene as portrayed through documentaries. The notion of scene usually refers to a spatial entity in which different actors (musicians, producers, promoters, fans, etc) share their common interests in music. In this thesis, its conceptualization combines elements drawn from an approach developed by Straw (1991) wich focuses on ideas of interaction and network, and insists on how this space of sociability is formed through adaptation and change ; and from Bennett and Peterson’s (2004) approach which emphasize the difference in scales through which the networks of interactions characteristic of local, trans-local and virtual scenes are deployed. The author also addresses geographical questions as a means to further problematize the insular character of Island construed as one of the elements through which the music scene is produced. She does so by mobilizing Massey’s (2005) theory of space as a coming together of heterogeneous trajectories and "stories-so-far", and argues that it is the copresence and simultaneity of these trajectories that give the icelandic music scene its specificity. This line of investigation is pursued through the empirical exploration of a series of documentaries which address through different modes (Nichols, 2001 ; 2010) various facets of what they construe as local music in Iceland. The visual and aural representations that these documentaries put forth form the discourse that is the object of the analysis. Inspired by Hall (1994 ; 1997) discourse is considered as a meaningful and sociohistorically contingent unit composed of statements. The methodological process that guides the analysis consists in the critical examination of a corpus of documentaries with a view to identifying the statements that they articulate, and, on this basis, to reconstituting the different trajectories that constitute the icelandic music scene discursively produced therein. The analysis brings forth five trajectories (World ; Affinities ; Filiation ; Stereotyping et authenticity ; Territoriality) and discusses their various co-occurrences at different scales. It is these (non-) meeting points which are conceptualized as constituting the place of the icelandic music scene.
Książki na temat "Documentaires musicaux"
Agnès, Bautz, i Grand Cécile, red. Catalogue des fonds musicaux anciens conservés en Poitou-Charentes. Aix-en-Provence (France): ARDIAMC/EDISUD, 1999.
Znajdź pełny tekst źródłapréf, Steinmetz Pierre, Bautz Agnès préf i Raffarin Jean-Pierre préf, red. Catalogue des fonds musicaux anciens conservés en Poitou-Charentes. Aix-en-Provence Poitiers: Edisud ARDIAMC, 1999.
Znajdź pełny tekst źródłaFrançois-Pierre, Goy, i Desmet Marc, red. Catalogue des fonds musicaux anciens conservés en Champagne-Ardenne. Paris: Minkoff France, 2000.
Znajdź pełny tekst źródłaColey, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.
Znajdź pełny tekst źródłaColey, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.
Znajdź pełny tekst źródłaColey, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.
Znajdź pełny tekst źródła