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Rozprawy doktorskie na temat „Dante”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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1

Rengifo, Davalos Martin, Villacorta Fiorella Patricia Melgarejo, Alatrista Elvira Isabel Vergara, and Jeri Luis Fernando Lavado. "Cortometraje “Dante”." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/18361.

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“Dante” es un proyecto que invita a nuestra generación a reflexionar sobre la presencia de las redes sociales en nuestras vidas y las repercusiones que acarrea el uso de las mismas en nuestro estado emocional. Así, el proyecto es creado con el objetivo de proponer una nueva forma de interpretar nuestra relación con las redes sociales mediante la representación de símiles del mundo digital y visual. No se presenta a un individuo que consume los contenidos de manera pasiva desde el otro lado de la pantalla de su dispositivo, sino que más bien se propone la existencia de un ser sin sexo def
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2

Dick, Maria-Daniella. "Dante ... Joyce : Derrida." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2494/.

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James Joyce remains a logocentric figure, a position confirmed in his perceived relation to Dante within a patriarchal canonical lineage and its philosophical implications. Joyce also occupies this position within the writing and thought of Jacques Derrida, for whom his work then represents both the logos and its own deconstruction. In contrast, this thesis proposes that Joyce in fact is not a logocentric author, and that his writing is explicitly directed towards a deconstruction of the idea of the logos. This claim is advanced through the suggestion that there is in Joyce a deconstruction ra
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Balfour, Mark. "Dante and Crusade." Thesis, Royal Holloway, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286481.

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Dancoisne, Martine. "Nerval et Dante." Rouen, 1987. http://www.theses.fr/1987ROUELA34.

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Etude comparative entre les œuvres de Nerval et la Divine Comédie de Dante. Approche thématique : les mythes antiques, la symbolique chrétienne, l'ésotérisme. Etude des structures : un espace symbolique, les distorsions temporelles, les voix narratives. La conception des personnages féminins : de Béatrice l'unique à Isis démultipliée. La fonction dévolue à l'écriture : le pouvoir demiurgique et ses limites<br>Comparative study of the works of Nerval and Dante's Divine Comedy thematic approach : ancient myths, christian symbolics, esoterism. Structural approach : symbolic space, temporal distor
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5

Ferrini, Jean-Pierre. "Dante et Beckett." Paris 7, 2002. http://www.theses.fr/2002PA070074.

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Dante est un des écrivains que Samuel Beckett a le plus cité. De ses premières fictions ou poèmes de jeunesse, à la tonalité plutôt satirique, jusqu'aux textes de la maturité, comme "Comment c'est", "Le dépleupleur" ou "Compagnie", des mots, des personnages, des paysages de "La Divine Comédie" apparaissent avec une régularité exemplaire. À partir d'un relevé systématique de ces "relations textuelles", ce travail dégage la manière dont se sont sédimentés, dans les livres de Samuel Beckett, les emprunts de Beckett à Dante. L'oeuvre de Samuel Beckett, par rapport aux trois livres qui composent la
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6

Ricciuti, Anna Maria. "La Création chez Dante." Paris 4, 1992. http://www.theses.fr/1992PA040036.

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La création est la notion fondamentale de la philosophie de Dante mais la création et la Trinité ne sont connues que par révélation. Dieu produit tout l'être du monde. Dans la créature,l'existence est un accident de l'essence ; sans nécéssité aucune,comme Il lui a plu,Dieu a créé toutes les créatures. Pour la théorie de la génération,Dante se réclame d'Aristote. Mais la théologie nous apprend que l'âme intellective - forme substantielle chez l'homme - ne peut exister que par création. Après la mort,l'homme garde son individualité même si le corps et l'âme sont séparés. L'homme,par sa liberté,p
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7

Marietti, Marina. "Dante, la cité infernale /." Paris : Université de la Sorbonne nouvelle-Paris III, 2003. http://catalogue.bnf.fr/ark:/12148/cb39034560f.

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Texte remanié d'un chapitre de: Th. État--Lettres--Paris 3, 1987. Titre de soutenance : La cité dans l'oeuvre des auteurs toscans de Dante à Machiavel.<br>Texte de cours radiophoniques diffusés par Radio Sorbonne, 1994-1996. N° spécial de : "Chroniques italiennes", 2003. Bibliogr. p. 225-226. L'ouvrage porte par erreur : ISSN 1243-5066.
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8

Leopoldo, Raphael Novaresi. "Nas pegadas de dante." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106988.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura, Florianópolis, 2013<br>Made available in DSpace on 2013-12-05T22:55:07Z (GMT). No. of bitstreams: 1 319142.pdf: 365186 bytes, checksum: 3014e93656310bb0ba98425ceea68f14 (MD5) Previous issue date: 2013<br>Esta pesquisa de mestrado acadêmico busca evidenciar as relações dialógicas do romance brasileiro A Divina Paródia, sobretudo para com a obra A Divina Comédia, ambas tratadas neste estudo como realização literária do inferno alegórico cristão. Para isso
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9

Yeo, Wei Wei. "The presence of Dante in the work of Dante Gabriel and Christina Rossetti." Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/251733.

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10

Münchberg, Katharina. "Dante : die Möglichkeit der Kunst /." Heidelberg : Winter, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014712966&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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11

Camozzi, Pistoja Ambrogio. "Dante and the medieval Alexander." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648418.

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12

Priest, Beatrice. "Fecundity and sterility in Dante." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708536.

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13

Pitwood, Michael. "Dante and the French romantics /." Genève : Droz, 1985. http://catalogue.bnf.fr/ark:/12148/cb34909199t.

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14

Taterka, Thomas. "Dante Deutsch Studien zur Lagerliteratur /." Berlin : E. Schmidt, 1999. http://catalogue.bnf.fr/ark:/12148/cb37683300k.

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15

Possamai, Jackeline Maria Beber. "Leitura do limbo de Dante." Florianópolis, SC, 2007. http://repositorio.ufsc.br/xmlui/handle/123456789/90585.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura<br>Made available in DSpace on 2012-10-23T12:38:35Z (GMT). No. of bitstreams: 1 241100.pdf: 484013 bytes, checksum: 7798097572bf82ad8815ba70b0533269 (MD5)<br>O Limbo, presente no Canto IV do Inferno da Divina Comédia constitui um elemento novo, introduzido por Dante à luz das concepções religiosas de seu tempo. O presente trabalho propõe uma leitura desse Limbo, enfatizando os aspectos que lhe são inerentes, como a sua localização, a sua descrição como um
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16

Ferrier, Esther. "Deutsche Übertragungen der Divina Commedia Dante Alighieris, 1960-1983 Ida und Walther von Wartburg, Benno Geiger, Christa Renate Köhler, Hans Werner Sokop : Vergleichende Analyse, Inferno XXXII, Purgatorio VIII, Paradiso XXXIII /." Berlin ; New York : W. de Gruyter, 1994. http://books.google.com/books?id=5i5ZAAAAMAAJ.

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17

Isba, Anne. "Gladstone and Dante : the place of Dante in the life and thought of a Victorian statesman." Thesis, Keele University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391219.

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18

Gaudenzi, Cosetta. "Appropriations of Dante : XVIII and early XIX century translations of the Divine comedy in Great Britain /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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19

Auersperg, Ruth E. "Dante : exilic discourse as self-constitution." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56814.

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This thesis is grounded in philosophy and in literature. It is concerned with the recognized human need for self-affirmation and with the consequences of its denial caused by exile. For the victim this means the loss of social interaction and public moral agency within his natural community through which self-affirmation can be actualized.<br>In certain types of exilic literature constructive reactions were found to counteract this loss of freedom of choice of action and place, which entails potential annihilation of the exile's personal integrity.<br>In the exilic text of Dante as my chosen c
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20

Robinson, Jasmes Christopher. "Joyce and Dante : Excile, memory, community." Thesis, University of York, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535023.

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21

Caselli, Daniela. "Dante and Beckett : authority constructing authority." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287638.

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22

Marples, Kevin. "Theology, prophecy and politics in Dante." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/15762/.

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Principally this thesis will deal with defining, accounting for, and examining, the relationship between the theological and the political in Dante's use of prophecy. It will be demonstrated that it is an over-riding feature of Dante’s thought in both the Monarchia and the Commedia that the only remedy against cupidity, and the damage it does to the world, is ecclesiastical poverty combined with imperial power. This thesis will show that much of the urgency and passion with which Dante communicates his political and social message in the Commedia, which seems to advocate both ecclesiastical po
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23

Ricciuti, Anna Maria. "La mystique et l'ontologie chez Dante." Paris 4, 1985. http://www.theses.fr/1985PA040041.

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Brown, Christopher E. "Writing Time: Dante, Petrarch, and Temporality." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:23845461.

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Trecento Italy, the century of Dante and Petrarch as well as the mechanical clock, represented a pivotal moment of innovation to formal measures of time. These creative expressions reflected transforming notions of ingenuity, and of man’s ability to shape the world and time in which he lived. While the mythic awakening of the self-conscious individual in Renaissance Italy has been largely demystified, criticism has tended to overlook the concurrent shifts to the Trecento temporal imagination, born of parallel practices that sought to recover cosmogonic secrets, and thus power over time. An int
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Monteiro, da Rocha Gibson. "Dante: um percurso pela literatura brasileira." Universidade Federal de Pernambuco, 2007. https://repositorio.ufpe.br/handle/123456789/7746.

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Made available in DSpace on 2014-06-12T18:35:24Z (GMT). No. of bitstreams: 2 arquivo7461_1.pdf: 1141358 bytes, checksum: c75c508d484914a133addb764b6e7c2a (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2007<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Qualquer grande obra literária é escrita a partir de um congresso de escritores e poetas que se perfazem no íntimo de quem escreve. Na Literatura Brasileira viemos destacar que a presença de Dante tem cadeira cativa nesses eventos. Além de compor uma das obras de maior
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Libaude, Christophe. "La symbolique du sang chez Dante." Thesis, Lyon 3, 2014. http://www.theses.fr/2014LYO30009.

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Notre lecture de la première partie de la Vita Nova, fondée à la fois sur le symbolisme du sang présent dans la première vision de Dante et sur la scène initiatique du mariage (le rire des femmes), nous permet de pénétrer dans le réseau symbolique de l'œuvre. Ainsi le sang versé par Paolo et Francesca fait écho au sang de Béatrice, et ne peut être compris que par rapport à une symbolique du livre présente dès la Vita Nova, non seulement avec l'image du "livre de la mémoire", mais surtout avec un cœur mangé compris dans le sens d'un engendrement de l'œuvre. Si la courtoisie ne peut être chez Da
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Rocca, Giorgio <1994&gt. "Echi di Dante nella letteratura giapponese." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18592.

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Questa tesi ha come fine quello di delineare come Dante Alighieri abbia influenzato la letteratura giapponese dall’era Meiji ad oggi. La tesi è composta da una breve introduzione e da tre capitoli con annessa bibliografia. Il primo capitolo consiste in una panoramica letteraria dell‘influenze che ha avuto Dante sui maggiori autori giapponesi moderni e contemporanei nell'ambito della prosa, della poesia e del manga. Nel secondo capitolo cercherò di analizzare il concetto di peccato e inferno per Akutagawa Ryunosuke e di comprendere come i riferimenti all’Inferno di Dante vengano utilizzati come
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28

Grießer, Florian. "Politik gegen >patria< - Berlusconi und Dante : Dantes politische Theorien im Licht von Literatur, historischer Wirklichkeit und ideologischer Nachwirkung /." München : Utz, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3173359&prov=M&dok%5Fvar=1&dok%5Fext=htm.

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Reid, George D. T. "Dante and the Roman de la rose : a contribution to the study of Dante and Old French literature." Thesis, University of Reading, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272265.

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Colonnese, Benni Vittoria. "Dante nel cinema dal muto al digitale." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0021/NQ45726.pdf.

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31

Hooper, L. E. "Questions of exile in Dante and Pasolini." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604215.

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Exile is central to the work of Dante (1265-1321) and Pasolini (1922-1975); both writers suffered banishment and each presented himself as an outsider. It is often hypothesised that there is a relationship between this exiled status and the innovative approach of these writers to their work. My thesis investigates this proposition. In the <i>Vita nova</i> – written c. 1293-1295, some years before Dante’s banishment in 1302 – I argue that both Dante’s poetic self and his texts are already configured as pilgrims through exile in a Christian tradition stretching back through Gregory and Augustine
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Kay, Tristan. "Eros, spirituality, and vernacular poetry in Dante." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522729.

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Gattamorta, Lorenza. "Luzi, Eliot and Dante : language and experience." Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268804.

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Nunez-Faraco, Humberto Rafael. "Borges and Dante : a critical issue revisited." Thesis, University College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368853.

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Lauriello, Christopher Lewis. "Church and State in Dante Alighieri's "Monarchia"." Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:104155.

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Thesis advisor: Robert C. Bartlett<br>This study examines Dante Alighieri's presentation of the relation between Church and State and of their foundations in either the Christian faith or philosophic reason. It seeks to demonstrate how Dante's unmodern acceptance of a teleological understanding of the world and man’s place in it allows him to distinguish the two while also showing how both work together even as they understand differently the role that reason should play in human life. It is because of this distinction that Dante's Monarchia shares in the political principle of “separation” th
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Macedo, Tadeu da Silva. "A mulher na visão poética de Dante." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-05032013-121735/.

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Dante Alighieri foi poeta medieval que escreveu para a mulher versos amorosos em um período de profunda misoginia. Muitas são as presenças femininas nas suas poesias da fase lírica anterior à criação da Divina Comédia. Este estudo centra com especial atenção a visão que o poeta constrói da mulher durante a sua fase experimentalista e de escambo poético com amigos da escola poética florentina, o doce estilo novo, apontando que a linguagem e a visão da mulher são construídas durante esse período e estão presentes também na composição da Comédia, em particular no Inferno, Canto V, onde figura Fra
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Barandiarán, José León. "Dante Alighieri: su vida y su obra." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/116663.

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Araujo-Rousset, Anthony de. "Figures françaises de Dante : un mythe romantique." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3008.

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Ce travail construit une dantologie transcendantale fondée sur la fécondité et la légitimité du commentarisme français tout au long du dix-neuvième siècle. Le nom et l’œuvre de Dante progressent dans la vie de l’esprit et de la culture après la sidération de la Révolution, avec la naissance, l’apogée, le déclin et les suites métamorphosées du Romantisme. Un amour soumis à la loi de la divisibilité de quelques fragments de la Divine Comédie se transforme graduellement en une première dantologie. Des figures archétypiques issues de domaines hétérogènes donnent une armature conceptuelle et poétiq
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Reid, Joshua. "Angelic Viscosity: Dali and Dante in Paradise." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/2864.

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Longhin, Mattia <1983&gt. "Tradizione biografica popolare: Dante e il Risorgimento." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1676.

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Caretto, Mara <1988&gt. "Fortuna e ricezione di Dante nel Trecento." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4133.

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Polesana, Marta <1984&gt. "Una lunga fedeltà: Boccaccio interprete di Dante." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4414.

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Lungo la sua carriera di letterato e studioso, Boccaccio ha assunto un ruolo importante nell'interpretazione e nella celebrazione di Dante: ha raccolto testi che altrimenti sarebbero andati perduti, si è sottoposto alla fatica di copista ed editore del corpus poetico in volgare, ha innalzato il poeta fiorentino ad auctoritas non solo prendendolo a modello nelle proprie opere ma anche annoverando il suo nome insieme ai classici in una ideale continuità delle lettere, lo ha promosso presso Petrarca e ha celebrato la Commedia quale esempio di poesia conforme alla dottrina cattolica, esponendone i
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Colombo, Angelo. "La philologie dantesque à Milan et la naissance du Convito culture et civilisation d'une ville italienne entre l'expérience napoléonienne et l'âge de la restauration /." Villeneuve d'Ascq : Septentrion, 2001. http://books.google.com/books?id=iUFdAAAAMAAJ.

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Schulze, Thies. "Dante Alighieri als nationales Symbol Italiens (1793-1915) /." Tübingen : M. Niemeyer, 2005. http://catalogue.bnf.fr/ark:/12148/cb41017604j.

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Gessi, Elena. "Temporality in the Divina Commedia of Dante Alighieri." Thesis, University of East Anglia, 2017. https://ueaeprints.uea.ac.uk/69367/.

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My doctoral research analyses different aspects of temporality in the Divina Commedia of Dante Alighieri and it traces interactions between the levels of temporality, perpetuity and eternity. These relationships ought to have generated far more critical discussion than they have done thus far, concerning what Dante actually means by time, perpetuity and eternity. Overall, the scholarship on the general representation of time in the Divina Commedia is remarkably fragmentary and has yet to be synthesized into a comprehensive account. Thus, my research connects the three cantiche, Dante’s sources
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46

Gustaw, Chantal. "Reading Paul and Dante in the fourteenth century." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11871.

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Given the importance of Paul for Dante's characterization of the pilgrim, and his invocation of the Pauline Epistles throughout the Commedia, this thesis began by asking how important Paul was to Dante's fourteenth-century readers. It examines the use of the Pauline Epistles by the Trecento commentators of Dante's Commedia in order to contribute to our understanding of how both were read in late medieval Italy. Part One examines reading practices in the Middle Ages, and introduces commentary writing as a genre. The fourteenth century commentators are then described, with a focus on personal ci
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Vandi, Serena. "Satura : varietà per verità in Dante e Gadda." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/22892/.

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This thesis is a comparative study of the works of Dante Alighieri (1265-1321) and Carlo Emilio Gadda (1893-1973), and more specifically, of Dante's Commedia and Gadda's main literary corpus. It aims to demonstrate that we can identify in both authors' works a similar correlation between 'variety' (linguistical, rhetorical, stylistic, and of content) and the need to reveal the deepest truth of reality. To identify this correlation, the thesis makes use of the category of 'satura': by using the original name of 'satire', I aim to extend beyond that genre two of its key aspects, variety of form
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Rushworth, Jennifer Frances. "Discourses of mourning in Dante, Petrarch, and Proust." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4efea31d-85c5-4a68-893e-ac694ebfa08d.

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This thesis interpolates medieval and modern authors and theorists, namely Dante, Petrarch, and Proust on the one hand, and Freud, Kristeva, and Derrida on the other. I propose that these writers are intimately connected and differentiated by their meditations on grief and loss. I compare, confront, and contrast these narratives of mourning in a discursive shuttling to and fro between medieval and modern, French and Italian, and literature and theory, in order to delineate the specificities of different forms of melancholia as legible in Dante’s Commedia, Petrarch’s Canzoniere, and Proust’s A
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Shiguehara, Alexandre Koji. "Exílio íntimo: leitura da poesia de Dante Milano." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-20122016-143725/.

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Amigo próximo de Manuel Bandeira, Aníbal Machado, Heitor Villa-Lobos e outros artistas eminentes do Modernismo brasileiro, Dante Milano (1899-1991) publicou seus poemas em livro apenas tardiamente, em 1948, sob o título de Poesias. Apesar do reconhecimento crítico imediato, sua obra permaneceu sempre, como ainda hoje, sendo lida por um público diminuto fato normalmente atribuído antes de tudo ao temperamento muito discreto do poeta. Mais do que repetir a constatação da injusta impopularidade de uma grande poesia, cabe a tarefa de qualificar a sua grandeza, sugerindo com isso certa singularida
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Kukul, Vanessa Moro. "Crise e irresolução: a poesia de Dante Milano." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-05012015-130510/.

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Dante Milano (1899-1991) é um poeta do Rio de Janeiro conhecido tanto pela qualidade da sua obra poética, um verdadeiro mar enxuto, quanto pelo seu retraimento. O ponto de vista ressabiado de Milano nada tem a ver com uma postura conservadora, favorável ao academicismo e à estagnação estética, coaduna-se à atitude de poetas formados a partir de um modernismo em curso, constantemente meditado e julgado. Sua capacidade de se identificar e de se desidentificar com o modernismo brasileiro é reveladora de sua independência pessoal como também da índole do movimento modernista no Rio de Janeiro, dis
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