Gotowe bibliografie tematyczne / Culture Industry

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Artykuły w czasopismach
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Gotowa bibliografia na temat „Culture Industry”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 28 stycznia 2023

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Artykuły w czasopismach na temat "Culture Industry"

Michaelides, Roxanna. "Hospitality industry and the service culture in Europe". Tourism and Travelling 1, nr 1 (26.12.2017): 15–19. http://dx.doi.org/10.21511/tt.1(1).2017.02.

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The purpose of this article/research is to explore and analyze three most important factors that directly can affect the Culture of service in European Hospitality Industry. The paper of this study showed that relationship between the quality of education in Hospitality and Leisure, the poor recruitment and especially the lack of continuing education influence the guest’s service and its quality. The findings reveal that the employee’s culture of service is a critical attribute; while unsatisfactory recruitment, low education and the most critical element lack of continuing education influence negative the guest satisfaction and expectations.

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Thomas, Jade. "Remediating the culture industry". English Text Construction 14, nr 1 (15.09.2021): 94–111. http://dx.doi.org/10.1075/etc.21012.tho.

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Abstract This article examines to what dramaturgical effect Sam Shepard’s political play States of Shock (1991) remediates strategies associated with the culture industry. In plays, spectators forge an interpretation from a medium that is considered ‘hypermedial’ or capable of combining discrete signifying systems such as dialogue, costumes, acting style and scenography at the same time. In States of Shock, genre remediation implicates its audience in the spectacle of war by juxtaposing American war heroism and military ideology with entertaining vaudeville. By examining Shepard’s appropriation of the vaudeville genre in relation to other dramatic signifying systems, the article offers a new and more layered reading of the play’s supposedly ‘blatant’ political message.

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Peters, John Durham. "The Culture Industry Revisited". International Studies in Philosophy 35, nr 4 (2003): 200–201. http://dx.doi.org/10.5840/intstudphil200335454.

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Gibson, Lisanne, i Tom O'Regan. "Culture: Development, Industry, Distribution". Media International Australia 102, nr 1 (luty 2002): 5–8. http://dx.doi.org/10.1177/1329878x0210200103.

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Cruz, Jon, i Ellis Cashmore. "The Black Culture Industry". Contemporary Sociology 28, nr 3 (maj 1999): 319. http://dx.doi.org/10.2307/2654171.

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Gordon, George G. "Industry Determinants of Organizational Culture". Academy of Management Review 16, nr 2 (kwiecień 1991): 396. http://dx.doi.org/10.2307/258868.

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Museibli, Najaf Alesker oglu. "STONE INDUSTRY OF LEILATEPE CULTURE". History, Archeology and Ethnography of the Caucasus 18, nr 3 (10.10.2022): 729–50. http://dx.doi.org/10.32653/ch183729-750.

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One of the characteristic features of Leilatepe archaeological culture of the Chalcolithic period (end of the 5th millennium BC - first half of the 4th millennium BC) is a unique stone product. This culture was studied mainly on the basis of monuments in the territory of Azerbaijan. Extensive excavations were carried out in Leilatepe, Beyuk Kesik I, Poylu II, Galayeri settlements belonging to the Leilatepe culture and numerous stone tools were discovered. Similar tools were also discovered as a result of the limited excavations carried out in residential areas – Agili Dere, Selakhan, etc. belonging to this culture. The bearers of this culture led a sedentary life and were mainly engaged in agriculture and cattle breeding. The discovered stone tools and their purpose of use gives us reason to come to such a conclusion. Thus, during the excavations a large number of quern stones, graters, sickle teeth, etc., typical for early farming, made of different types of stones, were found. The explorations showed the superiority of flint tools over obsidian products in all other monuments belonging to the Leilatepe culture, except for the Galayeri settlement. Along with these, other tools and products made of stone – a detail of a potter’s wheel, maces, scepters, balance weights, etc. was found from the mentioned Leilatepe culture monuments. The stone industry of the Leilatepe culture is closely related to the traditions of Eastern Anatolia and Northern Mesopotamia. At the same time, close analogies of some specific stone samples of Leilatepe culture were found in Maikop culture monuments.

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Kasmir, Sharryn. "Coding Culture: Bangalore's Software Industry". Visual Anthropology Review 23, nr 2 (październik 2007): 165–67. http://dx.doi.org/10.1525/var.2007.23.2.165.

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Ahmed, Saladdin Said. "Mass Mentality, Culture Industry, Fascism". Kritike: An Online Journal of Philosophy 2, nr 1 (1.06.2008): 79–94. http://dx.doi.org/10.25138/2.1.a.6.

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Grzegorczyk, Adam. "Celebrities in the culture industry". Cultural Management: Science and Education 2, nr 1 (30.06.2018): 71–80. http://dx.doi.org/10.30819/cmse.2-1.04.

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Rozprawy doktorskie na temat "Culture Industry"

Li, Chuang (Austin). "China's skateboarding youth culture as an emerging cultural industry". Thesis, Loughborough University, 2018. https://dspace.lboro.ac.uk/2134/34372.

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This thesis focuses on the skateboarding industry in China as both a youth subculture and a cultural industry. I am investigating the transition between the two and examining how the emerging skateboarding industry operates through detailed analysis of the feelings, motivations and meanings attributed to it by its participants and the emerging strata of cultural workers. In order to achieve this research objective, this thesis has positioned the analysis in a triangle of forces between the development of Chinese skateboarding culture, the emerging skateboarding cultural industry and government interventions. This ethnographic study takes into account distinctive characters in the development of Chinese skateboarding communities that signify continuities inside contemporary Chinese youth cultures. I argue that such continuity is still embedded in the organisation of the Chinese skateboarding industry as a cultural industry, in both subcultural and corporate entrepreneurial practices. Moreover, this thesis contributes to ongoing discussions in the field of not only cultural studies but also of the political economic analysis of cultural/creative industries by examining the dynamic incorporations at play between the commercial and governmental forces at the centre of current debate around the inclusion of skateboarding in the Olympic Games, and the consequences of the sportisation of skateboarding in mainstream economic structures. Last but not least, this research captures the working conditions of the cultural labourers who are at the forefront of shaping and reshaping the Chinese skateboarding industry.

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Gaye, Abdoulaye. "Valorisation du patrimoine industriel de la ville de Rufisque, sauvegarde et transmission: quel impact sur le développement local?: le cas de l' ex usine". Master's thesis, Universidade de Évora, 2014. http://hdl.handle.net/10174/20751.

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(INTRODUÇÂO) Le choix d'un sujet du mémoire n'est jamais anodin.Entreprendre cette proposition de recherche sur la valorisation du patrimoine industriel de la ville de Rufisque, sauvegarde et transmission : quel impact sur le développement local et portant sur le cas spécifique de l’ex manufacture Bata constitue un défit et une fierté. D’abord en tant que natif de cette ville tricentenaire qui porte toujours les vestiges de la préhistoire, et dont les habitants étaient considérés comme des citoyens Français (à l’opposé des indigènes)1, ensuite parce que le patrimoine industriel n’est pas très bien connu au Sénégal et enfin l’intérêt historique et son importance socioculturel et économique sur le développement local. Quand les sciences sociales parlent de patrimoine industriel, elles évoquent point un «fonds de commerce», mais un héritage, une mémoire, les traces d'un passé industriel révolu. Une ouverture croissante des entreprises en état d'activité à la réflexion sur elles-mêmes conduit du reste certaines d'entre elles, depuis peu, à créer le lien nécessaire entre ces deux concepts, économique et culturel, en réévaluant l'histoire de l'entreprise comme un des articles de son bilan, et en lui prêtant désormais l'attention que mérite une ressource «morale» où puiser à la fois pour résoudre des problèmes de gestion et pour conforter l'image interne et externe de l’entreprise2. Le patrimoine historique de l'industrie, concrètement, ce sont lestraces, plus ou moins bien préservées, de son fonctionnement et de son insertion dans le paysage ou dans la société.Les archives d'entreprises, les murs des usines, les débris des infrastructures ou de l'outillage, les collections de produits (ne serait-ce que sur catalogue), l'impact sur l'environnement, la mémoire des dernières générations de patrons ou de salariés: autant d'éléments matériels ou de souvenirs (immatériel) dont il est de mieux en mieux admis aujourd'hui qu'on ne saurait se passer pour écrire l'histoire de l'industrie, une histoire inscrite non seulement dans les statistiques, les enquêtes, les comptabilités, mais aussi dans l'espace en trois dimensions, dans la vision d'une population, dans des vies quotidiennes

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Marshman, Sophia Francesca. "From testimony to the culture industry : representations of the Holocaust in popular culture". Thesis, University of Portsmouth, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416226.

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This thesis addresses the issue of how the Holocaust has been represented in popular culture in recent decades. The starting point of my research relates to the question of whether, though the Holocaust appears to be firmly imprinted upon the public imagination, this engagement can be regarded as superficial. This thesis also examines how survivor testimony has been increasingly marginalised as the Holocaust has entered the sphere of popular culture and entertainment, and how this affects memory. In terms of methodology, I have adopted a case study approach, with each chapter of the thesis addressing a different form of Holocaust representation. Chapter One examines the importance of survivor testimony and its unique ability to convey the full horror of the Holocaust. This chapter also sets up the central debate which drives my research: the question of how we can hope to understand the Holocaust if we ignore the wealth of testimony in favour of the comforting inventions of popular culture. Chapter Two addresses the problems inherent in the genre of Holocaust fiction, and the ethical implications of literature which introduces elements of distortion, falsification and sexualisation to the `story' of the Holocaust. Chapter Three looks at the Americanisation of the Holocaust, with particular reference to the film Schindler's List. Chapter Four by contrast looks at the different approach of European Holocaust films and documentaries which are less entertainment-focused and therefore believed to represent the Holocaust more accurately. Chapter Five examines the growth in the number of museums devoted to the Holocaust, and the question of whether a heavy reliance on artefacts and images from the Holocaust/liberation era further dehumanises victims and encourages voyeurism. Chapter Six appraises the phenomenon of Holocaust tourism and the kind of memory communicated by authentic sites which are now essentially `empty', compromised by decay, reconstruction, and the commercialism which tourism inevitably encourages. Within the conclusion I offer an evaluation of the different approaches to the Holocaust with regard to their merits and shortcomings. In terms of a contribution to knowledge, my thesis draws together many different forms of Holocaust representation to evaluate which accurately represent the Holocaust, and which shield us from its harsher realities, indulge in sentimentalism and encourage consumption. i

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Almeida, Marcos Renato Holtz de [UNESP]. "As metamorfoses do diabo na modernidade: a secularização do mito e sua apropriação pela indústria cultural no século XX". Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/106272.

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Made available in DSpace on 2014-06-11T19:35:18Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-06-05Bitstream added on 2014-06-13T18:46:53Z : No. of bitstreams: 1 almeida_mrh_dr_arafcl.pdf: 12847945 bytes, checksum: 260df86be21476149e06ed05e4dd25a6 (MD5)
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A tese aborda as diferentes faces e fases destinadas à representação da figura do Diabo pela arte mediante o devir sócio-histórico-cultural do ocidente desde a Idade Média até a modernidade. Assim, a produção artística de bens simbólicos sobre o Diabo adquiriu diversos contornos desde os séculos finais da Idade Média e, mediante o devir histórico, vivenciou sua transformação e reprodução em mercadoria no século XX. Tomando por base esse cenário, por meio da ação da Indústria Cultural, o imaginário existente sobre o Diabo passou a ser utilizado pela indústria do entretenimento e pela sociedade de consumo como mercadoria capaz de satisfazer os gostos das sociedades e das culturas contemporâneas. O símbolo mítico do mal perdeu sua função religiosa e tornou-se um instrumento a serviço da ideologia capitalista.
The thesis aboards the different faces and phases destined to the representation of the figure of the Devil by art through the social, historical and cultural transformation of western society in the modernity. Thus, the artistic production of symbolic goods about Devil acquired many contours since the final centuries of the Middle Ages and, through the historical process, lived his transformation and reproduction in commodity in the XXth century. Based on this scenario, through the action of the Industry of Culture, the imaginary existent about Devil started being utilized by the industry of entertainment and by the society of consumption as commodity able to satisfy the taste of the society and culture contemporary. The mythical symbol of evil lost its religious function and became an instrument at the service of the capitalist ideology.

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Allen-Robertson, James. "Digital culture industry: a history of digital distribution". Thesis, University of York, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546806.

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Zou, Xuemei, i 邹雪梅. "Landscape renovation: for Dahongmen clothing culture industry district". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B47152965.

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Brown, Andrew D. "Information, communication and organizational culture : a grounded theory approach". Thesis, University of Sheffield, 1990. http://etheses.whiterose.ac.uk/1833/.

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This research is focused on information and communication phenomena within one industrial organisation. From its intellectual situation within the interpretive epistemological tradition the thesis seeks to demonstrate the utility of the case study approach combined with the style of qualitative analysis known as 'grounded theory' for scholars interested in furthering their understanding of the information dimension of complex organisations. More specifically, a preliminary examination of the data set in conjunction with a theoretical position which posited the socially and cognitive constructed nature of organisations quite naturally led to the case study material being interpreted through the prism of the cultural metaphor. Chapter 1 provides an account of the methodological and research design principles, issues and assumptions on which this research has been predicated. Chapter 2 gives an overview of the data collected in the form of brief summaries of the central themes which have been used to analyse the case study organisation. The cultural perspective on organisations is then presented in Chapter 3. Acquaintance with the content of the cultural approach to Complex organisations is required in order to facilitate the reader's understanding of Chapters 4-10 in which the data are examined and analysed. Chapter 4 gives a short introduction to the case study organisation at which the research was conducted. Chapters 5-8 are detailed case study analyses of four of the organisation's principal subsidiaries. These are followed by a macro-organisational analysis which examines the cultural and information/communication profiles that have been developed for the subsidiaries within the total socio-organisational context. Chapter 9's emphasis on the core categories omits some important aspects of the organisation's culture (its strengths, weaknesses, the issue of control and its relative stability) which are dealt with in Chapter 10. Chapter 11 provides a description and analysis of a new product launch conducted by the organisation: the chapter seeks to evaluate the merits of using an approach which emphasises information/communication and cultural variables for the understanding and analysis of organisational behaviour. Finally, Chapter 12 sets out some of the conclusions that can be drawn from this research project. It takes a critical look at the research design and methodology employed and introduces Kuhn's (1962) concept of a paradigm which is used as a descriptive and analytical tool for evaluating the cultural perspective. Some further conceptualisation of the cases and the new product launch is attempted and process models of complex organisations in general and organisational culture in particular are derived and explained. The inter-relation of information and communication phenomena and organisational culture is further elaborated first normatively in the form of typologies and second prescriptively in terms of the use value of culture for information and communication studies. The conclusions are then summarised and recommendations for further research are made.

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Tsang, Kee Fu Nelson. "Measuring service and service culture in the tourism industry". online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3299876.

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Shum, Chun-pang. "The influence of organizational culture of main contractor to organizational culture of sub-contractor in the construction industry in Hong Kong". Click to view the E-thesis via HKU Scholars Hub, 2004. http://lookup.lib.hku.hk/lookup/bib/B37933140.

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HELOU, Sabine, i Timo VIITALA. "How Culture and Motivation Interacts? : - A Cross-Cultural Study". Thesis, Umeå University, Umeå School of Business, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-1196.

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Motivating employees is essential for any organization aspiring to succeed. However, the process of motivating is not straightforward due to the diversity of individual’s needs. The task has been made even more difficult by the fact that personalized needs have altered in recent years. For instance, in many circumstances financial compensation is not considered as the main motivational factor of employees. Therefore, various other motivational practices have been developed, which take into consideration such issues as the work environment and the job itself.

This thesis is a comparative study between Sweden and Finland. The study has an objective of exploring how corporate culture affects the use of motivational practices in the Information Technology industry.

According to the findings gathered from two organizations, Sasken Finland Oy and SYSteam, culture does influence the choice of motivational practices. The issue of how culture affects, depends on whether corporate culture is task or person-oriented.

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Książki na temat "Culture Industry"

Culture industry today. Newcastle upon Tyne, UK: Cambridge Scholars, 2010.

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Allen-Robertson, James. Digital Culture Industry. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137033475.

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The Black culture industry. London: Routledge, 1997.

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Geoff, Cox, Krysa Joasia i Lewin Anya, red. Economising culture: On 'the (digital) culture industry'. New York: Autonomedia, 2004.

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Adorno, Theodor W. The culture industry: Selected essays on mass culture. London: Routledge, 1991.

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Adorno, Theodor W. The culture industry: Selected essays on mass culture. London: Routledge, 2001.

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Khandizaji, Amirhosein. Baudrillard and the Culture Industry. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-69874-8.

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The beauty industry. Wyd. 2. Richmond: Trotman, 2007.

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Brannigan, Gerald P. The culture of the construction industry. [s.l: The Author], 1999.

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Black, Paula. The beauty industry: Gender, culture, pleasure. London: Routledge, 2004.

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Części książek na temat "Culture Industry"

Maura, Eduardo. "Culture Industry". W Encyclopedia of Sciences and Religions, 565. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_200936.

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Banks, Mark. "‘Culture Industry’ and Cultural Work". W The Politics of Cultural Work, 16–40. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230288713_2.

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Ament, Vanessa Theme. "Revealing Industry Culture". W Doing Research in Sound Design, 283–96. London: Focal Press, 2021. http://dx.doi.org/10.4324/9780429356360-17.

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Byrne, David. "Class and Culture: The Dynamics of Cultural Change". W Class After Industry, 53–70. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-02644-8_4.

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Allen-Robertson, James. "Introduction". W Digital Culture Industry, 1–10. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137033475_1.

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Allen-Robertson, James. "Writing a Digital History with Digital Documents". W Digital Culture Industry, 11–38. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137033475_2.

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Allen-Robertson, James. "MP3.com and Napster: The Entrepreneurs of Risk". W Digital Culture Industry, 39–63. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137033475_3.

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Allen-Robertson, James. "GNUtella: Decentralising the Masses". W Digital Culture Industry, 64–75. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137033475_4.

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Allen-Robertson, James. "FastTrack: The Business of Piracy". W Digital Culture Industry, 76–93. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137033475_5.

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Allen-Robertson, James. "BitTorrent: Revolution in the Network". W Digital Culture Industry, 94–131. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137033475_6.

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Streszczenia konferencji na temat "Culture Industry"

Shi, Yijia. "Dialectic of Mass Culture: How Culture Industry Shaped the Masses". W 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.198.

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Ayaz, Bahar. "Culture Industry in the Digital Era". W ISIS Summit Vienna 2015—The Information Society at the Crossroads. Basel, Switzerland: MDPI, 2015. http://dx.doi.org/10.3390/isis-summit-vienna-2015-s3023.

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Ziaei Nafchi, Majid, i Hana Mohelská. "Industry 4.0: The Organizational Culture Perspective". W Hradec Economic Days 2019, redaktorzy Petra Maresova, Pavel Jedlicka i Ivan Soukal. University of Hradec Kralove, 2019. http://dx.doi.org/10.36689/uhk/hed/2019-02-058.

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Zhang, Chenxi. "Hanfu Culture Network Creative Industry Research". W Proceedings of the 2019 International Conference on Economic Management and Cultural Industry (ICEMCI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/aebmr.k.191217.111.

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Tao Ping i Li Wei. "Improving strategies for Heilongjiang provincial culture industry and international culture trade". W 2011 International Conference on Management Science and Industrial Engineering (MSIE). IEEE, 2011. http://dx.doi.org/10.1109/msie.2011.5707589.

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Luther, R. E., i C. E. Johnson. "Culture management in the UK rail industry". W 3rd IET International Conference on System Safety 2008. IEE, 2008. http://dx.doi.org/10.1049/cp:20080740.

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Stone, R. "CATS - transferring culture from the manufacturing industry". W IEE Seminar Developments in Control Systems in the Water Industry. IEE, 2002. http://dx.doi.org/10.1049/ic:20020307.

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Loisa, Riris, Ahmad Junaidi i Sinta Paramita. "News Industry 5.0: Humanoid vs Journalist’s Culture". W Procedings of the 1st ICA Regional Conference, ICA 2019, October 16-17 2019, Bali, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.16-10-2019.2304301.

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Andriani, Rian, Yuliana Pinaringsih Kristiutami, Sopa Martina i Lukmanul Hakim. "Implementation of Service Culture for Hospitality Industry". W Proceedings of the 1st International Conference on Economics, Business, Entrepreneurship, and Finance (ICEBEF 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icebef-18.2019.108.

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Zhang, Bianling. "Analysis on Development of Folk Culture Industry". W 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.96.

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Raporty organizacyjne na temat "Culture Industry"

Lo, Andrew. The Gordon Gekko Effect: The Role of Culture in the Financial Industry. Cambridge, MA: National Bureau of Economic Research, czerwiec 2015. http://dx.doi.org/10.3386/w21267.

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Alston, Lee, Shannan Mattiace i Tomas Nonnenmacher. Coercion, Culture and Debt Contracts: The Henequen Industry in Yucatan, Mexico, 1870-1915. Cambridge, MA: National Bureau of Economic Research, marzec 2008. http://dx.doi.org/10.3386/w13852.

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McQueenie, Jock, Marcus Foth, Warwick Powell i Greg Hearn. BeefLegends: Connecting the Dots between Community, Culture and Commerce. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.213769.

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This report highlights the role of the 3Cs – Community, Culture, Commerce, a project design methodology for customising social, business, research project partnerships. 3C is a leader in the intermediation and brokerage of mutually beneficial design. From 2018 – 2021, 3C was deployed as part of a collaborative research study between BeefLedger Ltd and QUT, co-funded by the Food Agility CRC. 3C created the community engagement component of that initiative, entitled Beeflegends; it is presented here as a case study. Here we describe how the 3C process contributes to social and digital inclusion in regional communities and can create new modes of engagement between those communities and regional industry.

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Hearn, Greg, Marion McCutcheon, Mark Ryan i Stuart Cunningham. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geraldton. Queensland University of Technology, sierpień 2020. http://dx.doi.org/10.5204/rep.eprints.203692.

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Grassroots arts connected to economy through start-up culture Geraldton is a regional centre in Western Australia, with 39,000 people and a stable, diverse economy that includes a working port, mining services, agriculture, and the rock-lobster fishing industry (see Appendix). Tourism, though small, is growing rapidly. The arts and culture ecosystem of Geraldton is notable for three characteristics: - a strong publicly-funded arts and cultural strategy, with clear rationales that integrate social, cultural, and economic objectives - a longstanding, extensive ecosystem of pro-am and volunteer arts and cultural workers - strong local understanding of arts entrepreneurship, innovative business models for artists, and integrated connection with other small businesses and incubators

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Urwin, Roger, i Rebecca Fender. The Future of Work in Investment Management: Changing Organizational Cultures. CFA Institute, styczeń 2022. http://dx.doi.org/10.56227/22.1.9.

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This report explores the cultural changes the investment industry is experiencing and provides recommendations on how to adapt investment organization cultures to be more successful in fulfilling stakeholder goals in the future.

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McIntyre, Phillip, Susan Kerrigan i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.

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Albury-Wodonga, situated in Wiradjuri country, sits astride the Murray River and has benefitted in many ways from its almost equidistance from Sydney and Melbourne. It has found strength in the earlier push for decentralisation begun in early 1970s. A number of State and Federal agencies have ensured middle class professionals now call this region home. Light industry is a feature of Wodonga while Albury maintains the traditions and culture of its former life as part of the agricultural squattocracy. Both Local Councils are keen to work cooperatively to ensure the region is an attractive place to live signing an historical partnership agreement. The region’s road, rail, increasing air links and now digital infrastructure, keep it closely connected to events elsewhere. At the same time its distance from the metropolitan centres has meant it has had to ensure that its creative and cultural life has been taken into its own hands. The establishment of the sophisticated Murray Art Museum Albury (MAMA) as well as the presence of the LibraryMuseum, Hothouse Theatre, Fruit Fly Circus, The Cube, Arts Space and the development of Gateway Island on the Murray River as a cultural hub, as well as the high profile activities of its energetic, entrepreneurial and internationally savvy locals running many small businesses, events and festivals, ensures Albury Wodonga has a creative heart to add to its rural and regional activities.

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McIntyre, Phillip, Susan Kerrigan i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals activated by energetic tree changers and numerous professionals who have relocated from Sydney. Both communities rely on the visitor economy and there have been considerable changes to how local government in this region approach strategic planning for arts and culture. The newly built Coffs Harbour Education Campus (CHEC) is an experiment in encouraging cross pollination between innovative businesses and education and incorporates TAFE NSW, Coffs Harbour Senior College and Southern Cross University as well as the Coffs Harbour Technology Park and Coffs Harbour Innovation Centre all on one site. The 250 seat Jetty Memorial Theatre is the main theatre in Coffs Harbour for local and touring productions while local halls and converted theatres are the mainstay of smaller communities in the region. As peak body Arts Mid North Coast reports, there is a good record of successful arts related events which range across all genres of music, art, sculpture, Aboriginal culture, street art, literature and even busking and opera. These are mainly managed by passionate local volunteers.

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Meadows, Michael. Thesis Review: The Role of SANZ, a Migrant Radio Programme, in Making Sense of Place for South African Migrants in New Zealand. Unitec ePress, listopad 2016. http://dx.doi.org/10.34074/thes.revw22016.

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This study is a detailed, qualitative exploration of the role played by a South African migrant radio programme, SANZ Live, in supporting its audience to create a sense of place in Auckland, New Zealand, through a range of on- and off-air activities. The thesis concludes that SANZ Live contributes to the creation of opportunities for South African migrants to find a sense of place through producing media content, participating in face-to-face communication through the off-air activities of SANZ Live, participating in SANZ Live social media and perpetuating aspects of South African culture through various programme-related activities. This multi-layered participation works to establish a new routine and a hybrid culture that enables South African migrants to establish new individual, group, and collective identities – becoming ‘South African Kiwis’ – in their new home of choice.In her exploration of this important topic, the author has used a wide range of relevant academic and industry sources to outline the role of Auckland community radio, and the station SANZ in particular, in creating a new hybrid sense of identity for the city’s South African community. It builds on earlier work elsewhere that has explored similar topics (Downing, 2001, 2003; Downing & Husband, 2005; Forde et al, 2009). But importantly, the study has revealed the critical role of being played by the radio programme in smoothing South African immigrants’ transition into New Zealand society – an important dimension of the settlement process.

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Doo, Johnny. Unsettled Issues Concerning the Opportunities and Challenges of eVTOL Applications during a Global Pandemic. SAE International, październik 2020. http://dx.doi.org/10.4271/epr2020022.

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Electric vertical takeoff and landing (eVTOL) aircraft technology has developed beyond the traditional aviation industry and now influences the creation of new and novel transportation applications. Some experts even suggest on-demand eVTOL logistics capabilities could be harnessed by crisis response teams to c ombat a future pandemic. The lessons of the COVID-19 crisis highlighted the challenges of managing a global pandemic response due to the difference in regional and local resources, culture, and political systems. Although there may not be a uniform crisis management strategy that the world can agree on, next-generation vertical flight vehicles could be used to distribute limited medical equipment, supplies, and personnel to hot spots faster than conventional aircraft or ground vehicles. However, creating this capability is not easy. This SAE EDGE™ Research Report by Johnny Doo addresses the opportunities and challenges of establishing an eVTOL fleet, including deployment, supporting infrastructure, and fleet management.

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Bacharach, Eran, W. Ian Lipkin i Avigdor Eldar. Identification of the etiological agent of tilapia disease in the Lake of Galillee. United States Department of Agriculture, styczeń 2013. http://dx.doi.org/10.32747/2013.7597932.bard.

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Background to the topic. Tilapines serve as the second most important group of farmed fish worldwide. Massive mortality of wild and cultured tilapia has been observed recently in Israel but the pathogen of this disease has not been identified. We proposed to identify the agent responsible for disease.  Major conclusions, solutions, achievements. We characterized the lesions in diseased fish and found that the brain was one of the affected organs. We found conditions to isolate from brains of diseased fish the etiological agent of the tilapia disease and to propagate it in cell culture. This led to the identification of the pathogen as a novel RNA virus, which we named Tilapia Lake Virus (TiLV). Electron microscopy of TiLV revealed virion-like particles and ether/chloroform-sensitivity assays demonstrated that TiLV is enveloped. Low passage TiLV, injected intra-peritoneally to tilapia, induced a disease with over 80% mortality. Cohabitation of healthy with diseased fish demonstrated that the disease is contagious, and that mortalities occur within few days. Fish surviving initial mortality were immune to further TiLV infections, suggesting the mounting of protective immune response. Screening cDNA libraries and high throughput sequencing determined the sequence of TiLV genome. This demonstrated that TiLV is indeed a novel virus and allowed the design of a PCRbased diagnostic test.  Implications, both scientific and agricultural. The characterization of a novel, emerging RNA virus that imposes major threat to the tilapia industry, enables the specific identification of the virus in tilapines. This allows prompt screening and surveillance of TiLV, epidemiological studies, and disease containment. This also potentially opens the way for the development of vaccines against TiLV.

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