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1
Reynolds, Jill. The single woman: A discursive investigation. New York, NY: Routledge, 2008.
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Medina, José. Speaking from elsewhere: A new contextualist perspective on meaning, identity, and discursive agency. Albany, NY: State University of New York Press, 2006.
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Speaking from elsewhere: A new contextualist perspective on meaning, identity, and discursive agency. Albany: State University of New York Press, 2006.
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Chao, Shi-Yan. Queer Representations in Chinese-language Film and the Cultural Landscape. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033.
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Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao’s discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.
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Fawcett, Paul, Matthew Flinders, Colin Hay i Matthew Wood. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198748977.003.0013.
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This chapter returns to the idea of ‘nexus politics’ and the collection’s overall concern with how depoliticization functions to reinforce anti-politics in the context of changes in governance. We organize an agenda for further research around theoretical, methodological, and empirical themes. Theoretically, we argue that further work is needed to better account for how and why depoliticization and politicization occur, and on which forms of politicization promote choice, deliberation, and agency. Methodologically, we need to develop analytical models that map out what institutional and discursive configurations make choice and collective agency appear more or less visible. We need to keep pushing the envelope by examining how depoliticization operates in unconventional arenas. While much more work still needs to be done, this book makes a modest yet distinctive contribution towards a better understanding of ‘nexus politics’ and the growth of anti-politics as one of the most significant issues of our time.
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Simonsen, Karen-Margrethe, i Jonas Ross Kjaergard. Discursive Framings of Human Rights: Negotiating Agency and Victimhood. Taylor & Francis Group, 2016.
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Simonsen, Karen-Margrethe, i Jonas Ross Kjaergard. Discursive Framings of Human Rights: Negotiating Agency and Victimhood. Taylor & Francis Group, 2016.
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Simonsen, Karen-Margrethe, i Jonas Ross Kjaergard. Discursive Framings of Human Rights: Negotiating Agency and Victimhood. Taylor & Francis Group, 2016.
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Simonsen, Karen-Margrethe, i Jonas Ross Kjaergard. Discursive Framings of Human Rights: Negotiating Agency and Victimhood. Taylor & Francis Group, 2016.
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Simonsen, Karen-Margrethe, i Jonas Ross Kjaergard. Discursive Framings of Human Rights: Negotiating Agency and Victimhood. Taylor & Francis Group, 2016.
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Simonsen, Karen-Margrethe, i Jonas Ross Kjaergard. Discursive Framings of Human Rights: Negotiating Agency and Victimhood. Taylor & Francis Group, 2018.
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Campbell, Lindsay K. City of Forests, City of Farms. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501707506.001.0001.
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This book begins with the question of why PlaNYC2030—New York City’s municipal, long-term sustainability plan, launched during the Mayor Michael Bloomberg administration—had a robust urban forestry agenda, but lacked an urban agriculture agenda. PlaNYC launched the MillionTreesNYC campaign, investing over $400 million in city funds and leveraging a public-private partnership to plant one million trees citywide. Meanwhile, despite NYC having a long tradition of community gardening and burgeoning interest in local food systems, the plan contained no mention of community gardens or urban farms. In contrasting the top-down, centralized investment in the urban forest with the dispersed and decentralized social movement around urban agriculture, the book describes the ways in which political, discursive, and material processes intertwine to construct nature in the city. Urban greening unfolds through the strategic interplay of actors, the deployment of different narrative frames, and the mobilizing and manipulation of the physical environment—including other living, non-human entities. Understanding how and why the sustainability agenda is set and implemented provides crucial lessons to scholars, policymakers, and activists alike as they engage in the greening of cities.
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The Single Woman: A Discursive Investigation (Women and Psychology). Routledge, 2008.
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Reynolds, Jill. The Single Woman: A Discursive Investigation (Women and Psychology). Routledge, 2008.
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Gabrielson, Teena. Bodies, Environments, and Agency. Redaktorzy Teena Gabrielson, Cheryl Hall, John M. Meyer i David Schlosberg. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199685271.013.2.
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This essay reviews much of the recent scholarship on the concept of agency, delineating its relevance for theorizing an inclusive and progressive ecological politics. Mindful of the intimacy between questions of agency and ontology, the essay urges the advantages of conceptualizing agency as collective, embodied, distributed, and emergent within discursive-material assemblages. In contrast to more traditional approaches that treat agency as a singularly human characteristic, this essay looks to identify agential capacity in both humans and non-humans and the interactions among them. It is argued that such an approach offers greater traction in tracing the discursive-material circuits of power and the theorizing of collective forms of responsibility than do traditional conceptions. The essay concludes with a brief example of wildfire to illustrate the advantages of the recommended approach.
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Medina, Jose. Speaking from Elsewhere: A New Contextualist Perspective on Meaning, Identity, and Discursive Agency. State University of New York Press, 2007.
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Moscowitz, Leigh. Gay Marriage Goes Prime-Time. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038129.003.0004.
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This chapter examines the storytelling techniques that were used by journalists to produce the gay marriage issue for prime-time news audiences in 2003–2004, including labeling, framing, sourcing, imagery, and graphics. It discusses the discursive strategies employed by mainstream media to create conflict in the news; how sensationalist labels and descriptive language were used in news stories to validate historic homophobic discourses; and how privileging dominant political and religious sources worked to dichotomize the debate and silence moderate perspectives. It also explores how standard journalistic frames organized the same-sex marriage debate within “official” institutions of power. The chapter argues that journalistic definitions of authority, expertise, and “balance” created an uneven playing field, often pitting gay and lesbian spokespersons against unequal sources of influence from legal, medical, religious, and political authorities. It also shows how media coverage reduced the broader gay rights agenda to a single-issue movement and rarely gave gays and lesbians—almost always shown as couples—the opportunity to offer their own perspectives on this important issue.
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Wears, Robert, i Kathleen Sutcliffe. Still Not Safe. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190271268.001.0001.
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Patient safety suddenly burst into public consciousness in the late 1990s and became a “celebrated” cause in the 2000s. It has since gradually faltered, and little improvement has been noted over almost 20 years. Both the rise and fall of patient safety demand explanation. Medical harm had been known long before the 1990s, so why did it suddenly become popular? And why were safety efforts ineffective? The authors propose that this rise was due to a discursive shift that reframed “medical harm” into “medical error” in the setting of anxiety about industrialization and great change in healthcare. The “error” framing, with its inherent notion of agency, was useful in advancing the agenda of a technocratic, managerial group of health professionals and diminishing the authority of the old guard based on clinical expertise. The fall was due to this “medicalization” of safety. Health professionals and managers with little knowledge of safety science came to dominate the patient safety field, crowding out expertise from the safety sciences (e.g., psychology, engineering) and thus keeping reform under the control of the healthcare establishment. Operating with a sort of delusional clarity, this scientific-bureaucratic cabal generated a great deal of activity but made little progress because they failed to engage with expertise in the safety sciences. Twenty years after sudden popularity, there is general agreement that little of value has been achieved. The future of patient safety is in doubt, and radical reform in approaches to safety will be required for progress to be made.
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Mar, Tracey Banivanua. The Contours of Agency. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037153.003.0005.
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This chapter examines photographs of Pacific Island women laboring in fields in Queensland in the late 1890s, arguing that colonial photography can be a critical means of filling archival silences. It reflects on how we may read this photography in layers, both as a candid snapshot of the physical world of the past, as well as a more subtle register of that world's ideological composition. This is significant in the context of colonial histories in the western Pacific and Australia where indigenous and colonized women's labor, and their contribution to colonial and colonized societies, has been subjected to the violence of a structural amnesia. Photography offers not only visual evidence of a barely told history of Pacific Islander women's labor as told through the agency of their physical presentation. In addition, the medium itself, the photograph and its visual language, points in interesting ways to the discursive contours that shaped indigenous and colonized women's agency.
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Smith, Leonard V. The Agents and Structures of Peacemaking. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199677177.003.0002.
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This chapter provides a chronological overview of peacemaking after the Great War according to a constructivist interpretation of the “agent-structure problem.” Agents are simply the characters of the story; structures, that which determines the plot. Peacemaking began with the armistices of 1918, as recognizably realist states sought a new realist structure for security. However, Wilsonianism provided a radically new discursive structure which the allies and Germans accepted at the time of the armistice. Accepting Wilsonianism as the ideological foundation of the peace had real consequences, whatever the intentions of the statesmen who had done so. Wilsonianism legitimized the successor state, a new ethno-national agent that would seek to unify ethnic and national boundaries. Great Powers guided by Wilsonianism had created an identity they could not control. Successor states would do much to demarcate the authority of the conference in Europe and in the domains of the defeated empires.
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Ritter, Julia M. Tandem Dances. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190051303.001.0001.
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Tandem Dances: Choreographing Immersive Performance proposes dance and choreography as frames through which to examine immersive theatre, more broadly known as immersive performance. The idea of tandemness—suggesting motion that is achieved by two bodies working together and acting in conjunction with one another—is critical throughout the book. Author Julia M. Ritter persuasively argues that practitioners of immersive productions deploy choreography as a structural mechanism to mobilize the bodies of cast and audience members to perform together. Furthermore, choreography is contextualized as an effective tool for facilitating audience participation towards immersion as an affect. Ritter’s close choreographic analysis of immersive productions, along with unique insights from choreographers, directors, performers, and spectators enlivens discourse across dramaturgy, kinesthesia, affect, and co-authorship. By foregrounding the choreographic in order to examine its specific impact on the evolution of immersive theater, Tandem Dances explores choreography as a discursive domain that is fundamentally related to creative practice, agendas of power and control, and concomitant issues of freedom and agency.
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Shiffrin, Seana Valentine. Introduction. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691157023.003.0001.
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This book explores the relationship between discursive communication and moral agency, with the goal of unifying a variety of issues about communicative ethics, including issues about lying, promissory fidelity, and freedom of speech. It argues that keener attention to the moral significance of communication would illuminate both the justificatory foundations of the prohibition against lying as well as the moral and legal prohibition against curtailing freedom of speech. Both prohibitions serve as moral protections of the reliability of communication and thereby preserve the conditions for moral agency, moral connection, and moral progress. The book defends a qualified absolutism about lying that distinguishes the wrong of the lie from the wrong involved in deception. It also examines whether, how, and why it should matter that one's interlocutor is a moral criminal, the infamous Murderer at the Door. Finally, it tackles the question of whether promises made under duress have moral force.
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Souza Neto, Mauricio J. Língua(gem) e justiça social: saberes, práticas e paradigmas. Diálogos, 2021. http://dx.doi.org/10.52788/9786589932253.
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Este primeiro volume da coletânea Lingua(gem) e justiça social é uma manifestação do axé temperado, cozido e enrolado em nove folhas de mamona da Editora Diálogos. Um axé que aqui é oferecido em nove alguidares, ainda fumegantes e em ebulição; um axé que é oferecido em nove textos. O axé é a força vital que todos os seres possuem. O axé é a força que nos conecta ao mundo e nele nos mantém presentes. Os nove textos que compõem esta coletânea formam um axé discursivo, político e pedagógico, nos convidando a uma agenda dialógica e interventiva no que tange o uso da língua como transe permanente para ver, ser e estar no mundo. Por isso, todos os textos apresentados, após macerarem as violências impostas pela vida na modernidade, firmam o adoxu e urgem nove cortes para a sacralização da língua e seu uso como ensinamento de esteira e de entrincheiramento, ou seja, o seu uso como justiça social.
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Brown, Steven D., i Paula Reavey. Rethinking Function, Self, and Culture in “Difficult” Autobiographical Memories. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190230814.003.0008.
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The sociocultural model of autobiographical memory focuses on the narrative or storied nature of autobiographical memories and the role of adult–child interactions in scaffolding these stories. Work in discursive psychology extends this interactional focus and demonstrates the action orientation of jointly constructed narratives. However, in this work, there is hitherto little differentiation made among types of autobiographical narratives. Memories of “difficult” or “painful” events, such as sexual violence, neglect, physical injury, and “traumatic” experiences, present particular challenges in terms of narrative organization, interaction, and agency. Speakers must demonstrate responsibility in how they recruit one another into such narratives. Where there is a power asymmetry, this can involve a collaborative “managed accessibility” for memories of particularly distressing details. This chapter provides a conceptual scheme for approaching “vital memories” of these sorts and discusses the importance of their temporal and affective organization within experience.
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Shepherd, Laura J. Gender in UN Peacebuilding Discourse. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199982721.003.0003.
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This chapter explores the representation of gender in UN peacebuilding discourse, developing the argument that the discourse says “gender” but means “women,” meaning that the concept of gender becomes associated with women in not entirely positive and productive ways. The function of these discursive practices is precisely to circumscribe the agency of women and to position the subject of “women” as subordinate to “men” in a hierarchy of gendered power. This construction in turns leads to diminish resource flows to programs and services that cater to women, the exclusion of women from formal and informal political spaces, and the perpetuation of economic, cultural, and political discrimination and violence against women. In these ways, the United Nations is creating not so much “conditions of possibility,” per Foucault, but “conditions of impossibility” structuring gender-responsive peacebuilding at the UN.
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Davis, Coralynn V. Homo narrans and the Irrepressibility of Stories. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038426.003.0002.
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This chapter demonstrates that Maithil women weave theories of storytelling into their tales; moreover, some of these theories resonate with those developed in multidisciplinary literatures that consider the role of narrative in human life. Three specific contentions are examined. The first is Maithil women's implicit argument that stories themselves carry a form of agency that renders them irrepressible. This irrepressibility of tales takes on a particularly gendered significance in the context of Maithil gender order. The second narratological point is that stories move and morph. When stories travel across space, genre, context, and teller, as they inevitably do, they change in meaning and content. Finally, Maithil women's tales intimate a theory about the political nature of stories and storytelling: that insights and viewpoints on the social configurations of power are embedded in tales, and therefore their telling is a form of discursive political engagement.
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Shiffrin, Seana Valentine. A Thinker-Based Approach to Freedom of Speech. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691157023.003.0004.
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This chapter examines the foundational connection between the grounds for the moral prohibition on lying and the moral and political protection of freedom of speech. Both the prohibition on lying and the prohibition on wrongful deception work aim to protect the ability of listeners to rely on speech to develop understandings of one another and of the world. These understandings are essential for our mutual flourishing, for the apprehension and discharge of our moral obligations to one another as individuals, and to enable us to pursue our collective moral ends. The chapter draws some connections between these values and freedom of speech. It argues that the connection between discursive communication and moral agency also provides the foundations for what it calls a “thinker-based approach” to freedom of speech, which affords free speech theory a more natural way to represent the unity between freedom of thought and freedom of communication.
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Monroe, Raquel L. “Oh No! Not This Lesbian Again”. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.003.0016.
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Propelled into black popular culture by their appearance on HBOs Real Sex 24 in 2000, Jessica Holter’s Punany Poets have been touring and performing erotic performance poetry, song and dance to bolster black female sexual agency for over twenty-five years. This critical performance analysis of “Cucumber Cu Cum Her,” a duet between veteran lesbian spoken word artist Lucky Seven and erotic dancer Punany’s Pearl reveals how their erotic condom demonstration literally and discursively propels lesbian sexuality and fantasy into commercial hip-hop’s hyper-masculinist sphere. The duet queer the reviled pimp-ho aesthetic to reimagine rapper-turned-movie star Ice Cube’s 1991 hit “Look Who’s Burnin.’ ” The erotic dancer’s body creates space for women to pleasurably explore their gender identities and sexual fantasies. As a skilled laborer Punany’s Pearl imbues the heretofore-imagined disempowered, objectified, erotic dancer with agency and challenges black respectability politics.
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Spiers, Emily. Conclusion Pop-Feminism and the Future. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820871.003.0007.
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The volume’s primary question is whether the notions of subjectivity and agency proposed by the fiction, non-fiction, and life narratives differ, and how those differences impact upon the degree of political critique. Spiers concludes that multiple pop-feminist forms fixate on the private and the corporeal, endlessly emphasizing individual choice; both everything and nothing can be understood as feminist. Such texts also showcase the sanitized transgressive gesture as an intrinsic element of neoliberal rhetoric, even post-financial crisis. The author demonstrates how examples of literary pop writing by women explore a possible coherent sense of identity beyond the surfaces of the pop-cultural archive. She concludes that subjective incoherence in the novels co-exists in productive tension with a desire for coherence and unity that in no way resembles the model of pre-discursive sovereign subjectivity uncovered in the pop-feminist non-fiction and life narrative, as it fundamentally relates to an ethics of intersubjective relations.
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Griggs, Steven, David Howarth i Eleanor Mackillop. The Meta-Governance of Austerity, Localism, and Practicesof Depoliticization. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198748977.003.0009.
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This chapter contributes to ‘second-generation’ accounts of depoliticization through the critical assessment of the meta-governance of English local authorities under conditions of austerity. It draws on the grammar of post-structuralism to examine the case of a county council and how in the context of the 2010 public spending cuts, its corporate centre sought, but ultimately failed, to implement a system of ‘integrated commissioning’. The chapter focuses on the discursive and rhetorical strategies to de-contest this project of organizational change, foregrounding how the rhetoric of austerity was deployed to depoliticize proposals for change. Such strategies of depoliticization, as counter-attempts to decouple austerity from integrated commissioning demonstrates, are always open to contestation, such that the complex interactions of politicization and depoliticization strategies cannot be divorced from accounts of local agency and the politics of hegemony. This chapter thus concludes against hasty characterizations of the depoliticizing practices of neo-liberal meta-governance.
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Kuus, Merje. Critical Geopolitics. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.137.
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Critical geopolitics is concerned with the geographical assumptions and designations that underlie the making of world politics. The goal of critical geopolitics is to elucidate and explain how political actors spatialize international politics and represent it as a “world” characterized by particular types of places. Eschewing the traditional question of how geography does or can influence politics, critical geopolitics foregrounds “the politics of the geographical specification of politics.” By questioning the assumptions that underpin geopolitical claims, critical geopolitics has evolved from its roots in the poststructuralist, feminist, and postcolonial critique of traditional geopolitics into a major subfield of mainstream human geography. This essay shows that much of critical geopolitics problematizes the statist conceptions of power in social sciences, a conceptualization that John Agnew has called the “territorial trap.” Along with political geography more generally, critical geopolitics argues that spatiality is not confined to territoriality. The discursive construction of social reality is shaped by specific political agents, including intellectuals of statecraft. In addition to the scholarship that draws empirically on the rhetorical strategies of intellectuals of statecraft, there is also a rich body of work on popular geopolitics, and more specifically on resistance geopolitics or anti-geopolitics. Another emerging field of inquiry within critical geopolitics is feminist geopolitics, which shifts the focus from the operations of elite agents to the constructions of political subjects in everyday political practice. Clearly, the heterogeneity of critical geopolitics is central to its vibrancy and success.
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Spiers, Emily. Pop-Feminist Narratives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820871.001.0001.
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Emily Spiers explores the recent phenomenon of ‘pop-feminism’ and pop-feminist writing across North America, Britain, and Germany. Pop-feminism is characterized by its engagement with popular culture and consumerism; its preoccupation with sexuality and transgression in relation to female agency; and its thematization of intergenerational feminist discord, portrayed either as a damaging discursive construct or as a verifiable phenomenon requiring remediation. Central to this study is the question of theorizing the female subject in a postfeminist neoliberal climate and the role played by genre and narrative in the articulation of contemporary pop-feminist politics. The heightened visibility of mainstream feminist discourse and feminist activism in recent years—especially in North America, Britain, and Germany – means that the time is ripe for a coherent comparative scholarly study of pop-feminism as a transnational phenomenon. Pop-Feminist Narratives constitutes the first attempt to provide such an account of pop-feminism in a manner which takes into account the varied and complex narrative strategies employed in the telling of pop-feminist stories across multiple genres and platforms, including literary fiction, the popular ‘guide’ to feminism, film, music, and the digital.
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Espinosa Infante, Elvia, red. Gestión y análisis de los fenómenos en las organizaciones. Universidad Autónoma Metropolitana. Unidad Azcapotzalco., 2021. http://dx.doi.org/10.24275/uama.8599.8753.
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En el primer capítulo se presenta La función directiva y la gestión de la innovación basada en la recreación del ser social … en él se plantea que la función directiva en las organizaciones económicas contemporáneas exige un proceso continuo de análisis y reflexión ya que hay profundos cambios debidos a la globalización. El segundo capítulo trata sobre la administración y gestión, fenómenos organizacionales en el eje del discurso social, que tiene como objetivo distinguir la diferencia entre administración y gestión. Los autores sostienen que estos conceptos son diferentes ya que una y otra representan elaboraciones discursivas con diferentes propósitos. El capítulo tres, Reflexión del aspecto social en la formación de los estudiantes de administración a través de la revisión de los Planes y Programas impartidos en la UAM, UNAM, IPN y La Salle, … tiene por objetivo realizar un análisis comparativo a partir de la revisión de diferentes Planes de Estudio de Instituciones de Educación Superior, públicas y privadas. … El capítulo cuatro se titula Problemas y agenda de investigación organizacionales de la Agencia Mexicana de Cooperación Internacional para el Desarrollo. Los autores sostienen que la política pública, las organizaciones y las relaciones entre éstas pueden entenderse como fenómenos organizacionales y por tanto ser estudiadas desde la perspectiva organizacional. El capítulo cinco, que lleva por título Vicisitudes de la incorporación tecnológica en la organización a propósito de los sistemas de información. Los autores sostienen que cuando se incorpora tecnología en una organización se hace visible la resistencia al cambio de algunas generaciones, lo que permite visibilizar la brecha generacional y la necesidad de alfabetización digital. Podemos decir que este capítulo conceptualiza, revisa, estudia y advierte sobre las vicisitudes de la incorporación tecnológica en la organización a propósito de los sistemas de información. El sexto y último capítulo del libro se titula LIA: emprendimiento de mujeres en una startup. En este trabajo se presentan las interrogantes surgidas después de que una de las autoras ganara un premio internacional en una startup. Las consideraciones versan sobre el sistema capitalista y las startup como organizaciones que fomentan el emprendimiento; lo que obliga a las autoras a explicar qué significa emprendimiento y específicamente emprendimiento femenino, para poder exponer el caso LIA, que es el emprendimiento femenino ganador del premio internacional.
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Espinosa Infante, Elvia, red. Gestión y análisis de los fenómenos en las organizaciones. Universidad Autónoma Metropolitana. Unidad Azcapotzalco., 2021. http://dx.doi.org/10.24275/uama.8599.8753.
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En el primer capítulo se presenta La función directiva y la gestión de la innovación basada en la recreación del ser social … en él se plantea que la función directiva en las organizaciones económicas contemporáneas exige un proceso continuo de análisis y reflexión ya que hay profundos cambios debidos a la globalización. El segundo capítulo trata sobre la administración y gestión, fenómenos organizacionales en el eje del discurso social, que tiene como objetivo distinguir la diferencia entre administración y gestión. Los autores sostienen que estos conceptos son diferentes ya que una y otra representan elaboraciones discursivas con diferentes propósitos. El capítulo tres, Reflexión del aspecto social en la formación de los estudiantes de administración a través de la revisión de los Planes y Programas impartidos en la UAM, UNAM, IPN y La Salle, … tiene por objetivo realizar un análisis comparativo a partir de la revisión de diferentes Planes de Estudio de Instituciones de Educación Superior, públicas y privadas. … El capítulo cuatro se titula Problemas y agenda de investigación organizacionales de la Agencia Mexicana de Cooperación Internacional para el Desarrollo. Los autores sostienen que la política pública, las organizaciones y las relaciones entre éstas pueden entenderse como fenómenos organizacionales y por tanto ser estudiadas desde la perspectiva organizacional. El capítulo cinco, que lleva por título Vicisitudes de la incorporación tecnológica en la organización a propósito de los sistemas de información. Los autores sostienen que cuando se incorpora tecnología en una organización se hace visible la resistencia al cambio de algunas generaciones, lo que permite visibilizar la brecha generacional y la necesidad de alfabetización digital. Podemos decir que este capítulo conceptualiza, revisa, estudia y advierte sobre las vicisitudes de la incorporación tecnológica en la organización a propósito de los sistemas de información. El sexto y último capítulo del libro se titula LIA: emprendimiento de mujeres en una startup. En este trabajo se presentan las interrogantes surgidas después de que una de las autoras ganara un premio internacional en una startup. Las consideraciones versan sobre el sistema capitalista y las startup como organizaciones que fomentan el emprendimiento; lo que obliga a las autoras a explicar qué significa emprendimiento y específicamente emprendimiento femenino, para poder exponer el caso LIA, que es el emprendimiento femenino ganador del premio internacional.
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Singer, Kate, Ashley Cross i Suzanne Barnett, red. Material Transgressions. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621778.001.0001.
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Material Transgressions reveals how Romantic-era authors think outside of historical and theoretical ideologies that reiterate notions of sexed bodies, embodied subjectivities, isolated things, or stable texts. Essays examine how these writers rethink materiality, especially the subject-object relationship, in order to challenge the tenets of Enlightenment and the culture of sensibility that privileged the hegemony of the speaking and feeling lyric subject and to undo supposedly invariable matter, and representations of it, that limited their writing, agency, knowledge, and even being. In this volume, the idea of transgression serves as a flexible and capacious discursive and material movement that braids together fluid forms of affect, embodiment, and textuality. They offer alternative understandings of materiality that move beyond concepts that fix gendered bodies and intellectual capacities, whether human or textual, idea or thing. They enact processes—assemblages, ghost dances, pack mentality, reiterative writing, shapeshifting, multi-voiced choric oralities—that redefine restrictive structures in order to craft alternative modes of being in the world that can help us to reimagine materiality both in the Romantic period and now. Such dynamism not only reveals a new materialist imaginary for Romanticism but also unveils textualities, affects, figurations, and linguistic movements that alter new materialism’s often strictly ontological approach.
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Sánchez Borrero, Ana Milena. Sujeto e identidades: miradas en curso desde la historia cultural. Redaktorzy Deysi Liliana Cuartas Montero, Jhon Fredy Caicedo Álvarez, Alexander Cuervo Varela, Danilo Duarte Pérez, Freddy Moreno Gómez i Leonardo Paredes Gil. Editorial Universidad Santiago de Cali, 2020. http://dx.doi.org/10.35985/9789585583733.
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Los ensayos que se presentan en este volumen se inscriben, en términos generales en los estudios culturales, que tienen como antecedente más lejano a los Cultural Studies, que emergieron hacia las décadas del 50 y el 60, impulsados por teóricos marxistas ingleses, que intentaban alejarse de todo determinismo económico y dogmatismo ideológico. Unos años después con el “giro cultural” y el “giro hermenéutico”, se profundizó el interés por la cultura en términos simbólicos, semióticos, subjetivos y discursivos. Estas perspectivas han tenido un gran impacto en las ciencias sociales y humanas, caracterizándose por su desafío sistemático (aunque no siempre lo suficientemente sólido) a los paradigmas clásicos (marxismo, funcionalismo y estructuralismo). Apuntaron sus críticas a las bases epistémicas de estos paradigmas, porque consideraban que en nombre de la razón y de la verdad objetiva, se habrían legitimado los sistemas totalitarios, la dominación colonial y el patriarcalismo, cuyos efectos no sólo se pueden medir por los altos costos sociales, sino también por el predominio de saberes, métodos y lenguajes que no posibilitan la inteligibilidad de la agencia y la voz de los sectores subalternos.
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Chang, Jing Jing. Screening Communities. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888455768.001.0001.
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Screening Communities uses multi-media archival sources, including government archives, memoirs, fan magazines, newspaper reports, and films to narrate the complexity of social change and political turmoil, both screened and lived, in postwar Hong Kong. In particular, Screening Communities explores the political, ideological, and cultural work of Hong Kong film culture and its role in the building of a postwar Hong Kong community during the 1950s and 1960s, which was as much defined by lived experiences as by a cinematic construction, forged through negotiations between narratives of empire, nation, and the Cold War in and beyond Hong Kong. As such, in order to appreciate the complex formation of colonial Hong Kong society, Screening Communities situates the analysis of the “poetics” of postwar Hong Kong film culture within the larger global processes of colonialism, nationalism, industrialization, and Cold War. It argues that postwar Hong Kong cinema is a three-pronged process of “screening community” that takes into account the factors of colonial governance, filmic expression of left-leaning Cantonese filmmakers, and the social makeup of audiences as discursive agents. Through a close study of genre conventions, characterization, and modes of filmic narration across select Cantonese films and government documentaries, I contend that 1950s and 1960s Hong Kong cinema, broadly construed, became a site par excellence for the construction and translation (on the ground and onscreen) of a postwar Hong Kong community, whose context was continually shifting—at once indigenous and hybrid, postcolonial and global.
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Sun, Huatong. Global Social Media Design. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190845582.001.0001.
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Social media users fracture into tribes, but social media ecosystems are globally interconnected technically, socially, culturally, and economically. At the crossroads, Huatong Sun, author of Cross-Cultural Technology Design, presents theory, method, and case studies to uncover the global interconnectedness of social media design and reorient universal design standards. Centering on the dynamics between structure and agency, Sun draws on practices theories and transnational fieldwork and articulates a critical design approach. The culturally localized user engagement and empowerment (CLUE2, or CLUE-squared) framework extends from situated activity to social practice and connects macro institutions with micro interactions to redress asymmetrical relations in everyday life. Why were Japanese users not crazed about Facebook? Would Twitter have been more successful than its copycat Weibo in China if not banned? How did mobilities and value propositions play out in the competition of WhatsApp, WeChat, LINE, and KakaoTalk for global growth? Illustrating the cultural entanglement with a relational view of design, Sun provides three provocative accounts of cross-cultural social media design and use. Concepts such as affordance, genre, and uptake are demonstrated as design tools to bind the material with the discursive and leap from the critical to the generative for culturally sustaining design. Sun calls to reshape the crossroads into a design square where differences are nourished as design resources, where diverse discourses interact for innovation, and where alternative design epistemes thrive from the local. This timely book will appeal to researchers, students, and practitioners who design across disciplines, paradigms, and boundaries to bridge differences in this increasingly globalized world.
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Tulloch, John, i Belinda Middleweek. Real Sex Films. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.001.0001.
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Within the domain of film studies, the recent surge in films depicting graphic and high-impact sex and sexualized violence has been variously classified under the terms transgressive, brutal, provocative, real sex, and extreme cinema. These classifications, however, tend to underplay the films’ sociohistorical contexts and reflexive struggle for meaning. We argue that the similarities and differences between these real or simulated sex films are determined and mediated within geographical space and historical time. But every film book has its own personal historical starting point: in our case, this is the coming together as intertexts of the real sex film Intimacy with a major academic text, The Transformation of Intimacy, and as authorial agents of a television and documentary film producer and a media academic. This book argues that the meanings we attach to “real sex” cinema are discursively constructed not only by academic experts but by filmmakers, performers, audiences, and film reviewers. Debates about the meaning of real sex cinema are best understood in dialogue, and for the first time in interdisciplinary studies, we foster “mutual understanding” and “critical extension” among new risk sociology, feminist mapping theory, feminist film studies, and film reviewers, while also embracing film/media studies concepts of production, social audiences and spectators, genre, narrative, authorship, and stars. Above all, this is an interdisciplinary book, which engages with, supports, critiques, and extends each of these professional fields of discourse, each with its own schema of filmic understanding.