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Autor: Grafiati

Data publikacji: 25 maja 2024

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1

Paula, Laborinho Ana, Meira Maria Jose, Seixo Maria Alzira i Seminário A Viagem na Literatura (4th : 1998 : Macao), red. A vertigem do Oriente: Modalidades discursivas no encontro de culturas. Lisboa: Cosmos, 1999.

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Paula, Laborinho Ana, Seixo Maria Alzira i Meira Maria José, red. A Vertigem do Oriente: Modalidades discursivas : no encontro de culturas. Lisboa: Cosmos, 1999.

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3

Universidad de Guanajuato. Cuerpo Académico Desarrollo Regional y Sustentabilidad, Universidad de Guanajuato. Programa La Universidad de Guanajuato en Tu Comunidad i Unidad Profesional del Balsas, red. El sujeto cultural y los estudios multidisciplinarios: Prácticas sociales y discursivas. Guanajuato: Universidad de Guanajuato, Campus Guanajuato, División de Ciencias Sociales y Humanidades, Departamento de Estudios de Cultura y Sociedad, 2010.

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Castañeda Hernández, María del Carmen i Universidad Autónoma de Baja California. Facultad de Humanidades y Ciencias Sociales, red. Diversidades textuales y fronteras discursivas: Un acercamiento de análisis literario y cultural. [Guadalajara, Mexico?]: La Zonámbula, 2014.

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5

1955-, Wilson Deborah S., i Laennec Christine Moneera 1960-, red. Bodily discursions: Genders, representations, technologies. Albany, N.Y: State University of New York Press, 1997.

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6

Reynolds, Jill. The single woman: A discursive investigation. New York, NY: Routledge, 2008.

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7

Hybridité discursive et culturelle. Paris: L'Harmattan, 2011.

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8

Campa, Román De la. América latina y sus comunidades discursivas: Literatura y cultura en la era global. Caracas, Venezuela: Fundación Centro de Estudios Latinoamericanos Rómulo Gallegos, 1999.

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Living with patriarchy: Discursive constructions of gendered subjects across cultures. Amsterdam: John Benjamins Pub. Co., 2011.

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10

La historiografía en el amanecer de la cultura digital: Innovaciones metodológicas, discursivas e institucionales. Montevideo: Ediciones Cruz del Sur, 2010.

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11

Tagg, John. Grounds of dispute: Art history, cultural politics, and the discursive field. Minneapolis: University of Minnesota Press, 1992.

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Grounds of dispute: Art history, cultural politics, and the discursive field. Minneapolis: University of Minnesota Press, 1992.

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13

Silva, Calane da. Kulimando saberes: Viagens discursivas pela pedagogia, didáctica, comunicação, antropologia cultural, filosofia, espiritualidade, língua e literatura. Maputo: Alcance Editores, 2013.

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14

Yacu fiesta!: Interacciones culturales y prácticas discursivas en el carnaval de Gu[a]randa. Guaranda, Ecuador: Ilustre Municipio de Guaranda, 2001.

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15

Shirokalova, Galina. Discursive transformations of urban spaces: cultural heritage and the link between generations. ru: INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/2130492.

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The monograph shows the systemic nature of intergenerational dynamics in the development of urban discourse. The results of an international sociological study of the most active part of the urban population — students of universities and institutions of secondary vocational education — "Cultural heritage and the connection of generations" are analyzed. The study was conducted by the Russian Society of Sociologists. It is addressed to teachers and students of humanitarian fields of study and specialties, researchers, as well as to a wide range of readers whose sphere of interest includes problems of urban and intergenerational dynamics.

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16

La communication touristique: Approches discursives de l'identité et de l'altérité. Paris: L'Harmattan France, 2004.

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17

Anne Francialy da Costa Araújo. Língua e identidade: Reflexões discursivas a partir do Diretório dos índios. Maceió: EdUFAL, 2007.

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18

Critique de la raison orale: Les pratiques discursives en Afrique noire. Paris: Karthala, 2005.

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19

Diagne, Mamoussé. Critique de la raison orale: Les pratiques discursives en Afrique noire. Paris: Karthala, 2005.

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20

Yurasov, Igor', i Ol'ga Pavlova. Discursive study of Orthodox religious identity. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1021279.

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Considers the problem of the Orthodox religious identity from the point of view of the influence of five types of discourse, widely represented in the Orthodox semiotic picture of the world: philosophical, mythological, artistic, political and ideological. Selected types of religious identity: normative, marginalized, and folkloristically, and determined what type of discourse most pragmatically strongly influences the formation of a type of Orthodox identity. The authors come to the conclusion about the existence in the Russian Federation "rural" and "urban" Orthodox discourses. The first leads to the development of social strain in the area of religious identity and is the base of the formation polarisierung religious identity. The second sets the normative Orthodox identity, avoiding archaism and development of the centaur-ideas. This study was conducted in part supported by RFBR, research project No. 18-011-00164 on "Discursive study of religious identity." Designed for a wide range of sociologists, philologists, cultural studies and religious studies, as well as for a wide circle of readers interested in questions of religion.

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21

Rizescu, Victor. Tranziţii discursive: Despre agende culturale, istorie intelectuală şi onorabilitate ideologică după comunism. Bucureşti: Corint, 2012.

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22

1954-, Stevenson Patrick, i Theobald John 1946-, red. Relocating Germanness: Discursive disunity in unified Germany. New York: St. Martin's Press, 2000.

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23

Melo, Sílvia Mara de, Pedro Navarro i Elizete de Souza Bernardes. A subjetivação do sujeito mulher, do sujeito negro, do sujeito indígena na sociedade contemporânea: Sob as lentes discursivas. Campinas, SP: Mercado de Letras, 2021.

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24

G, Garzone, i Catenaccio Paola, red. Identities across media and modes: Discursive perspectives. Bern: Peter Lang, 2009.

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25

Noor, Farish A. The Discursive Construction of Southeast Asia in 19th Century Colonial-Capitalist Discourse. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089648846.

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The nations of Southeast Asia today are rapidly integrating economically and politically, but that integration is also counterbalanced by forces ranging from hyper-nationalism to disputes over cultural ownership throughout the region. Those forces, Farish A. Noor argues in this book, have their roots in the region's failure to come to a critical understanding of how current national and cultural identities in the region came about. To remedy that, Noor offers a close account of the construction of Southeast Asia in the nineteenth century by the forces of capitalism and imperialism, and shows how that construct remains a potent aspect of political, economic, and cultural disputes today.

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26

Salas, Ricardo. Etica intercultural: Ensayos de una ética discursiva para contextos culturales conflictivos : (re)lecturas del pensamiento latinoamericano. Santiago: Ediciones UCSH, 2003.

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27

1961-, Ussher Jane M., red. Body talk: The material and discursive regulation of sexuality, madness, and reproduction. London: Routledge, 1997.

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28

Agnès, Delage-Calvet, red. Le partage du secret: Stratégies discursives, cultures du dévoilement et de l'occultation en Europe du Moyen Age à l'époque moderne. Paris: Colin, 2013.

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29

The language of service encounters: A pragmatic-discursive approach. Cambridge: Cambridge University Press, 2015.

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30

Socio-cultural construction of recognition: The discursive representation of Islam and Muslims in the British Christian news media. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2013.

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31

The discursive construction of the Scots language: Education, politics and everyday life. Amsterdam: John Benjamins Publishing Company, 2013.

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32

Seidel, Gill. The white discursive order: The British New Right's discourse on cultural racism with particular reference to the Salisbury Review. Amsterdam: John Benjamins, 1987.

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33

Chao, Shi-Yan. Queer Representations in Chinese-language Film and the Cultural Landscape. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033.

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Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao’s discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.

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34

Burgeile, Odete, Ednaldo Tartaglia i Ilka de Oliveira Mota. Práticas de ensino, discursivas e culturais. EDITORA DA UNIVERSIDADE FEDERAL DE RONDÔNIA - EDUFRO, 2022. http://dx.doi.org/10.47209/978-65-87539-95-9.

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35

CAMPOS, Jefferson. A imagem em discurso digital: heterotopia dos regimes de ver e de dizer a arte no espaço virtual. Editorial Casa, 2021. http://dx.doi.org/10.55371/978-65-89999-36-2.

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Ao se considerar as produções culturais alocadas em um museu como materialidades linguístico-discursivas da ordem do artístico, neste livro, tematiza-se a reprodutibilidade da obra de arte e sobretudo, de seu ambiente material de exposição, o museu, através de procedimentos técnicos, tecnológicos (como a fotografia, a digitalização e a recodificação) e da tecnologia da governamentalidade, para focalizar as mudanças nas relações de saber-poder entremeadas entre sujeito espectador, obra de arte e instituição cultural, uma vez que o espaço do museu, nesse caso, pode ser apreendido como um sítio de significações que acampa para além da ordem do artístico. Em vista disso, lança a seguinte problematização: diante dessa modificação material, o museu virtual constitui-se em um espaço heterotópico outro que especifica e diferencia um enunciado de outro, no que se refere ao status discursivo ao qual pertencem os enunciados que constituem os regimes de visibilidade do artístico em circulação no espaço virtual? Tal encaminhamento consolida o desafio de ler diferentes materialidades significantes ou, mais precisamente, de ler discursivamente, na urdidura heterotópica do artístico, as tramas vetoriais do político entretecido nas demandas do social, com o objetivo de compreender o modo como se constituem as modalidades enunciativas dessas arquiteturas hipermidiáticas. Nesse empreendimento, ao vislumbrar a relação amalgamada entre a linguagem, a arte, a cultura e o político, confirmou-se a tese de que, ao passar pelos processos sociotécnicosemióticos que permitem sua (re)materialização no espaço virtual, a materialidade da arte e de seu espaço de visitação passam a vigorar em outra ordem discursiva, não só na da instituição museológica, mas também na da política de acessibilidade cultural.

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36

America Latina y sus comunidades discursivas. Fundacion CELARG, 1999.

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37

Pinto-Coelho, Zara, Ana Maria Brandão i Silvana Mota-Ribeiro, red. Do poder político e discursivo das imagens de protestos feministas. Universidade do Minho. Centro de Estudos de Comunicação e Sociedade (CECS), 2021. http://dx.doi.org/10.21814/1822.72019.

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Esta obra reúne um conjunto de estudos de casos que versam sobre as imagens visuais das ações de protesto e de resistência das mulheres e das feministas, em contextos socioculturais, momentos históricos e geografias distintas. Provenientes de diferentes campos disciplinares (Artes Visuais e Literatura, Comunicação e Cultura, Estética e Educação), os autores destacam que os diálogos encetados pelas imagens com discursos, imaginários, memórias coletivas ou regimes de visualidade são fundamentais para a compreensão dos diferentes sentidos que a imagética de protesto adquire em contextos particulares e para a significância que esta tem para os coletivos de protesto. Ao salientar como as imagens visuais operam para mudar quem protesta e, de uma forma geral, para fazer mover os movimentos, este volume contribui para enriquecer o conhecimento sobre uma área ainda pouco explorada na Sociologia e na Comunicação, geralmente mais interessadas em estudar a ressonância dos protestos na esfera mediática e nas redes sociais. A investigação nestas áreas tende a estar ainda dominada pelo interesse nos processos de enquadramento (framing), mesmo quando o material explorado é de natureza visual ou multimodal. Simultaneamente, ao incidir sobre formas de expressão das culturas visuais feministas pouco estudadas ou marginais, trazendo para a discussão conhecimento produzido pela Antropologia da Imagem, Cultura Visual, História de Arte e Literatura, lança pistas que visam contribuir para descentrar a análise e explorar a produção cultural e artística lá onde ela parece não estar.

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38

Rodriguez, Juana. Queer Latinidad: Identity Practices, Discursive Spaces (Sexual Cultures Series). NYU Press, 2003.

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Rodriguez, Juana. Queer Latinidad: Identity Practices, Discursive Spaces (Sexual Cultures Series). NYU Press, 2003.

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Sánchez Hernández, José Simón, i Salvador Arciga Bernal. Psicología cultural, narración y educación. Universidad Pedagógica Nacional, 2019. http://dx.doi.org/10.47380/upnmx.libjssh000043.

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Este libro proporciona ciertos relatos sobre: la relación de la cultura con la educación, la enseñanza, la construcción del conocimiento, el intercambio, los conceptos de historia que aprenden los estudiantes, las herramientas que domina el profesor, las prácticas discursivas que los alumnos despliegan, cómo se construyen las biografías; y el yo de las personas en la práctica cotidiana, la de la calle y la del aula.

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41

Dunagan, Colleen T. Commercials as Discursive Assemblages. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190491369.003.0003.

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Chapter Two demonstrates how commercials employ genre-specific codes and conventions to operate as discursive assemblages. The author adopts Grossberg’s concept of cultural formations as a model for analyzing dance in advertising. Through close readings of several commercials created for US companies produced between 1948 and 2012, the chapter offers an historicized reading of the strategic intersections between dance, television, film, and advertising within commercials to produce a form of marketing that simultaneously reinforces and destabilizes disciplinary boundaries. Several concepts central to the larger project are introduced here, including liveness, advertising positioning strategies, direct address and hailing, montage, and film musical conventions. While the study focuses on an analysis of the history and conventions of dance-in-advertising in the United States during the mid-to-late twentieth and early twenty-first centuries, it also includes examples of commercials created to advertise US products in foreign markets.

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42

(Editor), Ruth Wodak, Rudolf de Cillia (Editor), Martin Reisigl (Editor), Karin Liebhart (Editor), Angelika Hirsch (Translator) i Richard Mitten (Translator), red. The Discursive Construction of National Identity. Edinburgh University Press, 2000.

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The Discursive construction of national identity. Edinburgh: Edinburgh University Press, 1999.

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The Single Woman: A Discursive Investigation (Women and Psychology). Routledge, 2008.

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Reynolds, Jill. The Single Woman: A Discursive Investigation (Women and Psychology). Routledge, 2008.

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46

Cole, Deborah, Zane Goebel i Howard Manns. Contact Talk: The Discursive Organization of Contact and Boundaries. Taylor & Francis Group, 2019.

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Cole, Deborah, Zane Goebel i Howard Manns. Contact Talk: The Discursive Organization of Contact and Boundaries. Taylor & Francis Group, 2019.

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48

Graham, Phil, i Abby Ann Goodrum. New media literacies: At the intersection of technical, cultural, and discursive knowledges. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199548798.003.0020.

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della Porta, Donatella, Pietro Castelli Gattinara, Konstantinos Eleftheriadis i Andrea Felicetti. Discursive Turns and Critical Junctures. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190097431.001.0001.

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This volume focuses on the debate that developed in France, Germany, Italy, and the United Kingdom after the terrorist attacks against Charlie Hebdo and the kosher supermarket, in January 2015. The book offers an in-depth analysis of the unfolding of the public debate in terms of content of claims making, framing, and justifications as well as the quality (deliberativeness) of the discourses by a variety of actors in the public sphere. The volume features a threefold comparison that considers how the debate differs across countries; how it evolved over time; and how it varies when one looks at mainstream media compared to social movement arenas. Based on a triangulation of quantitative and qualitative analyses, the volume pays particular attention to radical left, radical right, and religious actors and to issues related to migration and integration, secularism and cultural diversity, security and civil rights. Taking its starting point from the infamous attacks of January 2015, this volume aims also at contributing to a theoretical innovation by reflecting on the ways in which transformative events trigger discursive critical junctures.

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The discursive construction of national identity. Wyd. 2. Edinburgh: Edinburgh University Press, 2009.

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