Gotowe bibliografie tematyczne / Discworld series (Pratchett, Terry)

Gotowa bibliografia na temat „Discworld series (Pratchett, Terry)”

Autor: Grafiati

Data publikacji: 25 lipca 2024

Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Discworld series (Pratchett, Terry)"

Do Rozario, Rebecca-Anne. "The Charity of Witches: Watching the Edges in Terry Pratchett’s Tiffany Aching Novels". Papers: Explorations into Children's Literature 24, nr 2 (1.07.2016): 74–95. http://dx.doi.org/10.21153/pecl2016vol24no2art1106.

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Terry Pratchett’s final novel, The Shepherd’s Crown, was published months after his death in 2015. The novel concludes the story arc of Tiffany Aching, hero of the Discworld children’s/young adult novels that include The Wee Free Men (2003), A Hat Full of Sky (2004), Wintersmith (2006), and I Shall Wear Midnight (2010). The arc follows the heroine from the age of nine through her teenage years and although classified as children’s or young adult novels, the novels merge seamlessly with the adult Discworld series. The novels’ status within children’s literature is sustained by a thematic core: Tiffany grows up. Her negotiation of childhood and adolescence, however, is shaped less by the valorisation of youth and desire for fame and fortune than by the example of old women and their dedication to public service. These old women are witches and they mind the margins of their community, as renowned witch Esmeralda Weatherwax explains of their work: “There’re a lot of edges, more than people know. Between life and death, this world and the next, night and day, right and wrong...an’ they need watchin’. We watch ‘em, we guard the sum of things. And we never ask for any reward. That’s important” (Pratchett 2010c). This article investigates how Pratchett draws on the history of fairy tales about witches and old women with their varied traditions of care and preservation, and reaches a narrative conclusion for the young heroine that rejects traditional fairy tale resolutions of romance, fame, or fortune. Instead, he endorses the heroic and everyday work performed at the ‘edges.’

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Kulkov, Aleksandr N. "Intertextuality in T. Pratchett’s Novel Maskerade". Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, nr 3 (2021): 186–98. http://dx.doi.org/10.15826/izv2.2021.23.3.053.

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The category of intertextuality and playing with the reader have become an integral part of mass literature in the era of postmodernism. The aim of this article is to analyse the intertextual inclusions in Maskerade (1995), a novel by Terry Pratchett, a British writer who achieved success in comic fantasy and is well-known for his book series Discworld and the use of different cultural references which play a crucial role in the construction of the storyline. The research refers to the original text of Maskerade, the primary precedent texts, i.e. The Phantom of the Opera by Gaston Leroux and the musical of the same name by Andrew Lloyd Webber, as well as several musical works of the last century. The distinctive features of the novel include a predominance of musical references over literary ones, which can be explained by the primary plot of the book developing on the stage of the Ankh-Morpork Opera House. In the very paratitle of the novel, the writer begins an intertextual game with the reader, hinting at the main narrative line, the duality and masquerade of what happens. All the plot-forming intertextual connections analysed in this article have no attribution and are expressed in the form of marked quotations, quasi-quotations, and allusions. However, taking into consideration “the white knowledge” and the readers’ horizon of expectations, Terry Pratchett reconsiders many images of the characters and seemingly well-known plot twists of The Phantom of the Opera. Furthermore, showing the backstage of the theatrical world with its prejudices and difficulties, the author thereby connects the real world with the secondary fictional world which turn out to be hardly distinguishable from each other.

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Tringham, Damon. "Biological Taxonomy as an Extended Analogy in Translation Research". Mikael: Kääntämisen ja tulkkauksen tutkimuksen aikakauslehti 17, nr 1 (17.04.2024): 172–87. http://dx.doi.org/10.61200/mikael.137601.

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This paper focuses on how a biological concept can be utilised as a translational tool. This takes the form of an extended analogy that constitutes a viable and useful aid in research. My basis is the terms and categories of biological taxonomy and speciation as commonly understood, and how these may be applied to the study of the translation of novels, in my case the Discworld series by Terry Pratchett. The paper introduces the use of metaphors and analogies used both about and in translation studies, discussing these to demonstrate how they differ from mine. I justify the use of analogy as a tool before presenting a biological analogy used to aid creativity in my research. I show how the analogy was constructed and highlight an initial weakness as an example of potential pitfalls. On the relationship between source text and translation, I reflect upon their sameness or otherwise, looking at how changes made in the language and other features may be considered speciation. I also briefly introduce some parallels created by the analogy that can be explored. My study is thus an exercise in meta-methodology, attempting to introduce a novel way of self-reflection on theoretical thinking.

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Hajdu, Péter. "How to begin a sequel?" Frontiers of Narrative Studies 6, nr 1 (1.07.2020): 46–58. http://dx.doi.org/10.1515/fns-2020-0005.

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AbstractBeginnings of fictional narratives apply various strategies to introduce their readers to the represented world, and even if they select a starting point in the flow of events as definitive, they tend to tell something about how the starting situation has been constituted by earlier events and circumstances. Some literary genres represent fictional worlds so different from the readers’ that a general description of the former is also needed in the beginning. A sequel may seem free of the burden of a descriptive introductory beginning, since readers (if they have read the previous work or works) have sufficient information to be able to cope with in medias res beginning. However, long series of many sequels have to be accessible for new readers as well, therefore they offer introductions for a double audience. The paper analyses several beginnings from Terry Pratchett’s Discworld novels. I show how the early novels use the description of the Discworld as a formal feature to begin the narrative; those descriptions fulfil the double purpose of introducing new readers and entertaining the trained ones by new ways of elaboration and adding some new traits.

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Dunieva, O. I. "“DEATH” THROUGH THE PRISM OF POSTIRONY (ON THE MATERIAL OF THE TERRY PRATCHETT’S BOOK SERIES “DISCWORLD”)". Lviv Philological Journal, nr 12 (2022): 47–54. http://dx.doi.org/10.32447/2663-340x-2022-12.8.

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Manova-Georgieva, Yana. "What’s Behind a Name? Origins and Meaning of Some of the Recurrent Characters in Terry Pratchett’s Discworld". ELOPE: English Language Overseas Perspectives and Enquiries 17, nr 2 (5.11.2020): 165–76. http://dx.doi.org/10.4312/elope.17.2.165-176.

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Nominative symbolism in fantasy is a tool to attribute certain traits to literary characters and thus to convey meaning which enriches the readers’ comprehension of the fictitious personality. Proper names in the English naming tradition are not generally seen as means of alluding to the character of a person, yet they have sometimes been chosen purposefully by writers so as to reveal the idea that a symbolic name tries to convey. The paper therefore aims at investigating the origin and author’s intended meaning behind the names of some recurrent literary characters in Terry Pratchett’s Discworld series from the viewpoint of their structure and the allusions they evoke in the reader’s imagination. The analysis includes five names presenting three different structures: neologisms based on syntactic composition, imitations of borrowed structures that are foreign to the English model of naming, and typical English naming models where name symbolism is due to the lexical choice of the components in the name.

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MANOVA-GEORGIEVA, Yana, i Elena ANDONOVA-KALAPSAZOVA. "THE HERMENEUTIC POWER OF CHARACTONYMS: A CASE STUDY". Ezikov Svyat volume 20 issue 1, ezs.swu.v20i1 (10.02.2022): 153–63. http://dx.doi.org/10.37708/ezs.swu.bg.v20i1.20.

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The aim of the article is to analyze the symbolic meaning of the name of Havelock Vetinari, one of the most recurrent literary characters in Terry Pratchett’s Discworld series. The focus of the discussion are the literary and historical associations embedded in his name and his titles, which help the informed reader comprehend the complexity of the character’s behavior in the narratives. The intertextual appropriations and echoes at the heart of the name derive from the author’s multilayered encyclopedic knowledge that underlies the coining of the character’s name. Havelock Vetinari is a noteworthy example of how the invented name of a literary character can become a powerful tool for meaning making in literature. The study is carried out within the theoretical framework of the hermeneutic approach according to which a whole is understood as the synthesis of the numerous parts it consists of and the multifaceted interrelations among them. The analysis of Vetinari’s name is thus conducted as a process of engaging in turn with the meaning of his given name, his family name as well as his official titles of address and nicknames, and looking into the linguistic, historical, and cultural associations they evoke which are correspondent to the nature of the literary character.

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Vorobel, Andriana. "Corpus approach to analysis of artefact metaphors in Terry Pratchett’s “Discwold” series". Сучасні дослідження з іноземної філології 20, nr 2 (2021): 25–33. http://dx.doi.org/10.32782/2617-3921.2021.20.25-33.

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Akens, Jonne. "Discworld and the Disciplines: Critical Approaches to the Terry Pratchett Works ed. by Anne Hiebert Alton and William C. Spruiell". Children's Literature Association Quarterly 40, nr 1 (2015): 91–93. http://dx.doi.org/10.1353/chq.2015.0005.

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Lisaev, Tsvetelin. "Women as witches: the transformation of the stereotype in J.K. Rowling’s Harry Potter and Terry Pratchett’s Wyrd Sisters". Proglas 31, nr 1 (29.06.2022): 97–100. http://dx.doi.org/10.54664/uqyy3998.

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This article explores some of the aspects of the ‘women-as-witches’ stereotype in the literary works of J. K. Rowling and Terry Pratchett, while focusing on both the subversion of the stereotype and its reinforcement. The focus of my work is on the depiction of this type of gender profiling in a fantastic setting and imagined societies, while drawing a parallel with the real world. I first focus on a brief outline of the historical and cultural significance of the stereotype, followed by a discussion of its literary aspects in J. K. Rowling’s Harry Potter series and Terry Pratchett’s Wyrd Sisters novel.

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Rozprawy doktorskie na temat "Discworld series (Pratchett, Terry)"

Murray, William. "Subversions : The Discworld novels of Terry Pratchett". Thesis, University of Canterbury. English, 1998. http://hdl.handle.net/10092/7114.

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'Subversions: the Discworld novels of Terry Pratchett' focuses on six of Terry Pratchett's twenty-one Discworld novels, which are representative of two different subject areas of the series: witches and the city of Ankh-Morpork's Watch. While taking a closely analytical approach to Witches Abroad, Lords and Ladies, Guards! Guards!, Men At Arms, Feet of Clay and Maskerade, it also makes some assessments of the Discworld novels as a whole. The field of criticism specifically to do with Terry Pratchett is currently a very limited one, but a range of secondary material is brought to bear on the subjects of fantasy, fairy tale, postmodernist fiction and fiction in general. There is particular reference made to the thought of Mikhail Bakhtin and to various critical interpretations. The main concern is to develop a reading of Terry Pratchett that is informed by some of Bakhtin's wide-ranging ideas. At its initial level, the argument combines Bakhtin's emphasis on dialogue with Pratchett's personal terminology, in claiming that the Discworld novels 'dialogise the diodic'. The author of the Discworld novels coined the word 'diodic' as a child, to describe electrical connections which required a diode. Such connections were implicitly one-way; they only worked through the diode. In writing the Discworld novels he took relationships that would normally be thought of in terms which he considered to be diodic and made them work in two or more ways. This thesis contends that the Discworld novels subvert by way of the distorting lens of fantasy, parodically dialogising (or 'bringing another voice to') conventional viewpoints, in order to interrogate the idea that there can be a satisfactory unitary way of seeing.

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Andersson, Lorraine. "Which witch is which? A feminist analysis of Terry Pratchett's Discworld witches". Thesis, Halmstad University, School of Humanities (HUM), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-543.

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Terry Pratchett, writer of humorous, satirical fantasy, is very popular in Britain. His Discworld series, which encompasses over 30 novels, has witches as protagonists in one of the major sub-series, currently covering eight novels. His first “witch” novel, Equal Rites, in which he pits organised, misogynist wizards against disorganised witches, led him to being accused of feminist writing. This work investigates this claim by first outlining the development of the historical witch stereotype or discourse and how that relates to the modern, feminist views of witches. Then Pratchett’s treatment of his major witch characters is examined and analysed in terms of feminist and poststructuralist literary theory. It appears that, while giving the impression of supporting feminism and the feminist views of witches,

Pratchett’s witches actually reinforce the patriarchal view of women.

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Abbott, William Thomas. "White Knowledge and the Cauldron of Story: The Use of Allusion in Terry Pratchett's Discworld". Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etd/630.

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In the last twenty years, Terry Pratchett's Discworld series has become very popular. Pratchett's success hinges in part on his use of allusion, in what Tolkien called the "Cauldron of Story," and what Pratchett refers to as "white knowledge." This paper explores the Discworld novels and illustrates Pratchett's use and success of storytelling through a few key directions: folk tales, fantasy literature, movies, and rock music. Pratchett has received limited critical review, mostly of a negative nature, while producing a strong literary series, one crafted with both obvious and subtle recognition of his genre's sources. While standing on the shoulders of giants, Pratchett both respects and scrutinizes the myths and stories that construct our reality. Critically, Pratchett's fiction deserves more respect and closer study; this paper attempts to give him his due.

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Wojciechowski, Mary Alice. "Who's Afraid Of The Wicked Wit?: A Comparison Of The Satirical Treatment Of The University System In Terry Pratchett's Discworld And Evelyn Waugh's Decline And Fall". 2014. http://scholarworks.gsu.edu/english_theses/165.

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Terry Pratchett, author of the best-selling Discworld series, and winner of multiple literary awards, writes satirical fantasy for adults and children. The academic community has been slow to accept Pratchett's work as worthy of notice. Factors that contribute to this reticence include writing fantasy, writing for children, a high volume of work, and popularity in general society. This thesis will provide a comparison between Pratchett's work and that of Evelyn Waugh by focusing on their academic satire, shedding new light on Pratchett's work from a literary perspective, thus lending greater value to his Discworld series as a collection of novels with measurable literary value to the academic community.

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Davies, Owain. "The Translation of Culture-specific Material in Children's Literature with particular reference to the German translation of the Tiffany Aching series by Terry Pratchett". 2018. https://ul.qucosa.de/id/qucosa%3A31770.

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Książki na temat "Discworld series (Pratchett, Terry)"

Pratchett, Terry. The Discworld companion. London: Gollancz, 1995.

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Pratchett, Terry. The Discworld companion. London: Vista, 1997.

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Briggs, Stephen. Terry Pratchett's Men at Arms: The Play. London: Corgi Books, 1997.

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Briggs, Stephen. Terry Pratchett's The fifth elephant. London: Methuen Drama, 2002.

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Pratchett, Terry. Das Mitternachtskleid: Ein Märchen von der Scheibenwelt. München: Manhattan, 2011.

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Pratchett, Terry. The Discworld Companion. Gollancz, 1997.

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Discworld Companion. Orion Publishing Group, Limited, 2010.

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Pratchett, Terry. Discworld Companion. Gollancz, 2007.

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The Discworld Companion. Gollancz, 1994.

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Pratchett, Terry. Discworld Companion 27 Copy Dumpbin. Orion Publishing Group, Limited, 1997.

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Streszczenia konferencji na temat "Discworld series (Pratchett, Terry)"

Farkas, Tamás. "Names and naming and their cultural context in Terry Pratchett’s Discworld". W International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/75.

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The Discworld is a comic fantasy universe created by British author Terry Pratchett, where over 40 of his novels are set. This diverse world is home to a lot of different cultures and (human and non-human) characters, living cheek by jowl, regardless of species, gender or life status. However, with many allusions, the Discworld is in several ways a parody of our own world, culture and society. All of this make it a very fruitful subject of literary onomastics. The paper analyses, using many examples, the complex multicultural and linguistic context and embeddedness of literary names and naming in Pratchett’s Discworld.

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