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Artykuły w czasopismach na temat "Dancing body"
Flanderová, Veronika. "For the dancing body". Kontradikce 4, nr 2 (2020): 198–204. http://dx.doi.org/10.46957/con.2020.2.19.
Pełny tekst źródłaEricksen, Julia A. "Dancing the Body Beautiful". Contexts 11, nr 2 (maj 2012): 48–53. http://dx.doi.org/10.1177/1536504212446460.
Pełny tekst źródłaBorn, Caroline. "Life Dancing: Birthing the Body". Self & Society 21, nr 1 (marzec 1993): 18–20. http://dx.doi.org/10.1080/03060497.1993.11085303.
Pełny tekst źródłaMarkula, Pirkko. "The Dancing Body without Organs". Qualitative Inquiry 12, nr 1 (luty 2006): 3–27. http://dx.doi.org/10.1177/1077800405282793.
Pełny tekst źródłaBergonzoni, Carolina. "We Are Travellers: The Body as a Compass". Journal of the Canadian Association for Curriculum Studies 18, nr 2 (16.03.2021): 192–98. http://dx.doi.org/10.25071/1916-4467.40590.
Pełny tekst źródłaSummers-Bremner, Eluned. "Reading Irigaray, Dancing". Hypatia 15, nr 1 (2000): 90–124. http://dx.doi.org/10.1111/j.1527-2001.2000.tb01081.x.
Pełny tekst źródłaFranko, Mark. "The Dancing Body in Renaissance Choreography". Journal of Aesthetics and Art Criticism 47, nr 2 (1989): 199. http://dx.doi.org/10.2307/431845.
Pełny tekst źródłaJisun Lee i MalborgKim. "Dancing Body in Digital Image Era". Korean Journal of Dance Studies 37, nr 37 (lipiec 2012): 63–84. http://dx.doi.org/10.16877/kjds.37.37.201207.63.
Pełny tekst źródłaFoster, Susan Leigh, i Mark Franko. "The Dancing Body in Renaissance Choreography". Theatre Journal 40, nr 3 (październik 1988): 429. http://dx.doi.org/10.2307/3208343.
Pełny tekst źródła김기화 i 백현순. "The Phenomenon of Dancing 'Body' Awareness". Journal of Korean Dance 35, nr 3 (wrzesień 2017): 29–50. http://dx.doi.org/10.15726/jkd.2017.35.3.002.
Pełny tekst źródłaRozprawy doktorskie na temat "Dancing body"
Khudaverdian, Clara. "The dancing body". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ39453.pdf.
Pełny tekst źródłaDavidson, Julia Rose. "Listening to the Dancing Body| Understanding the Dancing Body as Performative Agent within the Choreographic Process". Thesis, Mills College, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10096902.
Pełny tekst źródłaThe performativity of dance relies on the the power that different dance practices and choreographies have to shape culture, “making and unmaking” identities by “molding” the moving body (Franko, 2012). While theorists have connected dance technique and instruction to the perpetuation of larger cultural and historical ideologies, few methods yet have attempted a critical study of how performative impact is connected to a dancer’s own embodied experience.
Working from an understanding of embodied experience as central to the performative impact of dance, my research examines the dancing body’s role in constructing its own performativity. I begin with an analysis of how choreography “does” performativity, looking at historical changes in dance theory over time that have led to the imperative to examine agency specifically in relation to individually experienced embodiment. Current scholarship on the status of the 21st century contemporary dancer recognizes this need to study individual embodiment; dancers are creative agents within the choreographic process, able to alter the performative impact of a piece on the basis of how they learn or embody the movement. In order to substantiate this understanding of the dancing body’s agency, my research culminates in an interview project that includes dancers’ voices and lived experiences together with scholarship that prescribes agency and performativity to the moving body. Tracking a group of dancers through the process of learning new choreography, I attempt a method of understanding the moving body itself as communicative agent. The philosophical field of phenomenology supports such an understanding, viewing the body as having its own consciousness and perspective. In addition to phenomenology, I use critical ethnography and oral history practices to construct a reflexive interview process and affect theory to conduct a deep analysis of the dancers’ descriptions. Affect, being defined as those intensities, feelings and forces at the base of personal experience and social patterns, offers a way of comprehending dancers’ felt sense of embodiment from their own perspective.
An examination of affect within the dancers’ descriptions shows how the dancers’ linguistic moves parallel their diverse kinesthetic experiences of learning movement. The dancers’ heightened kinesthetic awareness throughout the process of learning choreography demonstrates how they experience their bodies in a different phenomenological way and ultimately how they enact performative impact through their very processes of embodiment. The resulting interviews, transcriptions and discussion in this project support practice-based research, in the form of phenomenologically-centered and analyzed interviews, as a way to include dancers’ embodied experiences in studies of the dancing body’s performativity.
Reference: Franko, Mark. "Dance and the Political: States of Exception." Dance. Ed. André Lepecki. London: Whitechapel Gallery, 2012. 145-48. Print.
Shrubsall, Gina M., University of Western Sydney, of Arts Education and Social Sciences College i School of Contemporary Arts. "The dancing body makes sense of place". THESIS_CAESS_CAR_Shrubsall_G.xml, 2002. http://handle.uws.edu.au:8081/1959.7/805.
Pełny tekst źródłaMaster of Arts (Hons)
Shrubsall, Gina M. "The dancing body makes sense of place". Thesis, View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/805.
Pełny tekst źródłaShrubsall, Gina M. "The dancing body makes sense of place /". View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030929.102832/index.html.
Pełny tekst źródłaA dissertation submitted in partial fulfillmemt of the degree of Master of Arts, UWS Nepean, School of Contemporary Arts : Dance, July 2002. Bibliography : leaves 81-84.
Acker, Shaun Albert. "Writing the aerial dancing body a preliminary choreological investigation of the aesthetics and kinetics of the aerial dancing body". Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002361.
Pełny tekst źródłaPienaar, Samantha. "Boyzie Cekwana the South African dancing body in transition". Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002376.
Pełny tekst źródłaSamuel, Gerard M. "Dancing the Other in South Africa". Doctoral thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22781.
Pełny tekst źródłaRamphal, Vena Radha. "A word on movement : thinking approaches to the dancing body". Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420643.
Pełny tekst źródłaKissell, Kristin. "Dancing Theology - A Construction of a Pneumatology of The Body". Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/941.
Pełny tekst źródłaKsiążki na temat "Dancing body"
Gottschild, Brenda Dixon. The Black Dancing Body. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-03900-2.
Pełny tekst źródłaDuchamp, L. Timmel. Love's body, dancing in time. Seattle WA, USA: Aqueduct Press, 2004.
Znajdź pełny tekst źródłaCopyright Paperback Collection (Library of Congress), red. Body lines. New York: Aladdin Paperbacks, 1998.
Znajdź pełny tekst źródłaDancing women: Female bodies on stage. London: Routledge, 1998.
Znajdź pełny tekst źródłaKing, Jamie. Rock your body: The ultimate hip-hop inspired workout to slim, shape, and strengthen your body. Emmaus, Pa: Rodale, 2007.
Znajdź pełny tekst źródłaFranko, Mark. The dancing body in renaissance choreography (c. 1416-1589). Birmingham, Ala: Summa Publications, 1986.
Znajdź pełny tekst źródłaFrom ballroom to dancesport: Aesthetics, athletics, and body culture. Albany: State University of New York Press, 2005.
Znajdź pełny tekst źródłaValerie, Gladstone, red. Rock your body: The ultimate hip-hop inspired 'dance as sport' guide for slimming, shaping and strengthening your body. London: Rodale, 2007.
Znajdź pełny tekst źródłaRykwert, Joseph. The dancing column: On order in architecture. Cambridge, Mass: MIT Press, 1996.
Znajdź pełny tekst źródłaPeyer, Katia de. Dancing with myself: Sensuous exercises for body, mind, and spirit. Willow Springs, MO: Nucleus Publications, 1991.
Znajdź pełny tekst źródłaCzęści książek na temat "Dancing body"
Sweeney, Bernadette. "The Dancing Body: Dancing at Lughnasa". W Performing the Body in Irish Theatre, 111–37. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582057_5.
Pełny tekst źródłaVedel, Karen. "‘Female Nature’, Body Culture and Plastique". W Dancing Naturally, 124–38. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230354487_10.
Pełny tekst źródłaEricksen, Julia A. "Dancing the Body Beautiful". W Gender, Sexuality, and Intimacy: A Contexts Reader, 48–51. 2455 Teller Road, Thousand Oaks California 91320: SAGE Publications, Inc, 2018. http://dx.doi.org/10.4135/9781506352299.n16.
Pełny tekst źródłaMathis, Lydia J. "Unlocking joy in the body". W Dancing Across Borders, 77–79. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781003008569-12.
Pełny tekst źródłaGottschild, Brenda Dixon. "Latitude I". W The Black Dancing Body, 2–11. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-03900-2_1.
Pełny tekst źródłaGottschild, Brenda Dixon. "Location: To Be or Not … (Continued from Location: Who’s There?)". W The Black Dancing Body, 219–20. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-03900-2_10.
Pełny tekst źródłaGottschild, Brenda Dixon. "Latitude III". W The Black Dancing Body, 222–25. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-03900-2_11.
Pełny tekst źródłaGottschild, Brenda Dixon. "Soul/Spirit". W The Black Dancing Body, 226–58. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-03900-2_12.
Pełny tekst źródłaGottschild, Brenda Dixon. "Blood Memories, Spirit Dances". W The Black Dancing Body, 259–80. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-03900-2_13.
Pełny tekst źródłaGottschild, Brenda Dixon. "Position: From Coon to Cool". W The Black Dancing Body, 281–99. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-03900-2_14.
Pełny tekst źródłaStreszczenia konferencji na temat "Dancing body"
Zari, Nurmalinda, i Juju Masunah. "Body Relationship with Dancing Skills". W Proceedings of the International Conference on Arts and Design Education (ICADE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icade-18.2019.49.
Pełny tekst źródłaLiu, Xiaofang. "The Interactive Spatial Aesthetics between Holographic Display Technology and Dancing Body Language". W IS4SI 2021. Basel Switzerland: MDPI, 2022. http://dx.doi.org/10.3390/proceedings2022081155.
Pełny tekst źródłaAmie, Kandyce. "Hidden Curriculums of the Black Dancing Body: Teaching Within and Among Racialized Perceptions". W AERA 2022. USA: AERA, 2022. http://dx.doi.org/10.3102/ip.22.1890666.
Pełny tekst źródłaTakaaki Shiratori, Shunsuke Kudoh, Shin'ichiro Nakaoka i Katsushi Ikeuchi. "Temporal scaling of upper body motion for Sound feedback system of a dancing humanoid robot". W 2007 IEEE/RSJ International Conference on Intelligent Robots and Systems. IEEE, 2007. http://dx.doi.org/10.1109/iros.2007.4399102.
Pełny tekst źródłaMu Yingjie, Zha Xianfeng i Wang Wei. "Notice of Retraction A study on effects to body ingredient and blood lipoids for youth obese feminine by acrobatics dancing". W 2011 2nd IEEE International Conference on Emergency Management and Management Sciences (ICEMMS). IEEE, 2011. http://dx.doi.org/10.1109/icemms.2011.6015717.
Pełny tekst źródłaLandry, Steven, i Myounghoon Jeon. "Participatory Design Research Methodologies: A Case Study in Dancer Sonification". W The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.069.
Pełny tekst źródłaPrajapati, Kinjal, Fred Barez, James Kao i David Wagner. "Dynamic Force Response of Human Legs due to Vertical Jumps". W ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-62261.
Pełny tekst źródłaGimunová, Marta, Tomáš Vodička, Kristián Jánsky, Miriam Kalichová, Antonín Zderčík, Alena Skotáková, Petr Hedbávný i Kateřina Kolářová. "The effect of classical ballet, Slovakian folklore dance and sport dance on static postural control in female and male dancers". W 12th International Conference on Kinanthropology. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9631-2020-4.
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