Artykuły w czasopismach: „Curatorship”

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Tucker, Louis L., i Gaynor Kavanagh. "History Curatorship". New England Quarterly 64, nr 4 (grudzień 1991): 692. http://dx.doi.org/10.2307/366204.

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Paine, C. "History Curatorship". Journal of the History of Collections 3, nr 1 (1.01.1991): 112–13. http://dx.doi.org/10.1093/jhc/3.1.112.

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Shackley, M. Steven. "Archaeological Curatorship:Archaeological Curatorship." Museum Anthropology 16, nr 1 (luty 1992): 60–62. http://dx.doi.org/10.1525/mua.1992.16.1.60.

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Mukhina, T. G., i T. V. Filippova. "Analysis of the correlation between the concepts of mentoring and curatorship in the pedagogical practice". Vestnik of Minin University 11, nr 3 (11.09.2023): 4. http://dx.doi.org/10.26795/2307-1281-2023-11-3-4.

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Introduction. The relevance of the study is explained by the tendency to self-development of the individual that has formed in society. Mentoring and supervision contribute to the self-development of the individual in higher education. The article examines the analysis of the formation and development of mentoring and curatorship.Materials and Methods. The article provides a historiographical analysis of the content of the concepts of "curatorship" and "mentoring" in the domestic and foreign pedagogical and psychological literature. The main attention is paid to the correlation and semantic content of the above terms. The work uses methods of analyzing scientific literature, generalization and systematization of data on curatorship and mentoring.Results. The purpose of the work is to study the terms "mentoring" and "curatorship". The approaches and stages of mentoring and curatorship development in historical retrospect are analyzed. The place and role of mentoring and supervision in pedagogical practice are considered. The main attention is focused on the essential characteristics of the studied terms. The authors came to the conclusion that in modern pedagogical practice, the concepts of "mentoring" and "curatorship" are synonymous, complementary and interchangeable.Discussion and Conclusions. The perspective of the research is to continue working on the problems of correlation and increasing the effectiveness of curatorship and mentoring for the self-development of students in higher educational institutions. The practical significance of the work lies in the fact that its results can serve as a fuller use of institutional, organizational and personal resources in the field of education, as well as be the basis for improving the modern model of mentoring and curatorship in educational organizations of the Federal Penitentiary Service of Russia.

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Oliveira, Luiz Sérgio da Cruz de. "“Curatorship is about power”". MODOS: Revista de História da Arte 5, nr 2 (22.05.2021): 222–37. http://dx.doi.org/10.20396/modos.v5i2.8664203.

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Entre 1992 e 2005, foram realizadas cinco edições da mostra internacional inSITE entre as cidades de San Diego (Estados Unidos) e Tijuana (México). Seguindo o modelo das bienais internacionais e tendo o compromisso de promover o espalhamento da arte pelos espaços públicos das duas cidades e adjacências, as edições do inSITE, embora não muito conhecidas no Brasil, se configuram como um relevante objeto de estudo para o aprofundamento das investigações e das reflexões em torno da arte pública nos últimos trinta anos e, por extensão, da produção de arte no contemporâneo. Neste artigo, dedicamo-nos a investigar em especial as relações entre artistas e curadoria na edição de 2005 do inSITE.

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Kreps, Christina. "Curatorship as Social Practice". Curator: The Museum Journal 46, nr 3 (lipiec 2003): 311–23. http://dx.doi.org/10.1111/j.2151-6952.2003.tb00097.x.

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Šentevska, Irena. "Mediating Performance (and) Curatorship". Maska 30, nr 177 (1.06.2016): 86–101. http://dx.doi.org/10.1386/maska.30.177-178.86_1.

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Šentevska, Irena. "Mediating Performance (and) Curatorship". Maska 31, nr 177 (1.06.2016): 86–101. http://dx.doi.org/10.1386/maska.31.177-178.86_1.

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The Prague Quadrennial (PQ), the world’s largest exhibition of stage (performance) design, was held for the 13th time from 17-28 June 2015. This article outlines the historical development of PQ, from its “conceptual” beginnings in the 1930s and real beginnings in socialist Czechoslovakia, to the present day. Our focus is the variety of curatorial practices at PQ 2015 that perform the delicate process of “translation” of live performances into static exhibits and “mediation” between the stage (performing space) and the gallery (exhibition space), taking into account the transformations of the “art world” that is increasingly bringing those spaces together.

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Vamanu, Iulian. "Indigenous Museum Curatorship in the United States and Canada: Roles and Responsibilities". Libri 70, nr 1 (26.03.2020): 65–79. http://dx.doi.org/10.1515/libri-2018-0155.

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AbstractIndigenous curatorship has become an increasingly visible presence in the public sphere as part of the long process of North American Native people’s efforts to regain control over the representations and uses of their cultures in Western societies. Even though scholars consider this profession fundamental to Native American struggles for sovereignty, many do not have a clear understanding of what it involves. In the context of scarce scholarship on Indigenous curatorship, this qualitative study relies on interview and textual data to articulate Indigenous curators’ understandings of their work of preserving and promoting Indigenous knowledge. It emphasizes the uniqueness of Indigenous curatorship by mapping out this profession’s specific roles and responsibilities within the broader arena of museum curatorship. The study identifies two main directions Indigenous curators take in their work, namely activism and engagement of the public. Activism consists in Indigenous curators’ efforts to critique oppressive knowledge structures, raise awareness of controversial topics of public interest related to Indigeneity, and support Native artists and tribal communities. Engagement of the public refers to Indigenous curators’ strategies of involving source communities in the design of exhibits and diverse audiences in the interpretation of exhibitions.

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Kiselev, Nikolai N. "Educational Potential of Curatorship in a Pedagogical University". Journal of Pedagogical Innovations, nr 3 (16.10.2022): 25–33. http://dx.doi.org/10.15293/1812-9463.2203.03.

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The purpose of the article is to analyze the educational potential of curatorship in a pedagogical university, and to determine the educational resources of the main activities of student groups’ curators. As a result of the theoretical analysis of curatorship as a subject of the educational space of a pedagogical university, various educational possibilities of the curatorʼs position are determined; the pool of roles and qualities in which the curator acts are analyzed. The article also presents the results of a broad study at Novosibirsk State Pedagogical University of the qualitative characteristics of curatorship in general, including its educational potential. The students and curators of academic groups’ relationship, the differences in the positions of an instructor curator and an undergraduate curator, the curator’s educating influence on various aspects of student life were investigated. In addition, the article presents an analysis of the regulations on curatorial activities in various universities in Russia, and the most common curator’s responsibilities are identified.

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Mosco Jaimes, Alejandra. "Sobre la curaduría y su papel en la divulgación". Intervención Revista Internacional de Conservación Restauración y Museología 1, nr 1 (1.05.2010): 74–79. http://dx.doi.org/10.30763/intervencion.2016.13.157.

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Rice, K. L., i M. L. Hendricks. "Curatorship applications: The role of neuropsychology". South African Medical Journal 112, nr 3 (1.03.2022): 209–13. http://dx.doi.org/10.7196/samj.2022.v112i3.16215.

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This article highlights ethical issues that may arise in the relationship between curatorship applications and neuropsychology. In South Africa (SA), curatorship applications for the elderly diagnosed with dementia require substantiation from two medical professionals, one of whom should be a practising psychiatrist deemed competent to provide this. Concurrently, there is often a request for a psychologist to conduct a neuropsychological assessment and to produce a relevant report. The process may result in ethical issues at various stages of the assessment. The balance between protecting the patient’s rights v. freedom of autonomy becomes a central issue. Psychiatrists and psychologists are cautioned to adhere to best practices throughout the assessment, maintaining a critical and reflective stance. The limitations of cognitive assessment as a predictor of functionality should be considered. Furthermore, neuropsychological training in SA differs across institutions, resulting in variable practitioner competency. ‘Competency’ itself is an ambiguous legal term that may be interpreted variably. This article outlines the definitions and requirements of the curatorship process, as well as the role and limitations of neuropsychology, with emphasis on the ethical dilemmas that may arise.

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Chandler, Lisa. "Balancing Perspectives in Cross-Cultural Curatorship". International Journal of the Inclusive Museum 2, nr 3 (2009): 21–32. http://dx.doi.org/10.18848/1835-2014/cgp/v02i03/44274.

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Yerkovich, Sally. "History Curator ship (1991):History Curatorship." Museum Anthropology 15, nr 4 (listopad 1991): 34–35. http://dx.doi.org/10.1525/mua.1991.15.4.34.

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Whiteland, Susan R. "Investigating curatorship and art education interconnections". Visual Inquiry 6, nr 1 (1.03.2017): 119–28. http://dx.doi.org/10.1386/vi.6.1.119_1.

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Ezrokh, Iurii Semenovich. "Curatorship in higher education: What to do?" Moscow University Pedagogical Education Bulletin, nr 2 (29.06.2016): 94–115. http://dx.doi.org/10.51314/2073-2635-2016-2-94-115.

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In the article on the basis of the author's questioning of students I and II courses of one of Novosibirsk universities reveals the problems of contemporary curating. To do this in a formalized way are studied students opinion on the need for supervision in the I and II courses of study, the functional responsibilities of curators, the characteristics of group cohesion, promote healthy lifestyles, cultural education, the advisability of establishing the frequency of supervisory hours, attracting parents to solve students' problems, combined personal and business qualities that should be possessed curator. Identified current assessment of the extent to which the curators of their duties. The possibilities of using the institution of tutoring as a supplement to the curatorship. The methods of implementation of student self-government and administrative innovations in order to improve performance of supervisory functions.

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Teh, David. "Who Cares a Lot? Ruangrupa as Curatorship". Afterall: A Journal of Art, Context and Enquiry 30 (maj 2012): 108–17. http://dx.doi.org/10.1086/667250.

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Barrkman, Joanna. "Curatopia: Museums and the Future of Curatorship". Journal of Pacific History 54, nr 4 (24.06.2019): 566–68. http://dx.doi.org/10.1080/00223344.2019.1621505.

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Mayer, Carol E. "Curatopia: museums and the future of curatorship". Museum Management and Curatorship 34, nr 4 (2.07.2019): 462–65. http://dx.doi.org/10.1080/09647775.2019.1637048.

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Sonido, Louise Jashil R., i Ed McKeon. "Book Reviews". TURBA 2, nr 2 (1.09.2023): 124–29. http://dx.doi.org/10.3167/turba.2023.020206.

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Acciari, Monia & Philipp Rhensius, eds. 2023. Politics of Curatorship: Collective and Affective Interventions. Bern, Switzerland: Norient Books. Voegelin, Salomé. 2023. Uncurating Sound: Knowledge with Voice and Hands. London: Bloomsbury Academic.

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Majowska, Magdalena. "TMT’s Impact on Company Performance: Unraveling the Role of Strategic HRM Choices". European Management Studies 22, nr 1(2024) (2024): 52–75. http://dx.doi.org/10.7172/2956-7602.103.3.

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Purpose: The article explores the intricate relationship between top management teams (TMTs), strategic HRM, and company performance. It investigates whether TMT attributes influence strategic HRM choices, ultimately contributing to improved company performance. The study introduces mediation models to unravel how two TMT strategic HRM choices mediate the relationship between TMT attributes and company performance. Design/Methodology/Approach: Conducting a nationwide study involving 150 Polish companies, the research collected data through surveys with 150 HR managers and 150 top managers. Statistical methods, including descriptive statistics, correlations, and regression analysis, were employed in the analytical framework to explore the hypothesized relationships. Findings: The study uncovers a positive correlation between TMT attributes and company performance. It identifies TMT emphasis on SHRM and curatorship of HR as pivotal mediators, showing that larger, diverse TMTs are inclined to prioritize gaining a competitive advantage through human resources, and address vulnerability challenges, positively impacting overall company performance. Research Limitations/Implications: Acknowledging limitations in the oversight of organizational processes, particularly translating top managers’ choices into company performance, the article highlights the need for further validation of the curatorship of HR measurement tools, and suggests incorporating objective financial data for comprehensive performance assessments in future research. Originality and Value: The study contributes valuable insights into the complex dynamics impacting company performance, examining key TMT attributes, and introducing the concept of “curatorship of human resources”. The novel perspective, alongside TMT emphasis on SHRM, proves pivotal in positively influencing overall performance, filling a significant gap in HRM literature.

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Janes, Robert R. "Museum Management and Curatorship, Volume 20, Number 3". Museum Management and Curatorship 20, nr 3 (styczeń 2005): 193–94. http://dx.doi.org/10.1080/09647770500302003.

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Arantes, Priscila. "Contemporary Art, the Archive and Curatorship: Possible Dialogues". Curator: The Museum Journal 61, nr 3 (27.06.2018): 449–68. http://dx.doi.org/10.1111/cura.12266.

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Korsakov, Dmitry G. "Activities of the Сuratorship of Empress Maria Alexandrovna about the blind in the Belarusian provinces of the Russian Empire (late 19th – early 20th centuries)". Journal of the Belarusian State University. History, nr 4 (31.10.2019): 56–63. http://dx.doi.org/10.33581/2520-6338-2019-4-56-63.

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The Curatorship of Empress Maria Alexandrovna about the blind made a great contribution to the development of charity in the Russian Empire which at that time included the Belarusian lands. In the Belarusian provinces, the Office became the first institution to focus on giving aid to blind people. The purpose of the article is to review the activities of the Belarusian branches of the Curatorship of Empress Maria Alexandrovna about the blind and to show their contribution to the development of social assistance and the struggle with blindness in our country. This topic hasn’t been thoroughly studied in native historiography yet and thus it remains relevant for a research. Besides this, in modern Republic of Belarus the traditions of private charity which had been interrupted in the Soviet period began to revive, this obviously increasing the interest to the experience of charity institutions of the past. The article regards the formation and development of the branches of the Curatorship in the Belarusian provinces of the Russian Empire. The main forms and methods of their activity as well as the sources of financing are identified. The main achievements and results of their work are analyzed. The assembled material gives an idea of the condition of the charity system of the blind in the Belarusian lands in the late 19th and early 20th centuries. The research is based on the materials obtained in national and Russian libraries, a number of sources being introduced into scientific circulation for the first time.

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Capssa, Andrea. "GALERIAS ON-OFF: MERCADO DA ARTE E (RE)CONFIGURAÇÕES / ON-OFF galleries: art market and (re)configurations". arte e ensaios 26, nr 40 (2.12.2020): 185–99. http://dx.doi.org/10.37235/ae.n40.13.

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Este artigo no campo da Arte Contemporânea, propõe discutir as estratégias de atuação das Galerias ON-OFF[1], que atuam paralelamente em ambientes virtuais e físicos. A capacidade de articulação das galerias ao disseminar conteúdo nas redes, divulgar artistas e obras, ao realizar ações no campo da curadoria e expandir seus contatos em feiras de arte, promover eventos e firmar parcerias, estabelece, sobretudo, as suas relações com o mercado da arte. Busca-se compreender a atuação das galerias na contemporaneidade, através da curadoria, o público-alvo e suas estratégias, sobretudo as relações entre as galerias ON-OFF e o mercado da arte, as dinâmicas do sistema e suas (re)configurações.Palavras-chave: Arte Contemporânea; Galerias ON-OFF; Curadoria; Mercado da arte.AbstractThis article in the field of Contemporary Art proposes to discuss the strategies of ON-OFF galleries acting in parallel in virtual and physical environments. The ability to articulate the galleries by disseminating contended on the networks, publicize artists and works, carry out actions in the field of curatorship and expand their relations with the art market. It seeks to understand the performance of galleries in the contemporary world, through curatorship, the target audience and their strategie, especially the relations between the ON-OFF galleries and the art market, the dynamics of the system and its (re)configuartions.Keywords: Contemporary Art; ON-OFF Galleries; Curatorship; Art Market.[1] Conceito proposto e defendido pela autora para caracterizar as galerias de arte que na atualidade atuam online e offline concomitantemente, de acordo com suas estratégias de atuação.

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Castellano, Carlos Garrido, i Marta Lança. "Notes on Curatorship, Cultural Programming and Coloniality in Portugal". Luso-Brazilian Review 56, nr 2 (grudzień 2019): 42–63. http://dx.doi.org/10.3368/lbr.56.2.42.

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Žerovc, Beti. "Hospitable Embraces – Institutional Imagery and the Iconography of Curatorship". Peristil 59 (2016): 147–54. http://dx.doi.org/10.17685/peristil.59.12.

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Belskaya, E. J., i O. N. Igna. "THE CURATORSHIP INSTITUTE ROLE IN MODERN HIGHER PROFESSIONAL EDUCATION". Tomsk state pedagogical university bulletin, nr 12 (2017): 13–16. http://dx.doi.org/10.23951/1609-624x-2017-12-13-16.

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Barriendos, Joaquin. "SPHERICAL CONFLUENCE: Global Curatorship after ‘Magiciens de la Terre’". ARJ – Art Research Journal / Revista de Pesquisa em Artes 2, nr 2 (25.09.2015): 1–14. http://dx.doi.org/10.36025/arj.v2i2.7293.

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This paper examines the 25th anniversary of Magiciens de la Terre, one of the twentieth century’s most controversial and ambitious exhibitions. The aim of this text is to call into question the assumption that this exhibition inaugurated a sort of new global confluence between so-called Western and Non-Western art. In order to do that, the paper addresses some of the curatorial projects, theories of (alter)modernity and globalist ideologies that gravitate around this exhibition. Our intention is to analyse the consequences of accepting that 1989 is the degree zero of the ‘spherical confluence’ of global art. For our purposes here, the papers defines this phenomenon as the ‘magiciens effect’: the premise that art became truly global in 1989, in Paris, due to Magiciens de la terre, and that the canonical hierarchies of modernity were dissolved in the process giving place to a post-asymmetric geo-aesthetic regime.

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Bell, Emma, i Todd Bridgman. "Editorship-as-curatorship: Celebrating 50 years of Management Learning". Management Learning 50, nr 2 (kwiecień 2019): 147–51. http://dx.doi.org/10.1177/1350507619840087.

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Le Breton-Miller, Isabelle, i Danny Miller. "The paradox of resource vulnerability: Considerations for organizational curatorship". Strategic Management Journal 36, nr 3 (20.01.2014): 397–415. http://dx.doi.org/10.1002/smj.2220.

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GÜRHAN, Veysel. "Curatorship Institution in The Ottoman Empire: The Law, Administrative and Social Implementation of The Curatorship Institution According to 18th-Century Court Records". Gaziantep University Journal of Social Sciences 16, nr 4 (7.11.2017): 1073–82. http://dx.doi.org/10.21547/jss.331099.

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Oliveira, Alcinete Maquine Carvalho, Ana Isabel Sousa Rosa i Rosangela da Silva Gomes. "O contributo do profissional da informação na curadoria digital". Prisma.com 45 (2021): 74–83. http://dx.doi.org/10.21747/16463153/45a6.

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The information professional is gaining more and more space in the current information society. Information and communication technologies appear to facilitate the performance of work in the digital environment. With the increasing amount of information, either digitized or born digital, the care of digital objects has become urgent. Digital curation appears as an alternative in the care of digital objects, ensuring that they have a longer life and can be used. It is believed that activities related to digital curation have required constant updates and other competencies for the information professional. Therefore, we intend to know: what are the information professional's practices that contribute to digital curatorship? General Objective: To identify which types of information professionals perform activities related to digital curatorship. Specific objectives: to highlight the literatures that deal with the information professional in digital curatorship; to verify the necessary competences for the information professional to act as digital curator; to specify the similar and different aspects in the typologies of the information professional. Results: Most digital curators are librarian, archivist or museologist professionals, with master's degrees in the areas of librarianship, records management, archivists or in information science. Few specialize or have master's degrees in digital curation or data curation. Some of the activities that the digital curator performs include the following services: creating metadata; accessing, collecting and manipulating content; discarding; maintaining resources; developing policies and managing data plans and procedures for digital content. Conclusion: Digital curation is important to ensure the long life and integrity of the digital object, so organizations adapt to their reality, life cycle models to work with these digital objects. The specialized training for digital curators is directly linked to the areas of Librarianship and Information Science. This research highlights the type of information professional: the librarian, who most performs activities related to digital curation.

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Harman, Claire. "‘My Immense Mass of Manuscripts’: Fanny Burney as Archivist, Biographer and Autobiographer". Bulletin of the John Rylands Library 90, nr 2 (wrzesień 2014): 15–26. http://dx.doi.org/10.7227/bjrl.90.2.2.

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This article looks at Frances Burneys contribution to life writing through her composition, preservation and curatorship of her own personal archive and management of family papers. It charts Burneys chronic anxieties about the possible interpretation of the record that she had created, and the tension between self-expression and self-exposure which underlay her very revealing difficulties with editing, archivism and publication.

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Janes, Robert R. "Museum Management and Curatorship. Volume 20, No.2, June, 2005". Museum Management and Curatorship 20, nr 2 (styczeń 2005): 101–2. http://dx.doi.org/10.1080/09647770500202002.

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Ahnaf, Fikra. "From listening to curating: Anthropological curatorship toward music playlist practices". ETNOSIA : Jurnal Etnografi Indonesia 8, nr 2 (30.12.2023): 271–89. http://dx.doi.org/10.31947/etnosia.v8i2.30162.

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Currently, the curatorial approach is expanding its influence beyond the limitations of museums and art galleries, transforming the experiences and significance of our daily existence. That is embodied, for example, in the curatorial practices of music playlists. In making a music playlist there must be a sound curation process where the songs to listen to are selected and included in the music playlist. Accordingly, this study aims to describe how users of analog (mixtapes) and digital (Spotify playlist) music playlists conduct their music curation process and perceive the relationships behind them. The curation process is analyzed using curatorial and anthropological frameworks, which also attempt to provide a fascinating background on preference formation and the curation process. Qualitative data was collected from a virtual ethnographic approach, with observations and unstructured-semi-structured interviews—offline and online—of 19 informants aged 21–55 living in Yogyakarta and Bandung and a literature review. The data obtained through this study focuses on two outcomes. First, sociocultural circumstances provide the basis for preference formation in selecting, curating, and making music playlists. Second, the particulars of each user's music playlist are related to self-discovery and individual identity. As a result, sociocultural circumstances persuade music playlist users' habits that attach to the curation process.

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Geritz, Kathy. "Edith Kramer". Film Quarterly 75, nr 1 (2021): 70–78. http://dx.doi.org/10.1525/fq.2021.75.1.70.

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Edith Kramer was a film curator who directed the Pacific Film Archive (PFA) for over twenty years. In 2014, Kathy Geritz interviewed Kramer about her distinctive vision and practice of film curatorship. On the occasion of the PFA’s 50th anniversary, Geritz provides edited excerpts from those conversations, which clearly reveal how for Kramer, film curating was not just a career, but a lifetime calling.

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PUSCASU, Vincentziu. "Curatorship in the Art Field between Gallery Management and Cultural Marketing". Annals of Dunarea de Jos University of Galati. Fascicle I. Economics and Applied Informatics 26, nr 2 (31.08.2020): 34–40. http://dx.doi.org/10.35219/eai15840409103.

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Viau‐courville, Mathieu. "Museums Without (Scholar‐)Curators: Exhibition–Making in Times of Managerial Curatorship". Museum International 68, nr 3-4 (lipiec 2016): 11–32. http://dx.doi.org/10.1111/muse.12126.

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Campos Figueiredo, Ruy Cézar. "Approaches to artificial stupidity: from financial innovation to digital art curatorship". arte e ensaios 29, nr 46 (18.01.2024): 208–32. http://dx.doi.org/10.60001/ae.n46.9.

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O ensaio apresenta os modos como distintos campos de pesquisa têm empregado a expressão estupidez artificial. As referências passam por filósofos da tecnologia como Avital Ronell, Bernard Stiegler e Vilém Flusser; pelo professor Andrew Lo, da área de inovação financeira; por artigos da área de games e estudos de programação; e por artistas e instituições de pesquisa artística, como James Bridle, Hito Steyerl e Serpentine Galleries. O resultado é uma introdução aos interesses convergentes e divergentes sobre essa expressão e sua relevância para nos situar em questões emergentes para as artes e humanidades digitais e o campo do pensamento sobre a vida no geral.

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Morell, Jack. "Perpetual Excitement: The Heroic Age of British Geology". Geological Curator 5, nr 8 (kwiecień 1994): 311–17. http://dx.doi.org/10.55468/gc683.

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This paper is derived from a talk delivered to the annual meeting of the Geological Curators' Group held in the Yorkshire Museum, York, on 6 December 1990. That meeting attempted to examine why geology had lost ground to archaeology in the popular imagination and how museum geologists might help geology to re-capture the initiative. I was invited to review briefly the heroic age of British geology and the nature of curatorship at that time to see what could be learned from the past which might interest curators trying now to promote geology against the competing attractions of archaeology. The talk was accordingly divided into two parts. Firstly, it tried to analyse the attractions of geology in Britain in the so-called 'Heroic Age' which was adorned by such brethren of the hammer as William Smith, Greenough, Buckland, Sedgwick, Murchison, Lyell and Darwin. Secondly, given the location of the meeting, it seemed worth while to look at the aims of curatorship pursued by one of those heroic geologists, John Phillips, Keeper of the Yorkshire Museum from 1826 to 1840 and its leading spirit until 1853 when he left York for Oxford. Parts of the talk leaned on my current research towards a biography of Phillips and on my recent analysis of his geological work in the 1820s (Morrell 1989).

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Bury, Stephen. "Collecting ‘the now’". Art Libraries Journal 38, nr 3 (2013): 6–9. http://dx.doi.org/10.1017/s0307472200018629.

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Is it, should it be, the responsibility of an art librarian to document and collect ‘the now’? There are obvious pros and cons of this – the inevitable value-judgments, the expensive errors of unnecessary acquisition or omission, the labour involved, deviation from the institutional mission, etc. The author explores a personal journey through the acquisition of artists’ books and multiples, defending a role for the art librarian in the interstices of curatorship and the art world as it actually happens.

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Demshina, Anna Yur’evna. "Curatorship and the Internet: art presentations as a translation of cultural code". Vestnik of Saint Petersburg State University of Culture, nr 3 (52) (2022): 31–38. http://dx.doi.org/10.30725/2619-0303-2022-3-31-38.

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Virtual reality has become an important part of the work of curators, a space in which cultural codes are represented and transformed. The curator is transformed from keeper oftor is transformed from keeper of art into a researcher of culture. The curator himself is not an innocent bearer of a particular cultural tradition. At the present stage of the development of technology and network culture, the focus of curating has shifted to the production of art projects created considering the changes that have made virtuality a part of our daily practice. NFT art has become a controversial symptom of the new attitude towards virtual property. This is evidence of a new ethic and ideology of virtual copyright. If earlier an “event” was perceived as something unique, then in the age of the Internet it can be reproduced many times. Only the reaction to it at a particular moment in time is unique. This provokes repetitions and reconstructions of art projects of the past. The Internet turned out to be a platform where traditional museum and gallery institutions coexist in parallel and a new discourse is being formed. At the same time, the promotional, commercial function of curatorial projects is in demand. The immersive and multisensory projects open old debates about the role and value of art and explore the implications of the web’s influence on our culture and human psychology. Online curation is, in fact, a special cultural practice, since it is not context-free and responds to the Internet not only as a medium, but also as a technologically dependent, cultural, political and economic ecosystem that broadcasts cultural codes.

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Silva, Fabíola A., i Cesar Gordon. "Anthropology in the museum reflections on the curatorship of the Xikrin Collection". Vibrant: Virtual Brazilian Anthropology 10, nr 1 (czerwiec 2013): 425–68. http://dx.doi.org/10.1590/s1809-43412013000100018.

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This article reflects upon the curatorial management process of the Xikrin ethnographic collection and proposes the importance of anthropological interest in the deepening collaboration amongst anthropologists, indigenous peoples and museums, with particular attention to the anthropological study of ethnographic collections. This is true for the anthropological study of objects (and their various meanings and interpretations by the social actors who utilize and appropriate them) and for the understanding of the formation and conservation of ethnographic collections (with their diverse motivations and contexts). Since this type of shared curatorial management style is only now spreading throughout Brazil, the experience is a timely opportunity to develop nuanced perspectives on the anthropological significance of ethnographic collections.

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Tyburczy, Jennifer. "Queer curatorship: Performing the history of race, sex, and power in museums". Women & Performance: a journal of feminist theory 23, nr 1 (marzec 2013): 107–24. http://dx.doi.org/10.1080/0740770x.2013.792635.

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Pumfrey, Stephen. "Ideas above His Station: A Social Study of Hooke's Curatorship of Experiments". History of Science 29, nr 1 (marzec 1991): 1–44. http://dx.doi.org/10.1177/007327539102900101.

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Davis, Joy. "Museums and climate action: a special issue of Museum Management and Curatorship". Museum Management and Curatorship 35, nr 6 (1.11.2020): 584–86. http://dx.doi.org/10.1080/09647775.2020.1842235.

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Fleming, Maria Isabel D’Agostino. "Late North-African sigillata lamps: curatorship of museum collections and archaeological research". Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 3, nr 1 (24.03.2018): 446–60. http://dx.doi.org/10.31669/herodoto.v3i1.361.

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The Late African North African lamps of Terra Sigillata (African Red Slip Ware-ARS) are a category of objects which, alongside tableware, have acquired particular importance, not only for the volume of their production, but for their economic and commercial, iconographic and historical-religious implications. This article aims to present the development of fundamental research for the knowledge about the production and circulation of the ARS and in particular the lamps, taking as examples rich dialogues between the curatorial studies of museological collections and archaeological research that point the limits of the classical models of study of African ceramics and perform accurate reviews of dates, origins and contents of vessels, especially with archaeometric methods.

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Rubantseva, Elizaveta V., i Loup Hoffmann. "The curator in the art world and in the museum: History, theories and current issues". Issues of Museology 11, nr 2 (2020): 168–82. http://dx.doi.org/10.21638/11701/spbu27.2020.203.

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The article analyzes the current state of curatorship and curating from a historical, theoretical and practical perspective. The aim is to understand the origin and the nature of the justified critique facing the profession nowadays from art institutions, artists, as well as from curators themselves, while exploring the challenges faced. The key historical developments of the profession are retraced, which nonetheless always had, to a certain extent, to come to terms with the main stakeholders of the industry: the artist, exhibiting institutions and the public. The profession’s interwoven position is further studied through a variety of positive and normative accounts from curators as well as from academia. These accounts make it possible to evaluate a profession whose complexity is reflected in its various practices, functions and officiating venues. Based on the historical and theoretical analysis, the authors explore the current position of the curator in the art field, as well as problems and criticism faced. Among them, significant attention in the article is paid to the ethical problems arising from the cooperation of curators with artists, institutions and the public, as well as to the alarming convergence of the functions of independent and museum curator and to the partially negative impact of working conditions on the quality of work of these professionals. The authors come to the conclusion that curatorship, because of its specific emergence in the world of art, faces new challenges that cannot be fully resolved because they are unavoidably placed between stakeholders sharing mostly antagonistic values.

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Hart, Dana. "Kate Theimer, ed. Innovative Practices for Archives and Special Collections: Educational Programs. Lanham: Rowman & Littlefield, 2015. 195p. ISBN 9781442249523. $55.00". RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 16, nr 2 (1.09.2015): 141–42. http://dx.doi.org/10.5860/rbm.16.2.449.

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RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage reviews books, reports, new periodicals, databases, websites, blogs, and other electronic resources, as well as exhibition, book, and auction catalogs pertaining directly and indirectly to the fields of rare book librarianship, manuscripts curatorship, archives management, and special collections administration. Publishers, librarians, and archivists are asked to send appropriate publications for review or notice to the Reviews Editor.Due to space limitations, it may not be possible for all books received to be reviewed in RBM. Books or publication announcements should be sent to the Reviews Editor: Amy Cooper Cary, Raynor . . .

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