Gotowa bibliografia na temat „Democratisation of film”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Democratisation of film”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Democratisation of film"
Munro, Kenny. "Explorer and Teller of Celluloid Tales: James Wilson – Veteran International Filmmaker and Producer for BBC Scotland". Scottish Affairs 23, nr 4 (listopad 2014): 522–39. http://dx.doi.org/10.3366/scot.2014.0049.
Pełny tekst źródłaHaggith, Toby. "Women Documentary Film-makers and the British Housing Movement, 1930–45". Journal of British Cinema and Television 18, nr 4 (październik 2021): 478–97. http://dx.doi.org/10.3366/jbctv.2021.0591.
Pełny tekst źródłaMukrimin, Mukrimin, Lahaji Lahaji i Andi Akifah. "Democratisation, Decentralisation and Islam: A Reflection of Two Decades of Indonesia’s Local Autonomy". Al-Ulum 18, nr 1 (1.06.2018): 41–63. http://dx.doi.org/10.30603/au.v18i1.283.
Pełny tekst źródłaFeltrin, Lorenzo. "Labour and democracy in the Maghreb: The Moroccan and Tunisian trade unions in the 2011 Arab Uprisings". Economic and Industrial Democracy 40, nr 1 (24.08.2018): 42–64. http://dx.doi.org/10.1177/0143831x18780316.
Pełny tekst źródłaGorbunova, Ekaterina. "EU-Russia Educational Cooperation as a Democracy Promotion Mechanism". Journal of Contemporary European Research 7, nr 2 (20.05.2011): 231–59. http://dx.doi.org/10.30950/jcer.v7i2.349.
Pełny tekst źródłaDe Villiers, John E., i André P. Calitz. "A Supplementary Tool for Web-archiving Using Blockchain Technology". African Journal of Information and Communication, nr 25 (30.06.2020): 1–14. http://dx.doi.org/10.23962/10539/29194.
Pełny tekst źródłaHaque, Ziaul. "Veena Kukreja. Civil-Military Relations in South Asia: Pakistan, Bangladesh and India. New Delhi: Sage Publications. 1991. 257 pp. Bibliography + Index. Price: Rs 260 (Hardbound)." Pakistan Development Review 31, nr 1 (1.03.1992): 101–5. http://dx.doi.org/10.30541/v31i1pp.101-105.
Pełny tekst źródłaVan Den Anker, Christien. "Human Rights in Iran: The Ethnography of ‘Others’ and Global Political Theory". Journal of International Political Theory 4, nr 2 (październik 2008): 265–82. http://dx.doi.org/10.3366/e1755088208000244.
Pełny tekst źródłaĆmielová, Beata, i Jiří Pánek. "Visual Comparison of Web Map Changes of Openstreetmap and Commercial Online-Map Providers". International Journal of E-Planning Research 5, nr 2 (kwiecień 2016): 40–54. http://dx.doi.org/10.4018/ijepr.2016040103.
Pełny tekst źródłaKiaer, Jieun, Loli Kim, Zhu Hua i Li Wei. "Tomorrow? Jayaji! (자야지)". Translation and Translanguaging in Multilingual Contexts 8, nr 3 (13.10.2022): 260–84. http://dx.doi.org/10.1075/ttmc.00094.kia.
Pełny tekst źródłaRozprawy doktorskie na temat "Democratisation of film"
Carriere, Glenda Mary. "Going Up the Down Escalator: An ethnographic case study of the uptake and utilisation of information and communication technologies by three Women in Film and Television (WIFT) organisations at the State, National and International level, 1995-2000". Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16020/1/Glenda_Carri%C3%A8re_Thesis.pdf.
Pełny tekst źródłaCarriere, Glenda Mary. "Going Up the Down Escalator: An ethnographic case study of the uptake and utilisation of information and communication technologies by three Women in Film and Television (WIFT) organisations at the State, National and International level, 1995-2000". Queensland University of Technology, 2005. http://eprints.qut.edu.au/16020/.
Pełny tekst źródłaLang, Ian William, i n/a. "Conditional Truths: Remapping Paths To Documentary 'Independence'". Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031112.105737.
Pełny tekst źródłaLang, Ian William. "Conditional Truths: Remapping Paths To Documentary 'Independence'". Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367923.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
Queensland College of Art
Full Text
Sacco, Laure-Hélène. "L'opéra à l'épreuve du cinéma". Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030106.
Pełny tekst źródłaThe "opera film" corresponds to the encounter between two art forms envolving specific staging rules. It combines the requirements of opera and cinema alike whilst endeavouring to promote their mutual enrichment. In this dissertation I analyse the relevance of this encounter from a creative point of view. I intend to highlight the risks, stakes and artistic appropriateness of the opera film. The body of works has a Franco-italian dimension: it includes five films produced by Daniel Toscan du Plantier (Joseph Losey's Don Giovanni, Francesco Rosi's Carmen, Luigi Comencini's La Bohème, Frédéric Mitterrand's Madama Butterfly and Benoît Jacquot's Tosca) as well as two other films which he did not produced: La Traviata and Otello, by Franco Zeffirelli, also belong to this opera film "wave". First of all, I examine Daniel Toscan du Plantier's cultural policy as a producer. Indeed, it was thanks to him that this cinematic genre flourished significantly in the 1980s. I aim to define the creative context of these films and to understand his commitment towards their promotion as well as his genuine interest for Italian culture. I then move on to analysing the technical difficulties as well as the creative licence which results from screen adaptation. On the one hand, the cinematographic writing of opera implies concessions in staging and requires a position be taken in respect of aesthetics, cinematographic and opera. On the other hand, it also triggers a new and original reading of opera. I assess the requirements which result from the opera-cinema articulation and the solutions, often musical, proposed by films directors confronted to these constraints. In Part II I focus on the achievements of this union, first by thematically analysing each director's the visual interpretation of music provided in the films included in the body of works. I argue that the moving image transcribes music, that cinematographic writing translates the music score visually and that it can enhance the emotional dimension. Finally, I examine the response to these films in France and in Italy, especially through the critics divided between the democratisation of opera and the vulgarisation of lyric art
Części książek na temat "Democratisation of film"
Chattopadhyay, Budhaditya. "20 Emerging Trends and Future Directions". W The Auditory Setting, 175–86. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474382.003.0020.
Pełny tekst źródłaGordillo, Inmaculada. "The Mirror Effect and the Transparent City in Audio-Visual Non-Dramatic Fiction". W Advances in Business Strategy and Competitive Advantage, 30–42. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3119-8.ch003.
Pełny tekst źródłaLykidis, Alex. "Aesthetics of Crisis: Art Cinema and Neoliberalism". W Cinema of Crisis, 25–42. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448505.003.0002.
Pełny tekst źródła