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Książki na temat „Dance movies”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 12 lutego 2022

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1

Kobal, John. Gotta sing, gotta dance: A history of movie musicals. London: Spring Books, 1988.

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2

Moving matters (Conference) (London 2000). Dance UK's Healthier Dancer Programme conference 'Moving matters'. London: Dance UK, 2000.

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3

Labrecque, Ellen. Cool dance moves. Chicago, Ill: Capstone Raintree, 2013.

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4

David, Spurgeon. Dance moves: From improvisation to dance. Sydney: Harcourt Brace Jovanovich, 1991.

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5

1983-, Kulak Jeff, red. Learn to speak dance: A guide to creating, performing, & promoting your moves. Toronto, Ont: Owlkids Books Inc., 2011.

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6

Phillips, Arlene. LA moves. London: Faber, 2010.

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7

Salsa and its transnational moves. Lanham, MD: Lexington Books, 2006.

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8

Sav, Akyuz, red. Bear moves. Somerville, MA: Candlewick Press, 2018.

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9

Kan, Esther. Keep moving!: It's aerobic dance. Palo Alto, Calif: Mayfield, 1987.

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10

Pryor, Esther. Keep moving!: It's aerobic dance. Palo Alto, Calif: Mayfield Pub. Co., 1987.

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11

Pryor, Esther. Keep moving!: It's aerobic dance. Wyd. 2. Mountain View, CA: Mayfield Pub. Co., 1992.

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12

Goodman, Kraines Minda, i Pryor Esther, red. Keep moving!: It's aerobic dance. Wyd. 3. Mountain View, Calif: Mayfield Pub. Co., 1996.

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13

Dance for the land. New York: Atheneum Books for Young Readers, 1999.

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14

Parviainen, Jaana. Bodies moving and moved: A phenomenological analysis of the dancing subject and the cognitive and ethical values of dance art. Tampere: Tampere University Press, 1998.

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15

Parviainen, Jaana. Bodies moving and moved: A phenomenological analysis of the dancing subject and the cognitive and ethical values of dance art. Tampere: Tampere University Press, 1998.

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16

Martin, Randy. Critical moves: Dance studies in theory and politics. Durham, N.C: Duke University Press, 1998.

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17

Randy, Martin. Critical moves: Dance studies in theory and politics. Durham: Duke University Press, 1998.

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18

Critical moves: Dance studies in theory and politics. Durham, NC: Duke University Press, 1998.

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19

Jacobs, Laura A. Landscape with moving figures: A decade on dance. New York: Rosen Book Works, 2006.

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20

Congress on Research in Dance. Conference. CORD 2001: Transmigratory moves dance in global circulation : conference proceedings. Redaktorzy LaPointe-Crump Janice D i Congress on Research in Dance. New York, N.Y: New York University, 2001.

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21

Pica, Rae. Upper elementary children moving & learning. Champaign, IL: Human Kinetics Publishers, 1993.

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22

ill, Moore Cyd, red. Willow and the Snow Day Dance. Ann Arbor, Mich: Sleeping Bear Press, 2011.

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23

Partnering dance and education: Intelligent moves for changing times. Champaign, IL: Human Kinetics, 1999.

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24

Hardy, Kristin. Hot Moves. Toronto, Ontario: Harlequin, 2007.

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25

D, LaPointe-Crump Janice, i Congress on Research in Dance, red. Transmigratory moves: Dance in global circulation : proceedings, 34th international conference, Congress on Research in Dance. [Brockport, NY?]: Congress on Research in Dance, 2001.

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26

Darci and the dance contest. New York: Scholastic Inc., 1985.

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27

Darci and the dance contest. New York: Lodestar Books, 1985.

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28

Osumare, Halifu. Black choreographers moving: A national dialogue. Berkeley, CA: Expansion Arts Services, 1991.

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29

(Editor), Marijke de Valck, i Malte Hagener (Editor), red. Cinephilia: Movies, Love and Memory. Amsterdam University Press, 2005.

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30

Records, Walt Disney. An Extremely Goofy Movies Dance Party. Walt Disney Records & Audio, 2000.

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31

Records, Walt Disney. An Extremely Goofy Movies Dance Party. Walt Disney Records & Audio, 2000.

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32

Evans, Mark, i Mary Fogarty. Movies, Moves and Music: The Sonic World of Dance Films. Equinox Publishing Limited, 2016.

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33

Movies, Moves and Music: The Sonic World of Dance Films. Equinox Publishing, 2016.

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34

Kobal, John. Gotta Sing Gotta Dance. Random House Value Publishing, 1990.

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35

Hollywood Musicals: The 101 Greatest Song-and-Dance Movies of All Time. Black Dog & Leventhal, 2010.

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36

Hunter, Stephen. Now Playing at the Valencia: Pulitzer Prize-Winning Essays on Movies. Simon & Schuster, 2005.

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37

Carroll, Noël. Philosophy and the Moving Image. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190683306.001.0001.

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Philosophy and the Moving image is a collection of articles by Noël Carroll involving many of the ways in which the moving image – including cinema, television, video, and computer generated imagery – can intersect with philosophy. These intersections can include discussions of movies that do philosophy outright, and movies that illustrate philosophical themes as well as discussions various philosophical issues that moving-image practices can provoke. The book shows that movies make contact with many of the established branches of philosophy, including metaphysics, epistemology, philosophical psychology, ethics, political philosophy, and the philosophy of the arts, specifically music and dance. The book also includes essays on the history of the philosophy of motion pictures, discussing the work of Balász, Eisenstein, Cavell, and Danto.

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38

Marsh, Graham, Graham Nash i Tony Nourmand. Film Posters of the Forties: The Essential Movies of the Decade. Overlook Hardcover, 2003.

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39

Impressive Dance Moves. Capstone Global Library Ltd, 2013.

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40

Patrizia, Pallaro, i Whitehouse Mary Starks, red. Authentic movement.: Moving the body, moving the self, being moved : a collection of essays. London: Jessica Kingsley, 2007.

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41

Pallaro, Patrizia. Authentic Movement: Moving the Body, Moving the Self, Being Moved: A Collection of Essays. Jessica Kingsley Publishers, 2007.

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42

Smith-Shomade, Beretta E. Dance, Dance, Dance, Dance, Dance, Dance, Dance All Night! University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039577.003.0009.

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This chapter examines Black women's Christian performance via contemporary television and the internet to gain insights into how screen audiences are invited to experience the Holy Spirit. It argues that in these moments, with Black women (and Black audience members and judges) performing, praising, and testifying, the Holy Spirit moves not only through the recorded, in-studio audience but also within screen audiences—both television viewers and internet users. And despite the justified rebuke of Black churches for their frequent dismissive dealings with women, the manifestation of the Holy Spirit allows for an exaltation of women in the revelation of the spirit.

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43

Andrew, Nell. Moving Modernism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190057275.001.0001.

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This book reenacts the simultaneous eruption of three spectacular revolutions—the development of pictorial abstraction, the first modern dance, and the birth of cinema—which together changed the artistic landscape of early twentieth-century Europe and the future of modern art. Rather than seeking dancing pictures or pictures of dancing, however, this study follows the chronology of the historical avant-garde to show how dance and pictures were engaged in a kindred exploration of the limits of art and perception that required the process of abstraction. Recovering the performances, methods, and circles of aesthetic influence of avant-garde dance pioneers and experimental filmmakers from the turn of the century to the interwar period, this book challenges modernism’s medium-specific frameworks by demonstrating the significant role played by the arts of motion in the historical avant-garde’s development of abstraction: from the turn-of-the-century dancer Loïe Fuller, who awakened in symbolist artists the possibility of prolonged vision; to cubo-futurist and neosymbolist artists who reached pure abstraction in tandem with the radical dance theory of Valentine de Saint-Point; to Sophie Taeuber’s hybrid Dadaism between art and dance; to Akarova, a prolific choreographer whose dancing Belgian constructivist pioneers called “music architecture”; and finally to the dancing images of early cinematic abstraction from the Lumière brothers to Germaine Dulac. Each chapter reveals the emergence of abstractionas an apparatus of creation, perception, and reception deployed across artistic media toward shared modernist goals. The author argues that abstraction can be worked like a muscle, a medium through which habits of reception and perception are broken and art’s viewers are engaged by the kinesthetic sensation to move and be moved.

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44

Tony, Nourmand, Marsh Graham i Reel Poster Gallery, red. Film posters of the 40s: The essential movies of the decade : from the Reel Poster Gallery collection. Woodstock, N.Y: Overlook Press, 2002.

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45

This Is a Dance Movie! CCM Tiny Hardcore, 2016.

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46

Street Dance: The Best Moves. Cassell, 2016.

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47

Dance Theatre in Ireland: Revolutionary Moves. Palgrave Macmillan, 2012.

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48

Dowson, Steve. Moving to the Dance. Values into Action, 1991.

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49

DeFrantz, Thomas F. Switch. Redaktorzy Rebekah J. Kowal, Gerald Siegmund i Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.44.

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Moving from the political margins toward a black mainstream, many African American social dances often emerge in queer communities of color. This chapter explores politically embodied consequences and affects of queer social dances that enjoy concentrated attention outside their originary communities. J-setting, voguing, and hand-dancing—a form of queer dance popular in the 1970s–1980s—offer sites to consider the materialization of queer black aesthetic gesture, in dances that redefine gender identities and confirm fluid political economies of social dance and motion. These queer dances simultaneously resist and reinscribe gender conformity in their aesthetic devices; they also suggest alternative histories of black social dance economies in which queer creativity might be valued as its own end. Ultimately, the chapter suggests a haunting presence of queers-of-color aesthetic imperatives within political mobilizations of black social dance, continually—and ironically—conceived as part and parcel of rhetorics of liberation and freedom of movement.

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50

Best Dance Moves in the World, The - Ever!: 100 New and Classic Moves and How to Bust Them. Chronicle Books, 2008.

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