Gotowe bibliografie tematyczne / Dante

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Dante”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 28 lipca 2024

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Artykuły w czasopismach na temat "Dante"

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Nadrchal, Jaroslav, Jiri Rogalewicz i Jiri Vesely. "DANTE". Zpravodaj Československého sdružení uživatelů TeXu 1, nr 1 (1991): 18–20. http://dx.doi.org/10.5300/1991-1/18.

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Largaiolli, Matteo. "Cattolico poeta e padre della nazione: riflessi danteschi nel pensiero politico di Alcide De Gasperi". Deutsches Dante-Jahrbuch 93, nr 1 (28.09.2018): 179–92. http://dx.doi.org/10.1515/dante-2018-0009.

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ZusammenfassungIn der Geschichte der italienischen Politik hat Dante Alighieri seit jeher eine maßgebliche Rolle gespielt. Dem Dichter und ›Vater der italienischen Sprache‹ begegnet man auch bei Alcide De Gasperi. In den politischen Schriften und Reden des italienischen Staatsmannes wird auf Dante nicht nur in rhetorischem Gestus wiederholt zurückgegriffen (z. B. als Signal eines gemeinsamen kulturellen Hintergrunds); Dante steht vielmehr im Mittelpunkt von De Gasperis politischem Denken, wenn es um die Definition und Konstruktion von Identität, um die Zugehörigkeit zur christlichen Kultur sowie um die Veranschaulichung der Rolle eines Christen in der Welt geht. Am Beispiel von De Gasperis Schriften lässt sich die Resonanz der Figur und des Werks Dantes im politischen Diskurs Italiens im 20. Jahrhundert exemplarisch darstellen.
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Bloom (book editor), Harold, i Laurie Detenbeck (review author). "Dante". Quaderni d'italianistica 10, nr 1-2 (1.10.1989): 337–38. http://dx.doi.org/10.33137/q.i..v10i1-2.10444.

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Polgar, Alfred. "Dante". Zeitschrift für interkulturelle Germanistik 12, nr 2 (1.12.2021): 164–68. http://dx.doi.org/10.14361/zig-2021-120213.

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Pietropaolo, Domenico. "Dante". New Vico Studies 8 (1990): 149–53. http://dx.doi.org/10.5840/newvico1990836.

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E. A. W. "Dante". Journal of Education 52, nr 13 (październik 1990): 212. http://dx.doi.org/10.1177/002205749005201305.

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Bhowmick, Sourav S., i Xiaokui Xiaokui Xiao. "DANTE". ACM SIGMOD Record 47, nr 2 (11.12.2018): 67–72. http://dx.doi.org/10.1145/3299887.3299900.

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Scott (book author), John A., i Mary Watt (review author). "Perché Dante? Translation of Understanding Dante". Quaderni d'italianistica 33, nr 1 (1.08.2012): 133–34. http://dx.doi.org/10.33137/q.i..v33i1.17091.

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Quaini, Andrea. "Daniele e Dante, Daniele in Dante". Colloquium 9788879169301 (kwiecień 2020): 105–16. http://dx.doi.org/10.7359/930-2020-quai.

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Hoffmann, Susanne M. "Planetarium Dantis: »’l volger del ciel«". Deutsches Dante-Jahrbuch 98, nr 1 (11.10.2023): 1–42. http://dx.doi.org/10.1515/dante-2023-0002.

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Zusammenfassung Diese Niederschrift ist eine Abfolge von reichlich bebilderten Erklärungen der Astronomie in der Göttlichen Komödie von Dante Alighieri. Die Textauswahl wurde von Bodo Zöll und Karl-Philipp Ellerbrock in Vorbereitung der Eröffnung der Tagung der Deutschen Dante-Gesellschaft 2022 getroffen. Bei diesem Anlass haben die Professoren Dieter Blume und Edoardo Costadura der Universität Jena Passagen aus der Comedia und Erläuterungen dazu im Planetarium vorgetragen, während ich selbst als Astronomin die Ehre hatte, die geschilderten Passagen live in der Kuppel zu erklären. Diesen Visualisierungen von Dantes Astronomie stelle ich hier einige basis-astronomische Erklärungen voran.
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Rozprawy doktorskie na temat "Dante"

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Rengifo, Davalos Martin, Villacorta Fiorella Patricia Melgarejo, Alatrista Elvira Isabel Vergara i Jeri Luis Fernando Lavado. "Cortometraje “Dante”". Bachelor's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/18361.

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“Dante” es un proyecto que invita a nuestra generación a reflexionar sobre la presencia de las redes sociales en nuestras vidas y las repercusiones que acarrea el uso de las mismas en nuestro estado emocional. Así, el proyecto es creado con el objetivo de proponer una nueva forma de interpretar nuestra relación con las redes sociales mediante la representación de símiles del mundo digital y visual. No se presenta a un individuo que consume los contenidos de manera pasiva desde el otro lado de la pantalla de su dispositivo, sino que más bien se propone la existencia de un ser sin sexo definido, inmerso en una representación del mundo de las redes, el cual experimenta de manera directa. Además, a través de la secuencia del recorrido del protagonista, se busca que el corto sea una ventana para el espectador hacia su mundo interno, el cual se encuentra en constante contacto con el mundo digital y con las emociones que pueden experimentarse por la inmersión en las redes. Finalmente, esperamos que los espectadores vean en “Dante” una representación de esos momentos en los que nos hemos sentido abrumados por lo que encontramos al navegar en las redes, lo que incluso puede consumirnos sin darnos cuenta.
"Dante" is a project that invites our generation to reflect on the presence of social networks in our lives and the repercussions that the use of them has on our emotional state. Thus, the project is created with the aim of proposing a new way of interpreting our relationship with social networks, through the representation of similes of the digital and visual world. An individual who consumes content passively from the other side of the screen of his device is not presented in this short, but rather the existence of a being without a defined sex is proposed, who is immersed in a representation of the world of social networks, which he experiences directly. In addition, through the sequence of the protagonist's journey, the short film is intended to be a window for the viewer to his internal world, which is in constant contact with the digital world and with the emotions that can be experienced by getting into social networks. Finally, we hope that viewers see in "Dante", a representation of those moments in which we have been overwhelmed by what we find when browsing the Internet, which could consume us without even realizing.
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Dick, Maria-Daniella. "Dante ... Joyce : Derrida". Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2494/.

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James Joyce remains a logocentric figure, a position confirmed in his perceived relation to Dante within a patriarchal canonical lineage and its philosophical implications. Joyce also occupies this position within the writing and thought of Jacques Derrida, for whom his work then represents both the logos and its own deconstruction. In contrast, this thesis proposes that Joyce in fact is not a logocentric author, and that his writing is explicitly directed towards a deconstruction of the idea of the logos. This claim is advanced through the suggestion that there is in Joyce a deconstruction rather than a validation of the phonocentric linguistic theory and practice of Dante, and concomitantly of a patriarchal Joyce construed through that Dante. In this interrogation of the Dantean logos by Joyce’s writing the thesis then reads the Derridean view on Joyce and examines its investments, proposing that in it there are wider implications for a critical reading of Derrida’s work and for an understanding of his grammatology. It does so in three imagined papers on Joyce and Dante, an insert, a lecture and an essay. They constitute phantom artefacts in which to read deconstructively, and to read deconstruction, by unbinding Derrida’s Joyce. The first chapter is an imagined insert from Joyce and Dante into Of Grammatology and its first chapter, ‘The End of the Book and the Beginning of Writing’. In the folds of the insert it is proposed that Derrida cleaves to the idea of the book and is bound to it in Joyce. This binding initiates a retrospective reading of ‘The End of the Book and the Beginning of Writing’ and of the wider grammatological opening; its implications are unfolded in the insert. By then unbinding the thread of a logocentric Dante in Joyce, the insert unbinds Joyce from the Derridean idea of the book and furthermore suggests that Joyce, read in the deconstruction of Dante, represents the closure of the book as imagined in that essay. Building upon the proposal of a Joycean closure of the book as unfolded in chapter one, the second chapter advances and outlines the shape of that closure in an imagined lecture by Joyce. The chapter follows the displaced letter a in Ulysses as it interrogates mimesis, tracing the development of a subject in différance. The lecture performs that deconstruction of mimesis and, in doing so, announces not the apotheosis but the death of the realist novel in Ulysses. The final chapter draws together the conclusions of the previous two chapters in an imagined essay that arche-writes ‘Two Words for Joyce’ as an example of its own thesis. It does so in a previously untraced Dantean connection, through a conversation between Joyce and Beckett on Dante that finds its way into Finnegans Wake and is archived in the two words Derrida extracts as the spur for his essay. The imagined essay brings together Derrida, Beckett and Joyce in Dante as a concatenation of pairs within the pair of essays; it also shadows another pair, the Derridean Joyce and his other from whom the imagined essay comes. It both performs a deconstructive reading of Derrida in ‘Two Words for Joyce’ and then, through that reading, more widely affirms a Derridean grammatology. The argument of the thesis as it has advanced through the three chapters is here brought to a conclusion, suggesting that in Joyce’s writing it can be proposed that the relationship of deconstructive reading to its own practice is mediated through literature; it also proposes what might be a relationship between deconstructive reading and literature beyond those consequences.
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Balfour, Mark. "Dante and Crusade". Thesis, Royal Holloway, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286481.

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Dancoisne, Martine. "Nerval et Dante". Rouen, 1987. http://www.theses.fr/1987ROUELA34.

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Etude comparative entre les œuvres de Nerval et la Divine Comédie de Dante. Approche thématique : les mythes antiques, la symbolique chrétienne, l'ésotérisme. Etude des structures : un espace symbolique, les distorsions temporelles, les voix narratives. La conception des personnages féminins : de Béatrice l'unique à Isis démultipliée. La fonction dévolue à l'écriture : le pouvoir demiurgique et ses limites
Comparative study of the works of Nerval and Dante's Divine Comedy thematic approach : ancient myths, christian symbolics, esoterism. Structural approach : symbolic space, temporal distorsions, narrative voices. The conception of the female characters : from the uniquity of Beatrice to the multeity of Isis. Writing's inherited function : demiurgic power and its limits
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Ferrini, Jean-Pierre. "Dante et Beckett". Paris 7, 2002. http://www.theses.fr/2002PA070074.

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Dante est un des écrivains que Samuel Beckett a le plus cité. De ses premières fictions ou poèmes de jeunesse, à la tonalité plutôt satirique, jusqu'aux textes de la maturité, comme "Comment c'est", "Le dépleupleur" ou "Compagnie", des mots, des personnages, des paysages de "La Divine Comédie" apparaissent avec une régularité exemplaire. À partir d'un relevé systématique de ces "relations textuelles", ce travail dégage la manière dont se sont sédimentés, dans les livres de Samuel Beckett, les emprunts de Beckett à Dante. L'oeuvre de Samuel Beckett, par rapport aux trois livres qui composent la "Commedia" (Enfer, Purgatoire, Paradis), est prise entre le Purgatoire et l'Enfer. Elle est un "antipurgatoire" qui n'ouvre pas mais referme la porte du Paradis. Il n'y a pas de thèmes particuliers qui rapprochent Dante et Beckett, sinon ce mouvement "du purgatoire à l'enfer" qui déconstruit la "divinité" du poème de Dante. Seule la conjonction "et" traduit la disjonction qui coordonne Dante et Beckett comme deux extrémités, un zénith et un nadir, qui ne coi͏̈ncident pas. La lecture de Beckett n'est pas admirative, elle est brutale, parodique, drôle aussi, et retire presque toujours à Dante son contexte. L'ironie ou l'humour est souvent le "rasoir" que Beckett utilise pour séparer la "Commedia" des illusions qu'elle génère. La statue de Dante, qui domine notre culture occidentale, tomberait en morceaux, les ruines dispersées dans l'oeuvre de Samuel Beckett qui constituerait la conséquence historique de six siècles de lecture, Beckett incarnant peut-être le premier l'écart, "il lungo silenzio", qui nous sépare maintenant de Dante
Dante is one of the most mentioned author in Samuel Beckett' s work. From his first youth fictions or poems, written in a satirical tone, to his period of maturity with works such as "How it is", "The Lost Ones" or "Compagny", words, characters, landscapes "of The Divine Comedy" appear extremely regularly. Such systematic textual relationships bring out the closeness between Dante and Beckett. Samuel Beckett's work is caught between Dante' Purgatory and Hell. His work is an "antipurgatory" which doesn't open, but closes the doors of paradise. No evident themes link Dante and Beckett except the flow from purgatory to hell, which undoes the "divinity" of Dante's poem. The conjundion "and" is the only one to translate the "disjonction" witch coordinates Dante and Beckett as two extremities, the zenith and the nadir, which never coincide. Beckett's reading is not admiring, but brutal, parodic, burlesque, and harms Dante's context. Irony and humour is the "razor" used by Beckett in order to separate "The Comedy" from the generated illusions. Dante' s statue which dominates our western culture would fall into pieces and the scattered ruins would constitute the historical consequence of six centuries of reading. Beckett maybe the first to incarnate the distance,"il lungo silenzio", which now separates us from Dante
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Ricciuti, Anna Maria. "La Création chez Dante". Paris 4, 1992. http://www.theses.fr/1992PA040036.

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La création est la notion fondamentale de la philosophie de Dante mais la création et la Trinité ne sont connues que par révélation. Dieu produit tout l'être du monde. Dans la créature,l'existence est un accident de l'essence ; sans nécéssité aucune,comme Il lui a plu,Dieu a créé toutes les créatures. Pour la théorie de la génération,Dante se réclame d'Aristote. Mais la théologie nous apprend que l'âme intellective - forme substantielle chez l'homme - ne peut exister que par création. Après la mort,l'homme garde son individualité même si le corps et l'âme sont séparés. L'homme,par sa liberté,peut choisir la damnation ou la béatitude. C'est pourquoi,l'art de Dante crée la beauté et enseigne la vérité
The creation is the fundamental notion of Dante's philosophy but creation and Trinity are knowable only through revelation. .
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Marietti, Marina. "Dante, la cité infernale /". Paris : Université de la Sorbonne nouvelle-Paris III, 2003. http://catalogue.bnf.fr/ark:/12148/cb39034560f.

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Texte remanié d'un chapitre de: Th. État--Lettres--Paris 3, 1987. Titre de soutenance : La cité dans l'oeuvre des auteurs toscans de Dante à Machiavel.
Texte de cours radiophoniques diffusés par Radio Sorbonne, 1994-1996. N° spécial de : "Chroniques italiennes", 2003. Bibliogr. p. 225-226. L'ouvrage porte par erreur : ISSN 1243-5066.
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Leopoldo, Raphael Novaresi. "Nas pegadas de dante". reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106988.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura, Florianópolis, 2013
Made available in DSpace on 2013-12-05T22:55:07Z (GMT). No. of bitstreams: 1 319142.pdf: 365186 bytes, checksum: 3014e93656310bb0ba98425ceea68f14 (MD5) Previous issue date: 2013
Esta pesquisa de mestrado acadêmico busca evidenciar as relações dialógicas do romance brasileiro A Divina Paródia, sobretudo para com a obra A Divina Comédia, ambas tratadas neste estudo como realização literária do inferno alegórico cristão. Para isso, pelo viés dos estudos comparados entre Teologia e Literatura, revisitam-se conceitos teóricos, especialmente escatológicos e paródicos, buscando-se perceber o sentido do gênero paródico com laços religiosos no contexto da contemporaneidade.
This Master's degree academic research aims at pointing the dialogic relations in the Brazilian novel A Divina Paródia (The Divine Parody), especially between it and The Divine Comedy, both works portrayed in this study as literary depiction of the Christian allegoric hell. To do so, considering the compared studies between Theology and Literature, theoretical concepts are revisited, mostly eschatological and parodic ones, in an attempt of understanding the meaning of the parodic genre with religious bonds contemporarily.
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Yeo, Wei Wei. "The presence of Dante in the work of Dante Gabriel and Christina Rossetti". Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/251733.

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Münchberg, Katharina. "Dante : die Möglichkeit der Kunst /". Heidelberg : Winter, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014712966&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Książki na temat "Dante"

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1957-, Kang Chu-hŏn, red. Dantʻe kʻŭllŏp = The Dante club. Soŭl: Hwanggŭm Kaji, 2004.

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Pastina, Giuseppe. Interpretazione di Dante: Dante spiegato da Dante. Roma: Armando, 2005.

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Crespo, Angel. Dante. Barcelona: Barcanova, 1985.

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Havely, Nick, red. Dante. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470690123.

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Prill, Ulrich. Dante. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-05061-8.

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Balaci, Alexandru. Dante. București: Editura 100+1 Gramar, 1995.

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Canteins, Jean. Dante. Milano: Archè, 2003.

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Malato, Enrico. Dante. Roma: Salerno, 1999.

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Lewis, R. W. B. Dante. Waterville, Me: Thorndike Press, 2001.

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Harold, Bloom, red. Dante. Broomall, PA: Chelsea House Publishers, 2000.

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Części książek na temat "Dante"

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Haye, Thomas. "Dante". W Kindler Kompakt: Philosophie des Mittelalters, 160–65. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04327-6_46.

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Frenz, Dietmar. "Dante". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3322-1.

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Allen, Michael. "Dante". W Encyclopedia of Global Justice, 227–28. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9160-5_750.

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Kaufman, Harry. "Dante". W The Divine Comedy and the Encyclopedia of Arts and Sciences, 247. Amsterdam: John Benjamins Publishing Company, 1988. http://dx.doi.org/10.1075/z.34.13kau.

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Rossini, Antonio. "Dante". W Dante Alive, 117–29. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003035145-9.

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Hébert, Thomas P. "Dante". W Talented Young Men Overcoming Tough Times, 47–71. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003238492-4.

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Arthos, John. "Dante". W Dante, Michelangelo and Milton, 18–49. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003509318-2.

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Prill, Ulrich. "Biographie". W Dante, 1–16. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-05061-8_1.

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Prill, Ulrich. "Lyrik und Vita nuova". W Dante, 17–69. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-05061-8_2.

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Prill, Ulrich. "Convivio". W Dante, 70–86. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-05061-8_3.

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Streszczenia konferencji na temat "Dante"

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Li, Zhetao, Fei Gui, Jinkun Geng, Dan Li, Zhibo Wang, Junfeng Li, Yang Cheng i Usama Zafar. "Dante". W the 2nd Asia-Pacific Workshop. New York, New York, USA: ACM Press, 2018. http://dx.doi.org/10.1145/3232565.3234686.

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Yesilada, Yeliz, Simon Harper, Carole Goble i Robert Stevens. "DANTE". W the 13th international World Wide Web conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1013367.1013540.

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Bordin, Silvia, Massimo Zancanaro i Antonella De Angeli. "Touching dante". W the Biannual Conference of the Italian Chapter of SIGCHI. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2499149.2499172.

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"Convegno SISD Lugano 2023". W Atti Convegno SISD Lugano. Bibliothèque de l'OProM, 2024. http://dx.doi.org/10.55456/sisd1.

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Raffaele Pinto (Università di Barcellona). PRESENTAZIONE del SISD Mirco Cittadini. Dante e il mondo infero: Hillman interprete (in)consapevole della Commedia Raffaele Pinto (Università di Barcellona). Cervantes e Dante Paola Vecchi (Università di Bologna). La Commissione per i Testi di Lingua e Dante: una storia fra Otto e Novecento Erminia Ardissino (Università di Torino). "Anni di nostalgia" e anni di formazione: Dante nel romanzo di Kenzaburo Oe Gabriella Gavagnin (Università di Barcellona). L’Ulisse dantesco in Mercè Rodoreda Francesco Luti (Università di Barcellona). Dante in João Guimarães Rosa Bruno Pinchard (Università Lyon 3). Saint John Perse e Dante Valeria Giannantonio (Università di Chieti). Il lirismo di Eliot tra Pound, il simbolismo francese e Dante Gianni Vacchelli. L'attualità inattuale di Dante: per una ermeneutica della liberazione Roberta Capelli (Università di Trento). Dante e il Modernismo: Pound, Eliot e Joyce Marianna Esposito Vinzi (Education nationale Académie de Paris). Toni Morrison e Dante Gandolfo Cascio (Università di Utrecht). American Papers: Dante e Borgese Carla Rossi (Università di Zurigo/Università del Salento). Il Dante di J. L. Borges
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Duch, Piotr, i Tomasz Jaworski. "Dante - Automated Assessments Tool for Students' Programming Assignments". W 2018 11th International Conference on Human System Interaction (HSI). IEEE, 2018. http://dx.doi.org/10.1109/hsi.2018.8431146.

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Яшина, О. Н. "Ravenna in the life and work of Dante". W Социально-гуманитарные исследования: векторы развития науки и образования : материалы VIII научно-практической конференции с международным участием, посвященной Году педагога и наставника, г. Москва, МПГУ, 20–21 апреля 2023 г. Crossref, 2023. http://dx.doi.org/10.37492/isgo.2023.10.01.082.

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Campbell, Kelly M., Jochen Schein, Eduard Dewald, Robert Turner, Otto Landen i Siegfried Glenzer. "NIF Dante Soft X-Ray Diagnostic Fielding and Analysis". W IEEE Conference Record - Abstracts. 2005 IEEE International Conference on Plasma Science. IEEE, 2005. http://dx.doi.org/10.1109/plasma.2005.359159.

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Conticini, F., F. di Cesare i A. Maccagni. "Sub-salt depth imaging - A Geoscience challenge, Dante Bilgeri". W 56th EAEG Meeting. European Association of Geoscientists & Engineers, 1994. http://dx.doi.org/10.3997/2214-4609.201410168.

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Fong, Terrence, Henning Pangels, David Wettergreen, Erik Nygren, Butler Hine, Phil Hontalas i Chistopher Fedor. "Operator Interfaces and Network-Based Participation for Dante II". W International Conference on Environmental Systems. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1995. http://dx.doi.org/10.4271/951518.

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Ma, Qicheng, i Nidhi Rastogi. "DANTE: Predicting Insider Threat using LSTM on system logs". W 2020 IEEE 19th International Conference on Trust, Security and Privacy in Computing and Communications (TrustCom). IEEE, 2020. http://dx.doi.org/10.1109/trustcom50675.2020.00153.

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Raporty organizacyjne na temat "Dante"

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Kovacevic, Emina. Increasing Student Performance and Building Self-esteem through Diverse Literature Choices: Using Saenz’s Aristotle and Dante Discover the Secrets of the Universe. Ames (Iowa): Iowa State University, maj 2023. http://dx.doi.org/10.31274/cc-20240624-892.

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Enoch, Elizabeth. Mosaic Dance. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-561.

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Burch, Kaitlyn. Dance Lessons. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.256.

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Creger, Michael. Dance of Dreams. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6775.

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Mosby, Shea Morgan, i Aaron Joseph Couture. Digital acquisition with DANCE. Office of Scientific and Technical Information (OSTI), lipiec 2015. http://dx.doi.org/10.2172/1207745.

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Abendroth, Lori, i Roger W. Elmore. Corn Planting Date. Ames: Iowa State University, Digital Repository, 2007. http://dx.doi.org/10.31274/farmprogressreports-180814-1100.

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Abendroth, Lori, i Roger W. Elmore. Corn Planting Date. Ames: Iowa State University, Digital Repository, 2008. http://dx.doi.org/10.31274/farmprogressreports-180814-1353.

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Abendroth, Lori, Roger W. Elmore i Leslie Freehill. Corn Planting Date. Ames: Iowa State University, Digital Repository, 2007. http://dx.doi.org/10.31274/farmprogressreports-180814-1819.

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Abendroth, Lori, Roger W. Elmore i Leslie Freehill. Corn Planting Date. Ames: Iowa State University, Digital Repository, 2007. http://dx.doi.org/10.31274/farmprogressreports-180814-2247.

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Abendroth, Lori, i Roger W. Elmore. Corn Planting Date. Ames: Iowa State University, Digital Repository, 2007. http://dx.doi.org/10.31274/farmprogressreports-180814-2274.

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