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Książki na temat „Cultural performances”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 28 stycznia 2023

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1

Heidrun, Brückner, Schömbucher Elisabeth i Zarrilli Phillip B. 1947-, red. The power of performance: Actors, audiences, and observers of cultural performances in India. New Delhi: Manohar Publishers & Distributors, 2007.

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2

L'inaliénabilité des collections, performances et limites? Paris: L'Harmattan, 2012.

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3

Richard, Bauman, red. Folklore, cultural performances, and popular entertainments: A communications-centered handbook. New York: Oxford University Press, 1992.

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4

Hospitable performances: Dramatic genre and cultural practices in early modern England. West Lafayette, Ind: Purdue University Press, 1992.

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5

Fieled, Adam. Disturb the Universe: The Collected Essays of Adam Fieled (2nd Ed.). Redaktor Jeffrey Side. Wyd. 2. London, UK/Conshohocken, Pa: Argotist Online/IA, 2010.

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6

Fieled, Adam. On the Possibilities of Multi-Media Readings. Redaktorzy Otoliths i Mark Young. Rockhampton, Queensland, Australia: Otoliths, 2010.

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7

Freeman, Regalado Nancy, Doss-Quinby Eglal 1953-, Krueger Roberta L i Burns E. Jane 1948-, red. Cultural performances in medieval France: Essays in honor of Nancy Freeman Regalado. Rochester, N.Y: D. S. Brewer, 2007.

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8

Miller, Ken B. Highwire Gallery: Calendars: January/April 2005. Redaktor Ken B. Miller. Philadelphia, PA: Highwire Gallery, 2005.

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9

International Symposium on the Conservation and Restoration of Cultural Property (10th 1986 Tokyo, Japan). International Symposium on the Conservation and Restoration of Cultural Property: Masked performances in Asia. Tokyo, Japan: Tokyo National Research Institute of Cultural Properties, 1987.

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10

Berkeley, Women and Language Conference (3rd 1994 Berkeley Calif ). Cultural performances: Proceedings of the third Berkeley Women and Language Conference, April 8, 9, and 10, 1994. Berkeley, Calif: Berkeley Women and Language Group, University of California, Berkeley, 1994.

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11

Fieled, Adam. Disturb the Universe: The Collected Essays of Adam Fieled (2nd Ed.). Redaktor Jeffrey Side. Wyd. 2. London, UK/Conshohocken, Pa: Argotist Online/IA, 2010.

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12

Fieled, Adam. Multi-Media Readings. Redaktorzy Mark Young i Otoliths. Philadelphia/Australia: Otoliths, 2010.

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13

Oleg, Ulyashev, red. Hidden rituals and public performances: Traditions and belonging among the post-Soviet Khanty, Komi and Udmurts. Helsinki: Finnish Literature Society, 2011.

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14

Siikala, Anna-Leena. Hidden rituals and public performances: Traditions and belonging among the post-Soviet Khanty, Komi and Udmurts. Helsinki, Finland: Finnish Literature Society / SKS, 2011.

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15

Landis, Kevin, i Suzanne Macaulay. Cultural Performance. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60395-1.

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16

Moussa, Mahmoud, Thomas Doumani, Adela McMurray, Nuttawuth Muenjohn i Ling Deng. Cross-Cultural Performance Management. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-91268-0.

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17

Wen hua zhong yuan yan si lu. Zhengzhou Shi: Zhong zhou gu ji chu ban she, 2011.

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18

Nijhawan, Michael. Sikh Cultural Performances. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199699308.013.013.

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19

G, Reinelt Janelle, red. Gender in cultural performances. Berlin: Wissenschaftlicher Verlag Berlin, 2005.

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20

Prakash, Brahma. Cultural Labour. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199490813.001.0001.

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Folk performances reflect the life-worlds of a vast section of subaltern communities in India. What is the philosophy that drives these performances, the vision that enables as well as enslaves these communities to present what they feel, think, imagine, and want to see? Can such performances challenge social hierarchies and ensure justice in a caste-ridden society? In Cultural Labour, the author studies bhuiyan puja (land worship), bidesia (theatre of migrant labourers), Reshma-Chuharmal (Dalit ballads), dugola (singing duels) from Bihar, and the songs and performances of Gaddar, who was associated with Jana Natya Mandali, Telangana: he examines various ways in which meanings and behaviour are engendered in communities through rituals, theatre, and enactments. Focusing on various motifs of landscape, materiality, and performance, the author looks at the relationship between culture and labour in its immediate contexts. Based on an extensive ethnography and the author’s own life experience as a member of such a community, the book offers a new conceptual framework to understand the politics and aesthetics of folk performance in the light of contemporary theories of theatre and performance studies.
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21

Drawing on Beckett: Portraits, performances, and cultural contexts. [Tel Aviv, Israel]: Yolanda and David Katz Faculty of the Arts, Tel Aviv University, 2003.

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22

Ben-Zvi, Linda. Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Assaph Books, 2003.

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23

Press, Duke University, red. Abject performances: Aesthetic strategies in Latino cultural production. 2018.

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24

Abject Performances: Aesthetic Strategies in Latino Cultural Production. Duke University Press, 2018.

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25

Mapping Cultural Identity In Contemporary Australian Performance (Dramaturgies: Texts, Cultures and Performances). College of Europe Pubns, 2001.

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26

Mapping Cultural Identity in Contemporary Australian Performance (Dramaturgies: Texts, Cultures and Performances). Peter Lang Publishing, 2001.

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27

Words Images And Performances In Translation. Continuum, 2012.

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28

1945-, Novy Marianne, red. Cross-cultural performances: Differences in women's re-visions of Shakespeare. Urbana: University of Illinois Press, 1993.

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29

Novy, Marianne. Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare. University of Illinois Press, 1993.

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30

Bauman, Richard. Folklore, Cultural Performances, and Popular Entertainments: A Communications-centered Handbook. Oxford University Press, USA, 1992.

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31

1940-, Bauman Richard, red. Folklore, cultural performances and popular entertainments: A communications-centred handbook. New York: Oxford University Press, 1992.

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32

Novy, Marianne. Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare. University of Illinois Press, 1993.

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33

Garlough, Christine L. Desi Divas: Political Activism in South Asian American Cultural Performances. University Press of Mississippi, 2013.

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34

Bauman, Richard. Folklore, Cultural Performances, and Popular Entertainments: A Communications-Centered Handbook. Oxford University Press, 1992.

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35

Bauman, Richard. Folklore, Cultural Performances, and Popular Entertainments: A Communications-Centered Handbook. Oxford University Press, Incorporated, 1992.

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36

Bauman, Richard. Folklore, Cultural Performances, and Popular Entertainments: A Communications-centered Handbook. Oxford University Press, USA, 1992.

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37

Desi Divas: Political Activism in South Asian American Cultural Performances. University Press of Mississippi, 2013.

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38

Garlough, Christine L. Desi Divas: Political Activism in South Asian American Cultural Performances. University Press of Mississippi, 2013.

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39

Garlough, Christine L. Desi Divas: Political Activism in South Asian American Cultural Performances. University Press of Mississippi, 2013.

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40

Balme, C. Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas. Palgrave Macmillan Limited, 2006.

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41

Balme, C. Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas. Palgrave Macmillan, 2006.

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42

(Editor), Lars Frers, i Lars Meier (Editor), red. Encountering Urban Places: Visual And Material Performances in the City (Materialising Cultural Geography) (Re-Materialising Cultural Geography). Ashgate Publishing, 2007.

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43

Wohlwend, Karen E., i Carmen L. Medina. Literacy, Play and Globalization: Converging Imaginaries in Children's Critical and Cultural Performances. Taylor & Francis Group, 2014.

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44

Literacy, Play and Globalization: Converging Imaginaries in Children's Critical and Cultural Performances. Taylor & Francis Group, 2016.

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45

Burns, E. Jane, Eglal Doss-Quinby, Roberta L. Krueger i Anne Azéma. Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman Regalado. Boydell & Brewer, Limited, 2007.

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46

Wohlwend, Karen E., i Carmen L. Medina. Literacy, Play and Globalization: Converging Imaginaries in Children's Critical and Cultural Performances. Taylor & Francis Group, 2014.

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47

Covey, Catherine. Performances of “Pasts”. Redaktorzy Sonia Alconini i Alan Covey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219352.013.12.

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Using Cuzco’s historical landscape as a lens, this chapter considers the appropriation of the Incaic past and the intersections of indigeneity, tourism and world heritage. These themes are defined and historicized through the iconic spaces and infrastructure of Cuzco as the imperial capital, through its transformation into a colonial town, and through the city’s complicated role as a symbol of modern Peru. This background contextualizes the city in the second half of the twentieth century. Following an earthquake in 1950, UNESCO revived the Incaic past in an attempt to rebuilt and safeguard the city. This laid groundwork for subsequent master plans in the city, cultural tourism and world heritage. Contemporary Cuzco features a multifaceted heritage industry that capitalizes on the Andean past and its legacies. Clustered around the Plaza de Armas, the “heart” of the ancient Inca city, Cuzco’s Historic Center is the principal urban site where these historical themes and ideological projects converge.
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48

Fischer-Lichte, Erika. Tragedy's Endurance: Performances of Greek Tragedies and Cultural Identity in Germany Since 1800. Oxford University Press, 2017.

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49

(Editor), Eglal Doss-Quinby, Roberta L. Krueger (Editor) i E. Jane Burns (Editor), red. Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman Regalado (Gallica) (Gallica). D.S.Brewer, 2007.

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50

Ritual Performances As Authenticating Practices: Cultural Representations of Taiwan's Aboriginies in times of Political Change (Performances: ... Studien zu Ritual, Spiel und Theater). LIT Verlag, 2008.

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