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Artykuły w czasopismach na temat "CULTURAL LANDSCAPE"

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Jelen, Jakub, Markéta Šantrůčková i Marek Komárek. "Typology of historical cultural landscapes based on their cultural elements". Geografie 126, nr 3 (2021): 243–61. http://dx.doi.org/10.37040/geografie2021126030243.

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Historical cultural landscapes represent numerous values and meanings that are important for today’s society. These cultural landscapes document the specific development of local communities and may reflect their approaches or attitudes toward the environment. Man-made landscape elements are created for special purposes and represent specific values (historical, cultural, environmental, economic, etc.). The analysis of these landscape elements allows us to find out for what purposes the society decided to use the landscape, respectively what functions the landscape performs and what historical or cultural values it represents. The following text presents a typology of historical cultural landscapes based on a cluster analysis of cultural landscape features. Using this method, a typology of landscapes is created that reflects the functional use and values of landscapes based on the analysis of cultural-historical elements and differentiates the rates and methods of land use by human beings. The output of the cluster analysis is visualized in a dendrogram, based on which seven basic landscape categories were defined and described.
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Wu, Yong-qiu, i Hong-wei Xiao. "Preservation and Utilization of Historical Sites: Construction of Urban Linear Culture Landscapes". Open House International 41, nr 3 (1.09.2016): 86–91. http://dx.doi.org/10.1108/ohi-03-2016-b0015.

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Many historical urban cultural landscapes are suffering the effect of rapid urban economic development. This paper integrally relates historical sites in dispersed and point-shape distributions in cities and proposes strategies and methods for constructing urban linear cultural landscapes. As such, our work aims to form urban cultural landscape communities with an organic and linear distribution. The urban linear cultural landscape is not only an important means for integrally protecting and utilizing historical sites in historical cities but is also a special type of urban cultural landscape. The urban linear cultural landscape’s extensive application can enrich the theory of cultural landscape and protection methods of urban cultural heritage.
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Gábor Kerékgyártó. "Cultural landscape on the border: érmellék". Acta Agraria Debreceniensis, nr 49 (13.11.2012): 197–200. http://dx.doi.org/10.34101/actaagrar/49/2524.

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Cultural landscapes are haunting topic of the european spatial development. Cultural landscapes as cultural heritage determine the local and regional identity. The study shows the role and the significance of the cultural landscape by the help of UNESCO World Heritage Convention, the European Spatial Development Perspective and the European Landscape Convention. The article speaks about how can we maintain and develop cross border landscapes and cultural landscapes and through introducing Érmellék it would like to draw attention to the fact that landscape level planning and development of common landscape politics are one of the main interests of Hungary. That kind of politics play an important role not only in maintaining landscapes but in the regional economic development.
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Goetcheus, Cari, Robin Karson i Ethan Carr. "Designing Living Landscapes: Cultural Landscapes as Landscape Architecture". Landscape Journal 35, nr 2 (luty 2016): vi—xv. http://dx.doi.org/10.3368/lj.35.2.vi.

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ADHIKA, I. Made, i I. Dewa Gede Agung Diasana PUTRA. "REINVIGORATING CULTURAL LANDSCAPES FOR PLANNING CULTURAL TOURISM IN BALI". GeoJournal of Tourism and Geosites 33, nr 4 (31.12.2020): 1462–69. http://dx.doi.org/10.30892/gtg.334spl03-594.

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A cultural landscape, a configuration produced by human actions and cultural structures in a physical setting, has a significant role to play as a vital feature of cultural tourism in Bali. However, this configuration has become the most heavily commoditized elements of the development of tourism. Construction of tourist amenities has exploited the notion of a cultural landscape that has been integrated into cultural practices, the environment and agriculture. This development and planning are a paradoxical phenomenon and a challenge for people to retain the identity of their cultural landscape while also seeking economic benefits from tourism. The struggle between the protection of the identity of the cultural landscape translated and manifested in the context of agriculture and its transformation in the context of designing tourist facilities has shaped the fundamental argument for preservation. Since there are different cultural traditions and practices in many Balinese cultural landscapes, the relationship between tourism and the diversity of cultural areas has become a key objective in the development of tourism and planning tourist facilities. This paper explores the current struggles between the concepts of tourism development and planning, and the conservation of Bali's cultural landscape. The paper argues that the focus of Bali's tourism development is to maintain and reinvigorate the integration of natural landscapes and cultural practices that present a persistent link between the agricultural system and religious practices.
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Mitchell, Don. "Cultural landscapes: the dialectical landscape – recent landscape research in human geography". Progress in Human Geography 26, nr 3 (czerwiec 2002): 381–89. http://dx.doi.org/10.1191/0309132502ph376pr.

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Piras, Francesco, Beatrice Fiore i Antonio Santoro. "Small Cultural Forests: Landscape Role and Ecosystem Services in a Japanese Cultural Landscape". Land 11, nr 9 (6.09.2022): 1494. http://dx.doi.org/10.3390/land11091494.

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Small woods, linear tree formations, or scattered trees in agricultural areas are receiving increasing attention for their multifunctional role, especially if associated to cultural landscapes. Osaki Kodo’s Traditional Water Management System for Sustainable Paddy Agriculture represents one of the most important cultural landscapes (satoyama) of Japan, also included by the FAO in the GIAHS (Globally Important Agricultural Heritage Systems) Programme. Here, local farmers surrounded their farmhouses with small woods, called igune, as a protection from the cold winter wind, creating a peculiar landscape characterized by an intensively cultivated plain dotted with small wood patches. The research aims at deepening the knowledge of igune, evaluating the landscape role and monitoring their changes in the last 20 years, through multitemporal and spatial analyses. In addition, a literature review has been performed to assess other Ecosystem Services (ESs) provided by igune within the study area. Despite the limited overall surface, 1737 igune and small woods currently characterize the area, with 72% of them having a surface smaller than 0.5 hectares. The multitemporal and spatial analyses show that their number, distribution, and spatial pattern remained almost completely unchanged in the last 20 years, testifying their key role in characterizing the local cultural landscape. Least-Cost Path analysis highlighted a crucial role in connecting the two forest nodes of the region, as 90% of the path passes inside more than 70 different igune and small woods. Literature review demonstrated that igune and other small woods still provide various ESs, including ecological network, habitat for various flora and fauna species, firewood, and byproducts, as well as cultural services. This maintenance of the traditional management in cultural forests is crucial not only to retain their landscape role, but mostly for the preservation of the related ESs, as changes in the management can lead to changes in horizontal and vertical structures, and in species composition.
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Alvarez Munarriz, Luis. "The Cultural Landscape Concept". Aibr, Revista de Antropología Iberoamericana 6, nr 1 (1.01.2011): 63–86. http://dx.doi.org/10.11156/aibr.060104e.

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Gilarowski, Jerzy. "Natural and Cultural Landscapes of Equatorial Africa". Miscellanea Geographica 12, nr 1 (1.12.2006): 155–63. http://dx.doi.org/10.2478/mgrsd-2006-0019.

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Abstract This paper attempts to characterise various cultural landscapes in the area of Equatorial Africa. To achieve this, the contents of various thematic maps and satellite photos representing: areas covered with forests (mostly secondary forests), nature reserves, areas of extensive and intensive agriculture and urban-industrial areas were overlaid with the contents of map of potential vegetation (which represent, to use a simplification, the natural, primeval landscape). The method applied allowed for distinguishing five types of cultural landscape that correspond to five levels of transformation of the primeval landscape. The resulting map shows a mosaic-like structure of landscapes. This structure changes constantly. The surface area of regions with a certain landscape type increases or decreases, or else the regions change their locations. A detailed analysis of socio-economic processes (and the related changes in the natural environment) can constitute a basis for a prediction of cultural landscape transformation. It is the author’s opinion that such prediction could be applied in various planning projects.
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Oubiña, César Parcero, Felipe Criado Boado i Manuel Santos Estévez. "Rewriting landscape: Incorporating sacred landscapes into cultural traditions". World Archaeology 30, nr 1 (czerwiec 1998): 159–76. http://dx.doi.org/10.1080/00438243.1998.9980403.

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Rozprawy doktorskie na temat "CULTURAL LANDSCAPE"

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Lopez, Timi [Verfasser]. "Changing Cultural Landscapes around the Jostedalsglacier (West Norway), from Cultural Landscape Management to Cultural Landscape Governance – a Future Path? / Timi Lopez". Bonn : Universitäts- und Landesbibliothek Bonn, 2016. http://d-nb.info/1124540180/34.

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Moberg, Emma. "A Cultural Landscape: Økern". Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280583.

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The project analyses a cultural landscape and depicts the layers of culture, urbanity and making in its previous alterations. The proposal considers Økern, a post-industrial area north east of Oslo, due for a large densification process, becoming part of the central city. Through analysis of Økern’s layered history and its requirements for the future, the thesis proposes to reinscribe paths of public, residential and productive qualities.  The analysis begins by mapping the different characters the landscape has played through a drawn survey. The scheme responds to the survey in proposing a new connective path and a series of spaces that are public, residential and producing. The proposal consists of a garden and communal space, the transformation and improvement of an existing factory building and a public passage giving access to the high street of the area. The scheme is a contextual addition to the pedestrian, residential and public grain of Økern. It is specific in its interventions on the site, working with the existing landscape, the need for public space and the local functions present in the area. The thesis also aims to contribute on a general level with an attitude of care and sustainability, proposing precise and well informed insertions in the transformation of cities today.
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Xu, Yuemao. "A cross-cultural study of prospect-refuge theory". Thesis, This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-07212009-040337/.

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Carr, Anna M., i acarr@business otago ac nz. "Interpreting culture: visitors' experiences of cultural landscape in New Zealand". University of Otago. Department of Tourism, 2004. http://adt.otago.ac.nz./public/adt-NZDU20070501.150326.

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This thesis examines visitors' awareness and experiences of cultural values for natural areas of importance to Maori. The South Island/Te Wai Pounamu contains natural landscapes with scenic and recreational values that attract large numbers of domestic and international visitors. Many of these areas have a cultural significance for members of the South Island's Ngai Tahu iwi and hapu groups. The Ngai Tahu Claims Settlement Act 1998 legally recognised the traditional relationships between the iwi and the natural world, whilst other Acts of Parliament provide direction to government agencies for encouraging iwi involvement in the management of natural resources. Measures include increased participation in the management of national parks through iwi representation on regional conservation boards, the New Zealand Conservation Authority, and the inclusion of Ngai Tahu values within subsequent national park management plans. National park interpretation may influence visitors' awareness of cultural values for natural areas as visitors encounter information panels, displays, publications such as visitor guides or brochures, experience guided tours and/or audiovisual shows and view other interpretive medium. The researcher investigated visitors' awareness of Maori values for landscape at three South Island case study sites: Aoraki/Mount Cook National Park, Fiordland National Park, and Lake Pukaki. An understanding of the Ngai Tahu values for these areas was achieved through site visits, a literature review and informal interviews to enable comparisons of the management history of interpretation at the case study sites. Visitors' experiences at each site were explored with interviews, participant observations and a survey that provided qualitative and quantitative data. The survey was administered between January and April 2000 to 716 visitors, yielding 472 valid returns (65.9%). A comprehensive profile of visitors' demographics, social and environmental values was developed from the survey data. Visitors were well educated with 70% having a tertiary education and the majority of visitors were employed in professional occupations. When asked about their previous experiences of other cultures, many visitors reported prior encounters with Australian Aborigine and Native Americans. Visitors considered Rotorua and the Bay of Islands as the locations most closely associated with Maori whereas the study sites were not regarded as significant to Maori, despite the presence of on-site interpretation conveying Maori values for each area. Maori culture was not an important travel motivation for most visitors to these areas and the research revealed diverse reactions from the survey respondents towards cultural interpretive material. Despite this a small percentage of visitors (14%), of domestic and international origins, had an extremely strong interest in future opportunities to experience cultural interpretation of the landscape, particularly in material that tended towards the narrative, for example mythology and legends. It was concluded that a niche demand for Maori perspectives of natural areas could be further met with increased resources for interpretation at visitor centres. It was also proposed that such interpretation could attract a Maori audience, increasing Maori visitation to national parks. The participation of Maori and other host community members in the development and delivery of cultural landscape interpretation would provide broad perspectives and unique educational opportunities for the visiting public. At the case study areas, and throughout New Zealand, the cultural landscapes encountered by visitors had complex and diverse meanings to a wide range of peoples, depending on individual circumstances. Similarly, the diversity of visitors requires the development of interpretation which responds to visitor demand as well as management needs, the multitude of meanings for the landscape being but one of many possible themes.
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Bagley, Joseph. "Cultural continuity in a Nipmuc landscape". Thesis, University of Massachusetts Boston, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1539105.

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This thesis examines the lithic assemblage from the 2005-2012 field seasons at the Sarah Boston site in Grafton, Massachusetts. The Sarah Boston site is associated with a multi-generational Nipmuc family living on the site during the late 18th through early 19th centuries. In total, 163 lithic artifacts, primarily quartz flakes and cores, were found throughout the site with concentrations north of a house foundation associated with the Nipmuc family. Reworked gunflints and worked glass were examined as examples of lithic practice associated with artifacts that are conclusively datable to the period after European arrival. Presence of quartz artifacts in an undisturbed B-horizon demonstrates a much-earlier Native component to the Sarah Boston site. Lithics and ground stone tools present in the later intact midden deposit demonstrate that the Nipmuc family interacted with these materials. Given the concentration of flakes found within the midden, it is likely that some portion of these flakes as well as the reworked gunflints and knapped glass were actively used, and perhaps produced, by the occupants of the house as an alternative or replacement of other tools, including iron. This thesis concludes that the practice of knapping persisted on this site into the 19th century indicating a cultural continuity of Nipmuc cultural practices and identity in addition to the adoption of European-produced ceramics, iron knives, and other later materials.

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Vadillo, Veronica Walker. "The fluvial cultural landscape of Angkor". Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:20b045c4-3e2e-4f61-99b2-5fcd904e3cdb.

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The development of the medieval city of Angkor (802-1431 CE) in the floodplains of the Tonle Sap Lake has lead researchers to believe that Angkor made use of its extensive river network; however, little attention has been given to Angkor's relationship with its watery environment. Previous studies have presented a fragmentary view of the subject by analyzing different components in a compartmentalized way, placing the focus on nautical technology or neglecting discussion on water transport in academic works on land transport. This work aims to provide a more comprehensive study on Angkor's specific cognitive and functional traits that could be construed as a distinctive form of fluvial and cultural landscape. This is done by examining the environment, nautical technology, and the cultural biography of boats within the theoretical framework of the maritime cultural landscape and using a cross-disciplinary approach that integrates data from archaeology, iconography, history, ethnography, and environmental studies. A new topological map of Angkor's landscape of communication and transport is presented, as well as new insights on the use of boats as liminal agents for economic and political activities.
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Nel, Stephanie. "Reformation Landscape". Diss., University of Pretoria, 2018. http://hdl.handle.net/2263/63646.

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The Berlin Mission Station, Botshabelo, situated nearby the town of Middelburg in Mpumalanga presents a multi-cultural landscape that is emblematic of the complex questions facing heritage sites in South Africa today. Botshabelo mission station is a historically, physically and culturally layered landscape with a shared heritage and an assemblage of narratives. The following dissertation examines the two cultures that influenced the establishment of the mission station, namely the local African cultures and the German missionaries of the 19th Century, and their relationship with the landscape. The embedded layers of meaning and heritage within Botshabelo’s landscape relating to these cultures were translated into a contemporary landscape design with the aim of reviving the neglected historic site.
Mini Dissertation ML(Prof)--University of Pretoria, 2018.
Architecture
ML(Prof)
Unrestricted
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Stoffle, Richard W., Rebecca Toupal, Nathaniel O'Meara i Jill Dumbauld. "Pipestone: A Modified Traditional Landscape". Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/301300.

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Silfwerbrand, Gabriella. "INTERPRETATIONS OF A CULTURAL LANDSCAPE : CASE STUDY IN IMPLEMENTATION OF ADAPTIVE CO- MANAGEMENT IN BALI’S SUBAK CULTURAL LANDSCAPE". Thesis, Stockholms universitet, Stockholm Resilience Centre, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-81002.

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Cultural landscapes are places that have developed distinct characteristics from the interaction of people and nature. Actors with different roles in a cultural landscape will interpret the value of the landscape features differently. By combining these perspectives, or knowledge systems, a more complete interpretation can be included in development of an adaptive and collaborative environmental management systems. The principles of such adaptive co-management have guided a management initiative in the province of Bali, Indonesia. It aims to safe-guard a selected region of a unique landscape shaped by peaceful water-sharing among Bali’s rice farmer associations, known as subaks. The current challenge is to effectively engage the communities in its implementation. The site is nominated as a Cultural Landscape World Heritage (CLWH) to UNESCO, which is an opportunity to involve the national and provincial administrations in a management strategy.A key assumption is that knowing each other’s interpretations will contribute to building an effective management plan and implementation. In this study perspectives from two stakeholder groups, the management committee and local farmers, have been assessed to understand how they interpret the landscape values. The perspective of a practical knowledge system is contrasted to the scientific knowledge system, although both groups share an understanding of the values of the subak landscape. These knowledge systems were made explicit with visualisation methods in qualitative interviews.Furthermore, the local farmers interpreted the CLWH nomination as an opportunity for tourism and development, although stressing that tourism may have negative effects. The management committee, on the other hand, perceived the CLWH nomination as a tool to attract attention not only from tourists, but also support from the national and provincial government. It can be concluded that the CLWH nomination has achieved involvement and attention from government actors and supported development of an adaptive co-management plan. The Balinese CLWH nomination has potential for evolving environmental management and combine local and scientific knowledge systems, based on the shared place-based lived experience of the subak landscape.
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Kong, Tak-chun Andy, i 江德進. "Cultural landscape architecture Fanling Wai (Walled village)". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31980806.

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Książki na temat "CULTURAL LANDSCAPE"

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Paesaggi culturali: Cultural landscapes : rappresentazioni, esperienze, prospettive. Roma: Gangemi, 2008.

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Hernik, Joźef. Cultural landscape: Across disciplines. Bydgoszcz: Oficyna Wydawnicza "Branta", 2009.

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Workshop on Cultural Heritage in Changing Landscapes (2001 Stockholm, Sweden). Landscape interfaces: Cultural heritage in changing landscapes. Dordrecht: Kluwer Academic Publishers, 2003.

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1968-, Palang Hannes, Fry Gary 1947- i IALE European Conference (2001 : Stockholm, Sweden and Tartu, Estonia), red. Landscape interfaces: Cultural heritage in changing landscapes. Dordrecht: Kluwer Academic Publishers, 2003.

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Konso cultural landscape. Addis Ababa, Ethiopia: Arada Books, 2012.

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Amoruso, Giuseppe, i Rossella Salerno, red. Cultural Landscape in Practice. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11422-0.

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Morrison, Alex. Dunbeath: A cultural landscape. Glasgow: Dunbeath Preservation Trust, Department of Archaeology, University of Glasgow, 1996.

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Mediterranean: A cultural landscape. Berkeley: University of California Press, 1999.

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Landscape. Milton Park, Abingdon, Oxon: Routledge, 2007.

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Ramello, Manuel, Marco Trisciuoglio i Michela Barosio. Architecture and places: Progetto culturale e memoria dei luoghi = cultural design and sites' memory. Torino: Celid, 2014.

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Części książek na temat "CULTURAL LANDSCAPE"

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Short, Nicola, i Diane Menzies. "Cultural heritage, cultural landscape". W Routledge Handbook of Cultural Landscape Practice, 313–22. London: Routledge, 2023. http://dx.doi.org/10.4324/9781315203119-34.

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Andreychouk, Viacheslav. "Cultural Landscape Functions". W Springer Geography, 3–19. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-13527-4_1.

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Stansfield, Charles A. "The Cultural Landscape". W New Jersey, 43–68. 1. New Jersey—Description and travel. 2. New Jersey—Historical geography. I. Title. II. Series. F134.S8 1983 974.9 83-6636: Routledge, 2019. http://dx.doi.org/10.4324/9780429049439-4.

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Pendergrast, Mark. "The Cultural Landscape". W The Repressed Memory Epidemic, 261–93. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63375-6_7.

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Varuni, Ritu-Ngapnon. "The Cultural Landscape". W The Apatani Way of Life, 1–13. London: Routledge India, 2023. http://dx.doi.org/10.4324/9781003305538-1.

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Stan, Angelica. "Urban Culture, Urban Cultural Landscape". W Springer Geography, 107–15. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8536-5_8.

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Höglhammer, Anna, Andreas Muhar, Thomas Schauppenlehner i Fatma Aycim Turer Baskaya. "Landscape Perception and Preferences in Multi-cultural Settings". W Landscape Culture - Culturing Landscapes, 127–47. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-04284-4_4.

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Skowronek, Ewa, Renata Krukowska i Andrzej Swieca. "Transformations of Cultural Landscape". W Landscape series, 71–89. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-0189-1_5.

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Brown, Steve. "Cultural landscapes". W Routledge Handbook of Cultural Landscape Practice, 199–204. London: Routledge, 2023. http://dx.doi.org/10.4324/9781315203119-23.

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Melnick, Robert Z. "Cultural landscapes". W Routledge Handbook of Cultural Landscape Practice, 442–54. London: Routledge, 2023. http://dx.doi.org/10.4324/9781315203119-53.

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Streszczenia konferencji na temat "CULTURAL LANDSCAPE"

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García Ramírez, William. "Paisajes en movimiento: metodología para la identificación de paisajes culturales en las plazas de mercado de Bogotá". W Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6356.

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El reto que plantea esta investigación es comprender los distintos paisajes culturales presentes en las plazas de mercado de Bogotá, a través de la historia de la primera plaza de mercado cubierta de Bogotá y del país: La plaza de mercado de la Concepción. La reconstrucción de este paisaje cultural tiene un contexto físico: Bogotá, y un contexto temporal: la transición entre siglo XIX y Siglo XX (1.864-1.953). La propuesta de investigación se sustenta en la siguiente hipótesis: Los valores patrimoniales contenidos en el paisaje cultural de las plazas de mercado, no dependen de la existencia de la arquitectura que los alberga, sino de la permanencia de los ritos, costumbres, tradiciones que escapan a las formas espaciales, por lo que muchos de estos valores prevalecen hasta hoy como manifiestos de una cultura en las plazas de mercado bogotanas. Es por ello, que la identificación de los paisajes culturales manifestados en esta plaza de mercado, permitirá detentar los principales tipos de paisajes culturales actuales y sus valores patrimoniales, como testimonios del permanente encuentro entre las culturas del campo y de la ciudad. The challenge of this research is to understand the different cultural landscapes present in the market places of Bogota, across the history of the first marketplace covered of Bogota and of the country: The marketplace of the Concepcion. The reconstruction of this cultural landscape has a physical context: Bogota, and a temporary context: the transition between 19th century and 20th century (1.864-1.953). This proposal is sustained in the following hypothesis: The patrimonial values contained in the cultural landscape of the marketplaces, do not depend on the existence of the architecture that shelters them, but of the permanency of the rites, customs, traditions that escape to the spatial forms, for what many of these values prevail up to today as manifests of a culture in the of Bogotá marketplaces. It is for it, that the identification of the cultural landscapes demonstrated in the marketplace, will allow to hold the principal types of cultural current landscapes and his patrimonial values, as testimonies of the permanent meeting between the cultures of the country and the city.
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Tartara, Patricia. "Knowledge and CNR GIS for Cultural Heritage". W Landscape Archaeology Conference. VU E-Publishing, 2016. http://dx.doi.org/10.5463/lac.2014.72.

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Whitley, Thomas G. "Human Energetics and the Modelling of Cultural Landscapes". W Landscape Archaeology Conference. VU E-Publishing, 2016. http://dx.doi.org/10.5463/lac.2014.63.

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Shi, Ding, i Dianhong Zhao. "A Study on the Approach of Sustainable Development on Traditional Cultural Landscapes Surrounding Metropolitan Shanghai". W 55th ISOCARP World Planning Congress, Beyond Metropolis, Jakarta-Bogor, Indonesia. ISOCARP, 2019. http://dx.doi.org/10.47472/xndv1868.

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At present, the area of urban built-up areas in Shanghai has been effectively controlled, and the once neglected rural landscape has attracted much attention. This study focuses on the methodology of effectively utilizing cultural landscape resources and promoting further harmonious development of urban-rural relations in Shanghai. As a category of cultural heritage, cultural landscape is an indispensable resource for urban development. During the process of urban and rural planning, local cultural landscapes need to be regarded as the driving source of urban development. For a long time, Shanghai, as an international metropolis, has lain particular emphasis on historical relics in the built-up areas of the city. However, since the cultural landscape resources surrounding the built-up areas have been neglected, the image of Shanghai lacks an echo with nature and the countryside. This study examines features of cultural landscapes in Shanghai and puts forward several issues in the conservation and sustainable development of cultural landscape resources, so as to provide the basis for heritage protection, urban and rural planning and tourism planning in Shanghai in the future.
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Pukowiec-Kurda, Katarzyna, i Urszula Myga-Piatek. "Application of New Methods of Environment Analysis and Assessment in Landscape Audits – Case Studies of Urban Areas Like Czestochowa, Poland". W Environmental Engineering. VGTU Technika, 2017. http://dx.doi.org/10.3846/enviro.2017.116.

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Following the 2000 European Landscape Convention, a new act strengthening landscape protection instruments has been in force since 2015. It sets forth legal aspects of landscape shaping (Dziennik Ustaw 2015, poz. 774) and introduces landscape audits at the province level. A landscape audit consists in identification and characterization of selected landscapes, assessment of their value, selection of so-called priority landscapes and identification of threats for preservation of their value. An audit complies with GIS standards. Analyses use source materials, i.e. digital maps of physical-geographical mesoregions, current topographic maps of digital resources of cartographic databases, latest orthophotomaps and DTMs, maps of potential vegetation, geobotanic regionalization, historic-cultural regionalization and natural landscape types, documentation of historical and cultural values and related complementary resources. A special new methodology (Solon et al. 2014), developed for auditing, was tested in 2015 in an urban area (Myga-Piatek et al. 2015). Landscapes are characterized by determining their analytic (natural and cultural) and synthetic features, with particular focus on the stage of delimitation and identification of landscape units in urban areas. Czestochowa was selected as a case study due to its large natural (karst landscapes of the Czestochowa Upland, numerous forests, nature reserves) and cultural (Saint Mary’s Sanctuary, unique urban architecture) potential. Czestochowa is also a city of former iron ore and mineral resources exploitation, still active industry, dynamic urban sprawl within former farming areas, and dynamically growing tourism. Landscape delimitation and identification distinguished 75 landscape units basing on uniform landscape background (uniform cover and use of the land). Landscape assessment used a new assessment method for anthropogenic transformation of landscape – the indicator describing the correlation between the mean shape index (MSI) and the Shannon diversity index (SHDI) (Pukowiec-Kurda, Sobala 2016). Particular threats and planning suggestions, useful in development of urban areas, were presented for selected priority landscapes.
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Justova, Helena. "CHANGES IN THE CULTURAL LANDSCAPE". W 14th SGEM GeoConference on ECOLOGY, ECONOMICS, EDUCATION AND LEGISLATION. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgem2014/b51/s20.019.

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Modica, Sonia. "Soundscape, Landscape and Cultural Heritage: A Case Study in Proto-Historic Italy". W Landscape Archaeology Conference. VU E-Publishing, 2016. http://dx.doi.org/10.5463/lac.2014.70.

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Khan, Khadijah Saeed, i Eeva-Liisa Eskola. "The cultural landscape of women refugees in Sweden - a road to information and integration". W ISIC: the Information Behaviour Conference. University of Borås, Borås, Sweden, 2020. http://dx.doi.org/10.47989/irisic2033.

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Introduction. This research in progress explores women refugees’ information and integration challenges from the cultural perspective and proposes the concept of ‘cultural landscape’ as facilitator to refugees’ information and integration practices in Sweden. Method. A qualitative research method of participatory observation, semi-structured interviews and unofficial discussions as a complement is been used in this study. Analysis. The thematic analysis approach is used to analyse the observation and interviews data. Results. Participants describe how two different forms of cultural landscapes – ‘reading and learning circles’ and ‘doing and learning circles’ have helped them in reconstructing fractured information landscapes by building bridges into new communities, maintaining links with co-cultural community network and achieving a sense of belonging and identity by psychological and spiritual support. Conclusions. The research will identify the importance of cultural landscape in meeting refugees’ information and integration challenges in a new country.
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Justova, Helena. "LANDSCAPE�CHANGES�IN�THE�CULTURAL�LANDSCAPE�OF�NORTH-WEST�BOHEMIA". W SGEM2012 12th International Multidisciplinary Scientific GeoConference and EXPO. Stef92 Technology, 2012. http://dx.doi.org/10.5593/sgem2012/s20.v5074.

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Zhu, Jie, i Qianghua Duan. "Urban waterfront landscape cultural design studies". W 2011 International Conference on Remote Sensing, Environment and Transportation Engineering (RSETE). IEEE, 2011. http://dx.doi.org/10.1109/rsete.2011.5965863.

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Raporty organizacyjne na temat "CULTURAL LANDSCAPE"

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Enscore, Susan, Adam Smith i Megan Tooker. Historic landscape inventory for Knoxville National Cemetery. Engineer Research and Development Center (U.S.), kwiecień 2021. http://dx.doi.org/10.21079/11681/40179.

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This project was undertaken to provide the U.S. Department of Veterans Affairs National Cemetery Administration with a cultural landscape survey of Knoxville National Cemetery. The 9.8-acre cemetery is located within the city limits of Knoxville, Tennessee, and contains more than 9,000 buri-als. Knoxville National Cemetery was placed on the National Register of Historic Places on 12 September 1996, as part of a multiple-property submission for Civil War Era National Cemeteries. The National Cemetery Administration tasked the U.S. Army Engineer Re-search and Development Center-Construction Engineering Research Laboratory (ERDC-CERL) to inventory and assess the cultural landscape at Knoxville National Cemetery through creation of a landscape development context, a description of current conditions, and an analysis of changes over time to the cultural landscape. All landscape features were included in the survey because according to federal policy on National Cemeteries, all national cemetery landscape features are considered to be contributing elements.
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Wescott, Konstance L., Jennifer M. Abplanalp, Jeff Brown, Brian Cantwell, Merrill Dicks, Brian Fredericks, Angie Krall i in. San Luis Valley - Taos Plateau Landscape-Level Cultural Heritage Values and Risk Assessment. Office of Scientific and Technical Information (OSTI), październik 2016. http://dx.doi.org/10.2172/1347580.

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Sherpa, L. N., i B. Bajracharya. View of a High Place Natural and Cultural Landscape of Sagarmatha National Park. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 2009. http://dx.doi.org/10.53055/icimod.518.

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Sherpa, L. N., i B. Bajracharya. View of a High Place Natural and Cultural Landscape of Sagarmatha National Park. Kathmandu, Nepal: International Centre for Integrated Mountain Development (ICIMOD), 2009. http://dx.doi.org/10.53055/icimod.518.

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Smith, Adam, Megan Tooker i Sunny Adams. Camp Perry Historic District landscape inventory and viewshed analysis. Engineer Research and Development Center (U.S.), marzec 2021. http://dx.doi.org/10.21079/11681/39841.

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The National Historic Preservation Act of 1966 (NHPA) established the National Register of Historic Places (NRHP), which requires federal agencies to address their cultural resources, defined as any prehistoric or historic district, site, building, structure, or object. NHPA section 110 requires federal agencies to inventory and evaluate their cultural resources. Section 106 requires them to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. Camp Perry Joint Training Center (Camp Perry) is located near Port Clinton, Ohio, and serves as an Ohio Army National Guard (OHARNG) training site. It served as an induction center during federal draft periods and as a prisoner of war camp during World War II. Previous work established boundaries for an historic district and recommended the district eligible for the NRHP. This project inventoried and evaluated Camp Perry’s historic cultural landscape and outlined approaches and recommendations for treatment by Camp Perry cultural resources management. Based on the landscape evaluation, recommendations of a historic district boundary change were made based on the small number of contributing resources to aid future Section 106 processes and/or development of a programmatic agreement in consultation with the Ohio State Historic Preservation Office (SHPO).
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Tooker, Megan, i Adam Smith. Historic landscape management plan for the Fort Huachuca Historic District National Historic Landmark and supplemental areas. Engineer Research and Development Center (U.S.), czerwiec 2021. http://dx.doi.org/10.21079/11681/41025.

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The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) to provide guidelines and requirements for preserving tangible elements of our nation’s past. This preservation was done primarily through creation of the National Register of Historic Places (NRHP), which contains requirements for federal agencies to address, inventory, and evaluate their cultural resources, and to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. This work inventoried and evaluated the historic landscapes within the National Landmark District at Fort Huachuca, Arizona. A historic landscape context was developed; an inventory of all landscapes and landscape features within the historic district was completed; and these landscapes and features were evaluated using methods established in the Guidelines for Identifying and Evaluating Historic Military Landscapes (ERDC-CERL 2008) and their significance and integrity were determined. Photographic and historic documentation was completed for significant landscapes. Lastly, general management recommendations were provided to help preserve and/or protect these resources in the future.
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Fuelberth, August, Madison Story, Adam Smith i Megan Tooker. Historic architecture and landscape inventory for Gordon Lakes Golf Club, Fort Gordon, Georgia. Engineer Research and Development Center (U.S.), kwiecień 2023. http://dx.doi.org/10.21079/11681/46892.

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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), through establishing the National Register of Historic Places (NRHP). The NHPA requires federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of federal undertakings on those potentially eligible for the NRHP. Fort Gordon is located in northeast Georgia, directly west of Augusta-Richmond. It was first established as Camp Gordon during WWII for infantry and armor training. It has been known as Fort Gordon since 1956. This report provides historic context and recommends eligibility determinations for 24 buildings, structures, and landscapes associated with the Gordon Lakes Golf Club constructed between 1975 and 2009. The report recommends two Real Property landscapes (the Golf Driving Range and 18-Hole Golf Course including Gordon Lake) and one structure (Gordon Lake Dam) are eligible for the NRHP. The other 21 buildings and structures are recommended Not Eligible. Consulting with the Georgia State Historic Preservation Officer, this work fulfills Section 110 requirements for these buildings, structures, and landscapes.
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Adams, Sunny E., Megan W. Tooker i Adam D. Smith. Fort McCoy, Wisconsin WWII buildings and landscapes. Engineer Research and Development Center (U.S.), listopad 2020. http://dx.doi.org/10.21079/11681/38679.

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The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) mostly through the National Register of Historic Places (NRHP), which requires federal agencies to address their cultural resources. Section 110 of the NHPA requires federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of federal undertakings on those potentially eligible for the NRHP. This report provides a World War II development history and analysis of 786 buildings, and determinations of eligibility for those buildings, on Fort McCoy, Wisconsin. Evaluation of the WWII buildings and landscape concluded that there are too few buildings with integrity to form a cohesive historic district. While the circulation patterns and roads are still intact, the buildings with integrity are scattered throughout the cantonment affecting the historic character of the landscape. Only Building 100 (post headquarters), Building 656 (dental clinic), and Building 550 (fire station) are ELIGIBLE for listing on the NRHP at the national level under Criterion A for their association with World War II temporary building construction (1942-1946) and under Criterion C for their design, construction, and technological innovation.
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Brianne, Selman, Brian Fauteux i Andrew deWaard. A User-Centric Case for Rights Reversions and Other Mitigations: The Cultural Capital Project Submission to ISED Consultation on Term Extension. University of Winnipeg Library, marzec 2021. http://dx.doi.org/10.36939/ir.202103091613.

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Term extension is unlikely to benefit any but the largest of rightsholders, and indeed, in general independent creators typically do not benefit greatly from the promised financial exploitation promised by copyrights. This has been made even more evident by the COVID pandemic - while copyrighted works are consumed more than ever, independent creators have sunk further into poverty. We propose mitigation strategies for term extension that would help the people who are creating Canada’s cultural landscape, as well as additional actions that would alleviate additional current copyright losses.
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Dunbar, William, Suneetha M. Subramanian i Makiko Yanagiya. Recognising and Supporting the Role of Culture in Effective Area-based Conservation. United Nations University Institute for the Advanced Study of Sustainability, grudzień 2022. http://dx.doi.org/10.53326/nrlk9587.

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Other effective area-based conservation measures (OECMs) can achieve positive biodiversity outcomes in a larger area than is covered by protected areas. But this requires OECMs to be better integrated into sustainable production systems in conjunction with protected areas. Good examples of productive social-ecological systems exist. Recognising potential OECMs requires recognising the cultures that make them possible. Recommendations: (i) fully recognise and support the role of culture in fostering interlinked human–nature relationships and nurturing biodiversity in production landscapes and seascapes; (ii) develop sustainable market mechanisms using landscape approaches that promote respect for local cultures and the rights of all stakeholders; (iii) apply good practices for empowering cultures to enhance long-term biodiversity outcomes; (iv) provide innovative incentives including capacity development to encourage local communities to manage their landscapes and seascapes for biodiversity conservation.
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