Artykuły w czasopismach: „Depiction of women”

1

Pearson, Demetrius W. "The Depiction and Characterization of Women in Sport Film". Women in Sport and Physical Activity Journal 10, nr 1 (kwiecień 2001): 103–24. http://dx.doi.org/10.1123/wspaj.10.1.103.

Pełny tekst źródła

Streszczenie:

Female involvement and accomplishments within sport have reached unprecedented levels. This has been due, in part, to the passing and enforcement of Title IX. Yet, few films have embraced female achievement in sport as indicated through their depiction as heroines (ìsheroesî). The author analyzed the salient similarities and differences between the depiction of women in sport theme feature films (sport films) before and after Title IX. Emphasis was placed on the aggregate number of sport films, type and content, and perceived social and cultural significance of female depictions. Content analysis and archival research methodologies were employed. These included the systematic examination and coding of all identified American sport films highlighting heroines from 1930-1999 (N = 41), as well as the analysis of critical reviews of the sport films which were unavailable for viewing. Based upon results there has been a notable increase in the depiction of women as heroines in sport films after Title IX. However, like their predecessors, women’s athletic prowess was trivialized in many of the films by their comedic themes and attentions to heterosexual attractiveness. These findings, as well as others, raise intriguing questions regarding the messages communicated through sport films.

Style APA, Harvard, Vancouver, ISO itp.

2

Fullerton, Jami A., i Alice Kendrick. "Portrayal of Men and Women in U.S. Spanish-Language Television Commercials". Journalism & Mass Communication Quarterly 77, nr 1 (marzec 2000): 128–42. http://dx.doi.org/10.1177/107769900007700110.

Pełny tekst źródła

Streszczenie:

While numerous studies have analyzed women's portrayals in U.S. general market television as well as depiction of both sexes in several foreign countries, no data have been published regarding gender depictions targeted to the growing U.S. Hispanic market via Spanish-language television. A content analysis of 162 prime-time commercials from a Spanish-language television affiliate in a major U.S. market revealed depiction of women is most likely to be in traditional sex-stereotypical roles. In only a few cases was a male character cast as a parent or performer of household chores, and never as a homemaker. Some of the commercials appeared to be “re-treads” of general market creative edited for the Hispanic market.

Style APA, Harvard, Vancouver, ISO itp.

3

Tehseem, Tazanfal, Humera Iqbal i Saba Zulfiqar. "Depicting Women Through Transitivity Choices: A Comparative Analysis". Pakistan Journal of Women's Studies: Alam-e-Niswan 28, nr 1 (30.07.2021): 41–59. http://dx.doi.org/10.46521/pjws.028.01.0087.

Pełny tekst źródła

Streszczenie:

The study aims at depicting how male and female authors portray female characters and how their core ideologies and social influences affect these depictions. This study is based on the feminist stylistic approach, proposed by Sara Mills (1995), embedded with the literary theory of feminism. It is an overlapping field that has its roots in critical discourse analysis. This stance is significant as it allows to critically look at the substance to uncover the ideology related to women. From a feminist stylistic perspective, the notion of presenting the distorted image of the female entity is associated with male authors leading to the point that female authors portray female characters positively as compared to their male counterparts. By employing Halliday’s transitivity framework (2004) in Systemic Functional Linguistics (SFL) as an analytic tool, the utterances of the female protagonists from both the novels: The Blithedale Romance by Nathaniel Hawthorne and Jane Eyre by Charlotte Bronte, have been analysed into the process, participants and circumstances. Social influence, mostly in the form of male domination, on ideologies and linguistic choices in the depiction of women in both the writers’ work has been found on almost equal grounds.

Style APA, Harvard, Vancouver, ISO itp.

4

Carvalho, Fernanda Sousa. "BREAKING CODES OF SEXUALITY: ANGELA CARTER’S VAMPIRE WOMEN". Em Tese 16, nr 3 (31.12.2010): 184. http://dx.doi.org/10.17851/1982-0739.16.3.184-191.

Pełny tekst źródła

Streszczenie:

This essay analyzes the depiction of vampire women in Angela Carter’s “The loves of Lady Purple” and “The lady of the house of love.” Exploring the vampires’ potential of abjection, this depiction subverts patriarchal ideologies about women’s sexuality.

Style APA, Harvard, Vancouver, ISO itp.

5

Kuperberg, Arielle, i Pamela Stone. "The Media Depiction of Women Who Opt Out". Gender & Society 22, nr 4 (5.06.2008): 497–517. http://dx.doi.org/10.1177/0891243208319767.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

6

Herath, Thisaranie. "Women and Orientalism: 19th century Representations of the Harem by European female travellers and Ottoman women". Constellations 7, nr 1 (10.01.2016): 10. http://dx.doi.org/10.29173/cons27054.

Pełny tekst źródła

Streszczenie:

The inaccessibility of the Ottoman harems to European males helped perpetuate the image of the harem as purely sexual in nature and contributed to imperialistic discourse that positioned the East as inferior to the West. It was only with the emergence of female travellers and artists that Europe was afforded a brief glimpse into the source of their fantasies; however, whether these accounts catered to or challenged the normative imperialist discourse of the day remains controversial. Emerging scholarship also highlights the way in which harem women themselves were able to control the depiction of their private spaces to suit their own needs, serving to highlight how nineteenth century depictions of the harem were a series of cross-cultural exchanges and negotiations between male Orientalists, female European travellers, and shrewd Ottoman women.

Style APA, Harvard, Vancouver, ISO itp.

7

Benmassoud, Jihane, i Fatima Zohra Kroum. "THE DEPICTION OF GENDER IN MOROCCAN POP LYRICS". International Journal of Applied Language Studies and Culture 2, nr 2 (30.07.2019): 11–18. http://dx.doi.org/10.34301/alsc.v2i2.20.

Pełny tekst źródła

Streszczenie:

The aim of the study is to investigate song lyrics within the most popular Moroccan Pop music from a cultural and a gender perspective, focusing on the depiction of both women and men. More specifically, the question that motivated the present study was: What cultural messages about women and men have been depicted to society through Moroccan song lyrics? Listening to music is the dominant hobby of a great majority of the population, as well as the fact that the lyrics of some popular songs are highly restrictive of gender roles (Weitzer & Kubrin, 2009). The study questions the way the Moroccan Pop music reflects and constructs gender in society. The study used content analysis approach and analyzed twenty Moroccan popular pop song lyrics from 2016 to 2018 based on most watched music videos on YouTube. The investigation focuses on the gender of songwriters, and the nouns the songwriter use to refer to the concept of WOMAN and MAN.

Style APA, Harvard, Vancouver, ISO itp.

8

Jarandikar, Shubhangi. "Advertisements and Depiction of the Woman Image: A Critique on Feminism". Journal of English Language and Literature 9, nr 3 (30.06.2018): 871–75. http://dx.doi.org/10.17722/jell.v9i3.366.

Pełny tekst źródła

Streszczenie:

By promulgating the principle of equal status for the women, the movement of feminism has questioned, criticized, and protested against the conventional images of woman. By re-defining the existence of woman it compelled both men and women of the society to comprehend the identity of the woman from a different, hitherto neglected perspective. However, with the rampant socio-cultural changes due to the globalization, feminism has been trapped in new trauma. In this post-capital, post-post-modern world, all the revolutionary ideas are swiped away. Amidst this, several rejected values are re-nurturing their roots. This revival has made many revolutionary movements and thoughts dead. By watching the media that is the complete product of globalization and especially the advertisements that are the effective means of communication and manifesting tools of the contemporary culture one is sure to ask whether like all other disciplines there is the death of feminism. The present research paper intends to probe into the philosophy of feminism and its present status in the light of some select advertisements. Many times the audio-visual texts of ads may not use an overt manifestation of women, however, the pretext to the text and the cross referential world it creates through the text do communicate the new stereotypes of women image.

Style APA, Harvard, Vancouver, ISO itp.

9

Derayeh, Minoo. "Depiction of women in Iranian cinema, 1970s to present". Women's Studies International Forum 33, nr 3 (maj 2010): 151–58. http://dx.doi.org/10.1016/j.wsif.2009.12.010.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

10

Senat, Joey. "Editor & Publisher Slow to Change Depiction of Women". Newspaper Research Journal 25, nr 4 (wrzesień 2004): 67–81. http://dx.doi.org/10.1177/073953290402500407.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

11

Mehta, Vijay, i Preeti Lahotra. "DEPICTION OF MATERIAL CIRCUMSTANCES OF WOMEN IN JEAN SASSON’S NOVELS". International Journal of Research -GRANTHAALAYAH 7, nr 9 (30.09.2019): 402–14. http://dx.doi.org/10.29121/granthaalayah.v7.i9.2019.626.

Pełny tekst źródła

Streszczenie:

The postmodern American novelist, Jean Sasson, the voice of Islamic women, depicts minutely and graphically the material circumstances of women in her novels. She has presented the material graph of women in the Middle East, escalating to the skyline and the downtrodden life of low pattern of life. The paper specifically explores the material status of women ranging from the Princesses of Saudi Arabia to the level of maids who struggle for existence amidst tortures and variegated stresses. All the women protagonists in her novels continue their struggle with a specific aim of their lives in Islamic pattern of life. Jean Sasson has presented a rich gallery of women portraits in their specific material pattern of life - Princesses, Middle class women struggling to achieve their dreams and lower strata of women.

Style APA, Harvard, Vancouver, ISO itp.

12

Yoshina Siautta, Sarah, Anastasia Yuni Widyaningrum i Agatha Winda Setyarinata. "Selubung Ketidakadilan Peran Gender dalam Motherhood pada Film Athirah". Tuturlogi 1, nr 3 (1.09.2020): 165–83. http://dx.doi.org/10.21776/ub.tuturlogi.2020.001.03.2.

Pełny tekst źródła

Streszczenie:

Often times Indonesian films raise issues around women, especially about mothers, which is linked to gender inequality between men and women. The films that depict women unfairly in a disadvantageous position is a product of patriarchal culture. Women, especially mothers, often have less dominant roles and positions in all fields; also women are rarely used as main characters. The same is the case with the characterization of the mother in the film Athirah. In this study, we discussed about how motherhood is shown in the film Athirah. This study employed semiotic method proposed by Charles Sander Peirce. The results of this study indicate that Athirah's motherhood revolves around her role as a wife and husband's companion, as a household organizer and leader, and also as a child caregiver. The depiction of motherhood in the film Athirah is still trapped in the classic depiction of a woman in an unequal gender construction. This inequality is shown in the double burden carried by Athirah's figure

Style APA, Harvard, Vancouver, ISO itp.

13

Nivetha, Ms S., i Dr K. Ravichandran. "The Depiction of ‘New Woman’ in Manju Kapur’s Home". SMART MOVES JOURNAL IJELLH 9, nr 6 (2.07.2021): 37–44. http://dx.doi.org/10.24113/ijellh.v9i6.11099.

Pełny tekst źródła

Streszczenie:

It is impossible to overestimate the significance of Indian English Writing in the commitments made by its female pupils. ManjuKapur is one of many who strive to speak to the realities of Indian women, who endure a variety of hardships and tribulations as a result of the city's tradition and modernization have opposing weights. She illustrates the difficult decision-making of middle-class females who transform from quiet victims to ultimate agitators, challenging the male-dominated society's age-old customs, morals, and constraints. ManjuKapur's Home is a great example of self-assurance. ManjuKapur's Home exemplifies this type of self-assertion. The work is situated in a downtown neighborhood, and the key hero Nisha is shown as a lady who fearlessly confronts and overcomes the limits of being a woman. She ultimately achieves her determined journey towards becoming herself. ManjuKapur acknowledges illiterate intellectual Indian women's ability to recognize their impulses for self-discovery in their adolescence as a ‘new woman.'

Style APA, Harvard, Vancouver, ISO itp.

14

Khanal, Shyam. "Images of Women in Abhijnanashakuntalam as Role Model for Women Empowerment". Haimaprabha 20 (30.07.2021): 87–96. http://dx.doi.org/10.3126/haimaprabha.v20i0.38616.

Pełny tekst źródła

Streszczenie:

This paper aims to oversee the forms and image of women in the play Abhijnanashakuntalam written by Kalidasa; a great poet in Sanskrit literature. It is found that most of his works represent two different aspects of woman, one in the form of the poetic and artistic depiction of woman and the other in the form of her status in the prevailing society. The women were able to inspire action and hero’s aspirations with her own nobility and deep human affection which is the typical image for female character and an endless source of inspiration for contemporary art and literature. Hence, the portrayal of women is with the outer and inner beauty in relation to social issues like religion, caste, marriage, sacrifice etc.

Style APA, Harvard, Vancouver, ISO itp.

15

Imperato, Pascal James. "The Depiction of Beautiful Women in Malian Youth Association Masquerades". African Arts 27, nr 1 (styczeń 1994): 58. http://dx.doi.org/10.2307/3337172.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

16

오석윤. "Chosen Women on the Depiction of Proletarian Poetries in Japan". Journal of the society of Japanese Language and Literature, Japanology ll, nr 75 (listopad 2016): 219–36. http://dx.doi.org/10.21792/trijpn.2016..75.012.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

17

Wilson, Katharina M. "Figmenta vs. Veritas: Dame Alice and the Medieval Literary Depiction of Women by Women". Tulsa Studies in Women's Literature 4, nr 1 (1985): 17. http://dx.doi.org/10.2307/463802.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

18

Prof. Prajakta S. Raut. "Epic Woman Stepping into Reality: Depiction of Draupadi with a Feminist Lens with Reference to Three Indian Novels". Creative Launcher 6, nr 3 (30.08.2021): 123–29. http://dx.doi.org/10.53032/tcl.2021.6.3.24.

Pełny tekst źródła

Streszczenie:

Lower status of women is a stain on any society. The problem is becoming glaring in India in the wake of atrocities caused against women ‘from womb to tomb’. Even in this twenty first century, the impact of manuvadi ideology is getting evidently felt. ‘A thinking woman spoils everything’ is still the mindset. Maladies like honour killing, bride burning are still gloating over the security of women in the wake of the internalized mindset of patriarchal dictum, viz. ‘A woman does not deserve any freedom’ (Na stri swatantryam arhati). Since time immemorial, she was always taken for granted though she had never remained silent. The depiction of Draupadi in various writings underscores woman’s protest against male dichotomy and her refusal to live by disabling definitions that mark women as inferior.

Style APA, Harvard, Vancouver, ISO itp.

19

Jessani, Hinna. "DEPICTION OF WOMEN IN THE PAINTINGS OF PAKISTANI ARTIST, IQBAL HUSSAIN". PEOPLE: International Journal of Social Sciences 4, nr 2 (14.09.2018): 1364–71. http://dx.doi.org/10.20319/pijss.2018.42.13641371.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

20

King, Kathryn M., i Pauline Paul. "A Historical Review of the Depiction of Women in Cardiovascular Literature". Western Journal of Nursing Research 18, nr 1 (luty 1996): 89–101. http://dx.doi.org/10.1177/019394599601800107.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

21

Miller, T. S., i Elizabeth Miller. "Tolkien and Rape". Extrapolation: Volume 62, Issue 2 62, nr 2 (1.06.2021): 133–56. http://dx.doi.org/10.3828/extr.2021.8.

Pełny tekst źródła

Streszczenie:

J. R. R. Tolkien’s representation of women in his fiction has generated a number of controversies since its original publication. This essay examines two major issues: an evasiveness in Tolkien’s treatment of sexual violence against women that is not disconnected from a gendered terror that underlies several moments in his works and functions to link women’s sexuality and desiring with death. Specifically, we read the author’s depiction of Shelob and her appetitive, arachnoid monstrosity as at once displacing sexual violence onto the monstrous feminine and evoking a revulsion at the aging female body. We next explore the consequences of the author’s depictions of women and his handling of sexual violence in close connection with his own 1939 public performance of Chaucer’s Reeve’s Tale, a comic narrative turning on two rapes that Tolkien nevertheless conceals in a comparable fashion to his elision of sexual violence in Middle-earth.

Style APA, Harvard, Vancouver, ISO itp.

22

Lestari, Rizki Widya. "KEKERASAN TERHADAP PEREMPUAN DALAM FILM INDONESIA". KANAL: Jurnal Ilmu Komunikasi 3, nr 2 (1.10.2016): 107. http://dx.doi.org/10.21070/kanal.v3i2.303.

Pełny tekst źródła

Streszczenie:

This study aimed to analyze the depiction of violence experienced by women in the film "7 heart, 7 love, 7 women". These research method used textual analyses to interpret the signs that are produced in a media text are elements of violence experienced by women. The results showed that violence to the women include (a) physical violence, among others: strangling, pulling, injuring a pregnant woman, and rape, (b) symbolic violence, among others: (1) psychological violence: deceive, insult, infidelity; (2) financial violence: lack of accountability husband; (3) functional violence: restrictions on women's social role as executor of reproductive function.

Style APA, Harvard, Vancouver, ISO itp.

23

Pomerenke, Paula, Iris I. Varner i Suzanne Mallar. "The Depiction of Female and Male Professionals in Business Communication Textbooks". Business Communication Quarterly 59, nr 4 (grudzień 1996): 36–46. http://dx.doi.org/10.1177/108056999605900404.

Pełny tekst źródła

Streszczenie:

This study of textbooks in business communication focused on the number of times men and women were shown in photographs and the professional roles implied by their appearance and demeanor. While the numbers were in bal ance, the physical appearance and role portrayal perpetuated traditional stereotypes of men and women in the workplace.

Style APA, Harvard, Vancouver, ISO itp.

24

Cantrell, Carol H. "Women and Language in Susan Griffin's Woman and Nature: The Roaring Inside Her". Hypatia 9, nr 3 (1994): 225–38. http://dx.doi.org/10.1111/j.1527-2001.1994.tb00459.x.

Pełny tekst źródła

Streszczenie:

In Woman and Nature: The Roaring Inside Her, Susan Griffin's embedding of language and culture within the natural world implicitly offers a critique of widespread assumptions, shared by many feminists, that language belongs only to the powerful and that it is inherendy violent. Griffin's depiction of the process through which women come to speech is illuminated by V. N. VofosHnov's work on the multiaccentuakty of language and by Trinh Minh'ha's characterizations of oral traditions. Both authors stress the constant re-creation of language by speakers and listeners.

Style APA, Harvard, Vancouver, ISO itp.

25

Afzal-Khan, Fawzia, i Bina Sharif. "Jihad Against Violence: A One-Act Play". TDR/The Drama Review 54, nr 2 (czerwiec 2010): 60–69. http://dx.doi.org/10.1162/dram.2010.54.2.60.

Pełny tekst źródła

Streszczenie:

Jihad Against Violence, a collaboration between two Pakistani American women, is a dramatic and poetic depiction of the struggle (emotional, physical, and psychological) against violence of any kind toward women in Pakistani culture.

Style APA, Harvard, Vancouver, ISO itp.

26

Edwards, Louise. "Drawing Sexual Violence in Wartime China: Anti-Japanese Propaganda Cartoons". Journal of Asian Studies 72, nr 3 (20.06.2013): 563–86. http://dx.doi.org/10.1017/s0021911813000521.

Pełny tekst źródła

Streszczenie:

During the War of Resistance against Japan (1937–45), China's leading cartoon artists formed patriotic associations aimed at repelling the Japanese military. Their stated propaganda goals were to boost morale among the troops and the civilian population by circulating artwork that would ignite the spirit of resistance among Chinese audiences. In keeping with the genre, racialized and sexualized imagery abounded. The artists created myriad disturbing visions of how militarized violence impacted men's and women's bodies differently. By analyzing the two major professional journals, National Salvation Cartoons and War of Resistance Cartoons, this article shows that depictions of sexual violence inflicted on Chinese women were integral to the artists' attempts to arouse the spirit of resistance. By comparing their depictions of different types of bodies (Chinese and Japanese, male and female, soldiers' and civilians') the article argues that the cartoonists believed that the depiction of sexually mutilated Chinese women would build resistance and spur patriotism while equivalent depictions of mutilated male soldiers would sap morale and hamper the war effort. The article concludes with a discussion about the dubious efficacy of propaganda that invokes a hypersexualized, masculine enemy other.

Style APA, Harvard, Vancouver, ISO itp.

27

Ratnasari, R., i N. P. V. Putri. "The Depiction of Sexual Function during Third Trimester of Pregnancy". Pakistan Journal of Medical and Health Sciences 15, nr 5 (30.05.2021): 1333–34. http://dx.doi.org/10.53350/pjmhs211551333.

Pełny tekst źródła

Streszczenie:

Background: Pregnant women often ask about sexual activity during pregnancy and the consequences curred during sexual activity. Sexual activity can occur during pregnancy, but the frequency is very varied, decreasing along with increasing gestational age. Aim: This study aims to know third-trimester pregnant woman's sexual function. This study was performed in“Siti Fauziah” Midwifery Health Care. Method: The study design used descriptive analysis in which researchers were eager to describe the sexual function of third-trimester pregnant women. Results: Results obtained 12 respondents (46.15%) in the category of low sexual function, nine respondents (34.61%) in the category of moderate sexual function, and five respondents (19.23%) had a useful sexual function. keywords: Function of Sexual activity, Pregnancy

Style APA, Harvard, Vancouver, ISO itp.

28

Spence, Jean, i Carol Stephenson. "Female Involvement in the Miners’ Strike 1984-1985: Trajectories of Activism". Sociological Research Online 12, nr 1 (styczeń 2007): 1–11. http://dx.doi.org/10.5153/sro.1461.

Pełny tekst źródła

Streszczenie:

This paper is based on recent primary research interviews with women who were active in the 1984-1985 miners’ strike. The paper claims that one depiction of women's engagement in the strike has been privileged above others: activist women were miners’ wives who embarked on a linear passage from domesticity and political passivity into politicisation and then retreated from political engagement following the defeat. This depiction is based on a masculinist view which sees political action as organisationally based and which fails to recognise the importance of small scale and emotional political work which women did and continue to undertake within their communities. In reality many women were politically active and aware prior to the dispute though not necessarily in a traditional sense. Women's activism is characterised by continuity: those women who have maintained activism were likely to have been socially and/or politically active prior to the dispute.

Style APA, Harvard, Vancouver, ISO itp.

29

Belova, Darya Nikolaevna. "Female Images in Chinese and Japanese painting". Культура и искусство, nr 5 (maj 2021): 114–38. http://dx.doi.org/10.7256/2454-0625.2021.5.35526.

Pełny tekst źródła

Streszczenie:

This article analyzes female images in Chinese and Japanese painting (Bijin-ga). The subject of this research is the depiction of Chinese beautiful women on the scrolls of the X – XVII centuries and Japanese woodblock printing of the XVII – XIX centuries. Attention is given to the works of modern artists. It is noted that the aesthetic ideals are oriented towards the perception of beauty in the context of national culture of China and Japan, which undergo changes in each era, nurtured by Buddhism, Shintoism, Taoism and Confucianism, which contributed to the development of female image and symbolic sound. The fact that the worldview orientation towards women and their status in the Far Eastern society faded away defines the relevance of the selected topic. The novelty of lies in the comparative analysis of philosophical-aesthetic traditions of Chinese and Japanese painting, reflected in female images in the historical development, with the emphasis on its modern development. The conclusion is made that the assessment of female image in Chinese and Japanese art requires taking into account the national mentality, spiritual traditions, and interinfluence of cultures. The perception of the changing image of women in society plays a special role. It is determined that the depiction of women in clothes and face paint that conceals their body shape and facial emotions, deprive a woman of her individuality and lower her social status. Such trend remains in the contemporary art of these countries. Up until now, female images resemble the symbolism of depiction, closeness to nature, interweaving of external and internal content substantiated by the aesthetic, ethical and philosophical saturation of painting, indicating the uniqueness of each culture and its national heritage.

Style APA, Harvard, Vancouver, ISO itp.

30

Schuchter, Veronika. "Of Grim Witches and Showy Lady-Devils: Wealthy Women in Literature and Film". Text Matters, nr 9 (30.12.2019): 50–65. http://dx.doi.org/10.18778/2083-2931.09.03.

Pełny tekst źródła

Streszczenie:

Imagining super rich women in the real and fictional world has long been a struggle. Those few depictions that do exist are scattered across time periods and literary genres, reflecting the legal restrictions that, at different points in time, would not allow women to accumulate assets independent of the patriarchal forces in their lives. The scarcity of extremely wealthy women in literature and film is confirmed by Forbes magazine’s list of the fifteen richest fictional characters that features forty different fictional men and only nine women, with never more than two female characters nominated in a single year. This article explores the depiction of three exceptionally wealthy women: Cruella de Vil in The Hundred and One Dalmatians (1956) by Dodie Smith, Miss Havisham in Great Expectations (1861) by Charles Dickens, and the figure of the stepmother in various adaptations of “Cinderella.” I demonstrate how the protagonists’ wealth allows them to manipulate others and disconnect themselves from patriarchal and societal expectations. Further, I argue that these affluent antagonists are “rogued” by their respective narratives, highlighting their perceived anti-feminine and emasculating behaviour resulting in a mode of narration that greedily gazes at and shames their appearances and supposed unattractiveness. While this genealogy of rich rogues reiterates the narrow scope of imagining wealthy women on the page and on the screen, there are moments in the narratives that disrupt stereotypical depictions of these wealthy characters who defy the labels imposed on them.

Style APA, Harvard, Vancouver, ISO itp.

31

Mozaheb, Mohammad Amin. "Depiction of Gender in American Headway Series". Language Teaching Research Quarterly 1 (kwiecień 2017): 24–29. http://dx.doi.org/10.32038/ltrq.2017.01.02.

Pełny tekst źródła

Streszczenie:

A great number of researchers interested in designing and producing EFL/ESL materials believe that gender roles and representations can motivate students while learning a foreign language such as English. This comes while some scholars believe that gender representations can hinder the learning process. Ever since the day EFL/ESL experts have determined the significance of gender in EFL/ESL textbooks, a number of studies have been conducted to uncover the prejudices and biases inserted in EFL materials. Linked to previous research articles and studies, the present study aims to investigate how social gender identity is defined through adjectives and photos used in American Headway 5 published by Oxford University Press in 2016. To obtain the objective of the study, the common adjectives used in the conversation section of the American Headway 5 have been detected and counted. Then they were presented in related tables utilizing frequencies. Additionally, the photos all extracted from the book have been tested against gender biases and prejudices. The findings of the study reveal that American Headway 5attempts to demonstrate both men and women equally, albeit some instances of biases have been detected in the pictures. The findings of the current research can be used by materials developers, syllabus designers as well as EFL/ESL practitioners.

Style APA, Harvard, Vancouver, ISO itp.

32

Bortacka, Gabriela. "The depiction of men in contemporary pornographic movies". Dziennikarstwo i Media 15 (29.06.2021): 101–13. http://dx.doi.org/10.19195/2082-8322.15.9.

Pełny tekst źródła

Streszczenie:

This article describes how men are presented in pornographic materials available on one of the most popular thematic websites — PornHub.com. The article contains a disambiguation of the term ‘pornography’, and discusses the reach of the pornographic market, as well as the audience and specifics of PornHub. The main part contains an empirical study of fifteen movie productions divided into three categories: heterosexual, homosexual, and for women. The article presents both the physical description of what is happening in the film and the analysis of the gender roles of the depicted characters. All selected films were made in 2018 or later. Pornography research is an extremely broad field, which is looked into by many professions: sexologists, film experts, sociologists, psychologists and even feminist activists. Some findings were recalled at work, but this is only an outline of the matter.

Style APA, Harvard, Vancouver, ISO itp.

33

Klens-Bigman, Deborah. "Las mujeres guerreras del teatro kabuki y el legado de las artes marciales femeninas de Japón". Revista de Artes Marciales Asiáticas 5, nr 2 (12.07.2012): 139. http://dx.doi.org/10.18002/rama.v5i2.116.

Pełny tekst źródła

Streszczenie:

The fighting woman character has been a staple of Japan’s kabuki theater almost since its inception. Audiences accepted these characters, especially fighting women of the samurai class, as part of the depiction of Edo period (1603–1868) life. This paper explores several of these characters and suggests that they help form the legacy of women’s practice of martial arts today.

Style APA, Harvard, Vancouver, ISO itp.

34

Abdulwaheed Idris, Abdulrahman, Rosli Talif, Arbaayah Ali Termizi i Hardev Kaur Jujar. "Depiction of Women as the Primary Architects of their own Oppression: A Masculinist Critique of El Saadawi’s Woman at Point Zero". International Journal of Applied Linguistics and English Literature 7, nr 4 (1.07.2018): 206. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.4p.206.

Pełny tekst źródła

Streszczenie:

This paper focuses on the presentation of women oppression and emancipation in Nawal El Saadawi’s novel, Woman at Point Zero. The novel is specifically a call and an appeal to the women in her Egyptian society and the world at large on the need to revisit their activities and contribution toward the oppression, suppression, molestation, and brutality of their fellow women. Nawal El Saadawi presents with unique clarity, the unpleasant experience women are subjected to in her male-dominated society (Egypt). The novel aesthetically captures the oppression, sexual harassment, domestic aggression, and intimidation that the Egyptian women are subjected to in her patriarchal social milieu. Through a Masculinist study of the text, this paper not only submits that women create sa conducive atmosphere for the unhappiness of their own kinds but also subverts the author’s proposition of the way forward for the Egyptian women who are disenchanted under the atmosphere that is besieged with unfair treatment of the women. This essay unambiguously argues that El Saadawi’s understanding of women emancipation from the persistent violence on the women is outrageously momentary and unsatisfactory. Indeed, the novel has succeeded in subverting the stereotypical representation of the women as weak, passive, and physically helpless yet, the cherished long-lasting emancipation expected from her oppressed women could not be fully achieved. The novelist portrays a resilient and revolutionary heroine whose understanding of women liberation leaves every reader disconcerted. The paper examines the oppression that the heroine, Firdaus suffers from men and her fellow women and how she eventually achieved a momentary emancipation.

Style APA, Harvard, Vancouver, ISO itp.

35

Mishra, Indira Acharya. "Representation of Women and Nature in Abhi Subedi’s Māyādevikā Sapanā". Literary Studies 34, nr 01 (2.09.2021): 35–46. http://dx.doi.org/10.3126/litstud.v34i01.39522.

Pełny tekst źródła

Streszczenie:

The article aims to analyze the depiction of women and nature in Abhi Subedi’s play, Māyādevikā Sapanā [Dreams of Mayadevi] (2008) from the ecofeminist perspective. The play associates women to nature and suggests that there is similarity between the domination of women and exploitation of nature by men in patriarchy. The female characters of the play criticize the patriarchal gender roles based on hierarchy and dualism. They identify patriarchy as the root cause of violence against women and nature. Ecofeminist critics point out that there are conceptual, symbolic, and linguistic connections between feminist and ecological issues. Vandana Shiva and Maria Mies assert that it is the same patriarchal mindset that dominates women exploits the nature. Carolyn Merchant posits that modern capitalism treats nature as a wild female who needs to be tamed and controlled. Val Plumwood argues that western philosophy, which prioritizes reason to emotion, is the key to oppression of women and nature in the modern world. These critics suggest that feminism should also deal with the issues of nature because the destruction of nature harms women more than it harms men. Thus, ecofeminist perspective is relevant to analyze the depiction of women and nature in Māyādevikā Sapanā. The finding of the article reveals that patriarchy is unfriendly to women and nature; and issues of women and ecology are intertwined.

Style APA, Harvard, Vancouver, ISO itp.

36

Giufre, Stacy. "Tre donne sole: Pavese’s Women in Search of a Modern Identity". Quaderni d'italianistica 34, nr 1 (22.07.2013): 153–67. http://dx.doi.org/10.33137/q.i..v34i1.19877.

Pełny tekst źródła

Streszczenie:

“Tre Donne Sole: Pavese’s Women in Search of a Modern Identity” analyzes the representation of women in three of Cesare Pavese’s works: “Pensieri di Dina,” La bella estate, and Tra donne sole. This article argues that the depiction of women and gender in these texts is more modern and complex than one might originally suspect considering Pavese’s reputation as a misogynist and the essentialist claims that appear throughout his work.

Style APA, Harvard, Vancouver, ISO itp.

37

Angelin, Dewi Saraswati, i Lusia Kristiasih Dwi Purnomosasi. "WOMEN CONTESTATION IN CHOPIN’S THE AWAKENING". English Teaching Journal : A Journal of English Literature, Language and Education 4, nr 2 (3.07.2019): 122. http://dx.doi.org/10.25273/etj.v4i2.4582.

Pełny tekst źródła

Streszczenie:

This study aims at describing the depiction of four women in Creole community which is applied as the contestation in “The Awakening” and describing the reasons of Creole women’s character contestation which related to particular purpose in that time. The writer uses the descriptive qualitative method as research design. The data is collected by using documentation. The data sources in this research are divided into two parts, primary and secondary. The primary data is novel of The Awakening. The secondary data is taken from the history of Creole society in Louisiana, journals, and the other sources from the website as the information. The base of this research is focused on Pierre Bourdieu’s concept. This concept is used to discover the problem formulation through the sociologycal view which influences the way of thinking from four Creole women. The result of this research are a) the depiction of three women reveal that women can support economic as businesswomen and even artist. Meanwhile, the other one is submissive and worship to husband due to keep the balance in the household. b) the reasons of three women reveal that the men’s authority is not important due to their basic background that support their economic through their proficiency as their manifestation to exist in the society. Meanwhile, the other one relies on the man to support her economic and a man as symbolic power. Based on the finding, the distinctive ideology as genetic structuralism which is connected to economic , politic and social background influence their way of thinking to get the opportunity.

Style APA, Harvard, Vancouver, ISO itp.

38

Tiggemann, Marika, i Isabella Anderberg. "Social media is not real: The effect of ‘Instagram vs reality’ images on women’s social comparison and body image". New Media & Society 22, nr 12 (16.11.2019): 2183–99. http://dx.doi.org/10.1177/1461444819888720.

Pełny tekst źródła

Streszczenie:

One recent trend on Instagram consists of posting ‘Instagram vs reality’ images containing side-by-side photographs of the same woman, one an idealized depiction and the other a more natural depiction. This study aimed to experimentally investigate the effect of such images on body image. Participants were 305 women aged 18–30 years who were randomly assigned to view one of three sets of Instagram images: ‘Instagram vs reality’ images, the ‘ideal’ side alone or the ‘real’ side alone. As predicted, viewing the ‘Instagram vs reality’ and real images resulted in decreased body dissatisfaction relative to the ideal images. Furthermore, the detrimental effects of appearance comparison were much less marked for the ‘Instagram vs reality’ and real images than for the ideal images. It was concluded that ‘Instagram vs reality’ and real posts have the potential to bolster women’s body satisfaction, but more research is needed to assess their longer-term impact.

Style APA, Harvard, Vancouver, ISO itp.

39

McDowell, Paula. "Defoe and the Contagion of the Oral: Modeling Media Shift in A Journal of the Plague Year". PMLA/Publications of the Modern Language Association of America 121, nr 1 (styczeń 2006): 87–106. http://dx.doi.org/10.1632/003081206x96122.

Pełny tekst źródła

Streszczenie:

This essay contributes to a history of evolutionary models of media shift through a reading of Daniel Defoe. Published in 1722 but depicting events of 1664–65, A Journal of the Plague Year represents temporal distance in terms of shifts in modes of communication. Modes that in reality are coexistent and interdependent are here represented as parts of a linear, progressive development. Defoe helped shape an emergent hierarchy of media forms with print at its apex. A key structuring binary of this text opposes a backward past associated with orality to a new, print-oriented modernity linked to the collection and reproduction of accurate statistics and true report. The essay first examines Defoe's handling of the “Women-Searchers”–agents employed to search bodies to determine cause of death, whose oral reports formed the basis for the printed bills of mortality–then considers the depiction of rumors and an oral street culture that is associated with old women, error, and contagious superstition. (PMcD)

Style APA, Harvard, Vancouver, ISO itp.

40

Bhabad, P. R. "Native Feminism in the Globalized Indian English Novel". Feminist Research 1, nr 1 (29.12.2017): 37–41. http://dx.doi.org/10.21523/gcj2.17010105.

Pełny tekst źródła

Streszczenie:

Fictional medium is really very useful to know reality of society. Literature and visual art used realistically to depict several methods in which perfect description of feminism is the aim. The novel is depiction of day to day life, custom and the woman is portrayed as the key figure of Indian families and at the same time, she has been projected as the subject of suffering domestic slavery and suppression. Native feminism in India is not as aggressive as feminism in the West. Patriarchy is another name of native feminism reflected in the novels; through self-realization, it is expected that the woman can emerge as a new woman. The social realist writers have been very much interested in recording social changes and the status of women. Industrialization, urbanization and globalization have brought considerable changes in social life and status of women in India. Position of educated women is quite better than illiterate but gender discrimination still persists. To face all hurdles of their life the next generation women very boldly and intelligently achieve their aims to get their identity.

Style APA, Harvard, Vancouver, ISO itp.

41

Rabichev, Renata. "The Mediterranean concepts of honour and shame as seen in the depiction of the biblical women". Religion and Theology 3, nr 1 (1996): 51–63. http://dx.doi.org/10.1163/157430196x00040.

Pełny tekst źródła

Streszczenie:

AbstractThe lives of women in biblical society are often vague- the codes according to which they live are unclear. Cultural anthropology offers the potential to shed light on the everyday existence of biblical women. This article aims to demonstrate how modern Mediterranean cultural concepts of shame and honour can lend insight into the behaviour of the Old Testament women: what they strove for and what they wished to avoid.

Style APA, Harvard, Vancouver, ISO itp.

42

Szyler, Bartosz. "„Istotne i całe”? — o postaciach kobiecych w twórczości Cypriana Norwida". Prace Literackie 56 (29.06.2017): 71–82. http://dx.doi.org/10.19195/0079-4767.56.5.

Pełny tekst źródła

Streszczenie:

„Significant and complete”? — about Norwid’s female charactersThe following article is an attempt to analyze female characters of Cyprian Norwid’s literary output. As he criticizes the depiction of women in the works of Polish Romantics, Norwid calls for the introduction of important, businesslike and reliable female characters into literature. In his poetry and prose he creates two types of female characters: glorified ideal women and criticized society dolls, who are entangled in the social bonds of Norwid’s times. A woman that is utterly important for the following analysis is Maria, the main character of Pierścień Wielkiej Damy. The article concerns Norwid’s essayistic and epistolary work on femininity and woman’s social position as well.

Style APA, Harvard, Vancouver, ISO itp.

43

Budy, Fidel C. T. "Passive, Victims or Unintended Misrepresentation?" Journal of Sustainable Development 14, nr 4 (26.05.2021): 13. http://dx.doi.org/10.5539/jsd.v14n4p13.

Pełny tekst źródła

Streszczenie:

Sustainable development efforts to mitigate the challenges that women face in the midst of land grabbing could be significantly undermined or they could fail to address the concerns of rural African women if they are not driven by the everyday lived experiences of rural African women. Evidence suggests that current accounts of how rural African women experience land grabbing oversimplify the homogeneity of their experiences, depicting them as entirely passive and victims who lack the agency to react to the loss of their land. Addressing this gap in our appreciation of the impact of land grabbing on rural African women is significant to ensure equal access to land and secure tenure rights for women actually work. To this end, there are some in the literature that have, and continue to challenge the depiction of rural African women as entirely passive and victims, lacking agency. This paper builds on those studies to expand the parameter of inquiry by bringing fresh perspectives to the debate from Senjeh District in Liberia. Utilising data collected through qualitative semi-structured interviews in the district over a period of four months, this paper argues that there is a divergence between the well held notions by the literature and experts on the one hand and, women in Senjeh on the other hand. The paper also argues that rural women in Senjeh District exhibited various agency in multiple ways against the loss of their land to Sime Darby.

Style APA, Harvard, Vancouver, ISO itp.

44

Kim, Yeon-sook. "The Weekly Himang’s Planning for Popular Discourse and Depiction of Women in the 1950s". Korean Language and Literature 184 (30.09.2018): 443–74. http://dx.doi.org/10.31889/kll.2018.09.184.443.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

45

Gao, Jie. "Refining modern beauties: The evolving depiction of Chinese women in cigarette cards, 1900–37". East Asian Journal of Popular Culture 4, nr 2 (1.08.2018): 237–54. http://dx.doi.org/10.1386/eapc.4.2.237_1.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

46

Sifana, Amaliah. "Treating Arab Women in Jean Sasson’s Princess Sultana’s Daughters". NOBEL: Journal of Literature and Language Teaching 9, nr 1 (30.04.2018): 18–25. http://dx.doi.org/10.15642/nobel.2018.9.1.18-25.

Pełny tekst źródła

Streszczenie:

Arabian life is depicted through the novel of Jean Sasson’s Princess Sultana’s Daughters. There are some different treatments accepted by Arab men and women, for example the culture which more honor towards men than women. This case causes the violence and injustice faced by the women. The Arabs often treat them such that by using Islamic teachings as the basis to strengthen their deed. This thesis focuses on analyzing the background of Arabian culture in treating women. This article basically uses Cultural Studies perspective and concept on patriarchy which mainly focuses on Arabian culture making women subordinated. The result shows that the depiction of treating Arab women is based on the cultural tradition.

Style APA, Harvard, Vancouver, ISO itp.

47

Sikainga, Ahmad A. "The Paradox of the Female Slave Body in the Islamic Legal System: The Cases of Morocco and Sudan". Hawwa 9, nr 1-2 (2011): 215–33. http://dx.doi.org/10.1163/156920811x578557.

Pełny tekst źródła

Streszczenie:

AbstractThis chapter is concerned with the way in which Muslim jurisprudence dealt with the body of female slaves in two Muslim societies: Morocco and the Sudan. While the depiction and the representation of the slave body have generated a great deal of debate among scholars working on slavery in the New World, this subject has received little attention amongst both Islamicists and Africanists. The literature on slavery in the American South and in the Caribbean has shown that the depiction of the slave body reveals a great deal about the reality of slavery, the relations of power and control, and the cultural codes that existed within the slave societies. The slave physical appearance and gestures were used to distinguish between the slaves and free and to justify slavery. Throughout the Americas slaves were routinely branded as a form of identification right up to the eighteenth century. Although the body of the slaves from both sexes was subjected to the same depiction, the treatment of female slaves deserves further exploration. As many scholars have argued, slave women suffer the double jeopardy of being both a slave and a woman. Moreover, the body of the female slave in Muslim societies is of particular significance as many of them were used for sexual purposes, as mistresses and concubines. The chapter shows that the reproductive role of female slaves became a major justice issue, particularly in their struggle for freedom.

Style APA, Harvard, Vancouver, ISO itp.

48

Ariefa, Nina Alia, i Andhika Pratiwi. "Normative Women and Patriarchal Hegemony in Ariyoshi Sawako’s Hanaoka Seishu no Tsuma (1966)". IZUMI 10, nr 1 (11.05.2021): 143–55. http://dx.doi.org/10.14710/izumi.10.1.143-155.

Pełny tekst źródła

Streszczenie:

This research examines the depiction of normative women in the Edo period (1603-1868) in the novel entitled Hanaoka Seishu no Tsuma (1966) by Ariyoshi Sawako, a Japanese female writer in the post World War II Showa era. Reflecting on the novel’s normative female characters, it analyzes the silenced voices of women. It will contribute to the discussion on how the normative female figures criticizing the patriarchal hegemony that has not been revealed in the literary canon of the Edo period. This research shows how normative women characters are presented in the text as a feminine strategy to criticize this hegemony. The researchers use feminist criticism theory from Butler’s gender performativity (1990). The study concludes that although normative women characters are commonly represented as men dominating women, those can also be used to criticize the patriarchal hegemony.

Style APA, Harvard, Vancouver, ISO itp.

49

Takla, Nefertiti. "Barbaric Women: Race and the Colonization of Gender in Interwar Egypt". International Journal of Middle East Studies 53, nr 3 (sierpień 2021): 387–405. http://dx.doi.org/10.1017/s0020743821000349.

Pełny tekst źródła

Streszczenie:

AbstractThis article analyzes the sensationalized media coverage of a serial murder case during the Egyptian revolution of the early interwar era. Despite conflicting evidence, the media blamed the murders on two sisters from southern Egypt named Raya and Sakina. Through a close reading of Egyptian editorials and news reports, I argue that middle-class nationalists constructed Raya and Sakina as barbaric women who threatened to pull the nation back in time in order to legitimize their claim to power. Borrowing from Ann Stoler's analysis of the relationship between race and sexuality and Maria Lugones's concept of the modern/colonial gender system, this article maintains that race was as central to nationalist conceptions of female barbarism as gender, sexuality, and class. The enduring depiction of Raya and Sakina as the quintessential barbaric Egyptian women symbolizes the way in which the modern woman was constructed at the intersection of race and sexuality.

Style APA, Harvard, Vancouver, ISO itp.

50

Williams, Susan S. "Family and Fortune: Louisa May Alcott, Inheritance, and the Legacy of Aunts". New England Quarterly 93, nr 1 (marzec 2020): 48–73. http://dx.doi.org/10.1162/tneq_a_00793.

Pełny tekst źródła

Streszczenie:

This article examines Louisa May Alcott's The Inheritance and Little Women in the context of mid-nineteenth century inheritance laws and Alcott's biography. Focusing in particular on Alcott's depiction of widowed aunts, it argues that these works expand definitions of family while also advocating using wealth for social good within and across generations.

Style APA, Harvard, Vancouver, ISO itp.

Artykuły w czasopismach na temat „Depiction of women”

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych