Gotowe bibliografie tematyczne / Criticisma and interpretation

Gotowa bibliografia na temat „Criticisma and interpretation”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 28 lipca 2024

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Artykuły w czasopismach na temat "Criticisma and interpretation"

Thuesen, Peter J. "Jonathan Edwards as Great Mirror". Scottish Journal of Theology 50, nr 1 (luty 1997): 39–60. http://dx.doi.org/10.1017/s0036930600036127.

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‘There is no historical task’, wrote Albert Schweitzer in 1906, ‘which so reveals a man's true self as the writing of a Life of Jesus.’ In his famous study of the eighteenth- and nineteenth-century quest for the ‘historical Jesus’, Schweitzer exposed the tendency of each generation of scholars to find its own thoughts in the man from Nazareth. Since Schweitzer, scholars have become ever more skeptical about the possibility of ‘objective’ interpretation. Hans-Georg Gadamer, noting the predilection of readers to rewrite texts in their own language, concluded that ‘all understanding is self-understanding’. Quentin Skinner, taking a different tack, complained that history all too often becomes ‘a pack of tricks we play on the dead’. And Peter Novick, carrying the criticisma step further, observed that even if scholars recognize the specks in their opponents' eyes, they usually fail to see the logs in their own. In short, if modern hermeneutical studies since Schweitzer have conveyed one overriding message, it is that subjectivity is inescapable.

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Rabbany T, Al-Faiz M., i Indal Abror. "TAFSIR PROGRESIF ATAS KISAH-KISAH DALAM AL-QUR’AN KARYA EKO PRASETYO". Jurnal Studi Ilmu-ilmu Al-Qur'an dan Hadis 19, nr 1 (12.10.2019): 85. http://dx.doi.org/10.14421/qh.2018.1901-05.

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Kitab Pembebasan is Eko Prasetyo’s first work in the field of interpretation contains the stories of prophets and friends in the Qur'an. For him, the stories of the prophets no longer have the power to change circumstances, then progressive logic brings Eko to an interpretation of the stories of the prophet to the surrounding social problems. When many commentators who interpret the Quran relate to the social community, then interpreting the Quran leads to social criticism being unique to discuss. So this paper is focused on discussing social criticism in the Book of Liberation. In this paper, there are indications of the content of social criticism Eko Prasetyo then grouped them into five fields, namely economics, religion, education, politics and society. Then explained based on the theme specifically. Then develop social criticism based on each theme. Among them is a criticism of the economic system of capitalism, interpretation of the meaning of Satan, tyranny, seditious and idolatrous, religious and financiers, criticism of Suharto and the New Order, the case of the murderous activist Salim deer. Also, Eko's other works were reviewed to develop his criticisms. The interpretation for Eko through the Book of Liberation is the contextualization of the problems that occur around him, Eko does not care about the interpretation of the interpretation, because for Eko, the Qur'an is a book of movements that must be practiced.Keyword: Eko Prasetyo, Progressive Interpretations, Qissah, al-Qur’an

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Lester, J. C. "ADVERSUS “ADVERSUS HOMO ECONOMICUS”: CRITIQUE OF THE “CRITIQUE OF LESTER’S ACCOUNT OF INSTRUMENTAL RATIONALITY”". MEST Journal 10, nr 2 (15.07.2022): 124–45. http://dx.doi.org/10.12709/mest.10.10.02.13.

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This essay goes through Frederick 2015 (the critique) in some detail, responding to the various paraphrases and criticisms therein. It is argued that in each case the critique is mistaken about what Lester 2012 (Escape from Leviathan: EfL) says, or about what the critique presents as a sound criticism, or both. Introduction: the three problems with the critique and the philosophical problem that EfL is attempting to solve. “Abstract”: the critique’s confusion about EfL’s aprioristic theory of instrumental rationality. There are then detailed replies (too many and too diverse to summarise) to quotations from the critique’s confused interpretations and criticisms under the following headings (quoted from the critique): “2. Instrumental Rationality”; 3. Weakness of Will”; “4. Desires and Values”; “5. Free Will”; “6. Self-Interest”; “7. Maximisation”; “8. Morals”. Finally, in “9. Conclusion”, the philosophical problem for economics is briefly restated. The philosophical interpretation of homo economicus in EfL (as with its overall philosophical theory of libertarianism) has yet to be given adequate critical consideration.

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Scholz, Gunther. "Are text interpretations fictions?" Semiotic studies 2, nr 4 (28.12.2022): 44–52. http://dx.doi.org/10.18287/2782-2966-2022-2-4-44-52.

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In the 19th century philology became the most important human science following history, and the interpretation methods were refined. However, in the 20th century, fundamental doubts arose about the possibility and the sense of the interpretation procedure, and an increasingly sharp criticism was expressed. It was aimed at the presupposition of a certain, unchangeable meaning of the texts. The diversity of interpretations seemed to confirm that. The interpretations could also be called "fictions". However, this essential doubt about a certainty of the text meaning contradicts the linguistic communication in the society. These critics ignore the fact that there are very different forms of texts and the interpretations in different cultural areas pursue very different objectives. It is reasonable to distinguish between criticism and hermeneutics to regulate the controversy of interpretations: while the latter tries to explore the author's perspective, in criticism the interpreter is allowed to bring his own perspective to bear. These two concepts are usually related in the interpretation process, but can be separated in case of controversy.

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Igo, William. "Carr, A History Of Germany - 1815-1990". Teaching History: A Journal of Methods 18, nr 2 (1.09.1993): 86. http://dx.doi.org/10.33043/th.18.2.86.

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Now in its fourth edition, William Carr's A History of Germany: 1815-1990 still ranks as one of the best single volume works available, succinctly delineating the political and diplomatic history of post-Napoleonic Germany. The first edition (1969) covered German history from 1815 until the end of World War II and received much acclaim and some criticism, though most of the criticisms were based upon differences in historical interpretation, not factual presentation. The second edition clarified Carr's historical interpretations and expanded the information on the Wilhelmine and Weimar eras. The third edition included a new chapter "The Two Germanies" covering 1945 to 1984. Carr's fourth edition "cleans up" the third edition's added chapter and includes a new chapter on Germany's reunification in 1990

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Segura Peraita, Carmen. "Crítica a la interpretación heideggeriana de la sustancia aristotélica." Differenz, nr 1 (2015): 103–212. http://dx.doi.org/10.12795/differenz.2015.i01.06.

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Estas breve estudio pretender profundizar en la comprensión que de la ουσία-ενέργεια ofrece Heidegger en el capítulo VIII del Nietzsche. Una comprensión cuyo objeto no es otro que dar cuenta de la historia del ser. Aquella que lo habría entendido inicialmente como physis, pero enseguida como ουσία, actualitas y finalmente como Wirklichkeit. De lo que se trata es de valorar la pertinencia de los análisis heideggerianos y también de sus conclusiones. Al hacerlo, la cuestión específica que aquí se plantea es si en su trazado esquemático de esa historia del ser Heidegger procede con coherencia fenomenológicohermenéutica en su manera de realizar la investigación histórica.

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Syahputra, Fikry Prastya. "Meme Ideational Meaning: Multimodal Interpretation". Talenta Conference Series: Local Wisdom, Social, and Arts (LWSA) 1, nr 1 (17.10.2018): 022–32. http://dx.doi.org/10.32734/lwsa.v1i1.136.

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Meme adalah sebuah sarana baru dalam penyampaian ide dan kritik. Namun ada saat dimana isi dari meme tersebut menyinggung beberapa instansi atau perorangan. Oleh sebab itu kajian terhadap meme yang bertujuan untuk mengkritik merupakan hal yang menarik untuk diteliti. Dalam artikel penelitian ini meme yang dianalisa adalah mereka yang bertujuan untuk mengkritik keadaan sosial dan politik di Indonesia. Metode dalam artikel penelitian ini meggunakan metode qualitative. Serta teori yang digunakan untuk menganalisa adalah metafora untuk kata dan ideational meaning untuk gambar. Pada artikel penelitian ini ditemukan konsep-konsep kritik seperti; sindiran, kritik, moral, agama serta public awareness. Konsep-konsep itu juga terwakili oleh gambar. Meme is a new means of delivering ideas and criticism. But there are times when the contents of the meme offend several agencies or individuals. Therefore, a study of memes that aimed to criticize is interesting to be analyzed. In this research article, the memes analyzed were those that aimed to criticize social and political conditions in Indonesia. The method in this research article used the qualitative method. The theories used to analyze were metaphors for words and ideational meaning for images. In this research article there were criticisms found such as; sarcasm, criticism, morality, religion and public awareness. The concepts were also represented by pictures.

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Febriyanto, Dedi, Eka Anista, Mulyanto Widodo i Elda Juniar. "Kritik sosial dalam cerita pendek karya Raudal Tanjung Banua". Jurnal Pendidikan Bahasa dan Sastra 21, nr 2 (11.03.2022): 197–206. http://dx.doi.org/10.17509/bs_jpbsp.v21i2.44630.

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This study focuses on the social criticism contained in the short stories by Raudal Tanjung Banua. This research uses a qualitative descriptive method with a sociological literature approach. The research data is in the form of quotations that contain social criticism. Data collection was carried out using a note-taking technique. The data analysis was carried out using Miles and Huberman's theory, namely: (1) identifying short stories, (2) reducing data, (3) presenting data, (4) interpreting data, (5) concluding interpretation results. The results showed that the short stories by Raudal Tanjung Banua contain very complex social criticisms. The social problems that are the target of criticism in the short story include criticism of the hunting of protected animals, humanitarian problems, economic problems, partisanship of the press media, weak principles of religion to the arbitrariness of officials towards the little people. Various social criticisms contained in the short stories can be used as material for reflection for all readers for better changes.

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Wathani, Syamsul. "KRITIK SALIM AL-JAbI ATAS HERMENEUTIKA MUHAMMAD SYAHRUR". el-'Umdah 1, nr 2 (1.12.2018): 145–67. http://dx.doi.org/10.20414/el-umdah.v1i2.550.

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Criticism in interpretation studies shows a new phase of the interpretation of the Qur’an in contemporary academic studies of the Qur’an. Muhammad Syahrur is a fgure who became the object of criticism for some of his renewed ideas in contemporary studies of the Qur’an which are packaged in hermeneutics. Mahir al-Munanjad passed his book al-iskâ liyat Qirâ ah and Salim al-Jabi, al-Qirâ ‘at al-Mu’â shirat. This article focuses on Al-Jabi thinking with analysis on critical points. Al-Jabi made anBacademic criticism of Syahrur’s study, especially in the pattern of the approach used by Syahrur. Al-Jabi offers textual-contextual criticisms of the Shahrur approach patterned on language and thematic-historical analysis, which are often not in the context of the verses of the Qur’an.

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Mathews, Jeanette. "Performing Ecclesiastes: Text as Script". Religions 14, nr 10 (7.10.2023): 1269. http://dx.doi.org/10.3390/rel14101269.

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All biblical scholars are committed to the interpretation of ancient written texts, but Biblical Performance Criticism (BPC) reminds interpreters that performance helps us better understand Scripture. A distinct difference between Narrative Criticism and Performance Criticism is the broader application of Performance Criticism to poetic and prose texts that are not grounded in narrative. The ambiguity of prose and poetry that does not readily identify speakers is open to a range of performative interpretations. Furthermore, audiences are necessary for performance and contribute to meaning-making. The embodied experience of performers and audience alike contribute to the interpretation of biblical texts. This article reflects on a performance of Ecclesiastes translated as a script of a television talk show, claiming that embodying and performing Scripture is itself a method for interpretation. Through the performance of Scripture, we are reminded that interpretation is shared and dynamic within the community of faith.

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Rozprawy doktorskie na temat "Criticisma and interpretation"

Hoyer, Steven. "Intention and interpretation". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68104.

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This thesis is in two chapters. Chapter one is about intentions. Literary theorists have, by and large, dismissed their relevance to interpretation, so it will be useful to consider what exactly is being ignored. Therefore, I devote chapter one to a clarification of the nature and role(s) of intention within the interlocking network of basic propositional attitudes. I argue that intentions incorporate both a functional and a representational dimension, triggering actional mechanisms and structuring the process of practical reasoning.
Chapter two is about interpretation. I open the chapter with an examination of extreme conventionalist theses, arguing that their success depends on an unjustifiably strict demarcation between intentionality and textuality. Appropriating aspects of Donald Davidson's work in the philosophy of language, I argue for the recognition of linguistic communication as a form of intentional action. I then defend this thesis against more moderate conventionalist theories to offer a viable approach to the interpretation of literary works.

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Anger, Suzy. "Victorian hermeneutics and literary interpretation /". Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/9374.

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King, Noel. "Anxieties of commentary : interpretation in recent literary, film and cultural criticism /". Title page, table of contents and abstact only, 1994. http://web4.library.adelaide.edu.au/theses/09PH/09phk532.pdf.

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HSIAO, CHING-SONG GENE. "SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)". Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.

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To interpret a poem is to comprehend a complete act of written communication. And to comprehend such an act, the reader must break the codes in which the communication is framed. Thus, poetic interpretation becomes the study of codes--or semiotics. Poetic codes exist at pragmatic, semantic, syntactic, and phonic levels. The decoding requires the reader's linguistic skills, literary competence, and personal experience. It involves an initial reading and a retroactive reading. At the first step, the reader attempts to supply elements missing in the text. Yet trying to interpret the text literally, he encounters problems in pragmatics, semantics, syntactics, or phonics, and is unable to grasp a coherent sense of the poem. Those problems give rise to a retroactive reading. At this step, the reader looks for a higher level of understanding where a unity of meaning can be identified. And by explaining the clues in the text according to his linguistic and literary competence, and revising his understanding on the basis of his new findings, he finally discovers a kernel concept, on which the whole text can be seen as a single unit, and every element, which first appeared to be puzzling, has a significative purpose. This semiotic model of interpretation has proven to be very fruitful in the explication of Tu Mu's poetry. It also enables the reader to appreciate the poetic discourse more thoroughly. Some of the ideas advocated by the model may also serve as principles for the translation of poetry. For example, in reading a poem, the model requires a search for unified pragmatic, semantic, syntactic, and phonic patterns, which convey the kernel concept. Thus, in translating a poem, the translator should also try to re-produce in the target language such unified patterns so that the reader may grasp the same kernel concept as contained in the original discourse. The model stresses implicities of poetry. Hence the rendition of a poem should preserve the implicities of the original text in order to invoke from the reader a response similar to what would be induced by the original poem.

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Walton, Jennifer Lee. "POLITICAL REELISM: A RHETORICAL CRITICISM OF REFLECTION AND INTERPRETATION IN POLITICAL FILMS". Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1143492027.

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Boyle, Amy L. "Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98914.

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This thesis compares two contemporary artists who practice institutional criticism, Marcel Broodthaers and Fred Wilson. Looking specifically at Broodthaers's fictional museum project the Musee d Art Moderne, Departement des Aigles from 1968-1972 and Wilson's 1992 installation Mining the Museum at the Maryland Historical Society, this thesis will critically analyze each artist's similar application of deconstruction as a method. Both artists employ allegory and history as aesthetic strategies of deconstruction; using allegorical structure, the artists mobilize objects that have been arrested in history, disrupting a historical continuum that would otherwise remain foreclosed. The focus of this study will be to explore the critical approaches of Broodthaers and Wilson individually as well as the similar theoretical tendencies of the artists jointly; this investigation will assess the effect of institutional criticism on the museum's present condition, unfolding both what has changed and what is still at play within this practice.

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Ezroura, Mohammed. "Criticism between scientificity and ideology : theoretical impasses in F.R. Leavis and P. Macherey". Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30697.

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While focussing on the metaphor of scientificity in Leavis's and Macherey's writings, this dissertation addresses other questions central to criticism, cultural theory, and the philosophy of science. Whereas Leavis opposes scientificity, Macherey proposes "scientific criticism" as imperative to theoretical practice. Between the two critics, scientificity reveals its major metamorphoses. This study is divided into four major parts. Part One situates the concept of scientificity in the modern debate between critics and philosophers of science. I compare their problematization of scientificity to the way this notion has been represented in literary criticism. The debate blurs the boundary between scientific and literary knowledge, and brings the question of ideology in scientific discourse to the fore. Scientificity is thus bound with ideology as an epistemological practice. Part two focusses on Leavis's rejection of scientificity. In three chapters here I investigate the significance of Leavis's definition of "organic culture," "civilization," "science," and "criticism." These are all rooted in Arnold's cultural paradigm, which privileges a traditional order. Leavis's opposition to "theory," "science," and "philosophy" problematizes his principles of "precision," "analysis," and "standards." His controversies with CP. Snow's scientism and with Marxism reveal his concern with theory and scientific epistemology. His defence of "ambiguity," and "impossibility of definition" also makes his framework confront a theoretical impasse that is revealed by a desire to theorize criticism—Leavis's duty towards society— and a fear of theory and science, perceived as destructive. Part Three, comprising three chapter, considers Macherey's scientific criticism. His notions of the "structure of absence" and "symptomatic reading" are central to his theorization of criticism, science, and ideology. These are formulated through Freud's categories of dream analysis, Saussure's notion of difference, and Althusser's conception of ideology. For Macherey, scientific criticism negates ideology. But his emphasis on "absence" as constitutive of scientificity brings his epistemology to a theoretical impasse that resembles Leavis's. Macherey's anchoring of meaning in economic structures, in ideology, and in Marxism as "science," problematizes his scientific project because it abandons "absence." Part Four concludes the dissertation by investigating ways in which Leavis and Macherey illustrate the importance of an epistemological phenomenon in literary studies: criticism's struggle with scientificity. Whether opposed or defended, scientificity has helped criticism to emulate the hegemonic discourse of science and to combat rival critical strategies. However, to dispel "scientific" delusions, criticism must scrutinize its affiliation with ideology both in scientific method and in theory.
Arts, Faculty of
English, Department of
Graduate

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Ktorides, Subha. "Canonical criticism : the canonical interpretation of Creation and Fall in milton's Paradise Lost". Thesis, University of Sussex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426264.

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Dicks, Henry. "Being and earth : an ecological criticism of late twentieth-century French thought". Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669967.

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Miles, Robert John. "El espíritu de la colmena and criticism : three interpretations and a theory". Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446505.

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Książki na temat "Criticisma and interpretation"

Walzer, Michael. Interpretation and social criticism. Cambridge, Mass: Harvard University Press, 1987.

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Fidora, Alexander, i Nicola Polloni, red. Appropriation, Interpretation and Criticism. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.tema-eb.5.114029.

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Scodari, Christine. Media criticism: Journeys in interpretation. Dubuque, Iowa: Kendall/Hunt Pub. Co., 1992.

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J, McGann Jerome, red. Textual criticism and literary interpretation. Chicago: University of Chicago Press, 1985.

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1952-, Black David Alan, i Dockery David S, red. New Testament criticism and interpretation. Grand Rapids, Mich: Zondervan, 1991.

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Claire, Gaard Greta, i Murphy Patrick D. 1951-, red. Ecofeminist literary criticism: Theory, interpretation, pedagogy. Urbana: University of Illinois Press, 1998.

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1956-, Porter Stanley E., red. Dictionary of biblical criticism and interpretation. London: Routledge, 2006.

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N, Devy G., red. Indian literary criticism: Theory and interpretation. Hyderabad: Orient Longman, 2002.

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B, Hardison O., red. Medieval literary criticism: Translations and interpretations. New York: F. Ungar Pub. Co., 1987.

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1952-, Tudeau-Clayton Margaret, i Warner Martin, red. Addressing Frank Kermode: Essays in criticism and interpretation. Houndmills, Basingstoke, Hampshire: Macmillan, 1991.

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Części książek na temat "Criticisma and interpretation"

Bogel, Fredric V. "New Formalist Interpretation". W New Formalist Criticism, 102–52. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137362599_4.

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Polka, Brayton. "Interpretation and the Bible: The Dialectic of Concept and Content in Interpretative Practice". W Hermeneutics, the Bible and Literary Criticism, 27–45. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-21986-5_2.

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Bonelli, Paolo, Giorgio Guidotti, Enrico Paolini i Giulio Spinucci. "Pacemaker Stimulation Criticism at ECG". W New Concepts in ECG Interpretation, 175–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91677-4_16.

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Cohen, Ralph. "Literary Criticism and Artistic Interpretation". W Reason and Imagination, 279–306. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222996-14.

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Wang, Fengzhen. "Marxist Literary Criticism in China". W Marxism and the Interpretation of Culture, 715–22. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_49.

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Capellmann, Herbert. "Later Criticism of the Copenhagen Interpretation". W SpringerBriefs in History of Science and Technology, 77–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61884-5_10.

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Mallinson, Jane. "Objects of Attention: The Literary Criticism". W T.S. Eliot’s Interpretation of F.H. Bradley, 23–34. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-0411-3_3.

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Amesbury, Richard. "Norms, Interpretation, and Decision-Making: Derrida on Justice". W Morality and Social Criticism, 46–64. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507951_3.

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Gutiérrez Pozo, Antonio. "Subjectivity and Transcendence: Husserl’s Criticism of Naturalistic Thought". W Man’s Self-Interpretation-in-Existence, 379–85. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-1864-1_30.

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Barrett, Michèle. "The Place of Aesthetics in Marxist Criticism". W Marxism and the Interpretation of Culture, 697–713. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_48.

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Streszczenia konferencji na temat "Criticisma and interpretation"

Al-dabbagh, Asma. "The Nature of Interpretation in Architectural criticism". W INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.256.

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The expressive systems in architecture consists of two components: the system of forms and the system of meanings, these systems are linked together by unwritten rules, which are a matrix of correlations / implications that determine any meanings associated with any forms. The designer remains unsure of the possible interpretations of his design, because of the variation in the nature of meaning, discovered by the recipient, and this stems from the variation of reliance on the theory of interpretation in this regard. Many studies of architectural semiology indicate some of these theories; Classical theory believes in the natural meaning, which influenced by form's geometry, Pragmatic theory believes in the common meaning, which stems from the use of form within different contexts and according to social custom. The research attempts to explore the aspects of interpretation adopted by two critics, in order to determine the theory adopted by them, so the designer will be aware to the nature and type of meaning comprehended by viewers. The results showed the adoption of common and inclusive meanings, also showed the variation in the role of architectural Expressions in confirming or multiplying the meaning, influenced by contexts and signal types. The conclusion emphasized the importance of historical references, stylistic trend, and spatial contexts in form interpretation.

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"Interpretation of "Wuthering Heights" from the Perspective of Eco-criticism". W 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.126.

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Kenyhercz, Róbert. "Interpretation of data and sources in etymological research". W International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.

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The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the interpretation of the data. I will show some examples illustrating that – in certain cases – we have to take into account the nature of the sources in the reconstruction of the genesis of place names. My goal is to offer a brief outline of this issue through my own investigations.

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Verner, Inna. "The legacy of Maximus the Greek in the biblical revision of Euthymius Chudovsky (1680s)". W Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.04.

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The paper explores the use by Euthymius Chudovsky of Maximus the Greek’s achievements in the linguistic revision of biblical texts. Correction and translation of the New Testament by Euthymius in the 1680s demonstrates not only the appeal to the texts translated by Maximus as language patterns, but also the development of his philological criticism of the text of Holy Scripture and its interpretation.

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Aravot, Iris. "An Attempt at Making Urban Design Principles Explicit". W 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.42.

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Since its rise as an autonomous field in the seventies, Urban Design has been a conglomerate of diverse concepts and value outlooks.The present approach, which is an a posteriori propositional expression of applications in actual practice and education, presents both theory and method by means of ten points. The approach is basically generated by formal considerations, thus originating in and focussing on aspects which cannot be expressed through theory and methods of other disciplines. It starts with systematic, conventional and objective studies which are then connected to a system of manipulations – the rules of game – which emphasize interpretation and are clarified by narrative and formal metaphors. The ‘rules of game’ set a framework of no a priori preferred contents, which is then applied according to local characteristics, needs and potentials. This conceptual – interpretative framework imposes a structural, consistent and hierarchical system on the factual data, so as to assure the realization of two apparently opposed values: (1) unity and phenomenological qualities and (2) free development and unfolding of the design that .The propositional expression of the approach aims at its exposure to explicit evaluation and criticism.

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Aslandogan, Y. Alp. "PRESENT AND POTENTIAL IMPACT OF THE SPIRITUAL TRADITION OF ISLAM ON CONTEMPORARY MUSLIMS: FROM GHAZALI TO GÜLEN". W Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/mnsp5562.

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Western analysts of trends in the contemporary Islamic world often overestimate the impact of contemporary Sufi orders and/or underestimate the impact of the spiritual tradition of Islam. Among the elements of the spiritual tradition conducive to religious pluralism is the ‘mirror’ concept: every human is seen as a mirror of God in three aspects: reflecting the at- tributes and names of God as His work of art, reflection through dependence on God, and reflection through actions God commands or commends. Since only the last aspect is vol- untary, every human, regardless of creed, is a mirror of God in at least the first two aspects. This is a potent argument for peaceful coexistence in religious diversity. The perspective of the spiritual tradition is emphatically inclusive and compassionate and naturally lends itself to non-violence, going beyond mere tolerance to hospitality and friendship. There are impor- tant impediments that prevent this perspective from having a greater impact: (1) the literalist opposition to flexible interpretation of concepts from the Qur’an and the Prophetic tradition, and the wide definition of innovation or heresy (‘bid`a’); (2) deviations of some Sufi orders and subsequent criticisms by orthodox Muslims; and (3) the impact of the politicisation of religion by some groups and political moves by certain Sufi orders. This paper argues that the only approach that has a chance of influencing the majority of contemporary Muslims in positive ways without being open to criticism is the ‘balanced’ spiritual tradition, after the style of the Companions, sometimes called tasawwuf, which strives to harmonise the outer dimensions of Islamic law and worship with the inner dimen- sion of spiritual disciplines firmly rooted in the Qur’an and Prophetic tradition. This paper will present an analysis of this ‘balanced’ spiritual tradition in Islam, from Ghazali, through Rumi, to Gülen.

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Fateeva, I. "“AN EVERLASTING DAY” (IN RELATION TO THE PAINTING “HUNTERS IN THE SNOW” BY PIETER BRUEGEL)". W Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2554.978-5-317-06726-7/93-96.

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The article gives an aesthetic interpretation of the art criticism judgment - “An everlasting day” in relation to the painting “Hunters in the Snow” by the Dutch artist, representative of the Northern Renaissance (16th century) Pieter Bruegel (Muzhitsky). In the context of the ideas of phenomenological aesthetics, the type of painting is determined, a conclusion is made about the applicability of the considered judgment to paintings of a certain type, examples of such works from Russian art are given.

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Xu, Manyan. "A New Interpretation of Chinese Versions of Stray Birds Based on Reiss's Translation Criticism A Case Study of the Translations by Feng Tang and Zheng Zhenduo". W Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.128.

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Birkeland, Jennifer, Jonathan A. Scelsa i John Paul Rysavvy. "The Lawn Game: Programming the Non-Static View". W 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.29.

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In his article, “Is Landscape Architecture?,” David Leatherbarrow describes a critical transformation in the modern construction of ground away from a tradition of a singular vantage as a constructed image. Leatherbarrow writes, ‘no interpretation has come under more forceful criticism... Instead of images or pictures, contemporary landscapes are intended to offer effects, which are not matters of form, but the visible aspects of operations.” He suggests the practice of landscape as an image was rejected in the modern era because it falsified the “terrain as static...neglecting the fact that it is always inescapably developmental, dynamic or metabolic in character.” Leatherbarrow draws attention to the contemporary critique of the pre-modern landscape designer, whose interest in the pictorial ignored the alive and ever-changing nature of vegetation and earth. Hence the contemporary landscape designer decries the notion that landscape should demonstrate itself as driven by life and death — in the form of ecology on a site, or of social programming that would bring form to design. As such, the discipline of landscape during the modern era formed an indictment on practices of designing through the use of a picture plane and stationary view point in favor of a planometric organizations of ground effects.

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Dima, Gabriela E. "THE LIBRETTO OF CAVALLERIA RUSTICANA, POETIC RENDITION OF GIOVANNI VEGA�S STORY". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs10.18.

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The libretto of Cavalleria rusticana, the well-known opera by Pietro Mascagni, was written by Giovanni Targioni-Tozzetti and Guido Menasci, who reduced to melodrama a play by Giovanni Verga, in its turn a dramatization of a short-story with the same title he had previously written. Our investigation focuses on the libretto as a literary text to be analysed in comparison with its prose sources. We propose an in-depth analysis of the similarities and differences between the libretto and the play, in an attempt to understand the reasons for the changes operated by the two librettists. The necessities of the melodramatic genre and their non-Sicilian origin lead to a diverse comprehension and interpretation of Verga�s ideas, freely transposed into the libretto. The achievements of the two librettists are not to be ignored, especially if taking into account they were the first in Italy to propose an unconventional subject inspired from the real life of the petty people. Despite the criticism against some of their solutions, we could notice that their choices concerning the literary style, the language, the construction of the characters led to a new perspective and convey a more universal meaning that has assured the success of the opera in time.

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Raporty organizacyjne na temat "Criticisma and interpretation"

Kelly, Luke. Emerging Trends Within the Women, Peace and Security (WPS) Agenda. Institute of Development Studies (IDS), styczeń 2022. http://dx.doi.org/10.19088/k4d.2022.019.

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This report has identified emerging issues within the women, peace and security (WPS) agenda. Climate change has long been identified as a key cross-cutting issue and several potential avenues for WPS policy are identified. Other issues such as artificial intelligence (AI) have been highlighted as potentially relevant, but relatively little discussed with respect to WPS. The WPS agenda focuses on addressing the gendered impact of conflict and seeking to prevent conflict through increased women’s participation. In this report, WPS is understood as a body of UN Security Council resolutions (UNSCRs) and state national action plans (NAPs) labelled as WPS; as well as other UN and state policies using the language and ideas of WPS; and actions and ideas produced by civil society and academics inspired by the United Nations (UN) agenda or sharing ideas with it. The report focuses on new and emerging issues identified by academics and policymakers as relevant to the WPS agenda. Emerging trends and issues are broadly understood as: • Parts of the WPS agenda that are increasingly part of policies formulated by the UN, member states or civil society actors. • Parts of the WPS agenda that scholars or policymakers think have been neglected or not implemented sufficiently. • Re-interpretations of the framing of the WPS agenda. • New areas to which it is argued WPS should be applied. • Parallel international policy agendas with conceptual or legislative overlap with WPS. Emerging trends and issues are discussed with reference to their status in policy and implementation; normative debates about their place in the WPS agenda; and evidence on their implications for and applicability to certain contexts. The report does not seek to predict or assess the future trends or their relative importance, beyond highlighted existing interpretations of their status, implementation and potential implications. The report discusses a variety of emerging issues. These include issues where the WPS agenda has already been applied, but where its implementation –or lack thereof – has been criticised, such as in counterterrorism and arms control, or the conceptualisation of gender. The ability of WPS instruments to address changing forms of conflict has also been criticised. Issues to which it is argued that WPS should, and could, be applied more thoroughly, such as gang violence and trafficking, are discussed. The report includes new fields such as cybersecurity and AI, about which there is relatively little literature linked to WPS, but agreement that it may be relevant.

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