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Artykuły w czasopismach na temat "Dialectic – early works to 1800"

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Abdul Malik, Mohd Puaad, Faisal @. Ahmad Faisal Abdul Hamid i Rahimin Affandi Abdul Rahim. "Analyse Malay Fiqh Works Writing 1600-1800". Al-Muqaddimah: Online journal of Islamic History and Civilization 6, nr 2 (31.12.2018): 71–89. http://dx.doi.org/10.22452/muqaddimah.vol6no2.6.

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In essence, this article will focus on the subject classical Malay fiqh works 1600-1800. Classical Malay fiqh works are Malay intellectual works produced by Malay Muslim scholars in various topics of Islamic law including worship (ibadah), commercial transaction law (muamalah), family law (munakahat) and others. This fiqh Malay work played an important role in Malay society at the beginning of Islamic development in the Malay world. It is a means of communication, scientific knowledge or developmental science. The premise of this article analyzes the writing of fiqh works that developed in the early days of the great intellectual nature of the Malay world. There are features of fiqh writing in the year 1600 and it is different from the features of fiqh writing in 1700 and 1800. The discussion of this writing includes the difference between the writing text and the style of writing fiqh and being reviewed from various scopes, items and writing features. The method of analysis used is the method of historiography or historicalism which examines the development of an idea. Facts obtained will be thoroughly screened using the Malay induction history approach. Research shows that the earliest classic Malay fiqh writing has its own identity and superiority and is a Malay intellectual work.
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Špelda, Daniel. "Kepler in the Early Historiography of Astronomy (1615–1800)". Journal for the History of Astronomy 48, nr 4 (listopad 2017): 381–404. http://dx.doi.org/10.1177/0021828617740948.

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This article discusses the reception of Kepler’s work in the earliest interpretations of the history of astronomy, which appeared in the seventeenth and eighteenth centuries. The focus is not on the reception of Kepler’s work among astronomers themselves but instead on its significance for the history of science as seen by early historians of mathematics and astronomy. The first section discusses the evaluation of Kepler in the so-called “Prefatory Histories” of astronomy that appeared in various astronomical works during the seventeenth century. In these, Kepler was considered mainly to be the person who brought the work of Tycho Brahe to completion, rather than an original astronomer. The second section is devoted to the evaluation of Kepler in interpretations of the history of astronomy that appeared in the eighteenth century (often as part of the history of mathematics). In these works, Kepler is regarded as a genius who deserves tremendous credit for the advancement of the human spirit. Both sections also devote attention to Copernicus and Tycho Brahe because this facilitates the explanation of how Kepler’s contribution was judged. By studying the reception of Johannes Kepler’s work, we may gain greater insight into the transition from a cyclical perception of the history of science to the progressive model.
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Kovalev, Andrei Andreevich. "The peculiarities of dialectic of good and evil in works of the philosophers of the Early Modern Age (T. Hobbes, B. Spinoza, G. V. Leibniz)". Философия и культура, nr 3 (marzec 2021): 85–100. http://dx.doi.org/10.7256/2454-0757.2021.3.35851.

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The subject of this research is the categories of good and evil in philosophy of the representatives of the Early Modern Age (on the example of the works of T. Hobbes, B. Spinoza, and G. W. Leibniz). These philosophers conceptualized the dialectic of good and evil leaning on the shifted paradigm at the turn of the Middle Ages and the Modern Age. However, the article advances a hypothesis that despite a fundamental turn in the philosophy of the Modern Age, the prevalent n medieval philosophy dialectic of good and evil had a strong impact upon the views of the philosophers of the Early Modern Age. The research employs the dialectical method and metaphysics, which allowed viewing the categories of good and evil from the perspective of the logical-philosophical position of their contradiction, as well as revealing their initial nature and the role in human world. The novelty of this study consists in the fact that in a certain sense it explores the dual dialectic: on the one hand, it is a longtime problems of good and evil, while on the other hand, the philosophy of good and evil of the Early Modern Age is ambiguous and contradictory, when the previous paradigm is no longer relevant, although a new philosophical concept of good and evil is yet to be formed. There is a good reason why the author chos the ideas of T. Hobbes, B. Spinoza, and G. W. Leibniz – their approaches towards the problem of good and evil in the traditions of the Early Modern Age mark the key milestones in the research of these categories in the transitional historical period.
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Bowers, Katherine. "Ghost Writers: Radcliffiana and the Russian Gothic Wave". Victorian Popular Fictions Journal 3, nr 2 (17.12.2021): 152–71. http://dx.doi.org/10.46911/tvct9530.

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Ann Radcliffe’s novels were extremely popular in early nineteenth-century Russia. Publication of her work in Russian translation propelled the so-called gothic wave of 1800-10. Yet, many of the works Radcliffe was known for in Russia were not written by her; rather, they were works by others that were attributed to Radcliffe. This article traces the publication and translation histories of Radcliffiana on the Russian book market of 1800-20. Building on JoEllen DeLucia’s concept of a “corporate Radcliffe” in the anglophone world, this article proposes a Russian corporate Radcliffe. Identifying, classifying, and analysing the provenance of Russian corporate Radcliffe works reveals insight into the transnational circulation of texts and the role of copyright law within it, the nature of the early nineteenth-century Russian book market, the rise of popular reading and advertising in Russia, and the gendered nature of critical discourse at this time. The Russian corporate Radcliffe assures the legacy and influence of Radcliffe in later Russian literature and culture, although a Radcliffe that represents much more than just the English author. Exploring the Russian corporate Radcliffe expands our understanding of early nineteenth-century Russian literary history through specific case studies that demonstrate the significant role played by both women writers and translation, an aspect of this history that is often overlooked.
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Yang, Jae. "Karl Barth’s Christological Ecclesiology: A Historical Development". Ecclesiology 16, nr 3 (12.10.2020): 318–37. http://dx.doi.org/10.1163/17455316-bja10005.

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Abstract This paper traces the historical development of Karl Barth’s ecclesiology by analysing three representative works: The Epistle to the Romans, the Göttingen Dogmatics, and the Church Dogmatics. It argues that Barth’s theological turning point was a shift away from an early period Christology, which emphasised an eschatological time/eternity dialectic, culminating in the resurrection, towards a Christology that emphasised the anhypostatic union of Christ’s two natures, that culminated in the incarnation. Thus Barth gave an increasingly positive valuation of the church as an historical institution.
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Berlyavskiy, Leonid G. "Dialectics of American constitutionalism". Gosudarstvo i pravo, nr 4 (2023): 119. http://dx.doi.org/10.31857/s102694520024818-0.

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The article examines the dialectic of constitutionalism of the United States of America. The evolution of American constitutional doctrines of the XIX – early XXI centuries is insufficiently covered in the works of Russian political scholars. The combination of elements of democracy and anti-democracy in US constitutionalism is in dialectical interaction and reflects the inconsistency of American civilization. There is currently a debate in American political and legal thought about the “basic values of America”, including issues of individual freedom and the provisions of the national Constitution.
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Ståhle Sjönell, Barbro. "Det tidiga 1800-talets svenska novellistik". Tidskrift för litteraturvetenskap 43, nr 2 (1.01.2013): 5–17. http://dx.doi.org/10.54797/tfl.v43i2.10840.

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Swedish Short Stories in the Early 19th Century. Publication and Subgenres The present study of Swedish short stories published between the years 1810 and 1829 illustrates that authors representing the Romantic Movement made special efforts to put the short story on the market. At V. F. Palmblad’s publishing house, German contemporary short stories were translated and distributed, later followed by Swedish contributions to the genre, which appeared primarily in literary magazines. Only a small number of short stories were published over the course of these 19 years, and the means of publication varied. Out of 45 works found in the catalogues of the National Library of Sweden, 27 are published separately, while 14 are published in periodicals or newspapers and two in anthologies (one of which is a frame story and the other a modern collection). Authors connected to the Romantic school introduced two new varieties of short story: the exotic story and the fantastic story. The pre-existing subgenres included, for instance: adventures, satirical or comic stories, stories of family life, travel stories and historical short stories. Among these, the historical story was the only subgenre to be printed separately. Characteristic for the short story is its ability to be inserted into many different kinds of publications. Another result of the study is the discovery of the ease with which a short story may be transferred from one form of publication to another. For instance, the short story may originate as part of a novel, only to turn into a separate work in its own right. Alternatively, it may develop as a serial story in a newspaper and go on to be printed separately, and later appear in a publishing house series or in a volume of selected works. This adaptive, or transferable, quality should be included in the ongoing discussion pertaining to the definition of the short story.
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Vogler, Nikolai, Kartik Goyal, Kishore PV Reddy, Elizaveta Pertseva, Samuel V. Lemley, Christopher N. Warren, Max G'Sell i Taylor Berg-Kirkpatrick. "Contrastive Attention Networks for Attribution of Early Modern Print". Proceedings of the AAAI Conference on Artificial Intelligence 37, nr 4 (26.06.2023): 5285–93. http://dx.doi.org/10.1609/aaai.v37i4.25659.

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In this paper, we develop machine learning techniques to identify unknown printers in early modern (c.~1500--1800) English printed books. Specifically, we focus on matching uniquely damaged character type-imprints in anonymously printed books to works with known printers in order to provide evidence of their origins. Until now, this work has been limited to manual investigations by analytical bibliographers. We present a Contrastive Attention-based Metric Learning approach to identify similar damage across character image pairs, which is sensitive to very subtle differences in glyph shapes, yet robust to various confounding sources of noise associated with digitized historical books. To overcome the scarce amount of supervised data, we design a random data synthesis procedure that aims to simulate bends, fractures, and inking variations induced by the early printing process. Our method successfully improves downstream damaged type-imprint matching among printed works from this period, as validated by in-domain human experts. The results of our approach on two important philosophical works from the Early Modern period demonstrate potential to extend the extant historical research about the origins and content of these books.
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SAMPSON, MARGARET. "‘THE WOE THAT WAS IN MARRIAGE’: SOME RECENT WORKS ON THE HISTORY OF WOMEN, MARRIAGE AND THE FAMILY IN EARLY MODERN ENGLAND AND EUROPE". Historical Journal 40, nr 3 (wrzesień 1997): 811–23. http://dx.doi.org/10.1017/s0018246x97007437.

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Marriage and the English Reformation. By Eric Josef Carlson. Oxford: Blackwell, 1994. Pp. ix+276. ISBN 0-631-16864-8. £45.00Gender, sex and subordination in England, 1550–1800. By Anthony Fletcher. New Haven and London: Yale University Press, 1995. Pp. xxii+442. ISBN 0-300-06531-0. £19.95.Domestic dangers: women, words, and sex in early modern London. By Laura Gowing. Oxford: Clarendon Press, 1996. Pp. 301. ISBN 0-19-820517-1. £35.00.The prospect before her: a history of women in western Europe, Volume one, 1500–1800. By Olwen Hufton. London: HarperCollins, 1995. Pp. xiv+654. ISBN 0-00255120-9. £25.00.Sex and subjection: attitudes to women in early modern society. By Margaret R. Sommerville. London: Edward Arnold, 1995. Pp. 287. ISBN 0-340-64574-1. £14.99.
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BLOCH, BRANDON. "THE ORIGINS OF ADORNO's PSYCHO-SOCIAL DIALECTIC: PSYCHOANALYSIS AND NEO-KANTIANISM IN THE YOUNG ADORNO". Modern Intellectual History 16, nr 02 (30.10.2017): 501–29. http://dx.doi.org/10.1017/s147924431700049x.

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This essay examines one of the least-studied works in the philosophical corpus of Theodor Adorno, The Concept of the Unconscious in the Transcendental Theory of Mind. A retracted habilitation thesis composed in 1926–7, the text is often regarded as an exposition of the philosophical system of Adorno's teacher, Hans Cornelius, that bears little significance for Adorno's mature works. I argue that Concept of the Unconscious sheds significant light on both the historical origins and the conceptual underpinnings of the relationship between society and the psyche that Adorno would theorize over the course of his intellectual career. In this early text, Adorno articulated a dual critique of dominant neo-Kantian and vitalist understandings of the unconscious, turning to Freud for a more adequate account of the unconscious as a product of intertwining psychological and social processes. Adorno developed this dialectical understanding of the psycho-social relationship in numerous postwar writings on psychoanalysis.
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Rozprawy doktorskie na temat "Dialectic – early works to 1800"

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Labriola, Daniele. "On Plato's conception of philosophy in the Republic and certain post-Republic dialogues". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4497.

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This dissertation is generally concerned with Plato's conception of philosophy, as the conception is ascertainable from the Republic and certain ‘post-Republic' dialogues. It argues that philosophy, according to Plato, is multi-disciplinary; that ‘philosophy' does not mark off just one art or science; that there are various philosophers corresponding to various philosophical sciences, all of which come together under a common aim: betterment of self through intellectual activity. A major part of this dissertation is concerned with Plato's science par excellence, ‘the science of dialectic' (he epistêmê dialektikê). The science of dialectic is distinguished in Plato by being concerned with Forms or Kinds as such; the science of dialectic, alone amongst the philosophical sciences, fully understands what it means for Form X to be a Form. I track the science of dialectic, from its showcase in Republic VI and VII, and analyze its place in relation to the other philosophical sciences in certain post-Republic dialogues. Ultimately, I show that, whilst it is not the only science constituting philosophy, Plato's science of dialectic represents the intellectual zenith obtainable by man; the expert of this science is the topmost philosopher. In this dissertation I also argue that Socrates, as variously depicted in these dialogues, always falls short of being identified as the philosopher par excellence, as that expert with positive knowledge of Forms as such. Yet I also show that, far from being in conflict, the elenctic Socrates and the philosopher par excellence form a complementary relationship: the elenctic philosopher gets pupils to think about certain things in the right way prior to sending them off to work with the philosopher par excellence.
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McNally, Louis K. "The Weather of 1785: An Interdisciplinary Approach to Meteorological Reconstruction Using Forensic Synoptic Analysis". Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/McNallyLK2004.pdf.

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Préfontaine, Jennifer. "Secrets des femmes". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98575.

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The goal of this thesis is a critical edition of the Secrets des femmes, a text attributed to Arnold de Vilanova. In the exegetic tradition, this attribution has been widely argued. Our preliminary findings lead to the same conclusions. The text composed in French couldn't have been written by Vilanova, who would have composed it in Latin, the language of the "clerks", or in Catalan, his first language. Critical tradition shows that the Secrets des femmes is based on three manuscripts. But we have demonstrated that the Mazarine's manuscript is not at the base of this work, but rather of a text entitled Les Termes et secrets des femmes. For the critical edition, which is the objective of our study, there is no doubt that the Arsenal's text is the basic manuscript, while the Vatican's manuscript is the Arsenal's metalanguage.
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蔡瑞珩. "《鍼經指南》之鍼刺手法研究". HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/132.

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《鍼經指南》為元代竇默,字漢卿,所著。其所記載的鍼刺手法上承《黃帝內經》、《難經》,下啟《金鍼賦》、《玉龍歌》、《鍼灸大成》等,為鍼刺手法發展史上里程碑,亦是後世各種複式手法發展的啟蒙。 本文通過對《鍼經指南》相關鍼刺手法的篇章進行整理,從"呼吸補瀉"、"燃轉補瀉"、"提插補瀉"、"迎隨補瀉"、"寒熱補瀉",及"手指補瀉十四法"等方面展開分析,分別探討《鍼經指南》的學術淵源和《鍼經指南》對元明時期鍼刺手法發展的影響。最後將相關醫家觀點與《鍼經指南》中鍼刺手法理論進行對比分析,討論其異同點。 通過資料整理,學術思想的對比分析,筆者總結《鍼經指南》對鍼刺手法理論主要貢獻是:1.提出調息治神法﹔ 2.熱補涼瀉復合補瀉手法﹔ 3."提鍼豆許"手法技巧﹔ 4."瀉南補北"迎隨補瀉理論。元代與明代主要鍼灸醫家的手法技巧和鍼刺理論均從《鍼經指南》的內容中發展與推衍出來。 根據研究結果顯示,鍼刺手法自《鍼經指南》后空前發展。鍼刺補瀉理論體系更加完善,手法操作更加繁複。符合由簡而繁的事物發展規律。此外,後世醫家在臨床實踐中將《鍼經指南》的鍼刺手法理論與當代文化思想結合并產生新的鍼刺手法及鍼刺理論,從另一方面體現了理論與實踐相結合的哲學思想。 關鍵詞:誠刺手法﹔《鍼經指南》﹔竇漢卿
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Kotarcic, Ana. "Aristotle's concept of lexis : a theory of language and style". Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7754.

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Aristotle's concept of lexis has been discussed by numerous scholars, yet no comprehensive account of lexis has been produced so far. To fill this gap in scholarship, this thesis offers a systematic analysis of Aristotle's concept of lexis by dividing it into three levels, which allow a step-by-step approach to understanding this multi-layered concept. By considering Plato's and Isocrates' thoughts on lexis, Chapter 1 outlines the intellectual context in which Aristotle's ideas on the concept of lexis developed. Chapters 2-5 focus on the three levels of lexis and Chapter 6 brings a concluding discussion of metaphor. In Chapter 2 the linguistic elements treated under the notion of lexis and Aristotle's theory of language are delineated. These not only present Aristotle's thoughts on language as an abstract system, but they also form the most fundamental level upon which the remainder of Aristotle's thoughts on the concept of lexis are based. Chapter 3 explores Aristotle's remarks regarding individuals' use of linguistic elements as determined by sociolinguistic factors. Aristotle's occasional statements about language usage within the concept of lexis provide valuable pieces of evidence for studies in sociolinguistics and for his ideas on lexis on its third level as discussed in Chapters 4 and 5. In Chapter 4 the intra-textual aspect of Aristotle's remarks on lexis as a means for the creation of different kinds of poetry and rhetoric, i.e. lexis as technē, is examined. In Chapter 5 extra-textual factors are considered and are followed by a discussion of the purpose and function of lexis on its third level. Chapter 6 concludes the discussion of lexis by focusing on metaphor, the linguistic and stylistic element par excellence treated under the notion of lexis, which further highlights the benefits of a three-level approach to Aristotle's concept of lexis.
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Littlehailes, Lucy Elizabeth. "Vital heat, conception and development in Aristotle". Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:a8e96b05-0ff7-4791-a65a-6135be68df57.

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In this account of the pan that heat plays in the conception and development of living substances according to Aristotle, I begin by examining the concept of heat. I discover that Aristotle uses a distinction between to thermon and thermotes: the former is, in living substances, material; the latter is never material, being the powerful aspect of heat. For example, an animal possesses heat (to thermon) which maintains it through its power (thermotes) to concoct. I then turn to the biological works. Conception, it seems, does not fit the standard account of change, but is rather a concoction, performed by the heat of the semen. Nor is the usual account of conception ascribed to Aristotle adequate: I attempt to demonstrate that he held a more moderate account in which pneuma, the nature of which is to thermon, is transmitted to the embryo. I then examine the development of the embryo, which is performed using to thermon as a tool. The transmission and development of the rational psuche in particular has often caused problems: I offer an account of the transmission of psuche from parent to embryo, and describe the part that pneuma plays in this transmission and in the development and operation of the various levels of psuche. Development extends from foetal development until adulthood, and this poses another problem for the standard account of change as it appears to be neither substantial nor accidental change, yet these are apparently exhaustive possibilities. I conclude that development, like conception, is a concoction performed by the vital heat. Finally, I turn to the conception and development of spontaneously generated animals, and of abnormal animals such as monsters. I demonstrate the relationship between these generations and sexual generation, and the significance of heat and pneuma.
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周瑩. "古代飲茶致病的文獻探究". HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/127.

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中國茶文化源遠流長,茶作為一種日常飲品,與咖啡、可可並稱為世界三大無酒精飲料。近年來,隨著人們生活水平的日益提高,茶葉的保健功效越來越受到社會的重視。據各文獻史料記載,我國飲用茶葉已有千年曆史,記載有關茶葉的文獻古籍繁多。而一直以來,茶葉與“健康”一詞密不可分,古人經過歸納前人的記述總結出了茶葉的二十四功效,如清熱、消食、醒酒、去疾等,並對茶有著極高的評價,然而很少人注意到通過飲茶所達到的有利功效需要建立在適度飲茶,科學飲茶的前提下,盲目品飲只會起到相反效果。與此同時,隨著醫學經驗、藥學知識的日益豐富,不當飲茶所帶來的一些副作用同樣也引起了古代醫學家與茶人的重視,人們開始不僅只是單純的追求茶葉的口感,更多的是開始關注飲茶對身體的影響及飲茶時的身心體驗,通過自己多年的親身感悟,長期與他人的經驗分享,總結歸納出了飲茶的利弊,教導後人飲茶需有度,因人而飲。 本文擬在分析我國古代文獻中飲茶不當導致的疾病,尋找飲用單一味茶葉對人體所產生的不良反應,其中不包括複方茶及非茶之“茶”,通過歸納、整理,探究古代不當飲茶所造成的對人體的危害疾病,提出適度飲茶,健康飲茶,科學飲茶的觀念,為今後的茶學及醫學研究不當飲茶致病因素提供古代文獻線索依據。 關鍵字:過度飲茶,過派飲茶,飲茶致病
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Harrop, Patrick H. "Inseminate architecture : an archontological reading of Athanasius Kircher's Turris Babel". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56976.

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Among the vast assembly of Biblical mythology, the tower of Babel stands as an exclusive representation of the limits of human endeavor. As a paradigmatic extremity, it circumscribes the field of civic artifice. Babel is the absolute limit, and in that regard, its presence is enduring and timeless. The legacy of exegetic readings are textual shades, emanating from the point source of the paradigm. Athanasius Kircher's Turris Babel is an appropriate and intentional unfolding of this condition.
Firstly, that in the awakening of the Baroque scholar to history, origin materializes as the sole legitimate chronological reference.
Secondly, that the paradigmatic extremities collapse into the empirical standard of the theoretical discourse.
This thesis is a speculative study of architecture, drawn through Turris Babel, in the shadow of the paradigmatic limits of Babel. Written in three parts, each dealing with the implications of artifice in confrontation with the post-Babel adversaries of dispersion, tyranny, and decay.
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朱加正 i Ka-ching Chu. "Reflections of the development and philosophy of Mathematics originating in a comparative study of Liu Hui's redaction of 'JiuZhang Suan Shu' and Euclid's 'Elements'". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31211380.

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Letts, Melinda. "Questioning the patient, questioning Hippocrates : Rufus of Ephesus and the limits of medical authority". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:917c8cac-6fb4-4217-95df-8e3f9db8692f.

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Rufus of Ephesus's 'Quaestiones Medicinales' is an under-studied work by one of the most respected doctors of Greco-Roman antiquity. This thesis presents a new translation - the first in English of the complete work - and a reassessment of the treatise. I propose that, far from being a simple handbook teaching doctors how to take a patient history, as has hitherto been assumed, QM is an ardent plea for doctors to recognise the limits of their own knowledge and the indispensability of questioning the patient. I argue that QM articulates the idea that the aim of medicine cannot be achieved through medical knowledge alone, and that, in constructing the patient as an essential partner in diagnosis and decisions about treatment, Rufus implies a sharing of authority between doctor and patient that is noticeably different from the emphasis that other authors, particularly the determinedly hierarchical Galen, place on securing patients' obedience, a subject on which Rufus is noticeably silent. I argue that Rufus is unusual in the clarity and candour with which he perceives and acknowledges the limits of medical knowledge, in his conceptualisation of questioning as a discursive rather than a formulaic activity, in his explicit insistence that it must be addressed directly to the patient, in his psychological concept of habits, and in his recommendation of questioning as a strategy for resolving the tension between universal theory and individual experience. I look at modern cross-cultural research into the factors that drive patient compliance, and note that chief among them is patients feeling they are partners in the treatment process. This raises the question whether and to what extent the features that drive compliance are diachronically as well as cross-culturally consistent, and whether Rufus's shared authority model is more likely to have produced successful treatment outcomes than the autocratic paradigm promoted by Galen, and subsequently absorbed into Western medical tradition, that seems to have met with so much resistance.
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Książki na temat "Dialectic – early works to 1800"

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Augustine. De dialectica. Bucureşti: Humanitas, 1991.

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Muḥammad ibn Abī Bakr Sājaqlīzādah. Takrîru'l-Kavânîn el-mütedâvile min ilmi'l-munâzara. Kahramanmaraş: Kahramanmaraş Büyükşehir Belediyesi, 2017.

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Boethius. Boethius, De topicis differentiis kai hoi byzantines metaphraseis tōn Manouēl Holobōlou kai Prochorou Kydōnē: Parartema / Anhang: eine Pachymeres-Weiterbearbeitung der Holobolou-Übersetzung. Athēnai: Akadēmia Athēnōn, 1990.

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ʻAbd al-Qāhir Ibn Ṭāhir al-Baghdādī. ʻIyār al-naẓar fī ʻilm al-jadal: Min bawākīr naqd al-manṭiq wa-al-falsafah, wa-tajrīd qawāʻid al-munāẓarah. al-Kuwayt: Asfār li-Nashr Nafīs al-Kutub wa-al-Rasāʼil al-ʻIlmīyah, 2020.

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Agricola, Rodolphus. De inventione dialectica libri tres =: Drei Bücher Über die inventio dialectica. Tübingen: M. Niemeyer, 1992.

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Lothar, Mundt, red. De inventione dialectica libri tres =: Drei Bücher über die Inventio dialectica. Tübingen: Niemeyer, 1992.

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Ramus, Petrus. Dialectique 1555: Un manifeste de la Pléiade. Paris: J. Vrin, 1996.

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Augustine. Il maestro e la parola: Il maestro, la dialettica, la retorica, la grammatica. Milano: Rusconi, 1993.

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Kim, Chŏng-myŏng. Pyŏnjŭngpŏp sallong esŏ Sŏnbulgyo rŭl tamnon hada. Sŏul-si: Pungnaep, 2015.

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Augustine. I principii della dialettica. Como: Gruppo Amici del Liceo Volta, 1985.

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Części książek na temat "Dialectic – early works to 1800"

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Prieto, Moisés. "Corrupt and Rapacious: Colonial Spanish-American Past Through the Eyes of Early Nineteenth-Century Contemporaries. A Contribution from the History of Emotions". W Palgrave Studies in Comparative Global History, 105–39. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0255-9_5.

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AbstractAround 1800, merchants, scientists and adventurers travelled to Latin America with different purposes. Their multifaceted interests in a world region, experiencing a threshold of independence from Spanish colonial rule, inspired new historical and political works about the continent’s recent past. The Enlightenment provided not only the philosophical armamentarium against corruption, but it also paved the way to a new expression of sentiments and to the loss of fear when addressing injustice. Some examples of these are Hipólito Villaroel’s list of grievances and Humboldt’s Political essay. These two authors provide some thoughts on the political landscape of New Spain (now Mexico), while the two Swiss physicians Rengger and Longchamp describe the ruthless and odd dictator Francia of independent Paraguay as a champion of anti-corruption. Finally, Argentine dictator Rosas—and his robberies as described by Rivera Indarte, Sarmiento and other anonymous authors—represent the embodiment of corruption through pure larceny, for whose crimes the Spanish colonial past apparently no longer served as a comparison.
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Brown, Rhona. "Burns Biography, 1786–1820". W The Oxford Handbook of Robert Burns, 551–65. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780198846246.013.41.

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Abstract This chapter is the first of three on the development of Robert Burns’s biography, focusing on the poet’s self-fashioning and biographical construction from the publication of Poems, Chiefly in the Scottish Dialect (1786) to the eighth edition of James Currie’s Life and Works of Burns (1820), which features significant new contributions by Burns’s brother Gilbert. The chapter is structured in three parts. The first analyses Burns’s development of his own poetic persona in the 1786 preface to the Kilmarnock edition of his poems, and explores key early reviews and responses to his work which help to establish Burns’s early biography. The second section focuses on biographical studies by Maria Riddell and Robert Heron, which appeared shortly after the poet’s death. The third considers James Currie’s correspondence with Burns’s acquaintances, undertaken as the biographer prepared the first posthumous Life and Works of Burns (1800), ending with an analysis of Currie’s popular and influential biography.
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Lamm, Julia A. "Plato". W The Oxford Handbook of Friedrich Schleiermacher, 5–20. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198846093.013.1.

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Abstract Schleiermacher changed the course of modern Plato studies and thus changed how we understood Plato. His monumental Platons Werke (Plato’s Works), 1804–1828, which included translation of almost the entire Platonic corpus as well as Introductions to the dialogues, influenced Plato scholars throughout the nineteenth and twentieth centuries. What is less known is the degree to which Plato’s philosophy influenced Schleiermacher’s own thought. The influence on his hermeneutics and his theory of translation is perhaps clearest. Yet, once we understand how Schleiermacher interpreted Plato—that is, once we understand Schleiermacher’s Plato—we will recognize just how profoundly Platonic Schleiermacher’s early ethics, his Christmas Dialogue, Dialectic, and his On Religion: Speeches to Its Cultured Despiser truly are.
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Richter, Gerhard. "The Inheritance of the Constellation". W Thinking with Adorno, 70–94. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823284030.003.0004.

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This chapter devotes itself to the complex relation between Adorno and Hegel via the question of inheritance and the constellative form itself. To refine our understanding of Adorno’s critical gesture of the uncoercive gaze in relation to certain aspects of Hegelian thought, the chapter focuses in particular on Adorno’s understanding of Hegel’s masterful early work, the Phenomenology of Spirit (1807), a text without which Adorno’s practice of negative dialectics hardly would be graspable. By focusing on the question of an uneasily “inherited” intellectual tradition—an inheritance with which it is ultimately impossible fully to come to terms and that continues to remain something of an unhealed wound—Adorno’s uncoercive gaze here is exposed and enriched in terms of its genealogical and historical substrata. In works such as Hegel: Three Studies, Adorno not only grapples with the “with” when he thinks “with Hegel,” he also theorizes his own intellectual project in terms of a spectral inheritance, a legacy that is enigmatic and demands to be interpreted always one more time, rather than being taken for granted as a stable system of precepts, dialectical or otherwise.
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"Language Politics". W Cultural China 2020: The Contemporary China Centre Review, 103–27. University of Westminster Press, 2021. http://dx.doi.org/10.16997/book58.g.

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This chapter discusses linguistic practice, governance, and power. Topics covered include rights and freedoms, law and policy, research evaluation and gendered pronouns. Chapter contents: 6.0 Introduction (by Séagh Kehoe) 6.1 China’s Minority Language Rights: No Bulwark Against Upcoming Change (by Alexandra Grey) 6.2 Linguistic Hierarchies and Mandarin Promulgation: An Excerpt from Dialect and Nationalism in China, 1860–1960 (by Gina Anne Tam) 6.3 The Hidden Language Policy of China’s Research Evaluation Reform (by Race MoChridhe) 6.4 War of Words and Gender: Pronominal Feuds of the Republican Period and the Early PRC (by Coraline Jortay)
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Ellis, Katharine. "1800-1846". W Interpreting the Musical Past, 3–41. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195176827.003.0001.

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Abstract The story of early music performance in nineteenth-century France has no clear beginning. Instead, it arises from eighteenth-century traditions that persisted despite changing ideologies brought by the Revolution, the Empire, the Restoration, and the July Monarchy. The new century saw a small number of works between 2 5 and 65 years old by Pergolesi, Durante, Jommelli, Rousseau, and Rameau (the latter heavily diluted)-survive the turmoil of the 1790s and achieve a place in the repertories of Paris’s leading musical institutions: the recently opened Conservatoire, the concerts spirituels, and the Opera.
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Brino, Omar. "Early Writings on Ethics". W The Oxford Handbook of Friedrich Schleiermacher, 417–33. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198846093.013.25.

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Abstract The short Monologen (1800) and the broad Grundlinien einer Kritik der bisherigen Sittenlehre (1803) argue for an ethical perspective based on mutually “formative” (bildende) interactions between individuals and communities as well as between peculiarity and universality. Whereas in the Monologen this perspective is presented in an “effusive” and “evocative” style, the Grundlinien develop it at a theoretically deeper level, detailing an impressive systematic confrontation with ancient, modern, and contemporaneous philosophers. The Vertraute Briefe über die Lucinde von Schlegel (1800) also consider conjugal love and the relationship of sexes from a “formative” ethical perspective. There are some differences between these early works and the later writings, both in an attenuation of the more “ideal” and “prophetic” aspects and in an accentuation of the “institutional” and “pragmatic” ones; however, the republications of the Monologen until 1829 and the systematic relationships between the Grundlinien and the late academic papers demonstrate a specific continuity on important basic principles of Schleiermacher’s “formative” ethical thought.
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Mcdougall, Joy Ann. "The Dialectic of Crucified and Creative Love in Moltmann’s Early Theology". W Pilgrimage of Love, 29–58. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195177053.003.0002.

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Abstract This chapter examines Moltmann’s concept of God and his interpretation of divine love in his early theology, spanning the period from the publication of his first two major constructive works, Theology of Hope (1964) and The Crucified God (1972), until the publication of The Church in the Power of the Spirit (1975). The middle to late 1970s mark a “natural break” in Moltmann’s theological development, since at that point he began to shift from his thematic and highly contextual approach to theology and start the systematic development of his mature theology.’ Although Moltmann did not lay out a full-fledged doctrine of the Trinity in these earliest writings, they presage his mature trinitarian theology in several key aspects. Here we discover key interpretations of scripture, motifs drawn from the Western theological tradition, and analyses of contemporary culture, all of which recur in a more nuanced form in the Messianic Theology. A central aim of this chapter will be to identify these theological resources in Moltmann’s early writings to clarify both the biblical and the conceptual origins of his later trinitarian theology.
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‘Connor, Thomas O. "Religious Change, 1550–1800¹". W The Irish Book in English 1550-1800, 169–93. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199247059.003.0010.

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Abstract The press was an integral part of the religious revival that swept through early modern Ireland but the different doctrinal, political, and pastoral priorities that separated the reforming agencies, Catholic and Protestant, ensured that the book functioned in confessionally distinctive ways. For reforming Catholics, the encounter with God took place primarily through the sacraments, administered, in Latin, by a trained priest.² Here the potential of the press lay in modernizing the inherited devotional system, largely by providing the clergy with catechetical and homeletical material and supplying the laity with works of piety. For reforming Protestants, on the other hand, God was encountered in the Scriptures, a fact that tied the success of their mission to the provision of the vernacular Bible and form of service.
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Maunder, Richard. "Music and Instruments, 1770-1800". W Keyboard Instruments in Eighteenth-Century Vienna, 99–129. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198166375.003.0007.

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Abstract THE first sign that times were beginning to change was an advertisement on 4 August 1770 by van Ghelen, publisher of the Wienerisches Diarium, for nearly a whole column’s worth of music imported from Paris. It included keyboard works by the London composers J. C. Bach and C. F. Abel, as well as ‘6 Airs Opera Comique’ by Mlle Bayon. The music by Bach and Abel was exclusively for ‘clavicembalo’ or ‘clavecin’, but a repeat advertisement for Bayou’s ‘Airs’ adds that they were ‘arranges pour le Biano forte ou le Clavecin’: this is apparently the first music advertised in Vienna that was intended for the new instrument. Van Ghelen continued for the next few years to advertise music published in Paris and elsewhere; the bookseller Kruchten quickly followed his lead, and by 1776 (possibly 1774) was advertising music from London publishers as well (see App. D). Much of this imported music named the piano as an alternative to the harpsichord, 1 the former instrument being well established in London, and probably also Paris, by the early 1770s.
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Streszczenia konferencji na temat "Dialectic – early works to 1800"

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Chenoweth, Richard. "The Collaboration of B. Henry Latrobe and Giuseppe Franzoni to Create the Nation’s First Statue of Liberty (1807-1814)". W 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.76.

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When the U. S. Capitol burned on 24 August 1814, its principal chambers were gutted and an early masterpiece of American Neoclassical sculpture, a colossal personification of Liberty in the style of the times, was completely destroyed. The Liberty is not well known because in her brief lifetime, no artist stopped to record her - not even Latrobe himself, a prolific sketcher. Liberty presided over Latrobe’s majestic Hall of Representatives, a chamber that was, itself, a difficult collaboration of conflicting ideas between its client Thomas Jefferson and its architect Latrobe. Liberty was an integral part of the architecture and of the architectural sequence; upon entry into the chamber, the ten foot tall sitting Liberty established the chamber’s cross axis within the streaming diffusion of one hundred skylights, proffered entrants a carved copy of the Constitution, cradled a cap of liberty, and was heralded by a bald eagle. Latrobe’s drive to create the Liberty was essential to his concept for the Hall of Representatives. His collaboration with the artist Franzoni also is essential as it demonstrates the delicate dialectic between architectural concept and executed form in a public project. I will show for the first time a model of the colossal Liberty, carefully reconstructed based on all known facts, a single drawing, and the aesthetic proclivities of the principal designers. I have diligently reconstructed the entire Hall, with the Liberty, necessarily, being the most formidable aspect of the design. The making of the Liberty represents about twenty years of effort by various architects and artists to bring to fruition the confluence of a major public work of American architecture and an integral work of monumental American sculpture.
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