Rozprawy doktorskie: „Cuba”

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Ramos, Luis Osvaldo. "Tiny Cuba". Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1482.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Humanities
English

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Howell, Jen. "Bleeding Cuba". Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/122.

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Ogden, Rebecca Heather. "Understanding Cuban tourism : affect and capital in post-special period Cuba". Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/understanding-cuban-tourism-affect-and-capital-in-postspecial-period-cuba(32870a03-38c4-4d8a-9ffe-a5004823d3ea).html.

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This thesis concerns the marketing, appropriation and consumption of affect in contemporary Cuban tourism. Since its rapid development to generate hard currency during the economic crisis of the 1990s, tourism has become the centre of the Cuban economy. More recently, following the radical reforms brought in under Raúl Castro, changes in private enterprise ventures have expanded touristic contact spaces beyond the previous controls of the formal sector. A range of services has emerged, responding to tourists’ demands to have an intimate, authentic experience of Cuba. Using the lens of affective capital, this study combines a consideration of this complex, rapidly-changing context with two further facets of the phenomenon: an analysis of the affective dimensions of Cuba’s representation in touristic texts, such as marketing, guidebooks, travel literature and online forums, and a discussion of the affective negotiations between host and guest on the ground. The strategic appropriation of affective capital identified in this thesis offers an original perspective on revolutionary Cuba’s tourism development. The resurgence of sex tourism since the resurrection of the tourism industry has been the dominant focus of previous scholarship, ignoring the wider ‘market of feelings’ that operates through tourism. In particular, approaches have been quick to emphasise the incongruity of prostitution in the context of revolutionary socialism, offering one-dimensional analyses of the state and the Cuban population. In addition, approaches from Tourism Studies have tended to be tourist-centric. This thesis draws together these actors with a dialogic approach in order to reveal some key complexities. The mixed methods approach combines textual analysis with some participative methods, carried out during a fieldwork trip in 2012, to address the connections between the lived realities of affective capital in Cuban tourism, the discourses that constitute it, and the social context. The findings reveal that Cuba is cast as a site of affective wealth through certain discourses and practices of tourism. Firstly, in describing the ways that Cuba is articulated through affective codes in touristic texts, this research reconfigures approaches to tourism’s world-making function through the framework of symbolic capital; it challenges the idea that revolutionary tourism policy is one-dimensional. Secondly, in looking at the lived realities of these discourses, the thesis critically addresses the kinds of negotiations relating to emotional work, bad feelings, and currency by both parties of the tourist encounter; this perspective extends important scholarship on tourism and affect in new directions based on the specificity of the Cuban context.

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Brown, Alan. "Using social constructionism, narrative therapy, bibliography, and social psychology in an examination of the Cuban people's polarized aesthetic and historiographical responses to the Cuban revolution". Thesis, University of Aberdeen, 2010. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=165715.

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Social constructionists argue that through narrative human beings create the realities that they subsequently inhabit. Since Cuba first gained its independence, the nation has been beset by a series of historiographical battles in which various political actors have vied for hegemony over Cuba’s past. If the conflicts that occurred in the first half of the twentieth century revolved around attempts by disparate competing factions to confer legitimacy on their respective ideological projects by successfully appropriating the figure of José Marti, then the last fifty years have been characterised by struggles between revolutionary hagiographers and anticommunist revisionists over the true natures of the Batista regime, its Castroite replacement, as well as of the figures of Fidel Castro and Che Guevara. This dissertation examines Cuba’s post-Batista linguistic conflict with itself through the lens of social psychology as well as by employing the closely related disciplines of social constructionism, narrative therapy, and bibliotherapy in an attempt to understand what effects the various discourses have had on the nation. After initially teasing out the relationship between draconian censorship and the emergence of an aesthetics of misanthropy, I proceed to illustrate how the works of certain Cuban mystery novelists in the 1990s highlight the need for historiographical reconciliation by gesturing towards the plethora of historical ambiguities that problematised national reconciliation. The fourth and fifth chapters investigate how these narratological contestations play out with respect to the figures of Castro and Guevara. I use narrative mediation to illustrate how, in order for internecine divisions to be eradicated, a more objective biographical approach to these individuals – and one which transcends Manicheanism – is required. The concluding chapter focuses on how a redemptive literary aesthetics has been marshalled to lift Cuba out of its ontological abyss.

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Swanger, Joanna Beth. "Lands of rebellion : Oriente and Escambray encountering Cuban state formation, 1934-1974 /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Parcero, Torre Celia María. "La pérdida de la Habana y las reformas ilustradas en Cuba (1760-1773)". Valladolid : Secretario de publicaciones e intercambio científico, Universidad de Valladolid, 1997. http://catalogue.bnf.fr/ark:/12148/cb39037369q.

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Tesis doct.--Departamento de historia moderna, contemporánea y de América--Universidad de Valladolid, 1997.
La page de titre porte en plus : "Facultad de filosofía y letras, Departamento de historia moderna, contemporánea y de América" Bibliogr. p. 575-584. Résumés en espagnol et en anglais.

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Moret, Erica. "Afro-Cuban religion, diaspora ethnobotany and environmental change in post-Soviet Cuba". Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445755.

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Becker, Elizabeth Claire. "From Cuba to Ybor City: Race, Revolution, Nationalism and Afro-Cuban Identity". University of Toledo / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1364315042.

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Mertl, Filip. "US Embargo Toward Cuba and Its Impact on US and Cuban Economies". Master's thesis, Vysoká škola ekonomická v Praze, 2007. http://www.nusl.cz/ntk/nusl-8201.

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The subject of this thesis is the embargo imposed by the United States on Cuba. The first part of the thesis examines embargo as an instrument of foreign policy as well as its place in US foreign policy. The second part deals with the evolution of the embargo toward Cuba in political context from events preceding its declaration until recent months. The last part analyses impact of the embargo on the economies of Cuba and the United States.

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Wahlström, Sara Charlotte. "Insight Cuba : A Reflection Rapport and Three Features Connected to Cuban Economy". Thesis, Stockholms universitet, Institutionen för journalistik, medier och kommunikation (JMK), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-169760.

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Cuba! The name alone connotes many things for people be it rum & cigarrs, old Chevys & colonial buildings, Hemingway & Daquires, Castro & communism, Salsa & Reaggaton, parties & calm life, blue oceans & white sandy beaches, poverty & oppression. As a tourist destination Cuba is sold as a country caught up in a time capsule. Visit before it is too late, before it forever changes (Culturetrip 2017). When we read or hear about Cuba in the news its usually when extraordinary events are being covered such as President Obamas visit in 2016, the death and funeral of Fidel Castro in the same year or after hurricane Irma hit the island in 2017. The image we get, on our side of the world, is often fragmented and without an understanding of the context. This study consists of three reports connected to the Cuban economy. They have been written in an attempt to creat a different type of journalism - slow news journalism. Instead of using journalism as a way to extract specific information during a specific event the aim has been to extract conceptions of the lived world by using qualitative methods like participant observation and spending time with Cubans in their own society for a longer period of time. The information has unfolded with and through time during fieldwork in Cuba, rather than having been created from a set of already determined priories before leaving Sweden. The aim has been to find out what Cuban people (in Cuba) think is important in their daily life. What matters to them? What problems are they facing everyday and how do they cope with some of the daily challenges presented to them? Are Cubans living their lives cut off from the rest of the world? One of the most discussed or talked about issues in society was connected and related to the economy, which is why the reports focus on this subject. The reports take an economic insight from different perspectives in an attempt to show that the economy effect people differently depending on where they are situatedgeographically, economically, spatial, and societal in cuban society.
Skänkta cyklar får nytt liv på Kuba- Tells the story of a Norweigan aid project in the cuban province Artemisa. What does a bike mean for a family in Cuba? Can everone afford and get one? What do bikes have to do with the cuban economy? Ekonomin, en av de största utmaningarna på Kuba- Tells the story of the informal and formal market in Cuba. Why are so many Cubans traveling abroad for business? How does the Cuban economy effect people’s daily lives and how do they face the challenges presented to them? Utbredd sexturism på Kuba- Tells the story of sex tourism on the island with the help of interviews with sex byers, jineteiras and procurers. What does the relationship between foreigners (Yumas) and cubans look like?

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Esqueda, Octavio J. "Theological Higher Education in Cuba: A Case Study of the Eastern Cuba Baptist Theological Seminary". Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4331/.

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This research attempted to provide a comprehensive overview of the Eastern Cuba Baptist Theological Seminary within the context of theological education in Cuba and the Cuban Revolution. Three major purposes directed this research. The first one was historical: to document and evaluate the rise, survival and achievements of the Eastern Cuba Baptist Theological Seminary, which has continued its mission through extraordinary political opposition and economical difficulties. The second major purpose was institutional: to gain insight into Cuban seminary modus operandi. The third purpose of the study was to identify perceived needs of the seminary. This study sought to provide information that can facilitate a better understanding of Cuban Christian theological higher education. The Eastern Cuba Baptist Theological Seminary was founded in the city of Santiago the Cuba on October 10, 1949 by the Eastern Baptist Convention. This seminary exists for the purpose of training pastors for the Eastern Baptist Convention. The school offers a four-year program leading to a bachelor in theology degree. The Eastern Cuba Baptist Convention experienced the same oppression from the communist revolution as the rest of the evangelical denominations during the sixties and seventies. The worst period for the convention and the Eastern Cuba Baptist Theological Seminary started in 1965 when many important people were recruited to work at the Military Units to Aid Production (UMAP). Fidel Castro recognized in 1991 that the Cuban Communist Party erroneously made atheism its religion. Although the Cuban communist regime never issued an antireligious policy, in subtle ways Christians suffered the consequences of the religious ideological conflict. Nevertheless, today the Eastern Cuba Baptist Theological Seminary operates independently and without the direction of the Cuban government. Communism and Christianity have learned to live together in Cuba even though they started with difficulties. Theological education in Cuba not only survived the negative effects of the Cuban revolution, but also has emerged stronger than ever. Economic resources are the primary need of the Eastern Cuba Baptist Theological Seminary. The seminary has been through many difficulties during its history. Nevertheless, these days represent the best time in the seminary history.

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Vessely, Pauline. "Modèles de la féminité, ideologie, sacralité et genre à travers le Ballet national de Cuba et la revolutions castriste. Le corps aux prises avec la danse académique et la rhétorique révolutionnaire : pour une analyse pluridisciplinaire de l’intime et du politique". Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030191.

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Ce travail a pour dynamique la construction d’une analyse à la croisée des disciplines des sciences humaines pour mettre en avant les enjeux de la construction du ballet cubain dans la rhétorique révolutionnaire. La Ballet National de Cuba (nationalisé depuis 1959), en tant qu’institution, met en scène des mécanismes et des valeurs propres à la structure du pouvoir dans le régime castriste. Dans cette société, mue par une adaptation des théories marxistes-léninistes, la distanciation vis-à-vis de la religion laisse envisager que d’autres croyances, d’autres pratiques ou d’autres images participent à la production d’une forme de sacré qui forge le lien social et l’identité de la société cubaine. Le ballet cubain peut donc être analysé comme un témoin privilégié de ces particularités, notamment dans le sort que lui et les autorités cubaines réservent à ses icônes féminines et à la diffusion de l’idéal de la danseuse romantique
This work has for objective the construction of an analysis between the Human Sciences inorder to put forward to advance the stakes in the construction of the Cuban ballet in the revolutionary rhetoric. The National Ballet of Cuba (nationalised since 1959), as an institution, stages mechanisms and values for the structure of the power in the Castro regime. In this society, moved by an adaptation of the theories Marxists-Leninists, the distance towards the religion let us envisage that the other faiths, the other practices or the other images participate in the production of a shape of crowned which forges the social link and the identity of the Cuban society. The Cuban ballet can be analysed thus as a privileged witness of these peculiarities, in particular in the perspetives reserve for its feminine icons and for the broadcasting of the ideal of the romantic dancer

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Poncet, y. de Cárdenas Carolina Barnet Miguel. "El romance en Cuba /". La Habana : Fundación Fernando Ortiz, 1999. http://catalogue.bnf.fr/ark:/12148/cb39028733v.

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Oatham, J. L. "Cuba in the American mind". Thesis, Swansea University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.638353.

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The focus of this thesis is America's reaction to the Cuban Revolution of 1959. It is argued that this took the form of a creative construction of an image of Cuba in the American mind. Using original sources it contextualises images of and attitudes towards the island in a number of historical settings. Taking the Newtonian metaphor of an apple falling to the ground. Americans during the nineteenth century saw Cuba as a subject to the pull of political gravitation. During the Spanish American War the spectre of the Cuban independence necessitated a new image: the island became an errant child. This image held until the 1959 Revolution. In the early years of the 1960s American policy makers constructed a new image. After discussing this, the thesis moves on to consider other responses to the Revolution through examining its impact on writers such as Norman Mailer, Allen Ginsberg and Lawrence Ferlinghetti. The adoption of the Revolution by student radicals and advocates of black power is then explored. In spite of such commentator's suggestions that Cuba offered alternatives to contemporary American culture, by the close of the decade the dominant interpretation of the Cuban Revolution was fixed within a Cold War paradigm. The thesis concludes that this Cold War image has remained intact. Today America understands Cuba to be an island subject to a revolution betrayed, held within the grip of a communist and hence inherently evil regime. No accommodation is possible whilst Fidel Castro lives. The American image of Cuba remains frozen in the assumptions of the 1960s.

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Bell, Karen Frances. "Environmental justice : lessons from Cuba". Thesis, University of Bristol, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540906.

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Williams, Diana. "Sustainable tourism development in Cuba". Thesis, University of East London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327708.

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Concordia, Maria J. "The Anagó Language of Cuba". FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/732.

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This thesis investigates the socio-linguistic factors that led to the emergence of a new language in Cuba known as Anagó. This language emerged from contact between multiple dialects of the West African Yoruba language and Spanish. Language contact between the Yoruba language and Spanish took place in Cuba beginning in the nineteenth century after the introduction of large numbers of Yoruba speakers into Cuba during the trans-Atlantic slave trade. This thesis argues against the opinion that Anagó is simply a corrupted and imperfect form of Yoruba. Instead, it maintains that Anagó is a new language that emerged in Cuba and became a functional vehicle for the transmission of ideas and culture. Additionally, this study will present evidence that the Anagó speaking community was a constituent part of Cuban society since the nineteenth century, and is therefore an inextricable part of Cuban cultural patrimony. Twentieth century examples of Anagó language are examined as evidence of a vital Anagó speaking transnational community.

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Popa, Luis. "Cuba: ¿realismo político o realidad?" Pontificia Universidad Católica del Perú, 2006. http://repositorio.pucp.edu.pe/index/handle/123456789/47262.

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Moreira, de Lima Lillián J. "La sociedad comunitaria de Cuba". La Habana : Editorial Félix Varela, 1999. http://catalog.hathitrust.org/api/volumes/oclc/44847198.html.

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Casanova, Oliva Carlos Alberto. "La propriété du logement urbain à Cuba : conflits et acteurs de 1989 jusqu'en 2005". Paris 3, 2007. http://www.theses.fr/2007PA030041.

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Cette thèse se propose d’étudier la situation actuelle du logement urbain à Cuba au travers de l’évolution des politiques cubaines d’accession à la propriété et du régime d’occupation de la dite propriété et ce depuis les premières mesures à caractère social et la promulgation de la loi de la Reforme Urbaine en 1960, jusqu’aux dernières mesures de contrôle en matière de logement (2005). Longtemps avant la révolution de 1959, population cubaine rencontre les difficultés que génèrent le déficit et la précarité en matière d’hébergement. Le programme social de logement mis en vigueur par le gouvernement révolutionnaire, s’il a bénéficié aux couches sociales les plus pauvres à également supprimé la propriété privée des biens immeubles et l’a convertie en « propriété personnelle » empêchant ainsi toute liberté d’en disposer. Tous ces changements, bien marqués pour chaque période ont provoqué, dans toutes les villes et « pueblos » cubains, une série de conflits dans lesquelles sont impliqués différents acteurs sociaux. Cette thèse a pour but de contribuer à l’élaboration d’une réflexion qui permettrait de réconcilier les différents protagonistes d’une problématique qui pourrait déboucher sur un conflit social urbain d’envergure
This thesis proposes the analysis of the actual urban housing situation in Cuba from a political standpoint. The study focuses on the evolution of ownership and the occupied property regime since the initial social housing control measures and the application of the Urban Reform of 1960 up to the recent 2005 housing control measures. Long before the 1959 revolution, the Cuban population encountered difficulties caused by the precarious nature and lack of available housing. The social housing program applied by the revolutionary government, even though providing assistance for the poorest classes, removed the liberty of private ownership of buildings by converting it into “personal property”. Well-indicated for each period, these changes provoked a series of conflicts within all Cuban social classes. This thesis attempts to contribute to the elaboration of a reflection permitting the reconciliation of the different protagonists of a problem which could result in a larger inner-city social conflict

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Garcia, Licet. "Cuba i+real: Singularidades de lo Fantástico y la Ciencia Ficción en la Cuba Contemporánea". FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3885.

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Ever since the triumph of the Revolution in 1959, Cuba has witnessed an unprecedented productive boom in the genres of science fiction and the fantastic. A large number of the literary and cinematic works that have surfaced during the last half-century attempt to replace and ultimately reify motifs and scenarios appropriated from the various science fiction and fantastic narratives in world literature and have generated alternative or imagined settings that challenge extant sociopolitical realities and certainties of the island. My dissertation, “Cuba i+Real: singularidades de lo fantástico y la ciencia ficción en la Cuba contemporánea”, examines these literary texts in a Post-Soviet context, analyzing the ways they reimagine the themes, plot devices, and scenarios traditional to the different genres. My argument is that, in most cases, the narratives are carefully and intentionally transformed, adapting them to the strenuous political and economic circumstances of the island and to the tense social conditions of the post-Soviet era. My thesis both decentralizes and expands contemporary debates about fantastic and science fiction theories by recognizing—and including—Cuban science fiction and fantastic production within broader conversations about the relationship between science fiction, the fantastic, and politics. My dissertation builds and expands upon the contemporary currents in literature, exploring how Cuban science fiction and fantastic texts provide a new, imaginative space and frontier to interrupt and contest the Cuban Revolution's hegemonic and monolithic discursive arcs, while allowing for a unique transnational corpus formation which not only crosses many generic and formal boundaries, but also evades and goes beyond existing theoretical and thematic paradigms.

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López, Segrera Francisco. "Cuba sans l'URSS (1989-1995) : antécédents, variables, alternatives et scénarios". Paris 8, 1995. http://www.theses.fr/1995PA081073.

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Cette these tente de faire le bilan critique de la revolution cubaine de 1959 a septembre 1995, en insistant davantage sur la periode 1989-1995 ou cuba sans l'urss cherche une autre voie, et - en utilisant une methodologie multidisciplinaire - elle montre les variables, les alternatives et les scenarios qu'impose cette nouvelle realite nationale et internationale. Cette recherche, hormis l'introduction et les conclusions, contient six chapitres analysant : la situation nationale et internationale, l'economie cubaine, la sphere sociale, la politique interieure, la politique exterieure et la culture. Cuba sans l'urss, bien que souffrant d'une crise grave, ne s'ecroule pas comme les autres pays du camp socialiste ni se desintegre comme l'urss, car son nationalisme et son socialisme sont deux conceptions intimement liees. La revolution cubaine fut le resultat de plus de cent ans de lutte. Cuba adapte son modele, afin de maintenir et de developper l'autodetermination, la souverainete, la justice sociale pour reussir a atteindre definitivement un developpement independant
This thesis tries to make a critical analysis of the cuban revolution from 1959 to september 1995, specially during the 1989-1995 period, where cuba, without urss looks for another way and - using a multidisciplinary methodology - it shows the variables, alternatives and scenarios that emerges in the new national and international reality. This research, besides the introduction and the conclusions, has six chapters analysing : national and international situation, cuban economy, social sphere, domestic policy, foreign policy and culture. Cuba without urss, beyond its serious crisis, doesn't fall as other socialist countries have done, nor it desintegrates like urss, because its nationalism and its socialism are two concepts firmly linked. Cuba adapts its own model, trying to maintain and develop self-determination, sovereignty, social justice in order to obtain definitely its own independant development

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Torres, Sandra Lee. "A Study of Leadership Practices: Comparing Cuban Female Managers in Cuba and in the United States". NSUWorks, 2012. http://nsuworks.nova.edu/hsbe_etd/113.

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This study examined the leadership practices of Cuban women managers in Cuba and in the US, and whether preference for these practices by country of residence moderated career success or career entrenchment. The participants consisted of 348 managers across a variety of careers and professions who completed a 33 item survey. Demographic data was also gathered. While the study was quantitative, interaction with the Cuban respondents allowed the researcher to apply certain qualitative axiological assumptions. Descriptive statistics and regression analyses were computed to analyze the data. The findings from the study indicated several associations between leadership practices and country of residence. Overall, the data suggests a positive relation between country of residence and enabling others to act and career success, and a negative relation between any of the practices and career entrenchment. In general, the results support the argument that managers (leaders) should give high priority to the construct of developing, inspiring and enabling subordinates and upholding a leadership development framework and aligning their followers to that framework. The data also revealed that leadership practices in and out of Cuba can be similar, even though there is a marked difference in political ideology. These findings provide insight for those interested in the debate on whether women managers actually existed in Cuba and their leadership practices. Although there is now evidence that Cuban women managers are extant, there is a lack of substantive research into the examination within the field of leadership for this group. This study represents an important contribution to the existing literature regarding Cuban women, as it provides a framework for future stakeholders in Cuba to use in leadership development design. The themes can also be utilized to create professional development opportunities for business leaders, which can support initiating, implementing, and sustaining outstanding organizations in Cuba. Future studies of Cuban women managers that extend the understanding of the interrelationships between leadership practices and career success, career entrenchment and the role of country of residence would be valuable.

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Testa, Silvina. "La conquête de l’est : reconfigurations régionales de la santería cubaine (La Havane – Sagua la Grande)". Paris 10, 2006. http://www.theses.fr/2006PA100163.

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En s’appuyant sur le cas d’une ville de la région centrale de Cuba, Sagua la Grande, bastion ancien de la santería, cette thèse s’attache à étudier une forme de religions afro-cubaines basée sur un modèle différent de celui, déjà bien connu, qui structure les cultes similaires à La Havane. La capitale est devenue, au fil du temps, la ville emblématique des cultes afro-cubains, étant érigée en quelque sorte en référence religieuse, voire en «orthodoxie» en la matière. Notre approche comparative entre les cultes afro-cubains de la Havane et de Sagua la Grande permet de relativiser le caractère général de ce modèle cultuel. L’analyse des figures d’autorités dans l’un et l’autre cas relativise la prédominance de la figure du babalao au sein de la prêtrise. Cette charge liturgique, à laquelle n’accèdent que les hommes, est au sommet d’une hiérarchie cultuelle qui est, entre autres, déterminée par des critères du genre. Un autre aspect important est que la ville de province commence lentement à s’inscrire dans la dimension transnationale des pratiques afro-cubaines, occupant par ce biais une place d’importance qu’elle n’avait pas autrefois. Une analyse comparative des formes de cultes présents à la Havane et à Sagua la Grande montrera qu’il ne s’agit finalement pas tant de deux modèles opposés que d’une multiplicité de variantes du culte
A case study of a town in the central region of Cuba, Sagua la Grande, the former stronghold of Santeria, this thesis attaches great importance to the study of a form of afro-cuban religion based on a model different to that already well-known, which has a cult structure similar to Havana. Over time, the capital has become the emblematic town for afro-cuban cults, having been fixed for some as a religious reference point, in so far as an “orthodoxy” is possible in this area. A comparison between afro-cuban cults in Havana and Sagua la Grande permits us to make relative the general character of this cultural model. The analysis of authority figures in both cases makes clear the predominance of the babalao figure in the priesthood. This liturgical role, into which only men are allowed entry, is at the apex of a cultural hierarchy which is determined, in part, by criteria of race. Another important aspect is that the provincial towns are slowly beginning to enlist in the transnational dialogue of afro-cuban practices, indirectly achieving a previously unrecognised prominence. A comparative analysis of cult forms present in Havana and Sagua la Grande will show that it is not a case of two opposing models but rather a multiplicity of cult variations

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Albizu-Campos, Espinera Juan-carlos. "Mortalité et survie à Cuba dans les années mille neuf cent quatre-vingt-dix". Paris 10, 2002. http://www.theses.fr/2002PA100060.

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A la fin des années 1980, Cuba se trouvait parmi les populations dont l'espérance de vie à la naissance pour les deux sexes réunis dépassait les 75 ans ou était très proche de ce niveau, tandis que la mortalité infantile se situait près de 10 décès pour 1000 naissances. Ceci est le résultat d'un processus de transition de la mortalité considéré comme accéléré et achevé et elle est particulière du fait du contexte dont lequel elle a débuté et à cause de la vitesse des changements observés. L'étude de cette expérience se révèle être particulièrement utile pour mieux comprendre comment l'action combinée de facteurs de diverses natures a réussi à mener à terme un processus de transition de la mortalité en absence de développement économique. L' histoire récente de Cuba démontre aussi que le progrès en absence de développementéconomique a des limites et que l'inversion des tendances est toujours possible. Surtout dans un contexte de fragilité démographique due à la vulnérabilité de la population dans les conjonctures adverses, l' inversion de la tendance est même vérifiable à travers des fluctuations et même des reculs de la capacité de survie. .
At the end of the 80's, Cuba was among those countries with life expectancies at bitrh over 75 years or close that level while the infant mortality rate was 10 o/oo. This situation was the result of a mortality transition process considered as accelerated and finished. This transition was also singular due to its abrupt beginning and the speed of the changes experimented by mortality. The study of this experience is particularly useful for understanding how the combined od several different factors has been instrumental in the completion of a transition process in the absence of economic development. The recent history of Cuba also shows that the progress of life expectancy without economic development has its limits and the inversion of trends is possible. But, what is remarkable in Cuban case is the persistence of a relatively important level of incidence of parasitic and infections illnesses related to basic deficiencies we thought already controlled. .

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Bouffartigue, Sylvie Estrade Paul. "Le Roman des guerres de l'indépendance de Cuba 1898-1951 /". Saint-Denis : Université de Paris VIII, 2007. http://www.bu.univ-paris8.fr/web/collections/theses/bouffartigue_sylvie.pdf.

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Santos, de Lima Edinaldo Aparecido. "Preparar, apontar, foto! : A construção da imagem fotográfica dos camponeses cubanos nos periódicos Revolución e Campo de Revolución (1959-1961) /". Assis, 2018. http://hdl.handle.net/11449/158300.

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Orientador: Carlos Alberto Sampaio Barbosa
Banca: Charles Monteiro
Banca: José Luis Bendicho Beired
Resumo: Gestado nas matas da Sierra Maestra, em meio aos conflitos entre rebeldes e a ditadura de Fulgencio Batista (1952-1958), o jornal Revolución dirigido por Carlos Franqui cumpria o papel de divulgar as conquistas e os ideais dos insurgentes. Com o triunfo da Revolução em 1959, o periódico deixou a clandestinidade e tornou-se um influente veículo de informação do período. Nele trabalharam vários profissionais entre os quais, fotógrafos cujos frutos de suas produções cooperaram na eternização da Revolução como um dos eventos significativos do século XX. Depois dessa virada histórica, os holofotes dos principais meios de comunicação do mundo passaram a dedicar maior atenção aos passos que seriam dados por aquele país. Logo nos primeiros meses, o jovem governo revolucionário encetou uma série de reformas em vários âmbitos da sociedade, sobretudo em regiões rurais onde predominaram durante décadas a pobreza e a ausência de serviços básicos como educação e saúde. Diante das lentes dos fotógrafos de Revolución, os camponeses cubanos passaram a ter suas condições de vida e seus rostos propagados por toda a Ilha, ao passo em que um imaginário sobre si era construído no intuito de sensibilizar, conscientizar e mobilizar a sociedade, principalmente dos centros urbanos, a participarem do processo de mudanças sociopolíticas do país. Porém, os resultados obtidos a partir da meticulosa análise quantitativa e qualitativa do montante de fotografias presentes tanto no jornal quanto no seu suplemento Campo de Revolución, organizadas e catalogadas mostraram que a moldagem desse imaginário não fora unívoca ou rígida, pois a realidade histórica vivida intensamente pelos cubanos nos primeiros três anos tornou-a flexível. Além disso, a metodologia empregada na análise das fotografias permitiu-nos discutir outros assuntos inerentes ao universo rural cubano
Abstract: Raised in the forests of the Sierra Maestra, amid conflicts between rebels and the dictatorship of Fulgencio Batista (1952-1958), the newspaper Revolución led by Carlos Franqui played the role of publicizing the achievements and ideals of the insurgents. With the triumph of the Revolution in 1959, the newspaper left the clandestine and became an influential vehicle of information of the period. In it worked several professionals among whom, photographers whose fruits of their productions cooperated in the eternalization of the Revolution like one of the significant events of century XX. After this historic turnaround, the spotlight of the world's mainstream media began to pay more attention to the steps that would be taken by that country. In the early months, the young revolutionary government embarked on a series of reforms in various areas of society, particularly in rural areas where poverty and lack of basic services such as education and health prevailed for decades. Faced with the lenses of the photographers of Revolución, the Cuban peasants began to have their living conditions and their faces propagated throughout the Island, while an imaginary about themselves was built in order to raise awareness, raise awareness and mobilize society, especially the urban centers to participate in the process of socio-political changes in the country. However, the results obtained from the meticulous quantitative and qualitative analysis of the amount of photographs present in both the newspaper and its Campo de Revolución supplement, organized and cataloged, showed that the molding of this imagery was not unequivocal or rigid, since the historical reality lived intensely by Cubans in the first three years made it flexible. In addition, the methodology used in the analysis of the photographs allowed us to discuss other subjects inherent to the Cuban rural universe
Mestre

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Cerejido, Elizabeth. "Grey Area: Contextualizing Cuban Photography of the 1970s". Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/222.

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This study examines the photographic production of the 1970s in Cuba through print media and aims to situate its role and function within the cultural politics that dominated this decade. The photographic image played a distinctly prominent role in the construct of a euphoric narrative that defined the early Revolutionary period. However, at the onset of the 1970s, the social, political and cultural life of the country was marked by a centralization and institutionalization of power that challenged the autonomy of artists and intellectuals. The medium of photography functioned almost exclusively as an instrument for journalism, removed from its artistic potential. The research focused on the work of a generation of photographers that emerged during two distinct moments in two major publications ? Cuba Internacional in the early 1970s and Revolución y Cultura in the second half of the decade. The study shows that the photographic production of this group of photographers was imbued with a personal aesthetic vision that belied the contemporaneous political status quo and as such reflected shifting ideological attitudes. The research also examines the socio-political factors that led these publications to represent sites of relative creative freedom and artistic innovation. It demonstrates how the function of photography shifted from strictly documentary to an artistic manifestation. The research predicted and found that photography played an influential role in the art making processes that generated aesthetic ruptures in the 1980s.

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Hill, Helena. "Derechos Humanos en Cuba : La promoción y protección de los Derechos Humanos en la Cuba socialista". Thesis, Stockholm University, Department of Spanish, Portuguese and Latin American Studies, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8249.

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El debate general a nivel internacional considera a Cuba un país, donde los derechos humanos sufren severas restricciones. Cuba se defiende, diciendo que en el país, todos los derechos humanos están bajo protección estatal. Este trabajo tiene como objetivo investigar esta contradicción y se pregunta como los Derechos Humanos adoptados por las Naciones Unidas (ONU) se ven articulados e interpretados en la Cuba post-revolucionaria. Para entender las razones a este discurso, se intenta mirar algunos puntos teóricos sobre los derechos humanos en general y tener en cuenta el desarrollo de la sociedad cubana y sus particularidades después de la Revolución en 1959. También se investigan los Informes elaborados por la ONU sobre los derechos humanos en Cuba y sus recomendaciones.

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Weideman, Lisa. "Investigating the Cuban Revolución Agricola as a model for the post-'peak oil' age". Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/4998.

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In this dissertation, the socio-ecological transformations that occurred during Cuba’s Revolución Agrícola are explored, against the backdrop of the historical subalternisation of the country as a consequence of Spanish and American imperialism, and in relation to the continuing subalternisation of the country and its people through the neoliberal mass media. To contextualize such exploration, the origins of large-scale privatization of common land, and the subsequent process of urbanization in the West, are investigated, before Cuba’s similar developmental path – as a result of Spanish colonialism, U.S. imperialism, and communist influence – is detailed. Thereafter, the way in which Cuba established an alternative food paradigm, characterised by local, communal, and urban production during the country’s ‘Special Period’ in the 1990s, is discussed, with a view to illustrating how this eco-socialist model of food production, in both rural and urban areas, led to new relations between people and nature. This Cuban model is then posited as a socio-ecologically sustainable model of food production, deserving of the attention of communities around the world, who seek to gain a degree of autonomy from neoliberal agribusiness. Conversely, the efforts of mainstream neoliberal mass media to silence the immensely positive characteristics of the revolution are also investigated, and framed in terms of the historical subjugation of Cuban voices in the American mass media, and the contemporary marginalisation of the country and its people in the neoliberal mass media. Finally, the dissertation concludes by examining the alternative media response, on the part of several prominent Cubans and those sympathetic to their cause, to bring attention to the value of the socio-ecological transformations that have occurred on the island, against the backdrop of various theorisations of the importance of alternative media platforms as a radical counterforce to neoliberal mass media hegemony.

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Silva, Júnior José Antonio Ferreira da 1987. "Retórica americana : temas e ideias político-culturais em Casa de las Américas (1965-1976)". [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279654.

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Orientador: José Alves de Freitas Neto
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-25T13:47:02Z (GMT). No. of bitstreams: 1 SilvaJunior_JoseAntonioFerreirada_M.pdf: 1700054 bytes, checksum: 09c1830a8d95d190c305110e85ba4e6b (MD5) Previous issue date: 2014
Resumo: Este trabalho procura levantar e mapear discussões e debates político-culturais da segunda metade do século XX em Cuba, nas primeiras décadas da Revolução Cubana. A difusão de periódicos e impressos contribuiu para uma circulação diferenciada de ideias e discursos, envolvendo sujeitos históricos em diferentes dinâmicas entre o político e o cultural. Os intelectuais encontraram nesse tipo de meio de comunicação um espaço de expressão e engajamento com o processo revolucionário. A revista cubana Casa de las Américas se constituiu como centro de uma rede intelectual, a partir da qual se construiu e se difundiu um discurso revolucionário. Nossa proposta é partir desta revista, como objeto e fonte histórica, para aproximarmo-nos das ideias e noções conformadas entre intelectuais relacionados com o imaginário esquerdista da América Latina nos anos 1960 e 1970. Um dos nossos temas principais é a conformação de discursos identitários na revista. Defendemos que as identidades construídas discursivamente por Casa fazem parte da concepção que a própria revista tinha sobre sua atuação no processo revolucionário. Também, a questão em torno do papel do letrado é aqui analisada por nós. A publicação deu suporte para a formação de um discurso que valorizou e favoreceu uma estética e uma concepção de intelectual específicas para cumprir o que era visto como revolucionário. Devido à importância e à vigência que Casa estabelece para José Martí (1853-1895), as formas de discussão e apropriação da vida e obra deste letrado cubano figuram também em nossa argumentação, destacando mecanismos discursivos e formas de apropriação da história de Cuba. Dessa forma, passando por alguns temas político-culturais da revista, pretendemos abordar a história da esquerda latino-americana e da conformação de seu imaginário
Abstract: This work discusses and analyses the political and cultural debates during the first decades of the Cuban Revolution in the second half of the 20th century. In this context the dissemination of printed journals had contributed for the exchange of ideas and discourses, allowing the historical subjects to be immersed in a variety of political and cultural dynamics. Intellectuals found a space for expression and engagement with the revolutionary process in this type of media. The Cuban cultural journal Casa de las Américas was the center of an intellectual network from which the revolutionary discourse was built and spread. With the analysis of this journal we intend to get closer to the ideas and concepts that were being created and used by the Latin American leftist intellectuals of the 1960s and 1970s. One of our main themes is the conformation of identity discourses in the journal Casa de las Américas. The importance of the figure of the intellectual is another focused subject. We argue that the identities constructed discursively by this cultural journal are part of the design that the magazine itself had on its performance in the revolutionary process. The publication gave support to the formation of a discourse that valued and promoted a specific aesthetic and conception of intellectual which would fulfill what was seen as revolutionary. The important role that was reserved for José Martí (1853-1895) in Casa justifies our analysis of how his life and works were discussed and presented in the journal, emphasizing the discursive mechanisms and the different forms of appropriation of Cuban history. Thus, with the analysis of some political and cultural themes from Casa we intend to study the history of Latin-American left and the conformation of its imaginary
Mestrado
Politica, Memoria e Cidade
Mestre em História

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Anderson, Brian Keith. "Afro-Cuban percussion, its roots and role in popular Cuban music". Kansas State University, 2016. http://hdl.handle.net/2097/32617.

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Master of Music
Department of Music, Theatre, and Dance
Craig B. Parker
This Master’s Report will address questions about Afro-Cuban music, focusing on Afro-Cuban percussion and music in the late 1800s and early 1900s. The first two chapters will address congas and timbales, which are two Afro-Cuban percussion instruments at the center of Cuban culture and music. The next three chapters will address danzón, rumba, and son. These chapters will provide analysis into the influences that shaped the music as well as analysis of the music itself. Chapter 6 of this report addresses Cuba’s impact on culture outside Cuba, relating but not limited to music, with emphasis on the 1930s into the beginning of World War II. Throughout this report videos have been created to help explain topics of Afro-Cuban music to readers in a more interactive way. The purpose of these videos is to demonstrate how the instruments sound as well as what the instruments look like, how notation included in the report is realized, and generally to make the page come to life in ways that technology today now allows.

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Soucy, Dominique. "La pensée maçonnico-libérale à Cuba (1811-1902) : expression, diffusion et appropriation nationale". Paris 8, 2003. http://www.theses.fr/2003PA082296.

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Le 20 mai 1902 fut instaurée la première République cubaine, au terme d'un siècle de recherche identitaire. La franc-maçonnerie marqua ce processus d'affirmation nationale de son empreinte par un discours éthique qui répondait aux attentes intellectuelles du XIXe siècle cubain. Sa pensée, qui se propagea très tôt dans tous les secteurs de la société, trouva son corollaire profane dans le mouvement libéral. Les apports maçonniques et libéraux permirent la définition, la diffusion et l'expression progressive d'une pensée maçonnico-libérale nationale, reflétant les réalités socio-économiques de Cuba, pensée dont la Constitution de 1901 fut la consécration institutionnelle
On 20 May 1902, the first Cuban Republic was established after a century-long search for identity. Masonry marked this process of nation affirmation through an ethical discourse that responded to the intellectual expectations of society and found its secular corollary in liberal thinking. It participated with this latter in the definition, diffusion and progressive expression of a national liberal-Masonic thinking, adapted to the social reality in Cuba and of which the Constitution of 1901 was the institutional consecration

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Hensley, Shannon Shanelle. "The embodiment of rumba in Cuba". Thesis, Open University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500604.

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González, Héctor Manuel. "Conciencia socialista and education in Cuba". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq22710.pdf.

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Escalona, Jiménez Manuel. "Cuba : el gran cuartel ; (1810 - 1840) /". Madrid : Centro de Publ., Ministerio de Defensa, 2004. http://www.gbv.de/dms/sub-hamburg/484018906.pdf.

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Graham, Tracey E. "Jamaican migration to Cuba, 1912--1940". Thesis, The University of Chicago, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3557406.

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This study helps to broaden a growing body of literature by examining the growth of an urban Jamaican community in the southeastern port of Santiago de Cuba, Cuba.

Background: When the British colony of Jamaica abolished slavery in 1838, the upper classes attempted to tie free workers to sugar plantations; ex–slaves attempted to move away from the estates as soon as possible. Despite an increase in internal migration after abolition, the majority of the black population remained in rural areas, and dedicated their labor to the land. The Jamaican elite successfully argued for the introduction of contract laborers from Asia as a replacement for the slavery system. It brought the planters some limited economic success as export crops—particularly sugar—had the chance to rebound, but planters used immigrants to drive down wages. Increasing population pressure on the land, a series of natural disasters, few economic opportunities, and ineligibility for political participation prompted Jamaicans to look outside of their homeland for socioeconomic improvement by the late 1800s. Travelers emigrated in significant numbers to Panama, Costa Rica, and Nicaragua with the hope of earning higher wages, sending remittances to family members, and returning home with enough money to live independently. As work on the Panama Canal ended by the 1910s, Jamaicans turned their sights back to the Caribbean. During the second half of the 19th century, Cuba was one of Spain's two remaining Caribbean colonies despite attempting several wars of independence. At the end of the final effort in 1898, the United States intervened against the metropolis; the two powers reached an agreement giving possession of Cuba to the US, who would help to establish political order and assist the islanders in ruling themselves. US investment in Cuban industry, especially in sugar, allowed foreigners to purchase enormous tracts of land and to influence the restructuring of the island's political, social, and economic landscape. The seasonal sugar cane harvest attracted foreign workers from Europe, Latin America, and the Caribbean seeking better wages than what they could find at home; between 1912 and 1920, thousands of British West Indians traveled to Cuba to labor in the agricultural industry or to occupy niches in the service industry.

However, Cubans scrutinized and discriminated against them for being black, for being foreign, for driving down wages, or some combination thereof. Though Cubans claimed to live in a color-blind society, racial discrimination persisted and the white elite supported a policy of “whitening” the island through selective immigration from Spain and miscegenation; these racial and cultural prejudices were particularly divisive given that a significant percentage of Cubans were of African descent. Furthermore, the general population was frustrated by the lack of Cuban sovereignty and saw foreign workers as complicit in the US intervention. As a result, calls for nationalism tended to veer into xenophobia and racism during economic downturns in the early 1920s and 1930s.

Methods/Sources: Due to limited access to archival sources in Cuba, the bulk of the data is from the British National Archives: the consular reports summarized political and social upheaval in Cuba, collected publications from the Cuban government, and gave a perspective of the migration from the viewpoint of the British government. Similar information came from the U.S. National Archives at College Park, Maryland. The provincial archive of Santiago de Cuba provided information on migrant activities: marriage and citizenship documents; and social, cultural, and political organizations. It also yielded the Cuban government's responses to West Indian immigration. Correspondence between colonial officials and international organizations came from the Jamaican National Archives; the Sir Arthur Lewis Institute for Social and Economic Studies at the University of the West Indies, Mona, held interviews of Jamaicans who lived during the period under study. Cuban and Jamaican newspaper reports detailed economic and political conditions in the two islands from journalists' investigations, letters from migrants, and governmental decrees.

Findings: I relate how different groups in Cuba reacted to Jamaican migration: the support for and against it, how this support changed over time, and how it differed by geography. I also attempt to give a fuller description of who these migrants were. I discuss their relationships with other West Indians and Cubans, their marriages, and the paths that they took to Cuban citizenship. How gender influenced and differentiated Jamaicans' experiences when they went abroad—how they were perceived and treated, and how they fared—receives special attention.

The work concludes by examining the reaction of the British officials who represented British West Indians in Cuba. It also puts the migration into a broader context by examining black British subjects who traveled to other parts of Latin America and the Caribbean during this era. (Abstract shortened by UMI.)

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Addison, Jason Lawrence. "Real estate investment opportunities in Cuba". Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/62932.

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Montaner, Carlos Alberto. "Cuba: Cómo contribuir a su democratización". IUS ET VERITAS, 2016. http://repositorio.pucp.edu.pe/index/handle/123456789/123658.

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Touze, Vincent. "La crise des missiles de Cuba". Aix-Marseille 3, 2009. http://www.theses.fr/2009AIX32078.

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Le projet est d'analyser des décisions au regard des théories des relations internationales. Dans l'introduction et la partie théorique, on définit la méthode, celle de la confrontation avec trois modèles et celle de l'historien. On prend parti pour le modèle réaliste-rationnel. On ignore trop souvent qu'il met l'accent sur la diplomatie, la rationalité limitée et les facteurs psychologiques et qu'il est ancré dans la démarche historique. Les modèles d'organisation de Graham Allison sont contestés comme sous-productifs. La doctrine des organisations n'avait pas cette orientation et ne récusait pas la rationalité, ses auteurs étant aussi ceux de la rationalité limitée. Le modèle psychologique-idéel ne présente pas le caractère novateur auquel il prétend, malgré le constructivisme et le réalisme l'intègre en grande partie. Dans la deuxième partie, la décision d'installer les missiles est marquée par la politique de puissance découlant des facteurs historiques. La réaction américaine était prévue par une tactique qui échoue en raison d'une direction défectueuse. La décision américaine de lancer un ultimatum nucléaire s'explique dans la troisième partie elle aussi par la politique de puissance, dans la double logique régionale et de guerre froide et le jeu d'une organisation orientée sur cette politique. La résolution de la crise (quatrième partie) est commandée par les rapports de force installés au début de la crise, découlant des tendances préexistantes et de positions tactiques influencées par le regard social. On conclut en mettant en garde contre la réification des archives et l'illusion de trouver la réalité dans les détails qui reproduisent des méandres psychologiques
The study's aim is to analyse decisions in the light of international relations (IR) theories. The introduction and theorical part define the method, that of the confrontation with three models and that of the historian. The study's takes the side of the rational-realist model. Too often one ignores that it puts the emphasis on diplomacy, bounded rationality and psychological factors and is anchored in a historical approach. Graham Allison's organizational models are contested as being under-productive. The doctrine of the organizations was not oriented that way and did not reject rationality; its authors were also the ones of the bounded rationaloity concept. The ideal-psychological model does not have the innovative character to which it presents, despite the constructivism and realism already integrates this model to a large extent. In the second part the decision to install the missiles is market by power politics resulting from historical factors. The American reaction was predicted by a tactic that failed due to faulty leadership. The American decision for a nuclear ultimatum is so explained in the third part as a power politics decision, in a regional and cold-war double logic and the play of an organization inclined towards such a policy. The settlement of the crisis (fourth part) is governed by the power relationships installed from the very start of the crisis, resulting from pre-existing tendencies and tactical positions influenced by social opinion. The conclusion carries a warning against the reification of archive material and the illusion of finding reality in details that only reproduce psychological meanderings

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Henry, Drew A. "Democracy in a Post-Castro Cuba /". Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2004. http://library.nps.navy.mil/uhtbin/hyperion/04Dec%5FHenry.pdf.

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Geoffray, Marie Laure. "Culture, politique et contestation à Cuba (1989-2009) : une sociologie politique des modes non conventionnels d'action collective en contexte autoritaire". Paris, Institut d'études politiques, 2010. http://buadistant.univ-angers.fr/login?url=https://www.dalloz-bibliotheque.fr/pvurl.php?r=http%3A%2F%2Fdallozbndpro-pvgpsla.dalloz-bibliotheque.fr%2Ffr%2Fpvpage2.asp%3Fpuc%3D5442%26nu%3D110.

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Fondée sur onze mois d’enquête de terrain à Cuba, cette thèse a un objectif double : comprendre comment des dynamiques contestataires émergent et perdurent sur le long terme sans faire l’objet d’une répression sévère, à l’instar des dissidents ; et saisir ce que l’existence de cette contestation tolérée nous apprend sur les modes d’exercice du pouvoir dans un tel contexte. Les pratiques contestataires sont ici problématisées comme intentionnelles, collectives et conflictuelles et étudiées de façon relationnelle, afin de restituer les logiques d’interaction entre autorités socialistes et collectifs contestataires. A partir de cette démarche, ce travail montre que les pratiques contestataires sont partiellement tolérées par les autorités car elles ne sont ni ppositionnelles ni directement politiques. Elles s’articulent, quoique de façon critique et parfois subversive, aux normes de la socialisation révolutionnaire, qui fondent les cadres légitimes de perception de la réalité. Elles s’inscrivent aux marges du champ culturel à travers l’élaboration d’un répertoire hybride, entre action collective et création culturelle. Ces ambiguïtés permettent aux collectifs de négocier des espaces d’action selon les échelles de gouvernement. Les autorités leur octroient ces espaces car ils permettent la régulation et la contention de la contestation, à travers une coercition fondée sur l’incertitude et l’arbitraire. Cette étude met ainsi à jour la plasticité du régime cubain et incite, au-delà de ce cas spécifique, à substituer aux analyses en termes d’érosion de la capacité à gouverner l’observation des modes d’adaptation et de transformation des régimes autoritaires
This dissertation is based on eleven months of fieldwork in Cuba. Its objective is twofold. First, understand how contentious dynamics have emerged and endured through time without undergoing severe repression, like dissident movements. Secondly, grasp what the existence of this tolerated contention tells us about the way power is wielded in such a context. Contentious practices are here defined as intentional, collective and conflictive. This study focuses on the relationships between contentious movements and State authorities, in order to understand the logics of their interactions. Elaborating on this, this dissertation shows that contentious practices are partly tolerated by the authorities because they are neither oppositional nor directly political. They are linked up, though in a critical and sometimes subversive way, to the norms of the revolutionary socialization, on which are based the legitimate frameworks for perception of reality. Contentious movements are situated at the margins of the cultural field, thanks to the creation of a hybrid repertoire: between collective action and cultural creation. That ambiguity allows them to negotiate space for action, according to the levels of government. Authorities grant them some space because that this allows for the regulation and containment of contention, through the use of a specific mode of coercion, which is based on uncertainty and arbitrariness. This study also brings to light the plasticity of the Cuban regime and invites us, beyond that specific case, to substitute analyses in terms of erosion of governing capacity for analyses of the modes of adaptation and transformation of authoritarian regimes

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Renault, Agnès. "La communauté françaises de Santiago de Cuba entre 1791 et 1825". Le Havre, 2007. http://www.theses.fr/2007LEHA0007.

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A partir de 1791, des colons de Saint-Domingue se réfugièrent à Cuba et tout particulièrement à Santiago, fuyant les guerres civiles des Révolutions Française et Haïtienne. Ils furent expulsés en 1809, en raison de la guerre franco-espagnole, mais certains d'entre eux firent le choix d'y revenir quelques années plus tard, suivis par d'autres français qui venaient directement de la métropole. Ces mouvements migratoires furent essentiels pour la région orientale de Cuba. Cette thèse montre comment ces colons réfugiés purent se redresser et jouer le rôle de moteur de la transformation économique de la région d'accueil. Leur réussite s'appuie sur la reconstruction d'une communauté à la fois diverse et unie par un sentiment partagé d'être français. Le groupe d'immigrés reconstitue en terre d'exil toutes les spécificités de la société coloniale de Saint-Domingue. Colons avant tout, ils ont choisi le nouveau monde, et le mouvement migratoire de Français à Santiago de Cuba annonce, par certains côtés, ce que sera la colonisation française du XIXe siècle
Since 1791, French colonists from Saint Domingue took refuge in Cuba, especially in Santiago, to avoid the civil wars of French and Haitian revolutions. They were ejected in 1809 because of the war between French and Spain, but some of them choosed to come back some years later, followed by some other Frenchs coming sometime directly from metropolitan France. These migratory movements were essential for the central area of Cuba. This thesis shows how these refugees were able to straighten up and have a leader activity in the economic decelipment of their "terre d'acceuil / new land". Their success is due to the ability to rebuild a community where diversity exists but with the sharing feeling to be French. The refugees group remakes all the specificities of the Saint-Domingue colonial society. Colonists before everything, they choose the new world, and the French migratory movement in Santiago de Cuba is an announcement of the french colonization during the XIXth Century

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Scherer, Marie-Catherine. "L' individu et le Nous dans le cinéma cubain (ICAIC 1960-2002) : mise en dialogue des discours fictionnels, personnels et officiels". Paris, EHESS, 2013. http://www.theses.fr/2013EHES0547.

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Cette recherche émet le postulat que les expressions cinématographiques et plus particulièrement les films de fiction constituent un terrain de recherche de grand intérêt car permettant de découvrir et d'analyser des aspects de l'imaginaire véhiculé au sujet de la société, de son histoire et de la vie au quotidien. Dans le contexte cubain, la question de la représentation dynamique de la relation entre l'individu et le "Nous" (l'entité collective de référence) s'est révélée cruciale. Selon l'idéologie révolutionnaire, tout individu était appelé à s'engager activement pour la construction d'une société nouvelle qui offrirait enfin à tous la possibilité de s'épanouir individuellement et collectivement. Cependant, les profonds bouleversements internationaux au début des années 1990, entraînant une crise socio-économique sans égal, ont modifié le rapport de l'individu à la société environnante. Grâce à l'analyse d'une quarantaine de films de fiction et de leur mise en dialogue avec les divers dicours personnels, officiels et théoriques, cette recherche pose la question de savoir de quelle façon cette relation entre l'individu et le Nous a été représentée à partir des années 1960 et particulièrement depuis les années 1990. Sur quelles références - idéologiques, culturelles, affectives - le sentiment d'appartenir à un Nous doit-il et peut-il s'appuyer afin de continuer à faire sens ? Comment le Nous est-il imaginé afin de répondre à le revendication actuelle d'inclure d'une façon égalitaire la diversité des individus?
This research postulates that cinematographic expression, and especially fiction films, constitutes a highly interesting field of research, since it allows for discovery and analysis of aspects of the imagination regarding the society, its history and the daily life of its people. Regarding the cuban context, the question of the dynamic representation of the relationship between the individual and the "We" (the collectif entity of reference) appears to be crucial. According to revolutionary ideology, each individual was called upon to engage actively in the construction of a new society that would finally give everyone the opportunity to be fulfilled both individually and collectively. However, the profund national and international changes occuring at the beginning of the 1990s, generating a social and economic crisis that had never seen before, modified the individual's relationship with the surrounding society. Through the analysis of over forty fiction films and their connection with various personal, official and theoretical discourses, this survey examines how the relationship between the individual and the We has been represented since the 1960s and especially since the 1990s. What references - ideological, cultural, affective - can and must the sense of belonging to the We rely on in order to continue making sense? How is the We being imagined so as to answer today's demand to include, in an egalitarian way, the diversity of individuals?

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Villaça, Mariana Martins. "O Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) e a política cultural em Cuba (1959-1991)". Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-06112006-174750/.

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Neste trabalho analisamos a história do Instituto Cubano del Arte e Indústria Cinematográficos, primeiro organismo cultural criado após a Revolução cubana, e seu papel na política cultural, entre 1959 e 1991. Por meio da análise de documentos da política cultural, da revista Cine Cubano, além de depoimentos, críticas e alguns filmes que repercutiram especialmente os dilemas e questionamentos dos intelectuais cubanos, abordamos as tensões entre a política cultural oficial, o ICAIC e os projetos dos cineastas. Esse Instituto, pelo qual circularam muitos cineastas latino-americanos e europeus, foi palco de debates, disputas políticas e diversas polêmicas envolvendo filmes e tendências estéticas, como o realismo socialista e a nouvelle vague. Nossa tese é de que o ICAIC, pode ser considerado uma instituição privilegiada no meio cultural cubano, pois consolidou uma autonomia relativa em relação aos mecanismos de controle governamentais, por meio da ação dos cineastas e da mediação da direção do Instituto. Esta autonomia foi abalada, em diversos momentos, em função de fatores como a reestruturação do Estado, os fracassos econômicos e o acirramento do autoritarismo em Cuba, principalmente a partir dos anos 70. Ainda assim, o Instituto se readaptou às demandas políticas governamentais num jogo político de adesão e resistência à política cultural oficial, que tornou possível a produção de vários filmes ambíguos e críticos ao regime, ao longo desse período.
This work analyzes the history of the Cuban Institute for Art and Film Production (ICAIC) ? the first cultural organization created after the Cuban Revolution ? and its role in cultural policy between 1959 and 1991. Through the analysis of documents on cultural policy, the magazine Cine Cubano, in addition to testimonies, critiques and a set of films specifically relevant to the issues and dilemmas of Cuban intellectuals, the thesis delves into the tensions between official cultural policy, the ICAIC, and film makers? projects. Various Latin American and European film makers were involved with the institute, and it served as a forum for debate, political discussions and varied polemics related to film and aesthetic tendencies, including Socialist Realism and New Wave. The thesis proposes that ICAIC constituted a privileged institution in the Cuban cultural environment because ? through the action of film makers and the mediation of the Institute?s leadership ? it attained relative autonomy with respect to mechanisms of government control. This autonomy was unsettled, at different points, by factors such as state restructuring, economic failure and the entrenchment of authoritarianism in Cuba, especially from the 1970s onward. Still, the institute adapted to the demands of government policy through a political dynamic that alternated adhesion and resistance to official cultural policy, making possible the production of various films that were ambiguous and critical of the regime during that period.

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García, Inés. "Le rôle des pratiques associatives culturelles dans la construction et la diffusion d'une culture patriotique cubaine à la Havane (1868-1898)". Paris 7, 2010. http://www.theses.fr/2010PA070046.

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Les spécialistes de l'histoire cubaine divergent sur le processus d'émancipation de la colonie espagnole. L'historiographie révolutionnaire cubaine dénie tout rôle aux élites culturelles et politiques de La Havane dans ce processus d'indépendance en ne valorisant que l'action des séparatistes exilés. D'autres historiens soutiennent que ces élites intellectuelles, en majorité des autonomistes, ont largement contribué à la formation de la nation cubaine. Une approche fondée sur l'étude de la sociabilité associative culturelle à La Havane et sur une analyse prosopographique des acteurs historiques entre 1868 et 1898 amène à la fois à remettre en question l'existence d'une nation cubaine lors de la proclamation d'indépendance et à mieux appréhender les conflits interraciaux qui éclatent dans les années suivantes. Cette approche démontre que la sociabilité associative culturelle a été l'une des voies clés pour construire et diffuser une culture patriotique cubaine qui a marginalisé la population de couleur dans le développement du sentiment d'appartenance à une communauté cubaine. Les pratiques associatives culturelles ont aussi contribué à promouvoir simultanément l'attachement à la patrie cubaine et la désaffection envers la Métropole. Les élites intellectuelles et politiques ont ainsi amplement suscité le profond mécontentement et le patriotisme qui, en 1895, ont mobilisé une large partie de la population en faveur de l'indépendance
Cuban history specialists disagree about the process of emancipation of the Spanish colony. Cuban revolutionary historiography denies any role to the cultural and political elites of Havana in this process of independence by valuing only the action of the exiled separatists, Other historians contend that these intellectual elites, for the greater part separatists, widely contributed to the formation of the Cuban nation. An approach based on the study of cultural associative sociability in Havana and on the prosopographique analysis of historic actors between 1868 and 1898 leads both to questioning the existence of a Cuban nation at the time of the declaration of independence and to better understanding the interracial conflicts which burst in the following years. This approach demonstrates that cultural associative sociability was one of the key ways to build and spread a Cuban patriotic culture which marginalized the coloured population in the development of the feeling of belonging to a Cuban community. Cultural associative practices also contributed to promote simultaneously attachment to the Cuban homeland and disaffection for the Spanish mother country. The intellectual and political elites thus amply aroused the profound dissatisfaction and the patriotism which, in 1895, mobilized a wide part of the population in favour of independence

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Mermoud-Plaza, Diego Alejandro. "Approche sensorielle des développements urbains de la Baie de La Havane, entre planification dirigée et facteurs exogènes". Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080014.

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Planifier le territoire est une activité complexe de par la méconnaissance que l’on a du futur. Les acteurs institutionnels en charges de la planification doivent donc considérer et pondérer une multiplicité de facteurs, internes et externes au territoire. Les arbitrages opérés dépendent de la lecture qui est faite des enjeux et des objectifs à atteindre. La lecture du contexte varie quant à elles en fonction des représentations et des affects qui préexistent au sein des institutions.Ce travail réalisé à Cuba se focalise sur le territoire de la Baie de La Havane. La structure politico-économique cubaine centralisée et sans contre-pouvoir pourrait permettre une cohérence forte entre les décisions prises dans un environnement international contraint et le contexte local de l’aménagement du territoire. Toutefois, force est de constater qu’il peut exister des discordances entre les institutions en charge de la planification. Ces divergences, tant dans la définition de l’idéal à atteindre que des moyens pour y parvenir, peuvent se traduire par des propositions éloignées.Pour comprendre les lectures du territoire faites par les acteurs ainsi que leurs affects, nous avons utilisé une méthodologie classique, enrichie d’images animées à 360° projetées dans un casque de réalité virtuelle, et complétée par la réalisation de cartes mentales. Ainsi, il a été observé que certains espaces génèrent des ségrégations socio-spatiales importantes, tout en étant contre-intuitivement très appréciés par les populations locales. Les résultats obtenus montrent donc des contrastes importants entre ce que nous dit la géographie classique et les affects ressentis par les acteurs interrogés
Planning the territory is a complex exercise due to the lack of knowledge of the future. The institutional actors in charge of planning must therefore consider and weigh a multiplicity of factors, internal and external to the territory. The choices made depend on the interpretation of the issues and the objectives to be achieved. The understanding of the context varies according to the representations and affects that pre-exist within the institutions.This work carried out in Cuba focuses on the territory of Havana Bay. The Cuban politico-economic structure, centralized and without counter-power, could allow a strong coherence between the decisions taken in a constrained international environment and the local context of the territory planning. However, it must be noted that there may be discrepancies between the institutions in charge of planning. These divergences, both in the definition of the ideal to be achieved and the means to achieve it, may result in proposals distancing from one to another.In order to understand the actors' readings of the territory as well as their affects, we used a classical methodology, enriched with 360° animated images projected in a virtual reality helmet, and completed by the realization of mental maps. Thus, it was observed that certain spaces generate important socio-spatial segregations, while being counter-intuitively very appreciated by the local populations. The results obtained accordingly show significant contrasts between what classical geography tells us as well the affects felt by the actors that were interviewed
La planificación del territorio es una actividad compleja debido al desconocimiento del futuro. Por tanto, los actores institucionales encargados de la planificación deben considerar y sopesar una multiplicidad de factores, tanto internos como externos al territorio. Los arbitrajes que se toman dependen de la interpretación de los temas específicos y de los objetivos que se quieren alcanzar. La lectura del contexto varía según las representaciones y los afectos preexistentes en el seno de las instituciones.Este trabajo realizado en Cuba se concentra en el territorio de la Bahía de La Habana. La estructura política y económica centralizada de Cuba, sin contrapoder, podría permitir una fuerte coherencia entre las decisiones tomadas en un entorno internacional restringido y el contexto local de la ordenación del territorio. Sin embargo, hay que tener en cuenta que puede haber discrepancias entre las instituciones encargadas de la planificación. Estas divergencias, tanto en la definición del ideal a alcanzar como en los medios para lograrlo, pueden dar lugar a propuestas distantes entre sí.Para comprender las lecturas del territorio por parte de los actores, así como sus afectos, utilizamos una metodología clásica, enriquecida con imágenes animadas de 360° proyectadas en un casco de realidad virtual, y completada con la creación de mapas mentales. Así, se observó que ciertos espacios generan importantes segregaciones socio-espaciales, al tiempo que son contra-intuitivamente muy apreciados por las poblaciones locales. Los resultados obtenidos muestran así importantes contrastes entre lo que nos dice la geografía clásica y los afectos que sienten los actores entrevistados

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Marques, Rickley Leandro. "A condição Mariel : memórias subterrâneas da experiência revolucionária cubana (1959-1990)". reponame:Repositório Institucional da UnB, 2009. http://repositorio.unb.br/handle/10482/4253.

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Tese (doutorado)—Universidade de Brasília, Departamento de História, 2009.
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No presente trabalho, investigamos o grupo de intelectuais e artistas exilados cubanos autodenominados Geração Mariel, que emigrou de Cuba para os Estados Unidos da América em 1980 pelo porto de Mariel. Por meio da análise de documentos, depoimentos, escritos e da literatura produzida pelo grupo, abordamos o projeto identitário da Geração Mariel. Com o desenvolvimento da pesquisa, percebemos que o grupo travava uma batalha por suas memórias na ilha. Nas narrativas da Geração Mariel emergem os atritos causados pela proposta revolucionária cubana de transformar a sua nova geração (a juventude) no homem novo. Este era um dos principais objetivos da revolução em seus primeiros anos. Entendemos, também que a Geração Mariel foi antes de tudo uma parcela da juventude cubana, sobretudo havaneira, que não quis ou não pôde se estabelecer na nova configuração social em curso e que, por meio de uma nova ética moral, procurava moldar os futuros revolucionários da ilha. Na primeira parte deste trabalho, procuramos compreender os pressupostos revolucionários para a formação de uma nova sociedade cubana e, sobretudo, para a educação de sua juventude. Na segunda parte, analisamos como a migração Mariel foi representada: seja pela direção política do governo cubano, seja na imprensa do país. A representação feita nos Estados Unidos da América, principalmente pela maioria da comunidade cubana de Miami, também foi analisada. Por fim, observamos as representações de alguns integrantes da Geração Mariel que, a nosso ver, travaram uma batalha, por meio de suas narrativas e memórias, na luta pelo seu reconhecimento social. O combate dos integrantes do grupo com seus compatriotas pela justificativa de suas vidas é o que, em alguns momentos, demarca as diferenças de trajetória, experiências e perspectivas em relação ao futuro da ilha. A condição de outsiders em Cuba e no exílio acabou levandoos a se definir como uma nova representação da cubanidade: a Geração Mariel. ___________________________________________________________________________________________ ABSTRACT
In the present work we investigated the group of intellectuals and artists exiled from Cuba, self-called Mariel Generation, which emigrated from Cuba to the United States of America in 1980 through the port of Mariel. After analyzing documents, statements, written material in general, and literature produced by the own group, we approached the identity project of the Mariel Generation. During the research we realized that the group struggled for their memory on the island. The dissentions caused by the Cuban revolutionary proposal to transform its new generation (youth) into the new man emerged from the narratives of the Mariel Generation. This was one of the main objectives of the revolution in the first years. We also understood that the Mariel Generation was, above all, a part of the Cuban young generation, mainly from Havana, which did not want or could not establish themselves within the new ongoing social configuration and that, through the means of a new moral ethics, looked for molding the future rebels on the island. In the first part of this study, we tried to understand the revolutionary principles aiming to constitute a new Cuban society and, moreover, to educate their youngsters. In the second part, we analyzed how the Mariel migration was represented in the perspective of both the Cuban political leadership and the Cuban media. The representation carried out in the United States of America, principally by most members of the Cuban community in Miami, was analyzed as well. Finally, we observed the representation of some individuals of the Mariel Generation, who, as far as we are concerned, fought through their narratives and memories to achieve their social recognition. In some moments, the battle the members of this group had to fight against their fellow country people to justify their lives distinguishes the differences in trajectory, experience, and perspective on the future of the island. The fact of being outsiders both in Cuba and in the exile made them define themselves as a new representation of Cuban identity: the Mariel Generation.

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Andujar, Roberto C. "Informational element of power : the role of public diplomacy in United States-Cuba policy implementation /". Carlisle Barracks, Pa. : U.S. Army War College, 2005. http://handle.dtic.mil/100.2/ADA432368.

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Thesis--United States should reassess its Public Diplomacy strategy toward Cuba and the key role that Public Diplomacy plays in preparing the Cuban people to transition to a free and democratic state. RATIONALE: The Castro Regime has a monopoly on all media and information in Cuba, which permits the regime to control what the Cuban people see and believe about the outside world and indeed their own country. Therefore, the people of Cuba are Castro's center of gravity and as such are the key force for transition and change to a free and democratic Cuba. The Informational Element of Power and Public Diplomacy are the premier tools the United States has to shape the message to the Cuban population. This tool is designed to provide objective and unbiased information to the Cuban population. As Castro ages and approaches the end of his regime, the United States has a window of opportunity to educate the Cuban population. It is imperative that the United States maximize this window of opportunity. Public diplomacy has the responsibility to shape the informational battlespace and the mandate to address the misconceptions that the populous might have. The United States can not wait until Castro's departure to engage the Cuban people. The United States needs to change its current engagement strategy and directly engage the Cuban people now. APPROACH: After a brief history of United States-Cuban relations, to include the current state of this relationship, this strategy research paper evaluates the Informational Element of Power, but most specifically, the role of public diplomacy and Cuba. Next, it looks at the current United State-Cuba situation through the Basic Five Ring Model developed by John A. Warden, III. The paper then applies Warden's model to the Cuban public diplomacy message. Next, the paper proposes a way ahead for the public diplomacy strategy toward Cuba. Finally, this paper recommends changes to current public diplomacy policy to set the strategy for a post-Castro era.
"18 March 2005"--P. iii. Includes bibliographical references (p. 25-27). Full text document available on public STINET.

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Wentworth, Christina. "U.S.-Cuba Non-Relations: An Analysis of the Embargo and the Cuban Medical Professional Parole Program". Thesis, Boston College, 2013. http://hdl.handle.net/2345/3025.

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Thesis advisor: Paul Gray
Since Fidel Castro rose to power in Cuba over fifty years ago, U.S.-Cuban relations have been defined by mutual hostility. As the hegemon of the Western Hemisphere, the United States has labored to combat this repressive force that threatens democracy only ninety miles from its shores. In this paper, I analyze the embargo against Cuba and the Cuban Medical Professional Parole Program, both of which are U.S. government initiatives intended to weaken the Cuban government. I find that neither of these initiatives has been effective and that the United States’ failure to reevaluate longstanding and unsuccessful policies is detrimental to the populations they are intended to serve. In order to create more effective programs, the United States government must consider human rights in its decisions, continuously follow through with and reevaluate its policies, and ensure that initiatives are in the best interest of all parties involved
Thesis (BA) — Boston College, 2013
Submitted to: Boston College. College of Arts and Sciences
Discipline: International Studies Honors Program
Discipline: International Studies

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